lesson summary
Lesson 7 of 15 in our Basic Guitar Series: Bringing it Together
Steve teaches the primary chords in the key of A major as well as some additional chords. You will also practice playing in the key of D. At the end of the lesson, the new chords are applied to a fingerstyle pattern.
Chapter 1: (1:16) Introduction
Welcome to Steve's 7th episode in this beginner guitar course. Hopefully you've already completed your warm-up exercises and are ready to start learning. Let's go!
Chapter 2: (16:35) "A" Chord Family
In this lesson were going to review a bit from the past then move on to the A chord and some additional finger picking. In past lessons, you learned the G, Em, C, Am, D7, and D chords. Please take a minute to review these chords.
As you remember, we went through quite a few different progressions in the D shape (D, Dm, D7, D6, etc). Now were going to explore similar progressions but in the shape of A.
As is the case with any chord, there are many different ways to hold it. Steve demonstrates a few different methods:
- Stacked Fingers - Finger 1 on the D, Finger 2 on the G and Finger 3 on the B
- Barred Fingers - One finger laid across the second fret of each string (D, G, and B)
- The Steve Method - Finger 1 on G, Finger 2 on D, and Finger 3 on B. With this approach, your first finger is behind & in between the other two. This works well if you have bigger fingers.
Regardless of your finger positioning, youre hitting the exact same five notes (three that are fretted and two open strings).
- A Open A string
- E D string, 2nd fret
- A G String, 2nd fret
- C# B string, 2nd fret
- E Open e string
You might notice that we have an available E note that can be played as well (open E string). Feel free to throw this in for a bit of a deeper tone.
On the board you will see two columns of chords. Remember that lower case roman numerals (ii, iii and vi) are minor chords. The upper case roman numerals (I, IV, and V) are major chords. An easy way to remember this is to hold your hand up with the I love you sign with your thumb facing up. You can count through the scale and figure out the minor & major chords. For instance, in the key of G, you have G, Am, Bm, C, D, and Em. With your hand, your pinkie is G (major), ring finger is Am (minor because the finger is down), middle finger is Bm (again the finger is down), pointer finger is C, thumb is D and the non-existent finger is Em (hey your non-existent finger isnt up, is it?!).
As youll see, the B minor is the 6th step in the key of D and also the 3rd step in the key of G. Once we learn that (this lesson of course!), you will know enough to play the first six chords in the key of G and all but one to play in the key of D.
Oh no, incomplete 7th Chords!
D is the 5th step in the G scale. If you play D 7th instead, it will have a very incomplete sound. It is close to being in the key of G, but a little bit off. To complete the progression, try playing a regular D. This will complete your D7th chord and finish off the scale nicely. The same will happen if you play an A 7th in the key of D. It will sound very unfinished until you play the A major chord.
A and A Minor Transitioning
Instead of playing the typical key of D progression, lets say you want to throw a suspenseful A7 in place of the A. Well, youre going to need to resolve the A7 with an A unless you want to drive everybody nuts. To play an A minor, you will flatten the A a full step on the G string, 2nd fret to a G (open G string). This transition is particularly easy if you use the Steve Method of holding your A as mentioned above. If you barre the A then it may be a bit more difficult to transition. Regardless, the point is that you should be fretting your chords not only to be comfortable but to make your transitions easier.
A / A Major 7th / A Dominant 7th
Just like with the D progression, we can simply change one note to move between different chords in the A family. To play an A Major 7th you simply flatten the A note on the G string a half step (remember, flattening it a full step (two frets)) will create an A7 chord). So now, for the
A Major 7th, you will be playing the following:
- A string, open
- D string, 2nd fret
- G string, 1st fret
- B string, 2nd fret
- e string, open
To move to an A7 (also called A Dominant 7th), you simply lift up your finger on the G string. Easy, huh? This will leave you with an
A7 chord:
- A string, open
- D string, 2nd fret
- G string, open
- B string, 2nd fret
- e string, open
There you go! Youve learned the A, A Major, A Minor, A7, and A Major 7 chords!
about Steve Eulberg
Steve Eulberg: Award-Winning Songwriter & Instrumentalist
An Award-winning multi-instrumentalist and singer-songwriter, Steve Eulberg weaves mountain and hammered dulcimers with a variety of unusual instruments to create thought-provoking, smile-inducing, toe-tapping acoustic experiences.
He has sung and composed for religious communities, union halls, picket lines, inter-faith retreats, mountain-top youth camps, as well as the more familiar venues: clubs, coffeehouses, bookstores, festivals, charity benefits and showcase concerts.
Born and raised in the German-heritage town of Pemberville, Ohio, Steve was exposed to a variety of music in his home. Early piano lessons were followed by trumpet in school band, and he became self-taught on ukelele and guitar and harmonica. Mandolin was added at Capital University where, while majoring in History, he studied Ear Training, Voice and took Arranging lessons from the Conservatory of Music.
While at college, he first heard hammered and mountain dulcimers, building his first mountain dulcimer just before his final year. Seminary training took him the west side of Denver where he built his first hammered dulcimer. With these instruments, he was able to give voice to the Scottish, English and Irish traditions to which he is also heir.
Following marriage in 1985 to Connie Winter-Eulberg he settled in Kansas City, Missouri. There he worked cross-culturally in a church of African-Americans, Latinos and European Americans, with music being a primary organizing tool. He moved with his family in 1997 to be nestled beside the Rocky Mountains in Fort Coillins, Colorado.
Founder of Owl Mountain Music, Inc. he teaches and performs extensively in Colorado and Wyoming with tours across the US and the UK. He delights in introducing the sweet music of dulcimers to people in diverse settings and in addition to his own recordings, has included dulcimers in a variety of session work for other musicians.
In 2000 he was commissioned to create a choral composition featuring dulcimers for the Rainbow Chorus in Fort Collins. It was recorded in the same year (BEGINNINGS). He is currently at work on a commissioned symphony that will feature hammered dulcimer and Australian didjeridu.
Eulberg passionately believes that music crosses cultural and language barriers because music builds community. Influenced by a variety of ethnic styles, his music weaves vital lyric with rap, rock, folk, gospel and blues. Audiences of all ages respond well to his presentation and to his warm sense of humor.
Steve is a member of Local 1000 (AFM), The Folk Alliance, BMI and BWAAG (Better World Artists and Activists Guild).
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