Tricks and Lead - Online Guitar Lesson Video

lesson summary

Lesson 6 of 47 in our Rock Series: Tricks and Lead

Brad covers the process of creating your first licks. Then, he demonstrates the importance of hammer-ons, pull-offs, trills, slides, bends, and more! If you want to play rocking lead, this lesson is a must for you.

Chapter 1: (2:17) Introduction Brad opens Lesson 6 by improvising over a 12 bar blues progression. In this lesson, you will learn some fundamental left hand techniques that are essential to blues and rock guitar playing. Brad demonstrates how to apply these techniques to the blues scale to form your own lead guitar licks.

Do not continue with this lesson until you have memorized the blues scale pattern from Lesson 5!

Chapter 2: (3:04) Blues Scale Over 12 Bar Blues Brad plays through the blues scale over the backing track to the 12 bar blues. Notice how each note in the scale sounds when played over each chord. Each note in the scale has a specific relationship with each chord. This relationship determines how a note sounds when played over a specific chord. Take a careful look at how each note in the blues scale functions over the first chord, A.

A: This is the root of the chord. Thus, this note is consonant when played against an A7 chord.

C: Functions as a blues note (b3).

D: The 4th of the chord. The 4th scale degree is a very dissonant interval. It should only be used in passing. Do not linger too long on this note when the rhythm section is playing A7!

Eb: The tritone interval from A. This is an extremely dissonant interval. Use it only in passing.

E: The fifth of the A7 chord. This is a consonant tone.

G: The seventh of the A7 chord. This is a consonant tone.

These theoretical concepts can also be applied to the D7 and E7 chords in the blues. Here are the notes from the scale that can only be played in passing over these chords.

Over D7: G and Eb should only be played as passing notes.
Over E7: A and Eb should only be played as passing notes.

Note: The note that is a perfect fourth interval above the root of the chord is always considered a dissonant interval. This note should only be used in passing within the context of a melody line.

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about Brad Henecke

Brad Henecke: Performing Classic Rock Guitarist

Brad Henecke was born in Cedar Rapids, Iowa on May 5th of 1963. He has been a fan of music for as long as he & his family can remember. You could always find him running around the farm wailing on his cardboard guitar, pretending to be a member of the rock band KISS. Additional inspiration came during his first concert when he got the chance to see Boston & Sammy Hagar in the early 1970’s. This opened up a whole new world of rock and roll music for him; his parents noticed his growing interest in music and enrolled him into guitar lessons when he was 13.

From there he jumped into two years of lessons at a local music store in Cedar Rapids. After discovering Eddie Van Halen, Brad knew that the guitar would always be a part of his life. He took his love throughout the city as he played as a pit musician & jammed at parties for friends.

This made him thirsty for more. He enrolled classes at Kirkwood Community College & also took lessons from the one & only Craig-Erickson (www.craig-erickson.com).

His love for music landed him a gig opening for Molly Hatchet in Cedar Rapids with a band called “Slap & Tickle”. He has also played in the Greeley Stampede show for quite a few years with “True North”.

Brad is currently playing in Greeley, Colorado with a rock band titled “Ragged Doll”. They play a wide variety of music with an emphasis on classic rock from the 60’s to present, with Brad playing electric guitar in the five piece lineup.

He currently jams on his all-time favorite guitar: a Paul Reed Smith Custom 24. Beyond guitar, he plays also plays drums & bass guitar. He has also been known to thrash a banjo from time to time. He is still actively playing & passing his 31 years of playing experience on to others (you!).

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Tricks and Lead | Free Online Guitar Lesson