Orville Johnson explains why it is important to practice with a metronome. He also covers some practice strategies that will help minimize your frustration.
Taught by Orville Johnson in Beginner Acoustic with Orville seriesLength: 21:35Difficulty: 1.0 of 5
A metronome is a device that keeps a steady beat. It is very important to incorporate a metronome into your practicing to help you develop a sense of timing. It will help you maintain a steady tempo and know how much time to give to and between notes.
This is a good way to practice scales using a metronome that will help you get a feel for subdividing beats:
- Start with playing one note per beat (quarter notes).
- Once this is mastered, move on and play two notes per beat (eighth notes).
- Finally move on and play four notes per beat (sixteenth notes)
Improving your speed with a metronome:
- Find your “comfort zone” (the tempo that you can play without making any mistakes) for the piece that you are working on.
- Increase the tempo slightly (3 clicks).
- If you can still play the piece without mistakes, gradually increase the tempo until you can’t. Go back down to the fastest tempo that you can still play the piece perfectly and make this your new comfort zone.
- Repetition of this process will help improve your playing speed.
Here is another, less common technique for increasing speed with a metronome:
- Start the same way as in the previous exercise by finding your comfort zone.
- Play the piece five times.
- Increase the tempo slightly and play it five more times.
- Drop the tempo slightly below your comfort zone and play it five more times.
This exercise is beneficial because learning to play music slowly will help you develop a better sense of the time given to and between each note and will actually help you play better.
To make playing with a metronome more interesting you can make the click the upbeat rather than the downbeat. This gives the exercise or piece that you are playing a swing feel that is heard frequently in many styles of music.Scene 2: Practicing
Here is a summary of Orville’s tips to get the most out of your practicing:
- Practice, it’s the only way to improve.
- There isn’t a rule for the amount of time that you need to set aside for practice. The responsibilities in peoples’ lives vary and so does the amount of time that they can set aside for guitar. If you have a busy lifestyle it can be helpful to break your practice up into intervals throughout the day, making sure that you are completely focused for the time you do take to practice.
- Concentration is the most important thing. You don’t learn if you are not focused. A shorter amount of time practicing with full concentration is more beneficial than a longer, less focused practice. Even if you have the time for a long practice, it can still be helpful to break it up.
Discover the essentials with Orville Johnson by learning some of the most popular topics and techniques in beginner guitar.
Orville talks about some challenges you will likely face as a beginner and offers some advice that will help you overcome them.Length: 13:05 Difficulty: 0.5 Members Only
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Orville Johnson introduces some basic fingerpicking patterns.Length: 6:58 Difficulty: 2.0 Members Only
Orville Johnson explains why it is important to practice with a metronome. He also covers some practice strategies that will help minimize your frustration.Length: 21:35 Difficulty: 1.0 Members Only
Orville dives into part 1 of his beginners' guide to practical theory. In this lesson, you will learn the basics of intervals.Length: 17:30 Difficulty: 2.0 Members Only
Orville Johnson takes a look at scales in part 2 of his practical theory mini-series.Length: 18:40 Difficulty: 2.0 Members Only
Orville Johnson jumps into part 3 of his practical theory mini-series. This lesson is about chords and their construction.Length: 21:08 Difficulty: 2.0 Members Only
Orville Johnson demonstrates how simple chord progressions can be spruced up with bass runs. The classic song "Oh! Susanna" is used as an example.Length: 12:04 Difficulty: 1.5 Members Only
Orville Johnson demonstrates a basic blues shuffle. This incredibly easy rhythm piece will have you sounding like a blues great in no time!Length: 12:38 Difficulty: 1.5 Members Only
Orville Johnson talks about the concept of voice leading. This concept will help you play chord progressions that flow better and sound more harmonious.Length: 10:20 Difficulty: 2.0 Members Only
Orville Johnson teaches the basic major chords in this lesson. He also explains the best way to change from chord to chord, a challenge for many beginners.Length: 19:23 Difficulty: 1.5 Members Only
Orville Johnson jumps into some light theory with a lesson on note values.Length: 7:51 Difficulty: 2.0 Members Only
Orville Johnson takes a beginner's look at the CAGED system.Length: 8:14 Difficulty: 2.0 Members Only
Orville Johnson introduces open D tuning and encourages exploration of its possibilities. This tuning is great for a broad range of playing styles.Length: 24:04 Difficulty: 2.5 Members Only
This time, Orville Johnson introduces open G tuning. This tuning is great for a broad range of playing styles and sounds pretty without even fingering a chord.Length: 21:28 Difficulty: 2.5 Members Only
About Orville Johnson
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Orville Johnson was born in 1953 in Edwardsville, Illinois and came up on the St. Louis, Missouri music scene, where he was exposed to and participated in a variety of blues, bluegrass and American roots music. He began singing in his Pentecostal church as a young boy, in rock bands in middle school, then took up the guitar at 17,with early influences from Doc Watson, Rev. Gary Davis, Mississippi John Hurt, and Chuck Berry. In the early 1970's, Orville spent several seasons playing bluegrass on the SS Julia Belle Swain, a period-piece Mississippi river steamboat plying the inland waterways, with his group the Steamboat Ramblers.
Orville moved to Seattle, Washington in 1978, where he was a founding member of the much-loved and well-remembered folk/rock group, the Dynamic Logs. Other musical associates include Laura Love, Ranch Romance, File' Gumbo Zydeco Band, Scott Law, and the Twirling Mickeys. Johnson, known for his dobro and slide guitar stylings and vocal acrobatics, has played on over 100 albums. He has appeared on Garrison Keilor's Prairie Home Companion, Jay Leno's Tonight Show and was featured in the 1997 film Georgia with Mare Winningham. His musical expertise can also be heard on the Microsoft CD-ROMs, Musical Instruments of the World and the Complete Encyclopedia of Baseball. He teaches as well at the International Guitar Seminar, Pt. Townsend Country Blues Week and Puget Sound Guitar Workshop.
Orville released 4 recordings in the 1990's: The World According to Orville (1990) Blueprint for the Blues (1998) Slide & Joy (1999) an all-instrumental dobro tour de force and Kings of Mongrel Folk (1997) with Mark Graham. He also appeared on 4 discs with the File' Gumbo Zydeco Band and produced Whose World Is This (1997) for Jim Page and Inner Life (1999) for Mark Graham. In the 21st century, he has released Freehand, a new Kings of Mongrel Folk disc, Still Goin' Strong, and been featured in the soundtracks of PBS' Frontier House and the Peter Fonda flick The Wooly Boys as well as the compilation cd Legends of the Incredible Lap Steel Guitar.
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