
Mark's Phase 1 series will take you through the basics of playing electric guitar.
Lesson 1
Mark introduces his Phase 1 series and covers some fundamental electric guitar basics.
Length: 30:12 Difficulty: 1.0 Members OnlyLesson 2
Mark provides a detailed overview of amplification. This lesson has some great info for any electric player.
Length: 33:55 Difficulty: 1.0 Members OnlyLesson 3
Before we start rocking, Mark goes over some tools and training necessary to every beginning guitarist.
Length: 12:52 Difficulty: 1.0 Members OnlyLesson 4
It's time to get some sound out of your guitar. Mark begins with picking hand technique.
Length: 31:34 Difficulty: 1.5 Members OnlyLesson 5
Mark explains proper left hand technique from the ground up.
Length: 10:36 Difficulty: 1.0 Members OnlyLesson 6
Mark teaches you all of the natural notes played in first position. He uses two classic melodies to supplement this information.
Length: 25:42 Difficulty: 1.5 Members OnlyLesson 7
It's time to learn your first scale - the C major scale in first position. Mark also explains how the major scale is constructed.
Length: 21:31 Difficulty: 1.5 Members OnlyLesson 8
Mark covers 7 basic chords in the key of C major.
Length: 35:14 Difficulty: 1.0 Members OnlyLesson 9
Mark expands on chords in C major by showing full forms of the chords you learned in Part 1. He also teaches you the chord progression to a familiar tune.
Length: 25:00 Difficulty: 1.5 Members OnlyLesson 10
It's time to start making some noise by using power chords and palm muting. Mark gives you the framework to start rocking the 12 bar blues in a basic I-IV-V progression.
Length: 36:43 Difficulty: 0.5 Members OnlyLesson 11
Take your knowledge of the notes in the first position and start jamming on a simple pentatonic riff.
Length: 14:34 Difficulty: 1.0 FREELesson 12
Let's build on lesson 11 with an extended discussion of the pentatonic scale. For lesson 12, we'll simply add one note to the pentatonic scale to give us the famous blues scale. We'll also discuss new...
Length: 36:27 Difficulty: 1.5 Members OnlyLesson 13
Mark explains how to finger power chords and how they can be moved anywhere on the fretboard. He also shows an exercise that will help you remember the name of each power chord.
Length: 16:28 Difficulty: 1.5 Members OnlyLesson 14
Mark Brennan explains rhythmic notation, tempos, time signatures, note values, and more in this lesson.
Length: 32:14 Difficulty: 2.0 Members OnlyLesson 15
Mark explores the key of G major in this lesson. He covers the first position pattern of the scale and explains how it can be harmonized in thirds.
Length: 33:22 Difficulty: 1.5 Members OnlyLesson 16
Mark teaches the basic chords of G major as well as some other exercises to get you acquainted with this key.
Length: 34:28 Difficulty: 1.5 Members OnlyLesson 17
Mark explains the basics of D major.
Length: 25:00 Difficulty: 1.0 Members OnlyLesson 18
Mark takes you through the chords of D major and explains some new ones that you haven't encountered yet.
Length: 35:00 Difficulty: 1.0 Members OnlyLesson 19
Mark continues his discussion of power chords. This time around, he explains the circle of 5ths and demonstrates some power chord progressions that illustrate this concept.
Length: 33:18 Difficulty: 1.5 Members OnlyLesson 20
Mark teaches the 1st box of the minor pentatonic scale.
Length: 32:31 Difficulty: 1.0 Members OnlyLesson 21
Mark explains how you can transpose the pentatonic pattern covered in lesson 20 to the key of A minor. He also shows the "lower extension box" and "home plate box."
Length: 26:09 Difficulty: 1.0 Members OnlyLesson 22
Mark teaches the difference between straight eighth notes and the shuffle feel.
Length: 42:33 Difficulty: 1.0 Members OnlyLesson 23
In response to member requests, Mark added another amplification lesson to his growing phase 1 series. In this lesson, he compares 3 classes of amps from entry level models all the way to a Mesa Mark V.
Length: 40:45 Difficulty: 0.5 Members OnlyLesson 24
In this lesson, Mark teaches some blues licks that can be used when improvising over a 12 bar blues progression.
Length: 24:01 Difficulty: 2.0 Members OnlyLesson 25
Mark covers the key of A minor.
Length: 29:36 Difficulty: 2.0 Members OnlyLesson 26
Mark teaches two movable major chord forms and gives many examples of how to practice playing them.
Length: 26:10 Difficulty: 1.0 Members OnlyLesson 27
Mark Brennan shows you how to apply the chord forms learned in lesson 26 to a I-IV-V progression.
Length: 21:52 Difficulty: 1.0 Members OnlyLesson 28
Mark Brennan continues his teachings on movable chord forms. In this lesson he shows the dominant 7th chords and how to use them in a 12 bar blues progression.
Length: 19:49 Difficulty: 1.0 Members OnlyLesson 29
In this lesson Mark Brennan teaches these minor chord forms and how they are movable up and down the fretboard. He also shows how to apply these chords in standard progressions.
Length: 21:29 Difficulty: 1.0 Members Only
About Mark Brennan
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Mark Brennan, born August 12th, 1954 in Cleveland, Ohio, began playing guitar at the age of 10. His first influences were from the Ventures and the British Invasion, especially the Beatles and Rolling Stones. Shortly afterwards he was playing in rock bands with his brother on drums, developing his ear by learning songs straight from records. Playing in a band became a passion.
In high school, he grew to love acoustic and classical guitar. He spent time playing acoustic music, influenced by The Eagles, CSN, Dan Folgelberg, James Taylor, Joni Mitchell, etc. In the 70's, he headed a very popular Cleveland band, The Brennan-Cosma Band, which played a variety of acoustic and rock music, along with originals. He also took up classicalguitar, and began developing his fingerstyle technique.
Mark is a graduate of Cleveland State University (1980), with a Bachelor of Music in Classical guitar performance. He also studied Music Composition, and took many Music Education classes. After graduation, he began his private teaching career, teaching electric, acoustic, and classical guitar, along with music theory. He taught in various studios and guitar shops throughout his career, and currently has a private practice at his home in
Fairview Park, Ohio.
In the 80's Mark took an affection to Progressive rock. With his band Polyphony, he was influenced by the music of Yes, Genesis, Kansas, ELP, Styx, along with a set of prog rock originals.
Currently, Mark is in the regionally successful Pink Floyd tribute band Wish You Were Here. The band performs faithful renderings of the Floyd classics spanning their entire catalog, along with a strong visual stage show. Here, Mark displays his command of the David Gilmour style.
Mark is excited to be part of JamPlay.com's fine roster of teachers. He's looking forward to extending his 35 years of performing and teaching experience to the JamPlay members. His philosophy is about developing a passion for guitar and being the best musician you can be; being true to yourself and developing a personal style, and truly expressing your heart through your music.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.One great thing about all these barre chords and cycling around the circle 5 and circle 4 is that it's forcing me to look at the music and away from the fretboard - finally feel like one day I might be able to find the frets without sneaking a look!
sorry for too many same comments! internet problems.
Hi Mark, you are absolutely my favorite and the first teacher I started with when I joined jamplay. Here is my problem with barred 7th chords. No matter what I do, I am having problems with 7th note not getting enough pressure and not ringing. If you have any suggestions other than saying practice more and more, please help me!!!!!!!!!!!!!
Hi Gopal......you need to find a way to get downward pressure on the part of your index finger the is pressing down on the 3rd string...which is the string that the 7th is on. Most players have this problem when first learning this chord. It's probably the bone between the first and big knuckle. This is the pressure point on your finger you need to get more contact on the string. Try moving your index up and down across the fretboard, trying different positions of your finger for barring and see if this helps. I tell students that the big knuckle should be pressing down the 1st and 2 strings. But everyone has a different length index. Keep working and experimenting with your barre....oh, and also...keep practicing! LOL