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There is nothing like a slow heartfelt blues to master new ideas. This twelve bar blues in G can be used with both G major pentatonic and G minor pentatonic. Develop short ideas and try to create a story with your lead.
Jam with G minor or major pentatonic, G minor bluesThere is nothing like a slow heartfelt blues to master new ideas. This twelve bar blues can be used with both G major pentatonic and G minor pentatonic. Develop short ideas and try to create a story.
Jam with B minor pentatonic, B Major pentatonic.This slow blues in F# minor is the perfect musical bed for you to develop new ideas. Experiment with chromatic passages as you develop ideas all across the fretboard.
Jam with F# minor pentatonic, F# Dorian, F# minor blues.This slow blues will help you create new blues licks. Be as precise as you can with your bends and keep your ideas simple.
Jam with B minor pentatonic, B major pentatonic, B minor blues, B major blues.This jamtrack inspired by the great Stevie Ray Vaughan should help you master new bluesy licks. Make sure your rhythm placement is impeccable!
Jam with Eb minor pentatonic, Eb minor blues, Eb Dorian.This backing track inspired by BB King's "The Thrill is Gone" is a perfect way to develop new melodic ideas using the minor blues scale.
Jam with A minor pentatonic, A Aeolian, A minor blues.We offer over 700 backing tracks available with full tab, track information, and downloadable MP3! Get started with JamPlay today, 100% free of charge.
This track uses a simple E major scale to get its sound with a few twists here and there. The synth emphasizes the 9th scale tone quite a bit so playing over an Emaj9 arpeggio works nicely.
Jam with E Major, A LydianExperiment with the Aeolian mode, Dorian mode, the minor pentatonic, and minor blues scale. Try mixing them together to develop new ideas.
Jam with G Aeolian, G Dorian, G minor pent, G minor bluesPractice slow melodic phrasing, add some rhythm guitar of your own, or create a solo of epic proportions with this track! It's slow and wide open, so stretch out and... GO.
Jam with B minor, B harmonic minorThis tuneful track features an A and B section. The first progression (section) consists of the following chords: G, D, and Cadd9. The second section modulates to the relative minor of G, E minor.
Jam with G major/pentatonic to E Aeolian/pentatonicThis Jamtrack features a single vamp played in the G# Dorian tonality. The vamp consists of a simple i7 to IV7 progression. Relative to G# Dorian, these chords are G#m7 and C#7.
Jam with G# Dorian, G# minor pentatonic, G# minor bluesThis 70's rock backing track is the perfect musical bed to develop new blues rock ideas. Use B Aeolian and B minor pentatonic here and be sure to stay musical!
Jam with B Aeolian, B Minor PentatonicFocus on melody! Approach this song as a singer would and create melodic themes. Try to get away from thinking in terms of scale shapes and be musical!
Jam with D major, D major pentatonicRemember that you can use the major pentatonic to replace the full diatonic major scale. Use your ears as you develop new themes as you begin to memorize the track.
Jam with C major, C major pentatonicFiddle along with a heavy groove. The track opens with a violin line in the key of E Mixolydian followed by a short solo demonstration in Em pentatonic.
Jam with E Mixolydian, Em PentatonicHere is another epic Country track in B. Keep your lead simple and melodic and experiment with bends to create a pedal steel like theme. Make sure to bend to your target pitch!
Jam with B Major PentatonicThis massive, beefy track features an intro, an A section, a B section, and an outro. Focus on the progression and chord changes to nail the key signatures!
Jam with A minor (blues, pent) to G major (blues, pent)A lick derived from the A major pentatonic scale kicks off this track and is followed by the main section, which is labeled "A Section" in the accompanying transcription.
Jam with A major (blues, pent) to G major (blues, pent)Here's a track in the style of the metal band, Slipknot. The guitars are tuned to Drop A on seven string guitar, but you can jam on this track with 6 strings no problem!
Jam with D Phrygian to A Phrygian to Various Whole ToneHere's a simple, short chugging track on the open A for you to jam over. Any scale with an A root will work, except for the B section, which will modulate to a new tonality.
Jam with anything in A, then to A LydianThis mid tempo track will stretch your modal fingers, as well as your brain. It's also a good tempo to warm up with various runs and picked lines!
Jam with F# Phrygian, F# Minor PentatonicPractice your riffing and switching between many minor sounding scales over this comfortable tempo and rich harmonic structure! Be melodic in your playing.
Jam with E Minor, E Phrygian, E Harmonic MinorWe offer over 700 backing tracks available with full tab, track information, and downloadable MP3! Get started with JamPlay today, 100% free of charge.
This is a simple jazz feel that focuses on modulating ii V I progressions, a common jazz chord progression structure. Working with this track will help you when playing along to songs like Autumn Leaves.
View notes below for scale informationThis is the most basic form of the quote "jazz" blues. In this blues format, the IV7 (Eb7) chord is played in bar 2. This sets up a turnaround back to the tonic chord, which occurs in bar 11. Finally, a turnaround is placed in bar 12.
View notes below for scale informationMany up-tempo tunes in the swing and bebop styles utilize a harmonic form known as "rhythm changes." These chord changes are based on the changes to the George Gershwin tune "I Got Rhythm." Rhythm changes are played with a thirty-two bar song form.
View notes below for scale information
So that is all! Hopefully you enjoy these tracks and we look forward to providing premium, outstanding content for you in 2015. We hope you have a Happy Holiday season! Whenever you want to rock out, or improve your playing, we are always here and ready to help.
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