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Texas Style Shuffle Rhythm (Guitar Lesson)


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Lisa Pursell

Texas Style Shuffle Rhythm

Taking things back to the SRV sound, Lisa demonstrates this Texas style rhythmic shuffle. She breaks this pattern down by demonstrating its bass line and the muting techniques required to play it.

Taught by Lisa Pursell in Basic Electric with Lisa seriesLength: 10:00Difficulty: 3.5 of 5


Video Subtitles / Captions


Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


rudai123rudai123 replied on February 17th, 2014

challenging lesson

woollymonsterwoollymonster replied on February 8th, 2014

Next time, someone turn her mic on. My ears are bleeding.

mcnittmcnitt replied on November 6th, 2013

Wow, this doesn't seem like a Level 1 lesson! Took a long time, but I'm getting the muting down. The solo however is over the top. Trying to play it with the metronome and finding it very difficult to work out the 8th and 16th note triplet timing; feel the timing could have been explained better. Would be helpful if the lesson was demonstrated against a metronome beat so the solo rhythm is more clear.

bryan570bryan570 replied on July 10th, 2013

Can barely hear here again. Arrggghh

sparky55sparky55 replied on March 18th, 2012

audio on the voice is almost not understandable good lesson

GondekGondek replied on January 16th, 2012

nice...

rlsimpsonrlsimpson replied on December 11th, 2011

Very cool lesson. Always wanted to understand this. One question. On the intro you play a chord between each progression and I can't quite figure out what you're playing. Could you explain, please?

mcnittmcnitt replied on November 6th, 2013

People asking about the chord between the progression -- it sounds like the first three strings barred at the second fret, followed by the first and second strings open. That's how I'm playing it anyway.

ronnyronny replied on April 9th, 2011

lisa, on some lessons i can hear you and on others i can hardly hear what you are saying...can you please speak louder. thanks ronny

aeroplaneaeroplane replied on April 5th, 2011

Cool lesson Lisa thank you . What is the chord you play at the fourth beat of the second mesure at the beginning of the video ?

crosstourcrosstour replied on January 20th, 2011

The volume of Lisa's voice is really low versus the guitar, hard to hear or understand.

jkmjrjkmjr replied on December 16th, 2010

I like how your lessons get the student playing practical things that can be applied to playing songs at even the beginner level. I really hope you'll be posting lessons in the genre section.

tadrowtadrow replied on October 13th, 2010

Thanks Lisa! Always wanted to play this, never even tried because I thought I wouldn't be able to do it for some reason. I've got it sounding pretty good already though!

Rob SRob S replied on October 13th, 2010

cool lesson on the Texas shuffle Lisa, very challenging getting the muting down. But I've been working on it and it gets easier the more time I spend with it. Thanks!

Basic Electric with Lisa

Found in our Beginner Lesson Sets

Lisa will guide you through the basics of electric guitar with a rock and blues flair in this series.



Lesson 1

Introduction to Series

JamPlay is proud to welcome Lisa Pursell to the teaching roster! Lisa introduces herself and her rock / blues background in this lesson. She also explains how she will bring a new perspective to our Beginner...

Length: 12:37 Difficulty: 0.5 Members Only
Lesson 2

The Basics of Electric Guitar

Lisa breaks into the very basics of the electric guitar. She starts by explaining the parts of the guitar. Then, she dives into string directions, tuning, holding the guitar, and right hand position....

Length: 19:39 Difficulty: 0.5 FREE
Lesson 3

Learning Your First Open Chords

Lisa jumps right into your first "open" chords. She demonstrates how to play these chords in detail, so you can begin playing some simple progressions on your own.

Length: 15:48 Difficulty: 0.5 Members Only
Lesson 4

Chords and Bass Runs

Lisa continues her lesson series with more basic chord shapes. In addition, she introduces bass runs that help tie these chords together and add a level of sophistication to your playing. Combining these...

Length: 11:45 Difficulty: 1.0 Members Only
Lesson 5

More Chords and Bass Runs

Lisa picks up right where she left off in her last lesson. Here she demonstrates some additional bass walk downs that can be used to intensify your guitar playing.

Length: 5:37 Difficulty: 1.0 Members Only
Lesson 6

Hybrid Picking

Lisa shifts her focus to the right hand in this lesson. Here she introduces a picking style known as hybrid picking. This technique requires you to use the pick and pluck the strings with your fingers...

Length: 7:08 Difficulty: 0.5 Members Only
Lesson 7

Triads

Lisa explains triads in this lesson. Simplistic and unique, yet powerful and bold, these little guys will allow you to explore some fresh new sounds on your guitar.

Length: 6:26 Difficulty: 1.5 Members Only
Lesson 8

Travis Picking

Developed by Merle Travis, Lisa explains this hybrid style picking technique in detail. Travis picking, which involves playing an alternating bass line, is a common form of picking within country and fingerstyle...

Length: 8:47 Difficulty: 2.0 Members Only
Lesson 9

Triads and Fingerstyle

Lisa introduces some new picking techniques that can be applied to the triads you have learned. She demonstrates how these triads can be embellished with melodic ideas to create an overall more creative...

Length: 18:54 Difficulty: 3.0 Members Only
Lesson 10

The Blues Shuffle

Lisa introduces the blues shuffle. You will learn several chordal variations on this classic rhythmic pattern.

Length: 14:16 Difficulty: 2.0 Members Only
Lesson 11

I, IV, and V Chords in Different Keys

Lisa introduces the I, IV, and V chords. She explains how these chords can be found in any key by counting up the musical alphabet.

Length: 8:35 Difficulty: 2.5 Members Only
Lesson 12

Sweet Rock Groove

Lisa compiles the information from the last couple of lessons into a nice rock groove. This is a great way to take what she has previously taught and turn it into a nice melody for you to jam around with....

Length: 6:47 Difficulty: 3.0 Members Only
Lesson 13

Barre Chords

Lisa Pursell is back in lesson 13 with barre chords. She explains how to play various forms of the major, minor, and dominant seventh barre shapes. A discussion of economy of movement and why it is important...

Length: 12:25 Difficulty: 0.5 Members Only
Lesson 14

Syncopated Rhythm

Lisa breaks explains how the left can be used to mute the strings within a funky, syncopated groove. She provides a few practical exercises that will help you become acquainted with this technique.

Length: 5:05 Difficulty: 1.5 Members Only
Lesson 15

Reggae Rhythm

Lisa demonstrates a short and juicy lesson on reggae strumming patterns. Most reggae patterns are played in 4/4 time with a strong emphasis on each of the upbeats.

Length: 3:15 Difficulty: 1.5 Members Only
Lesson 16

Syncopated Rhythm Revisited

In Lisa's 16th lesson of her Beginner Electric Series, she reopens the topic of syncopated rhythms.

Length: 5:29 Difficulty: 1.5 Members Only
Lesson 17

Single String Technique

Lisa covers some warm-up exercises that are beneficial for both the left and right hands.

Length: 6:30 Difficulty: 2.5 Members Only
Lesson 18

Slide Technique

Lisa presents a small lesson on the slide technique. This technique can be used with scale patterns to help create a more expressive and personal sound.

Length: 8:55 Difficulty: 2.0 Members Only
Lesson 19

Pull-off Technique

Lisa teaches a classic rock lick that combines the pull-off technique with a pedal tone.

Length: 4:12 Difficulty: 2.5 Members Only
Lesson 20

Hammer-on Technique

Lisa covers the hammer-on technique. This technique is essential for all guitarists to master.

Length: 2:13 Difficulty: 2.0 Members Only
Lesson 21

Some Blues / Jazz Chords

Lisa simplifies and breaks down some chords commonly used in the blues and jazz genres.

Length: 8:10 Difficulty: 2.5 Members Only
Lesson 22

6th Intervals

An interval is the musical distance between two different pitches. Here Lisa covers the 6th interval and some practical ways that it can be used.

Length: 8:16 Difficulty: 3.0 Members Only
Lesson 23

3rd Intervals

Lisa continues to explore important intervals used in music. Here she explains diatonic third intervals and where they are located on the guitar. She also provides a musical excerpt that will allow you...

Length: 7:58 Difficulty: 2.5 Members Only
Lesson 24

Tool Box Tips

Lisa introduces some techniques that will help you improvise effectively within the major pentatonic scale. Techniques include triplet sequences, hammer-ons, pull-offs, double stops, position shifts, and...

Length: 23:05 Difficulty: 3.0 Members Only
Lesson 25

Minor Blues Scale

Lisa introduces the minor blues scale. This scale, which adds the b5 degree to the minor pentatonic scale, is one of the most commonly used scales in almost all styles of music.

Length: 13:40 Difficulty: 3.0 Members Only
Lesson 26

Texas Style Shuffle Rhythm

Taking things back to the SRV sound, Lisa demonstrates this Texas style rhythmic shuffle. She breaks this pattern down by demonstrating its bass line and the muting techniques required to play it.

Length: 10:00 Difficulty: 3.5 Members Only
Lesson 27

E7(#9) Chord

Lisa takes a quick moment to cover this unique chord. Some dub E7(#9) as the "Classic Hendrix Chord." However you see it, this colorful sound is an essential addition to your guitar toolbox.

Length: 2:29 Difficulty: 1.0 Members Only
Lesson 28

5 Scale Positions

Lisa demonstrates the 5 scale positions of the major and minor pentatonic scales. Each position can be used alone or in combination with the other patterns to create many different scale runs. Make sure...

Length: 20:19 Difficulty: 3.0 Members Only
Lesson 29

Faster Chord Changes

Lisa will cover a metronome technique that will help develop faster chord changes.

Length: 3:24 Difficulty: 2.0 Members Only
Lesson 30

Organizing a Practice Session

Lisa provides some great tips on how to set up and organize a practice session that will maximize progress.

Length: 6:28 Difficulty: 1.0 Members Only
Lesson 31

Beginner Music Theory

Lisa dives into some beginner music theory and discusses how to use a mnemonic system to remember note locations.

Length: 5:48 Difficulty: 3.0 Members Only
Lesson 32

Understanding Minor Chords

Lisa takes a look at how to build minor chords. She explains the crucial difference between major and minor chords.

Length: 3:21 Difficulty: 3.0 Members Only
Lesson 33

Barre Chord Concepts

Lisa explains some important theory information pertaining barre chords.

Length: 8:08 Difficulty: 3.0 Members Only
Lesson 34

Barre Chords in a Blues Progression

Lisa breaks explains how to find the appropriate barre chords within a I-IV-V blues progression.

Length: 5:03 Difficulty: 2.5 Members Only
Lesson 35

Octave Shapes

Lisa takes a quick look at how octave shapes are created and where they can be found.

Length: 3:08 Difficulty: 2.5 Members Only
Lesson 36

Improvising with Intervals

Lisa demonstrates some ideas on how to improvise using intervals. She begins with the perfect fourth interval for this lesson.

Length: 3:59 Difficulty: 2.5 Members Only
Lesson 37

5th and 6th Intervals

Lisa continues her last lesson by explaining how 5th and 6th intervals are frequently used in melodic lines.

Length: 10:08 Difficulty: 3.0 Members Only
Lesson 38

Major Scale

Lisa dives into the major scale and demonstrates a commonly used pattern.

Length: 8:01 Difficulty: 2.5 Members Only
Lesson 39

Major Scale - G Shape

Lisa explains how to play the C major scale using the 'G' shape from the CAGED system.

Length: 6:39 Difficulty: 2.0 Members Only
Lesson 40

Syncopated Rhythm

In this lesson, Lisa demonstrates how syncopated rhythms work and the different ways they can be applied within a 16th note or triplet-based rhythm.

Length: 11:56 Difficulty: 2.0 Members Only
Lesson 41

Chords and Patterns

Lisa explains how chord shapes and scale patterns relate to one another.

Length: 8:15 Difficulty: 2.5 Members Only
Lesson 42

Major Triads

Moving all the way up the neck of the guitar, Lisa demonstrates major triads and explains the fundamentals of how they are built.

Length: 4:11 Difficulty: 2.0 Members Only
Lesson 43

Minor Triads

Lisa now goes on an in depth adventure into minor triads.

Length: 12:42 Difficulty: 2.0 Members Only
Lesson 44

Minor Arpeggios

In this quick lesson, Lisa touches on some minor arpeggio ideas.

Length: 3:15 Difficulty: 1.5 Members Only
Lesson 45

Scale Application

Lisa demonstrates how to use different scales to create new ways of building both solos and rhythmic styling. She utilizes a backing track to help make her point.

Length: 4:30 Difficulty: 2.5 Members Only
Lesson 46

Single and Double String Slides

Welcome to the 46th lesson in Lisa Pursell's Beginner Electric series! This lesson covers many creative ideas as well as the techniques behind single and double string slides. Enjoy!

Length: 9:14 Difficulty: 2.5 Members Only
Lesson 47

Pull-off Technique

Lisa demonstrates a few practical examples of the pull-off technique.

Length: 10:49 Difficulty: 3.0 Members Only
Lesson 48

Adding the Blue Note

Lisa takes a dive into the minor blues scale as a whole. She demonstrates where you can find what are called "blue notes" within pentatonic scale patterns.

Length: 14:05 Difficulty: 3.0 Members Only
Lesson 49

Understanding Vibrato

Vibrato is a fantastic and simple technique to understand. This lesson offers different ideas on how you can apply some vibrato to your playing.

Length: 5:34 Difficulty: 2.0 Members Only
Lesson 50

Sweep Picking Technique

This lesson provides an in depth look at both downward and upward sweep picking techniques.

Length: 8:26 Difficulty: 3.0 Members Only
Lesson 51

Shell Voicings

Want to play a lighter voicing of a full chord? This technique is called "shells" and Lisa demonstrates several common shell voicings in this lesson.

Length: 17:27 Difficulty: 2.5 Members Only
Lesson 52

Blues Turnaround Ideas

Need some ideas to bring resolution to a unique blues progression? Let Lisa inspire you with some blues turnaround ideas. She demonstrates different keys and applies some hammer-on and pull-off techniques...

Length: 16:09 Difficulty: 3.5 Members Only
Lesson 53

Harmonizing the Major Scale

Lisa explains how to harmonize the major scale with diatonic triads.

Length: 19:40 Difficulty: 3.5 Members Only
Lesson 54

8 Bar Blues

Lisa lays down an improvised 8 bar blues solo with the help of a backing track. Then, she discusses how she created her lead lines.

Length: 7:18 Difficulty: 2.5 Members Only
Lesson 55

Harmonizing with Diatonic Triads

Lisa continues to demonstrate ways to harmonize notes utilizing diatonic triads. She provides some tips on how to improvise with these triads as well.

Length: 22:48 Difficulty: 3.0 Members Only
Lesson 56

Connecting Patterns Via Sequencing

Lisa demonstrates ways to connect patterns using melodic sequences. She moves up and down the neck and provides some ideas that will help you make your own sequencing connections.

Length: 19:53 Difficulty: 3.0 Members Only
Lesson 57

Blues in A

Lisa takes a quick look at how to add the "blue note" into the A minor pentatonic scale.

Length: 6:48 Difficulty: 2.0 Members Only
Lesson 58

Full Neck Harmonization

This in depth lesson explains how to harmonize the major scale while utilizing the entire neck of the guitar.

Length: 51:58 Difficulty: 3.0 Members Only
Lesson 59

The F#m7(b5) Chord

Lisa demonstrates the F#m7(b5) chord and the different places it can be played on the neck.

Length: 3:40 Difficulty: 1.5 Members Only
Lesson 60

Extensions

Lisa will use the C Major Add 9 chord shape to help demonstrate how extensions can be used to spice up an arpeggio.

Length: 3:54 Difficulty: 2.0 Members Only
Lesson 61

Passing Tones

Utilizing some of the scale work from previous lessons, Lisa touches on the topic of passing tones and demonstrates some examples accompanied by a backing track.

Length: 8:23 Difficulty: 2.5 Members Only
Lesson 62

Creating a Solo

Developing a simple and tasteful solo can be difficult. However, when you understand how chords and scales relate to one another, developing a solo becomes a simpler process. Lisa provides examples and...

Length: 28:03 Difficulty: 3.0 Members Only
Lesson 63

Chord Progression Theory

This very quick lesson explains the theory behind the chord progression used in the last lesson.

Length: 2:57 Difficulty: 1.5 Members Only
Lesson 64

A Major Pattern 4 Sequencing Ideas

Want to learn some fresh sequencing ideas in A major? Lisa provides two ideas that can be applied to a new solo or melody.

Length: 13:40 Difficulty: 2.0 Members Only
Lesson 65

Using a Metronome

Lisa provides some insight on how to successfully utilize a metronome during a practice session.

Length: 3:51 Difficulty: 1.0 Members Only
Lesson 66

Rhythmic Chord Playing

Lisa discusses some creative ideas on how to apply 9th chords to your rhythm playing.

Length: 6:30 Difficulty: 2.5 Members Only
Lesson 67

Creative Double Stop Ideas

Welcome to Lisa's 67th lesson! Here she provides some creative double stop ideas that can be applied to many different keys.

Length: 12:19 Difficulty: 3.0 Members Only
Lesson 68

Swing Blues in C

Lisa demonstrates a swing blues intro lick in the key of C.

Length: 3:32 Difficulty: 2.5 Members Only

About Lisa Pursell View Full Biography Born and raised in Atlanta, GA, Lisa started playing local venues as a teenager in and around Atlanta as a guitarist for hire. At the same time, she began teaching guitar privately and playing locally on recording sessions. In this still-early stage of her career, she was soon teaching at local music stores. After attending a local college and studying classical guitar, she began teaching at the Atlanta Institute of Music.

In 1992 she moved to Hollywood, CA. to attend the Guitar Institute of Technology (a.k.a. Musician's Institute). Graduating in 1993 as "Outstanding Student of the Year," she was invited to become part of the faculty at GIT, which she excelled at for the next three and a half years.

In 1996 she moved to Nashville, TN. There, she was hired as the lead guitarist for Nashville based band Mustang Sally, which at one point included future Grammy winner Gretchen Wilson as the lead singer. She played an exhaustive tour schedule of 150-300 dates a year, while perfecting her technique. Soon the band was opening for artists such as George Jones, Patty Loveless, Montgomery Gentry, Chuck Mangione, LeAnn Womack and many others.

In 2003, she recorded an instrumental CD which included one original track co-written with bass player Jerry Peek (Steve Morse Band), along with two covers of two of her many favorite guitarists. To further hone her musical skills, she then concentrated on songwriting, the results of which will be included as both vocal and instrumental pieces on her next project.

Today Lisa resides in Nashville, TN. Currently an educator, author, singer/songwriter/guitarist, she plans to release her original CD soon. Her music theory workbook, entitled "THINKING IN THE LANGUAGE OF MUSIC" written for vocalists and musicians who are interested in learning music theory without the requirement of reading music, is currently available.

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