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Techniques - Wide Form Pentatonics Guitar Lesson

Home > Guitar Lessons > Artists > Emil Werstler Artist Series > Techniques - Wide Form Pentatonics
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Emil Werstler

Techniques - Wide Form Pentatonics

Emil shows you a different way to play the pentatonic scale by combining boxes and playing in groups of 4.

Taught by Emil Werstler in Emil Werstler Artist Series seriesLength: 6:26Difficulty: 5.0 of 5
  • Wideform - Roadmap
  • Wideform - Descending
  • Wideform - Ascending
  • Wideform - Master Example
  •  



Supplemental Learning Material

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Member Comments about this Lesson

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johnnyrockitjohnnyrockit replied on June 15th, 2012

Whoah! Thanks for this gotta lot of work to do!

craul87craul87 replied on October 5th, 2011

Is it just me or is the Ascending patter harder than the descending? I find the you need a weirder type of fingering to make it work right? any1 else notice this?

craul87craul87 replied on October 5th, 2011

nvm..seen how he does the ascending part... It's kinda hard for me to roll up on my finger to play the lower note on the same fret... desc it's no prob cuz it a more natural motion but asc I have to use a weirder fingering to make it work for me

bluesrunbluesrun replied on September 2nd, 2011

I love this sequence in D Monor pentatonic. I enjoy moving the total pattern from key to key. Very useful even for an old blues player like me -- not just you metal guys!

bluesrunbluesrun replied on September 2nd, 2011

This is a neat sequence for D Minor pentatonic. I had fun moving it around -- ie up 2 frets for E Minor pentatonic. I had come across this pattern before from another source, Neat how things link up!

ry_naylorry_naylor replied on October 17th, 2009

I know these lessons are geared to metal playing but do they always have to be tuned down a step?! It would be much easier to follow the examples without having to change our own tuning. Loving the lessons apart from that.

wayne66wayne66 replied on April 3rd, 2010

Since he dropped all stings equally and since pentonic scales are patterns on the fretboard, you don't have to change your tuning... The patterns still work, you are just playing in a different key. For example, the master example supplemental played with standard tuning has you playing D minor pentatonic starting at the 5th position then moving into the 1st position. With his tuning, I believe he's playing a C minor pentatonic. sometimes some strings are dropped while others are not... then it's more difficult to translate to standard tuning.

J.artmanJ.artman replied on October 17th, 2009

You don't have to be tuned down to do these exercises. Just apply them to Standard Drop-D tuning.

ry_naylorry_naylor replied on October 18th, 2009

That's my point! I don't like to have to be in standard drop D to play along with the lessons. This is an issue that users have across the board.

ayeraaustayeraaust replied on March 3rd, 2010

just have multiple guitars tuned to different tunings. it sure is a major pain have to changes tunings all the time

J.artmanJ.artman replied on October 18th, 2009

Whats the problem with being in Drop D? Its not like its going to wack your intonation out of position.

ry_naylorry_naylor replied on October 19th, 2009

It is a problem when you have your Floyd Rose set to 440 tuning.

J.artmanJ.artman replied on October 19th, 2009

Ah yes, why didn't you mention you had a floyd rose? Now I see where your coming from. If thats the case I agree with you, I can imagine it being frustrating having to retune your guitar when you have a floyd rose.

Kris.NorrisKris.Norris replied on October 19th, 2009

its actually not very hard to set up a floyd to where the fine tuners can be utilized to drop the bottom string only....Its quite simple to show someone very difficult to explain it though!

tangohuntertangohunter replied on October 17th, 2009

Glad you said it....

souldksouldk replied on November 30th, 2009

there is a prob in the sub content cause the master exercise isn't there... pls would u update it soon..

gone workingone workin replied on October 19th, 2009

What happened to Lesson 3? His series goes 1, 2, 4. Is the missing lesson the one wherein he teaches the arcane alchemical metallurgy of turning strings of nickel into gold and platinum? The quest begins. . .

cdawsoncdawson replied on October 19th, 2009

Supplemental has been updated by Emil, and posted today (10/19).

metalheadmclovinmetalheadmclovin replied on October 16th, 2009

Okay this is cool and all but what he is explaining and what you guys have for the supplemental content isn't the same.

cdawsoncdawson replied on October 16th, 2009

Thanks, sent him a message concerning the notation.

tangohuntertangohunter replied on October 16th, 2009

At 2:20 of the lesson I was looking at the supplemental content..when my head exploded...wow.

obldaveobldave replied on October 16th, 2009

Greetings.....preety cool!

Emil Werstler Artist Series

Found in our Beginner Lesson Sets

Tackle advanced playing techniques and theory application with metal talent, Emil Werstler.



Lesson 1

Interview Part 1

JamPlay is proud to introduce our newest instructor, Emil Werstler of Daath.

Length: 28:09 Difficulty: 0.5 Members Only
Lesson 2

Techniques - Down Picking Endurance Exercises

In Emil's first lesson, he teaches his down picking technique using a riff from "Ovum," a song by his band Daath.

Length: 5:10 Difficulty: 5.0 Members Only
Lesson 3

Techniques - Bending and Vibrato

Emil teaches how to practice bending. He also demonstrates various vibrato techniques and explains how to incorporate them into your playing.

Length: 12:09 Difficulty: 3.5 Members Only
Lesson 4

Techniques - Wide Form Pentatonics

Emil shows you a different way to play the pentatonic scale by combining boxes and playing in groups of 4.

Length: 6:26 Difficulty: 5.0 Members Only
Lesson 5

Techniques - Switching Gears From Sweeping To Alternate Picking

Emil shows three example exercises that focus on sweeping up and descending alternate picking.

Length: 6:23 Difficulty: 5.0 Members Only
Lesson 6

Techniques - Economy Picking The Little Lamb (On Acid)

Emil shows exercise examples on 2 string licks that feature economy picking.

Length: 6:14 Difficulty: 4.0 Members Only
Lesson 7

Emil Werstler Interview Part Two: Daath

Emil Talks about his band Daath. Topics covered include the history of the band, the writing process, ozzfest, and more.

Length: 32:44 Difficulty: 0.5 Members Only
Lesson 8

Techniques - One String Soloing Concepts

Emil teaches one string, horizontal soloing concepts.

Length: 4:54 Difficulty: 4.0 Members Only
Lesson 9

Techniques - Pitch Axis

Emil teaches the concept of pitch axis.

Length: 8:05 Difficulty: 3.5 Members Only
Lesson 10

About Emil's PRS guitar

Emil sat down and gave us a little bit of history about his main guitar and also some of the specs.

Length: 10:00 Difficulty: 0.5 Members Only
Lesson 11

Interview Part Three

Emil talks in depth about various topics including theory, goals and balance in your playing, getting out of a rut, his influences and more.

Length: 29:23 Difficulty: 0.5 Members Only
Lesson 12

Horizontal Lick Building Part One - Minor Idea

This minor idea lesson is the first part in the five part mini series on horizontal lick building.

Length: 4:58 Difficulty: 4.5 Members Only
Lesson 13

Horizontal Lick Building Part Two - Major Idea

Here is the second lesson in the mini series of lessons on horizontal lick building. Emil shows you the Major idea here.

Length: 4:53 Difficulty: 4.5 Members Only
Lesson 14

Horizontal Lick Building Part Three - Pentatonic Idea

In this lesson Emil shows you a horizontal pentatonic lick that you can cycle.

Length: 5:00 Difficulty: 4.5 Members Only
Lesson 15

Horizontal Lick Building Part Four - Dominant Idea

Emil Werstler shows the fourth lick in this mini series of lessons. This lick is dominant in quality.

Length: 5:03 Difficulty: 4.5 Members Only
Lesson 16

Horizontal Lick Building Part Five - Master Idea

In part five of the lick building series Emil puts all the ideas together to create this master example.

Length: 6:11 Difficulty: 4.5 Members Only
Lesson 17

Style - Pentatonic Chromaticism

Emil shows you how he incorporates chromaticism into pentatonic licks which adds a unique twist.

Length: 9:30 Difficulty: 4.5 Members Only
Lesson 18

Style - Diminished Chromaticism

Emil shows how he incorporates chromaticism into some diminished runs and licks which really makes for some exotic sounds.

Length: 4:30 Difficulty: 4.5 Members Only
Lesson 19

Interview Part Four - Playing And Performance

Emil covers different topics related to playing and performance in this interview segment.

Length: 22:33 Difficulty: 0.5 Members Only
Lesson 20

2010 Interview

Emil talks about what he accomplished in 2010 and his new batch of lessons.

Length: 15:34 Difficulty: 0.5 Members Only
Lesson 21

The Importance Of Alternate Picking

Emil provides a lesson on alternate picking warm-up exercises.

Length: 16:32 Difficulty: 1.5 Members Only
Lesson 22

Chord Scales

Emil talks in depth about the concept of "chord scales" and how they can be applied to a practical musical context.

Length: 15:39 Difficulty: 4.0 Members Only
Lesson 23

Jazz Up Your Pentatonics

Emil explains how the use the pentatonic scale without sounding "pentatonic" or bluesy.

Length: 16:16 Difficulty: 2.0 Members Only
Lesson 24

What You Can Do With Triads

Emil takes an in depth look at triads.

Length: 9:44 Difficulty: 2.0 Members Only
Lesson 25

The Changes: Part One

In this lesson, Emil explains how arpeggios can be used within a solo to effectively outline the chord changes. He uses the 12 bar blues form as an example.

Length: 31:27 Difficulty: 4.0 Members Only
Lesson 26

The Changes: Part Two

Emil continues to discuss how arpeggios can be used effectively within a solo.

Length: 12:08 Difficulty: 4.0 Members Only
Lesson 27

More Wideform Pentatonics

Emil expounds upon his previous lesson on "wide form" pentatonic patterns and the licks that can be played within them.

Length: 16:03 Difficulty: 3.5 Members Only
Lesson 28

Convenient Chromaticism

Emil shows more ways to incorporate chromaticism into your playing.

Length: 13:21 Difficulty: 3.0 Members Only
Lesson 29

Alternative Chords For Metal Part 1 - Standard Tuning

Emil demonstrates some ways to bust out of the power chord rut with some creative voicings that work well with a high gain tone.

Length: 22:11 Difficulty: 3.0 Members Only
Lesson 30

Alternative Chords For Metal Part 2 - Drop D Tuning

Emil continues his teachings on alternate chords for metal with a look at drop tunings.

Length: 14:28 Difficulty: 2.5 Members Only
Lesson 31

Drop D Warmups

Emil covers his current warmups that he uses before he goes on stage with his band, Daath.

Length: 6:17 Difficulty: 3.0 Members Only
Lesson 32

Minor Blues Concepts

Emil covers minor blues concepts.

Length: 14:33 Difficulty: 3.0 Members Only
Lesson 33

Adding Style To Your Octaves

Emil shows how some of his favorite players use octaves in their own unique way.

Length: 9:05 Difficulty: 2.5 Members Only
Lesson 34

Pickless Chord Comping

Emil demonstrates some fingerstyle comping techniques that can be applied to a 12 bar blues progression.

Length: 7:42 Difficulty: 4.0 Members Only
Lesson 35

Emil-isms

Emil takes you through some techniques that he uses frequently in his style of playing.

Length: 24:36 Difficulty: 4.0 FREE
Lesson 36

Percussive Muting Techniques

Emil shows some cool muting techniques that produce a unique percussive sound.

Length: 7:57 Difficulty: 4.0 Members Only
Lesson 37

Rock & Roll Cliches That Need To Stop

Emil talks about what it takes to be a rock musician.

Length: 30:00 Difficulty: 0.5 Members Only

About Emil Werstler View Full Biography Atlanta based guitarist Emil Werstler is a force to be reckoned with. He is the lead guitarist of the band DAATH (Roadrunner Records / Century Media) and has made a serious name for himself in the guitar world in a very short time. Performing worldwide with his main project DAATH on notable tours such as Ozzfest and along side well established acts such as Unearth, Devil Driver, Dark Funeral, and Job For A Cowboy, Emil continues to gain strength and credibility as one of the most sought after guitarist's in his genre to date.

Recent projects Emil has been featured on, include Austrian Death Machine and guest solo's on "Guitars That Ate My Brain", a 2009 release from Magna Carta Records as well as Arsis's album United in Regret. In addition, Emil was one of the few featured artist's asked to perform at the Experience PRS 2008, a great feat for a guitarist in his scene.

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