In this lesson, Chris introduces minor chords and barre chords.
Taught by Chris Liepe in Basic Electric Guitar with Chris seriesLength: 25:23Difficulty: 1.0 of 5
-Chords: Em and Am
-Discussion about the new backing track
-Chord progression demonstration - strumming examples
-E form and A form barre chords
-You can experiment to find the fingering that works for you.Chapter 3: The Backing Track
-I prefer to play the Em with my 3rd and 4th fingers and the Am so that my 1st finger is free, but it is best to learn and be comfortable with a variety of fingerings.
-You do not play the low E string on the Am chord
-Chord push-ups
-Chord transitions: practice transitioning between the two minor chords and pay attention to how your finger moves positioning.
-The chord progression: G, Am, C, D Em, C, D, GChapter 4: Introduction to Barre Chords
-Each chord is played for 2 measures.
-Refer to the note values, rhythm notes, and video from Lesson 5.
-Experiment with strumming in whole notes, half notes, quarter notes, eighth notes and sixteenth notes as you play through the track.
-Practice moving your E major chord fret-by-fret up and down the neck.
-Make sure you are fretting the notes so that your 1st finger is free.
-Practice the 1st finger barre exercise. Refer to the tablature in this lesson.
-Practice moving A major fret-by-fret up and down the neck.
-When playing A major up and down the neck, practice barring across the D, G, and B strings with either your 3rd or 4th finger. You will have to slightly hyper-extend the joint on your finger to allow for the "e" string to ring out.
-You may also practice using your 2nd, 3rd, and 4th fingers to fret the A chord and practice moving that around the neck. Remember that as you move into the higher frets, there is room for all three fingers.

Chris will guide you through the world of electric guitar in this series.
Lesson 1
Chris Liepe talks about the absolute basics of the guitar, including tuning, the guitar parts, and proper technique.
Length: 23:21 Difficulty: 0.5 Members OnlyLesson 2
Chris Liepe introduces you to your very first 2 chords, E and A. Since this is your first chord lesson, Chris also introduces a backing track for you to slowly play along with. Practicing in this manner...
Length: 28:54 Difficulty: 0.5 Members OnlyLesson 3
Here in lesson 3, Chris teaches the C, G, and D chords. Once you have mastered the chords taught in this lesson and the previous lesson, you will have learned the CAGED method of remembering open chord...
Length: 12:22 Difficulty: 0.5 Members OnlyLesson 4
Chris is back with his most information packed lesson to date. In this lesson, you will learn how to read tablature, chord charts and musical notation. All of these tools will drastically help you in your...
Length: 25:38 Difficulty: 1.0 Members OnlyLesson 5
Chris Liepe is back in lesson 5 with an introduction to scales. In this lesson, you will learn how to play up and down simple scale patterns.
Length: 21:07 Difficulty: 1.0 Members OnlyLesson 6
In this lesson, Chris introduces minor chords and barre chords.
Length: 25:23 Difficulty: 1.0 Members OnlyLesson 7
Chris Liepe lays down some grooves in this lesson! He provides instruction on rhythmic strumming patterns and time signatures such as 4/4, 3/4, and 6/8.
Length: 21:12 Difficulty: 2.0 Members OnlyLesson 8
Intervals, Intervals, Intervals! Chris Liepe explains what they are, where they are found, and how to play them in this lesson.
Length: 14:07 Difficulty: 2.5 Members OnlyLesson 9
Sharpen your pencils and grab your guitar. It's pop quiz time. Chris Liepe adds to his beginner lesson series with a quiz on intervals. This is a hands-on lesson that will undoubtedly improve your ears....
Length: 15:39 Difficulty: 2.5 Members OnlyLesson 10
Chris Liepe breaks through his 10th lesson with a detailed discussion of triads. Dig in and take these triads for a ride!
Length: 24:14 Difficulty: 2.5 Members OnlyLesson 11
This lesson begins a mini-series on effects pedals. Chris breaks down routing and how effects work with each other.
Length: 8:20 Difficulty: 1.5 Members OnlyLesson 12
The compression effect pedal is one of the most misunderstood pedals around. Chris Liepe finally sheds some light on the subject. By explaining all the different options and sounds this pedal can create,...
Length: 14:12 Difficulty: 1.0 Members OnlyLesson 13
Chris Liepe is back with the 3rd installment in his Effects Pedal mini-series. He explains the concept of "gain stacking" by combining an Ibanez Tube Screamer and a Boss DS-1 Distortion pedal.
Length: 7:54 Difficulty: 1.5 Members OnlyLesson 14
Chris Liepe adds yet another lesson to his effect pedal-mini series. Here he covers the delay pedal. This effect that operates on the principles of time and rhythm. Use this pedal to add depth to your...
Length: 19:52 Difficulty: 1.5 Members OnlyLesson 15
Chris Liepe quickly demonstrates the chorus pedal with some 80's style licks. This pedal can create a deep and rich addition to solos or add the illusion of multiple guitars.
Length: 3:28 Difficulty: 1.5 Members OnlyLesson 16
Key Signatures! How do they relate to one another? Chris Liepe explains them in lesson 16 of his beginner series. Getting familiar with your key signatures will help pull everything together that has been...
Length: 15:21 Difficulty: 2.0 Members OnlyLesson 17
Chris Liepe demonstrates how to take a key signature (the set notes within a key) and stack 3rds on top of a root note to form chords. With the help of a modulating backing track, this should be a fun...
Length: 30:02 Difficulty: 2.5 Members OnlyLesson 18
Chris explains and demonstrates the very basics of alternate picking. He also provides simple exercises to develop the technique in your own playing.
Length: 16:03 Difficulty: 2.0 Members OnlyLesson 19
Chris details and demonstrates the fundamental movements and suggested left hand position for legato playing -- specifically hammer-ons and pull-offs. He also provides exercises for developing the technique.
Length: 16:11 Difficulty: 2.0 Members OnlyLesson 20
Chris talks about proper palm muting and discusses potential snags when first attempting the technique. He offers a number of exercises and patterns to help palm muting become a part of your rhythm playing.
Length: 9:22 Difficulty: 1.0 FREELesson 21
Hybrid Picking can add a fresh dimension to your chord and rhythm playing. In this lesson, Chris briefly covers how to get started with Hybrid Picking and offers two exercises that you can use to apply...
Length: 6:27 Difficulty: 1.5 Members OnlyLesson 22
Chris talks about what it means to play in position and teaches three of the five "CAGED" major scale positions in the key of G.
Length: 12:44 Difficulty: 2.5 Members OnlyLesson 23
Chris continues in his teaching of the five basic "CAGED" major scale positions in the key of G.
Length: 11:39 Difficulty: 2.5 Members Only
About Chris Liepe
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Chris Liepe was born on September 17th, 1981 in Portland OR. His first instrument was piano which he pursued until discovering his love for the electric guitar in high school. He became fans of such groups as Soundgarden, Collective Soul and U2 inspiring him to start singing, songwriting and helping others in their musical endeavors with teaching, co-writing and album production.
Having moved to Colorado with his family, he began gigging, recording and teaching in a number of music stores as well as out of his apartment until deciding to pursue music full time. He moved to Denver, CO to complete a Bachelors in Music Technology and was then hired on by Sweetwater Productions, a division of Sweetwater Sound and one of the largest, most successful recording studios in the Midwest.
Chris spent nearly 4 years at Sweetwater as a producer, recording engineer, studio musician and writer. During this time he had the privilege of working with many artists including Augustana, Landon Pigg, Jars of Clay, and Mercy Me. He also wrote for and played on numerous independent albums and hundreds of radio/TV commercials.
Wanting to get back to his favorite State in the world (Colorado) and feeling the urge to 'go freelance', Chris moved to Greeley, CO and opened his own recording and teaching studio. He continues to write and produce music for artists and agencies and is happy to be among the proud JamPlay.com instructors.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Hallo from Luxembourg to Chris Liepe Great lesson :-) Personnaly, I think about finger strength on a semi accoustic guitar (in this case Hagstrom Viking II). As an absolute beginner I am thinking about to acquire a new guitar because in one way strength misses,(whitch I do not have in fingers especially in barre chords)and seccond way because the neck is so heavy that it falls always down, even if I have a larger belt to support. (I tried about everything to solve the problem that the neck does not stay in rigth position). What would you do? Then I have another problem (at least in guitar play) :-), I am about 6'9" tall, so that's the reason why my hands are quit big. This is another point to pay attention of choising a new e guitar. What would you recommend? With kind regards Raym
I find it a lot easier to play the double bar with 1st and 3rd finger. Maybe I have a big hand to be able to pull it off on the lower neck positions as well. Is it bad to learn it like that? I mean that, is it going to hurt in the future or is it ok?
won't hurt a thing. It's always good to learn multiple ways of doing things and then kinda settle in to what works best for you.
Is the notation PDF up? I can't seem to download from the link. Thx!
hi chris,i am really enjoying your teaching ! but the barre chords are somewhat challaging for me as i have broken my pinky many years ago playing football and it does not bend now what should i do and is there aby way around it ? cheers Andy
oh and ps are you an ocotopus in real life ? :)
I never see the pinky trick before!! It's really painful :D
when I put my index fingers on all the strings to barre I just mute all the strings >.
hey chris. when u place your index finger on the stings you do it with such ease. but when put my index finger on the all the strings when playing the bare chord its really painful. iv been practicing but it doesnt feel any beter. got any suggestions? ps wats your favorite band/ thx
look at the angle of your finger. Make sure that you are using the outside middle side of your index finger. Your muscles work best when your hand is aligned that way. Also, remember, it just takes time. Do the "chord pushups" to strengthen your hand, and though it feels awkward for awhile, it will come. That "ease" didn't come for me with barre chords until I'd been playing for a few years.
Hey Chris, I am a complete beginner following your lessons for about a month now. Thx for the good job ! I find this one the trickiest by far! I just can't get the A-Barre right. I have rather small hands and fingers (which is a disadvantage for the guitare I assume) and the 3rd "phalange" of my pinky seems to be too small to cover properly the 3 strings. Would it be ok to execute this chord with the 3rd finger instead of the pinky ?
yep! that pinky trick doesn't work for everyone. If you're feeling efficient with your 3rd, go for it!
Thanks for the video series, Chris. How often do you recommend going over these exercises? How fast do you think that one should move onto the next lesson? I've played for 2 years so some of this stuff is pretty easy, but I've always struggled making those bar chords nice and clean so this is something I will pick up for sure. I take it you're supposed to make your hand as relaxed as possible meanwhile making sure you get the nice, clean tone? Thanks!
Yes, don't be too tense or your muscles will tire easily. Honestly, I still do these exercises now and then... especially when I'm getting used to a new guitar. They are great strengthening exercises even if you already play the chords.
I noticed that my middle finger wants to shoot up when I do the pinky exercise. Is this a problem?
Chris, is it normal for the area between my thumb and index finger to feel sore after playing barre chords for a while? Will it go away as my hand start to build up strength? Also, do you have any tips as to how make my pinky more bendy? Appreciate the help.
Yes, it is perfectly normal. You will find that over time, your technique will improve so you don't feel like you have to use quite so much muscle to get a clean sound. Right now, you are really focusing on correct position so you're probably using more force than you will need to in the near future. As far as making the pinky more bendy... don't know if you really can. BUT, think about where you are putting your pressure as you are fretting the chord. Focus the pressure or energy on your pinky's last joing as opposed to the whole finger. This will help you correctly bend it. Hope this helps!
Chris - I'm following the lessons from scratch since I was self taught before, and I know i have some bad habits. I like the idea of barring the "A" with the pinkie, but I've been barring it with my third finger for years - that leaves my pinkie free for sevenths etc. I'm guessing that's okay? Loving the lessons and having fun with them - thanks! :)
sure, that is fine! It is great to be able to do it as many ways as possible so that you can add things to the chords.
Wow, i'm self taught and have been playing for 6 years, i can't do the A chord with the pinky. Looking through these videos was a good idea in general as there are several things i havent picked up on.
some people's hands are more bendy than others :) i know a fantastic guitarist with double jointed fingers. Its freaky, but he can do a lot that not many guitarists could ever dream of doing because of it!
Thanks, very good set! Unfortunately my pinky will never bend that way :-)
Another great lesson! Look forward to #7. With re: practice. How did you go about "learning" to play? Hard line music theory? Endless scales and chords? Learning songs? Been playing off and on for years and have done a little of everything. What was your technique? Thanks
As I started to dive in to the endless sea of chord and scale books and possibilities, I came to the realization that it is good to pick up a new idea from a book now and then, but even better to have the tools to figure things out yourself. For example, once you know what makes up a major scale, instead of looking up 10 different ways to play a G major scale, pick up your guitar and start figuring them out without first looking at a scale guide. Then check your work later. Using this method, you will learn so much along the way, and pick up so many ideas. Another example is with chords. You can go buy 10 books full of chords, or start making up your own and then as you continue to take lessons and study, you'll figure out exactly what your chords are called and how to better use them. With regards to songs... start with the simple stuff, but I would start trying to write your own as soon as you have a handle on the basic chords covered in these first 6 lessons. So here's my take: Whenever you have a chance to create something unique AND learn in the process, it's a double win and I believe you come out learning more in the end.
Thanks so much for the advise! Time to create...
Chris, I have been playing for almost a year, and feel like I am moving forward, but I also feel like there is a gap between Phase 1 and Phase 2 that needs to be brought together. I hope that you add to your lessons the things that are needed to continue making progress. I have felt stuck after doing some of the other lessons. I do like your syle of teaching very much. Please try to include things that are going to make us progress. I think that many instructors fail to go back to basics and build from there. Thank you for you lessons. Robert.
Thank you! This is good feedback to keep in mind as the lesson set continues. In later basic lessons, we'll be looking at building different types of chords, studying the note layout on the neck, and crafting melodies. With each lesson, I will continue to release a backing track that will help you apply what you are learning right then and there in a musical context. I'm glad your enjoying the journey! Any questions... please feel free to ask!
Chris, I am enjoying your lessons I have been playing for about ten months but this begging stuff is a ggod refresher. Also it shows that you can get sloppy if you don't practice practice practice... Michael
Thanks Michael! Be sure to let me know if you have any questions!