Online Video Guitar Lessons
  • Call Us at 1-877-999-4JAM
  • Home
  • Lessons
  • Features
  • Teachers
  • Live
  • Signup

New Chords and Keys Guitar Lesson

Home > Guitar Lessons > Beginners > Basic Guitar with Jim > New Chords and Keys
  • About
  • Comments
  • About this Series
  • Free Lessons
  • Membership
Jim Deeming

New Chords and Keys

In this lesson Jim Deeming will teach you more chords, which in turn gives you the ability to play in different keys. This is a very useful lesson.

Taught by Jim Deeming in Basic Guitar with Jim seriesLength: 19:08Difficulty: 1.5 of 5
Chapter 1: (00:35) Lesson Intro Get tuned up and ready for a new lesson! Jim Deeming provides a brief fingerstyle performance in this introduction scene.
Chapter 2: (18:38) Chords and Keys Lesson Objectives

-Learn the remaining chords in the "CAGED" system. The CAGED system refers to the most commonly used chords in first position. Each letter stands for a specific major chord. At this point, Jim has discussed the G, C, and D chords. In the current lesson, you will learn the A major and E major chords. The visual fretboard shapes that are used to play the CAGED chords will later be converted into movable barre chord voicings.

-Learn how chords relate to one another within a specific key.

-Apply these concepts to some basic chord progression exercises in the keys of D and A major.

Review

At this point in the series, Jim has demonstrated three chord shapes - G, C, and D. By now, you should feel very comfortable with these chords. Remember which strings are strummed within each chord. All six strings are strummed in the G chord. The sixth string is omitted from the C chord. The D chord omits the sixth and fifth strings.

You should also be able to apply these chords to the various strumming patterns discussed in the last two lessons. Remember that rhythm is the most important aspect when playing an accompaniment pattern. You absolutely must be able to perform these exercises in time with a metronome. If you have not yet succeeded in this task, keep practicing!

Primary Triads (I, IV, and V Chords)

There are three primary triads that outline the harmonic structure of each major key. A "triad" is a chord that contains three distinct pitches. The primary triads for a major key comprise the most common type of chord progression used in Western music. This progression is referred to as the I, IV, V progression.

The G, C, and D chords are the primary triads in the key of G major. The primary triads are built from the first, fourth, and fifth scale degrees of the major scale that shares the same letter name. For example, when referring to the key of G major, the G, C, and D chords are derived from the first, fourth, and fifth scale degrees of the G major scale. The G major scale is spelled as follows: G, A, B, C, D, E, F#, G.
A Roman numeral can be applied to each note in the scale based on its order. Study the list below:

G: I
A: II
B: III
C: IV
D: V
E: VI
F#: VII
G: I

As you can see, G, C, and D are the I, IV, and V scale degrees within the G major scale. The primary triads are built from these scale degrees. When referring to these chords in the context of G major, the G, C, and D chords are labeled with Roman numerals I, IV, and V respectively.

Using Roman numerals in place of chord letter names has one specific advantage. Roman numerals show the relationship between chords regardless of a specific key. Consequently, they are frequently used when transposing a chord progression to a new key.

I, IV, and V Chords in D Major

Jim applies these concepts to the key of D major at 04:10 in the lesson video. The D major scale is spelled as follows: D, E, F#, G, A, B, C#, D. The corresponding Roman numeral for each scale degree is listed below.

D: I
E: II
F#: III
G: IV
A: V
B: VI
C#: VII
D: I

Thus, in the key of D major, the I, IV, and V chords are D, G, and A respectively.

At this point, you have already learned the D and G chords. Now it's time to learn the A chord.

A Major Chord

This chord features two open strings and three fretted notes. Both the fifth string and the first string are played open. The low sixth string is omitted from the A chord. The first finger frets the note E at the 2nd fret of the fourth string. An A root note is fretted by the second finger at the 2nd fret of the third string. Finally, the third finger frets the note C# at the 2nd fret of the second string.

Alternate Fingerings for the A Chord

All of the possible fingerings for A major that are detailed in this lesson are perfectly acceptable. Each fingering has its own advantages. The appropriate fingering is dependent upon the other chords that are used in a progression.

Fingers 2, 3, 4

Within this fingering, the fifth and first strings are still played open. The fretted notes occur in the same locations as well. However, an alternate fingering is applied to the fretted notes. Now, the second finger frets the note at the 2nd fret of the fourth string. The A root note on the third string is fretted by the third finger. Finally, the note on the second string is fretted by the pinkie finger. Jim finds this fingering to be the most comfortable due to the size of his fingers.

When first learning this fingering, place the fingers on the fretboard in this order: 4, 2, 3. It is usually easiest to fit these fingers into a small, compact area when they are placed on the fretboard in this order.

Fingers 2, 1, 3

The fretted notes within the A chord are now fretted by the second, first, and third fingers respectively. The vast majority of guitarists find this fingering to be the most comfortable.

Potential A Chord Problems

The A chord typically gives beginning guitarists some problems. Three fingers must be crammed into the space of a single fret. This is especially challenging for adult guitarists with large hands. Others have problems producing a clear tone with the open E string. Remember the proper left hand guidelines from lessons 5 and 6. Fret the notes with the very tips of the fingers. Arching the wrist outwards will help with this technique. Also, keep your fingernails as short as possible.

Chord Change Exercises

Practice switching back and forth between the A chord and the other chords that you have already learned. Experiment with each fingering for the A chord within this exercise. When switching from D to A for example, the 2, 1, 3 fingering works the best, because the first finger does not have to move. Always use the fingering option that requires the smallest amount of left hand movement.

Key of D Exercise

This exercise utilizes the I, IV, and V chords in the key of D major (D, G, and A). Each chord is strummed in quarter notes for one measure. Within each measure, the lowest root note of the chord is picked on beats 1 and 3. The remaining strings in the chord are strummed with downstrokes on beats 2 and 4.

Remember to practice all chord progression exercises with a metronome! Tap your foot along with the beat to internalize the pulse. Also, count the beat out loud.

E Major Chord

The E major chord is the last to learn in the CAGED system. This chord is actually one of the easiest to play in the entire guitar vocabulary.

All six strings are strummed within an E chord. The sixth, second, and first strings are played open. The second finger frets the note B at the 2nd fret of the fifth string. The third finger frets an E root note at the 2nd fret of the fourth string. Finally, the first finger frets the note G# at the 1st fret of the third string. There are no alternate fingerings to learn for this chord.

Chord Change Exercises

Practice switching back and forth between the E chord and the other chords that you have learned. When switching from E to A for example, the 2, 1, 3 fingering and the 2, 3, 4 fingering work best for A. These fingering options require the least amount of left hand movement.

Key of A Exercise

This exercise features the I, IV, and V chords in the key of A major (A, D, and E). Each chord is strummed in quarter notes for one measure. Within each measure, the lowest root note of the chord is picked on beats 1 and 3. The remaining strings in the chord are strummed with downstrokes on beats 2 and 4.

Function of the Primary Triads

Each of the primary triads carries out a specific function. The I chord, or tonic chord, serves as a musical home base. The IV chord typically returns to the I chord or precedes the V chord. The V chord typically returns back to the I chord. Jim demonstrates a common progression in the lesson video that exhibits these concepts. In the key of A major, this progression features the following chord changes: I, IV, I, V, I, IV, V, I (A, D, A, E, A, D, E, A).
  • Lesson Exercises
  •  
  • A Major Chord
  • A Major Chord (Alt Finger)
  • G Major Alternate Fingering
  • G Major Chord
  • D Major Chord
  • C Major Chord
  • A Major Chord (1 Finger Barre)
  • A Major Chord
  • E Major Chord
  •  



Supplemental Learning Material

Select

Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


tarocattarocat replied on December 30th, 2012

My mistake. My comments below belong to the next lesson, "Let's Play"

tarocattarocat replied on December 29th, 2012

This seems to be a really good beginning guitar series even if jim doesn't respond any more. This lesson is a big jump ahead in skill level to play chord changes that can keep up with Jim's melody. Only way I have a chance is to play a "simple G" (one finger on fret 3, 1st string, strum bottom 4) otherwise I would be stuck on this lesson for a long, long time and I pay quarterly.

maedimaedi replied on November 13th, 2012

Great Lesson! thanks for the caged, key finger illustration, it made sense.

esharp045esharp045 replied on September 7th, 2012

I use my index finger to depression strings 4 & 3 and my middle finger to depress string 2 (2nd fret) for the A chord. Is this a problem?

TampaTonyBTampaTonyB replied on July 4th, 2012

Jim, as a trumpet player for 40 years, my right thumb and pinky did nothing but hold the trumpet in place. The first three fingers did all the work. Now , as a lefty guitar player, my right pinky is rebelling against independent movement. I know the answer is the same as "How do you get to Carnegie Hall....PRACTICE! Your lessons and repetition are finally starting to get it to work. Thanks for all the invaluable info you dish out in every lesson.

BuffyLOLBuffyLOL replied on April 9th, 2012

This was a very helpful lesson, thanks Jim. You are a great teacher!!!

rudy_123rudy_123 replied on April 5th, 2012

jIM JUST WANTED TO SAY THANK YOU YOUR a great teacher. Your demonstration on the A chord has helped me a great deal, and you lesson on tuning was right on. I use an electronic tuner and have had trouble with tuning until you mentioned dampening the other strings. Wow it worked great I was able to tune my guitar perfectly for the first time. Thanks again for being such a great teacher , and I am looking foward to all the next lessons with great higher hopes of finaly learning to play.

daytonadaytona replied on February 1st, 2012

This lesson was worth my $20 bucks this month.

karlmmmkarlmmm replied on January 18th, 2012

help me out here. in the practice exercise, are we up strumming on the D A C cords?

hilaryhilary replied on October 25th, 2010

I'm really having trouble wrapping my brain around the concept of playing in different "keys" (can you tell I have a background in music?). Someone 'splain it to me, please!

robyalerobyale replied on November 11th, 2011

You probably have heard that an octave is divided into 12 semitones. The semitones are essentially evenly spaced throughout the octave. When you play a major scale in any key, you start on a particular note and play 7 of the 12 semitones, starting and ending on the same note name. Here is an example of the 12 tones starting and ending on C. We don't count the higher C among the 12, since it is the start of the next 12. C, C#, D, D#, E, F, F#, G, G#, A, A#, B, C To make a C scale, we will choose the following notes: [C], C#, [D], D#, [E], [F], F#, [G], G#, [A], A#, [B], [C] Note that there is no extra note between E & F, and B & C. When the notes have an extra semitone between them, the interval between the notes is called a tone. When there is no extra note, the interval is a semitone. Here is the pattern for building a scale in any key. And by key, I mean whatever semitone you start on (in this case C): Tone-tone-semitone-tone-tone-tone-semitone. Using that pattern, you can build a scale in any key. Let's build a scale in the key with one sharp - G: [G], G#, [A], A#, [B], [C], C#, [D], D#, [E], F, [F#], [G] Or: G, A, B, C, D, E, F#, G I could go on, but I've probably gone on too much already. ;)

jboothjbooth replied on October 26th, 2010

One thing that really helped me is to stop thinking about music as "notes" as in, the a note is the a note, and start realizing that what makes music is the space between notes (the interval between a and f for example). When you change key you are just changing the "starting note" basically, but you are keeping the most important part, the interval distance between notes. I don't know if it makes sense but thinking about the distance between notes being the most important aspect of music helped me a lot.

joelhunnicuttjoelhunnicutt replied on October 31st, 2011

For some reason, I keep fingering E with the second finger on the 5th string and the third finger on the 4th string. If I keep this up will it cause transition problems later? Also I am fingering A with the index finger in the middle. That is the only way I can keep from muting or buzzing

willypdyerwillypdyer replied on October 26th, 2011

Well done - Well taught & easy to undersand: Thanks Jim !

jeannenoeljeannenoel replied on October 16th, 2011

Wow, you put the pieces together and so easily. I've been able to figure out the key but the relationships remained a mystery until now. I am very excited about where I'm headed. Thank you

theenglishtheenglish replied on July 20th, 2011

I have been playing guitar as a basic chord strummer for twenty years, but I am self-taught and have never really played around other musicians. I started these lessons because I am interested in learning more complex styles, but I am glad that I decided to sit through these early lessons. Jim, your advice on the fingering of the A chord is something that nobody had ever told me before--thanks! The previous lessons also had little gems that I didn't know either, like tuning the G string slightly flat or always tune up to the note, not down. Nice advice!

ovationloverovationlover replied on May 25th, 2011

LOL!! I am so lost!

gtjackgtjack replied on July 27th, 2010

does anyone know how to print the lessen, when I hit the print the lessen thing it just prints out the line of print this lessen, if anyone know how to I am new to this it would help me out a lot.

mathcoachmathcoach replied on April 18th, 2011

Save the lessons as a pdf file, then print from your computer's file rather than directly from the website.

hilaryhilary replied on October 25th, 2010

All I ever get is the notes and the tab #s, but it never prints out the staff lines! I've tried printing it different ways, saving it to my computer as a jpg., and printing it, manipulating my printer software, and I just can't get it to print, either!

overboardannieoverboardannie replied on March 23rd, 2011

I think you have to have a program that prints tabulature (the notes) which is a .tef type of file.

ellonysmanellonysman replied on March 2nd, 2011

Thank goodness, chord finger overlays on lessons! Excellent

gorillamangorillaman replied on February 21st, 2011

I noticed in the lesson "NO" mention of the A7 chord was heard. But when you mentioned the "Key of D" the second time (15:08 of scene 2) you use an A7 chord not an A Major???? (for the 5 position). The initial Key build is at 10:57 of scene 2. Which is right???

junesdebjunesdeb replied on August 28th, 2010

I'm like a lot of people...........I start playing and want to be professional tomorrow. I've come to the conclusion that it's just not going to happen. I enjoy the pace of the lessons. Keeps me on track. Thanks.

maericmaeric replied on May 13th, 2010

Jim, I just wanted to say thank you for all the wonderful lessons so far and the many lessons to come. You are a great teacher and your love for the guitar really shows when you play and is contagious. I just want to say thank you.

peterfittonpeterfitton replied on March 15th, 2010

The A chord is ruining my life

joseefjoseef replied on October 17th, 2009

you just game me my ah ha moment, that explains it alll....the missing link, keys, triads....fantastic, thank you...

larocquelarocque replied on October 13th, 2009

Hi Jim; I am enjoying your lessons still a little slow on the transittion from one chord to the next but I do know my chords by heart I don't have to look to know where I am but I am struggling with chord transition speed. In short I've learned a lot in three short weeks. I'm very excited about playing and learning to play. Thanks

dndtomdndtom replied on July 7th, 2009

I've always played the A chord using the following fingering... E A D G B E 0 0 2 1 3 0 Seems more natural to transition from that fingering to the D chord. Given the years of muscle memory...is there any compelling reason to change? While I have played for a while, I am looking to re-tool and get rid of bad habits.

dndtomdndtom replied on July 7th, 2009

The fingering pattern didn't come out right. :) 1st finger fretting the A note, 2nd finger fretting the E note and the 3rd figure fretting C#.

dndtomdndtom replied on July 7th, 2009

OK never mind, I shoulda watched the video through first...you go into the pattern i described.

mistafreezemistafreeze replied on March 18th, 2009

I agree, you made the 145 progression so easy. Thanks!

kevinlo111kevinlo111 replied on January 12th, 2009

hi i was wondering if you can teach the intro that you played. thx

rosemaryrosemary replied on January 5th, 2009

Jim, I enjoyed your live broadcast. Can you tell me the name of the lovely little classical piece you played part of during the broadcast when there was a discussion about classical guitar? I've heard it many times and can't place it. I love your lessons! Cheers, Rosemary

Jim.DeemingJim.Deeming replied on January 6th, 2009

Thanks! It's called "Bouree"

ferrari79ferrari79 replied on August 28th, 2008

I've been playing the guitar for about 13 years now. Though I've never really been to serious about it. I've only basically learned intros of songs.... And a few simple songs all the way through. I never really took the time to "learn" the guitar. I've sat back and watched all your lessons so far... Even though I knew a lot of what you were saying. I've picked up a lot that I've been missing too.. Cant' wait for the next lessons!!!! Thanks for the great site!!

southbasesouthbase replied on August 22nd, 2008

Yes, makes sense to me now. Awesome!

Don.SDon.S replied on June 15th, 2008

Jim, like blackdouglas, I never quite understood the 1, 4, 5 chord progression. It makes sense now. Thanks.

dalcorndalcorn replied on May 23rd, 2008

good lesson on keys and the chords in them. like blackdouglas, i've struggled with that. now it's a lot more clear.

blackdouglasblackdouglas replied on November 22nd, 2007

Superb. I've read about 1,4&5 over the years and never understood what it meant. Intellectual dyslexia or just dumb? Anyway, thanks Jim!

max108max108 replied on November 18th, 2007

At 7:30, am I missing something or the number 1 on the graphic should be 1 fret higher?

jboothjbooth replied on November 19th, 2007

Argh, yes it should *cries to himself*

Jim.DeemingJim.Deeming replied on November 18th, 2007

Yes, you are correct. The first finger should be in the second fret on the third string - fretting the A note.

Basic Guitar with Jim

Found in our Beginner Lesson Sets

Fingerstyle master Jim Deeming teaches you the basics of guitar playing. With over 30 years of experience teaching and playing, Jim will definitely start you in the right direction. This is a great series for beginners and guitarists looking to refresh their knowledge.



Lesson 1

Introduction Lesson

In this short lesson, Jim Deeming will introduce himself and talk about his upcoming lessons.

Length: 6:12 Difficulty: 0.5 Members Only
Lesson 2

Choosing a Guitar

Jim gives his thoughts on purchasing your first guitar.

Length: 7:09 Difficulty: 0.5 Members Only
Lesson 3

Goal Setting

Jim discusses the importance of setting goals. He provides some tips that will help steer your practicing in the right direction.

Length: 11:00 Difficulty: 0.5 Members Only
Lesson 4

Changing the Strings

Jim Deeming walks you through the process of changing your strings. He gives some excellent tips on this important process.

Length: 41:09 Difficulty: 0.5 Members Only
Lesson 5

Meet Your New Guitar

Jim introduces proper playing technique. Then, he explains how to play your first chord.

Length: 52:24 Difficulty: 0.5 Members Only
Lesson 6

Learning More Chords

Jim teaches you the 3 primary chords in G major. He also explains how chords relate to specific keys. A great lesson!

Length: 39:15 Difficulty: 1.0 Members Only
Lesson 7

Right Hand Revisited

Jim discusses a plethora of right hand techniques that are essential to guitar playing.

Length: 35:19 Difficulty: 1.0 Members Only
Lesson 8

New Chords and Keys

This lesson provides additional information about chords and keys.

Length: 19:08 Difficulty: 1.5 Members Only
Lesson 9

Let's Play

This lesson is all about playing. Jim will start you off playing a song. You will have the opportunity to play along with him.

Length: 20:10 Difficulty: 1.5 Members Only
Lesson 10

Alternating Bass and Chords

Jim teaches you a few more commonly used chords. Then, he discusses a technique known as the alternating bass line.

Length: 40:54 Difficulty: 2.0 Members Only
Lesson 11

A Shape Chords

Jim covers all possible fingering options pertaining to the basic open A chord shape.

Length: 17:42 Difficulty: 2.5 Members Only
Lesson 12

Basic Guitar Checkup

Jim talks about the future of his Phase 1 guitar series and where to go from here.

Length: 4:18 Difficulty: 0.5 Members Only
Lesson 13

Notes, Scales and Theory

Jim delves into basic music theory. He starts from square one in this lesson.

Length: 29:00 Difficulty: 2.0 Members Only
Lesson 14

Chord Fiesta

Jim Deeming invites you to a veritable chord fiesta. He demonstrates common dominant and minor chord shapes.

Length: 43:00 Difficulty: 2.5 Members Only
Lesson 15

Movable Chords

This lesson is all about movable chords. Learn the importance of barre chords and other movable shapes.

Length: 40:00 Difficulty: 2.5 Members Only
Lesson 16

Proper Practicing

Jim Deeming explains how to create a productive practice routine. Make sure you aren't wasting needless time!

Length: 30:00 Difficulty: 1.5 Members Only
Lesson 17

The Pinky Anchor

Many guitarists use their pinky as an anchor. Jim explains the pros and cons of this technique.

Length: 9:00 Difficulty: 1.5 Members Only
Lesson 18

Palm Muting

Jim discusses an important technique--palm muting. He explains how palm muting is used by flatpickers and fingerstyle players.

Length: 7:00 Difficulty: 2.5 Members Only
Lesson 19

Reading Tablature

Jim Deeming covers the basics of reading guitar tablature. Knowledge of tablature will help with JamPlay lessons as well as learning your favorite songs.

Length: 21:12 Difficulty: 1.0 Members Only
Lesson 20

Tuning Extravaganza

Jim explains various tuning methods. He provides useful tips and tricks that will ensure that your guitar is sounding its best.

Length: 31:45 Difficulty: 1.0 Members Only
Lesson 21

Let's Play : Red River Valley

Jim is back with another "let's play" style lesson. He teaches the classic song "Red River Valley" and encourages you to play along.

Length: 52:38 Difficulty: 2.5 Members Only
Lesson 22

Drop D Tuning

Jim Deeming introduces drop D tuning. Drop D is a popular alternate tuning used in many styles of music including rock, fingerstyle and blues.

Length: 25:25 Difficulty: 2.0 Members Only
Lesson 23

Let's Play: Wayfaring Stranger

Jim Deeming breaks down the song sections to the classic tune Wayfaring Stranger.

Length: 29:20 Difficulty: 2.0 Members Only
Lesson 24

More On Drop D

Jim Deeming takes another, more focused look at drop D tuning.

Length: 6:27 Difficulty: 1.5 Members Only
Lesson 25

Your Friend, the Metronome

Jim Deeming discusses how to use a metronome for practice, skill building, and speed building.

Length: 24:02 Difficulty: 1.0 FREE

About Jim Deeming View Full Biography Jim Deeming got his first guitar when he was only six years old. His Dad was taking fingerpicking lessons, and Jim wanted to be just like him. The Mel Bay books didn't last very long before he strapped on a thumb pick and added the Chet part to Red River Valley so it sounded better.

Most of Jim's early learning was by ear. With unlimited access to his Dad's collection of Chet Atkins albums, he spent countless hours decoding his favorite songs. They were never "right" until they sounded just like Chet. Around the age of 12, Jim heard Jerry Reed for the first time and just knew he had to be able to make that "Alabama Wild Man" sound. The styles of Chet & Jerry always have been a big influence on his playing.

More recently he has pursued arrangements by Tommy Emmanuel and Doyle Dykes, in addition to creating some of his own and writing originals.

Jim has performed in front of a variety of audiences, including concerts, competitions, weddings and the like, but playing at church has always been a mainstay. Whether playing in worship bands or guitar solos, gospel music is deep in his roots and is also the driving theme behind his debut CD release, titled "First Fruits".

Jim has been playing for about 38 years. He also has taught private lessons in the past but believes JamPlay.com is an exciting and better venue with many advantages over the traditional method of weekly 30 minute sessions.

Jim lives in Berthoud, Colorado with his wife, Linda, and their four children. Although he still has a "day job", he is actively performing and is already back in the studio working on the next CD. If you wonder how he finds time, look no further than the back seat of his truck where he keeps a "travel guitar" to take advantage of any practice or song-writing opportunities he can get.

The opening song you hear in Jim's introductory JamPlay video is called, "A Pick In My Pocket". It's an original tune, written in memory of Jim's father who told him early on he should always keep a pick in his pocket in case he ever met Chet Atkins and got the chance to play for him. That song is slated to be the title track for his next CD, which will feature several more originals plus some of his favorite covers of Chet and Jerry arrangements.

Acoustic Guitar Lessons

Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.


Mary Flower Mary Flower

Mary talks about the key of F in this fantastic lesson.

Free LessonSeries Details
Kaki King Kaki King

In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...

Free LessonSeries Details
Mitch Reed Mitch Reed

Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...

Free LessonSeries Details
Orville Johnson Orville Johnson

Orville Johnson introduces turnarounds and provides great ideas and techniques.

Free LessonSeries Details
Mark Kroos Mark Kroos

Free LessonSeries Details
Miche Fambro Miche Fambro

Miche introduces several new chord concepts that add color and excitement to any progression.

Free LessonSeries Details
Pamela Goldsmith Pamela Goldsmith

Pamela brings a cap to her first 13 JamPlay lessons with another original etude inspired by the great Leo Brouwer. This is...

Free LessonSeries Details
Mark Kailana Nelson Mark Kailana Nelson

Mark Nelson introduces "'Ulupalakua," a song he will be using to teach different skills and techniques. In this lesson, he...

Free LessonSeries Details
Jessica Baron Jessica Baron

Jessica kindly introduces herself, her background, and her approach to this series.

Free LessonSeries Details
Nick Amodeo Nick Amodeo

Nick explains how to play some of the most commonly used chords in the bluegrass genre.

Free LessonSeries Details

Electric Guitar Lesson Samples

Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.


Nick Greathouse Nick Greathouse

Nick starts his series with Alternate Picking part 1. Improve your timing, speed, and execution with this important lesson.

Free LessonSeries Details
DJ Phillips DJ Phillips

Learn a handful of new blues techniques while learning to play Stevie Ray Vaughn's "The House Is Rockin'".

Free LessonSeries Details
Kenny Ray Kenny Ray

Albert Collins brought a lot of style to the blues scene. In this lesson, Kenny breaks down Albert's style for you to learn.

Free LessonSeries Details
Brad Henecke Brad Henecke

Free LessonSeries Details
Dennis Hodges Dennis Hodges

Learn a variety of essential techniques commonly used in the metal genre, including palm muting, string slides, and chord...

Free LessonSeries Details
Lisa Pursell Lisa Pursell

Lisa breaks into the very basics of the electric guitar. She starts by explaining the parts of the guitar. Then, she dives...

Free LessonSeries Details
Kris Norris Kris Norris

Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...

Free LessonSeries Details
Lauren Passarelli Lauren Passarelli

Lauren Passarelli offers up her wisdom on purchasing a guitar. She also includes information regarding proper setup and care....

Free LessonSeries Details
Bryan Beller Bryan Beller

Bryan Beller of the Aristocrats, Dethklok, and Steve Vai takes you inside his six step method to learning any song by ear....

Free LessonSeries Details
Chris Liepe Chris Liepe

Chris brings his ingenuity to this lesson on the American folk song called "Where Did You Sleep Last Night?" Also known as...

Free LessonSeries Details




Additional Lesson Features Available to Members

While we have attempted to provide you with an accurate rendition of our video lesson experience, there are some features which
require a membership with us!



Progress Reports

Custom Progress Reporting

At JamPlay, we give you the ability to monitor your own progress for any lesson! If you watch one of our lessons and feel as though you understand around half of it, mark your progress at 50%. This adds the lesson to your customized Progress Report, and gives you an incredible ability to document what you need to work on, and where you left off.



Progressive Bookmarks

Progressive Bookmarking

With thousands of lessons at your fingertips, JamPlay can be a touch intimidating to a first-time user. With Progressive Bookmarking, we give you the ability to systematically bookmark sections of any lessons you are working on to quickly access later. After all, what is the point of all this content if it isn't easy to use?



Note Taking

Save Your Notes

JamPlay also gives you the ability to leave notes for yourself on any lesson. Just like in any educational system, taking your own notes while learning gives you the ability to highlight the instruction that is important to you. Leave your notes, and we store them in our database for you to reference each and everytime you come back to the lesson.

Join the Thousands of Members at JamPlay

Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.



Unlimited Lesson Viewing

A JamPlay membership gives you access to every lesson, from every teacher on our staff. Additionally, there is no restriction on how many times you watch a lesson. Watch as many times as you need.

Live Lessons

Exclusive only to JamPlay, we currently broadcast 8-10 hours of steaming lesson services directly to you! Enjoy the benefits of in-person instructors and the conveniences of our community.

Interactive Community

Create your own profile, manage your friends list, and contact users with your own JamPlay Mailbox. JamPlay also features live chat with teachers and members, and an active Forum.

Chord Library

Each chord in our library contains a full chart, related tablature, and a photograph of how the chord is played. A comprehensive learning resource for any guitarist.

Scale Library

Our software allows you to document your progress for any lesson, including notes and percent of the lesson completed. This gives you the ability to document what you need to work on, and where you left off.

Custom Chord Sheets

At JamPlay, not only can you reference our Chord Library, but you can also select any variety of chords you need to work on, and generate your own printable chord sheet.

Backing Tracks

Jam-along backing tracks give the guitarist a platform for improvising and soloing. Our backing tracks provide a wide variety of tracks from different genres of music, and serves as a great learning tool.

Interactive Games

We have teachers covering beginner lessons, rock, classic rock, jazz, bluegrass, fingerstyle, slack key and more. Learn how to play the guitar from experienced players, in a casual environment.

Beginners Welcome.. and Up

Unlike a lot of guitar websites and DVDs, we start our Beginner Lessons at the VERY start of the learning process, as if you just picked up a guitar for the first time.Our teaching is structured for all players.



JamPlay Newsletter

Enter your email to get freebies, updates and some sweet offers from our company.

Facebook
Twiiter
Tweet
Google
Better Business Bureau GoDaddy.com Secured VeriSign Secured
TRUSTe online privacy certification
All text, information, images, media, and design are copyright JamPlay, LLC 2007-2013 | 1905 Woods Dr Suite 101 Beavercreek OH 45432 | 1-877-999-4-JAM
  • Membership
  • Signup Today
  • Member Testimonials
  • Activate Expired Account
  • Online Bass Guitar Lessons
  • Customer Service
  • Contact Us
  • Frequently Asked Questions
  • Money Back Guarantee
  • JamPlay Review
  • Company
  • Company Info
  • Affiliate Program
  • Strategic Alliances
  • Privacy Policy
  • Content
  • Podcast and Blog
  • Tools | Articles | Forums
  • Guitar Lessons Directory
  • iPhone App and Store