In this lesson series, you will be exploring the world of Jazz guitar with Jane Miller.
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Jane Miller explains everything you need to know about Jazz guitar. Assuming some prior theory knowledge, Jane jumps right into the information that will get you playing in no time.
Lesson 1
This exciting interview takes a close look at the playing and teaching of Jane Miller. Learn about her influences, some jazz recommendations, and her musical experience.
Length: 43:05 Difficulty: 0.5 Member OnlyLesson 2
Jane Miller talks about her new jazz series and provides a couple quick tips to get you started.
Length: 9:03 Difficulty: 1.0 Member OnlyLesson 3
Jane Miller explains the importance of hand stretches and warm-up exercises.
Length: 4:06 Difficulty: 0.5 Member OnlyLesson 4
Jane explains the chord changes used in a 12 bar jazz style blues.
Length: 17:30 Difficulty: 2.0 Member OnlyLesson 5
Jane Miller shares some fun ideas about soloing over a 12 bar blues.
Length: 22:08 Difficulty: 2.0 Member OnlyLesson 6
Jane talks more about the ii-V-I progression and how to work it into your jazz playing.
Length: 7:25 Difficulty: 1.5 Member OnlyLesson 7
Jane Miller shares some valuable thoughts regarding chord tensions.
Length: 20:10 Difficulty: 2.5 Member OnlyLesson 8
Jane provides an introductory lesson on the melodic minor scale.
Length: 2:44 Difficulty: 2.0 Member OnlyLesson 9
Jane explains how the melodic minor scale and its corresponding modes are used in jazz melodies.
Length: 18:09 Difficulty: 3.0 Member OnlyLesson 10
Jane takes a look at movable chord forms played on the treble strings.
Length: 20:39 Difficulty: 2.5 Member OnlyLesson 11
Jane Miller expands on her discussion of movable chord forms and how they apply to jazz.
Length: 19:18 Difficulty: 2.5 Member OnlyLesson 12
Jane Miller shares a wonderful lesson about the importance of rhythm.
Length: 7:58 Difficulty: 2.5 Member OnlyLesson 13
Jane Miller explores more rhythm and groove with another lesson using the metronome.
Length: 7:40 Difficulty: 2.0 Member OnlyLesson 14
Jane Miller continues her discussion on rhythm and using a metronome.
Length: 6:15 Difficulty: 2.0 Member OnlyLesson 15
Jane Miller concludes her discussion on metronomes and forming daily practice routines.
Length: 10:27 Difficulty: 2.0 Member OnlyLesson 16
Jane Miller dives into her first lesson on right hand techniques.
Length: 3:58 Difficulty: 2.0 Member OnlyLesson 17
Jane Miller dives right into part 2 of her Right Hand Techniques mini-series.
Length: 5:00 Difficulty: 2.0 Member OnlyLesson 18
Jane Miller talks about fingerstyle playing exclusively in the third installment of Right Hand Techniques.
Length: 18:05 Difficulty: 2.5 Member OnlyLesson 19
Jane Miller explores drop 2 voicings in this lesson.
Length: 18:06 Difficulty: 2.5 Member OnlyLesson 20
Jane Miller talks about a "bargain chord" in this lesson. Learn what a bargain chord is and how it can be applied to your playing.
Length: 15:35 Difficulty: 2.5 Member OnlyLesson 21
Jane Miller talks about chord solos in part one of this fascinating mini-series.
Length: 18:43 Difficulty: 2.5 Free Sample Lesson from this Series!Lesson 22
Jane Miller explores another aspect of chord solos in part two of this fun topic.
Length: 6:27 Difficulty: 2.5 Member OnlyLesson 23
Jane Miller concludes her discussion on chord solos.
Length: 13:59 Difficulty: 2.5 Member OnlyLesson 24
Jane Miller explores some common Latin vamps in this lesson.
Length: 10:49 Difficulty: 2.5 Member OnlyLesson 25
Jane Miller shares her insights on the topic of practice versus repertoire practice.
Length: 7:39 Difficulty: 0.5 Member OnlyLesson 26
Jane Miller plays an original song called "Bedtime Story" that showcases techniques discussed in earlier lessons such as the use of open strings and Bossa Nova comping.
Length: 4:19 Difficulty: 1.0 Member OnlyLesson 27
Jane demonstrates another original song called "Free Alongside Ship" that uses techniques learned in previous lessons.
Length: 3:00 Difficulty: 1.0 Member OnlyLesson 28
Jane Miller shares an original tuned called "The Other Room." Similar to songs taught in the past few lessons, "The Other Room" showcases techniques that Jane taught earlier in the series. See if you can catch them while watching.
Length: 4:55 Difficulty: 2.0 Member OnlyLesson 29
Jane Miller takes a look at diminished chords in this lesson. She also touches on diminished scales and their relationship with diminished and dominant chords.
Length: 11:36 Difficulty: 2.5 Member OnlyLesson 30
Jane Miller continues her discussion on diminished chords. In this lesson, she touches on their inversions and how they can be used in chord progressions.
Length: 11:43 Difficulty: 2.5 Member OnlyLesson 31
Jane Miller changes gears and talks about diminished scales that go along with the diminished chords you learned.
Length: 12:48 Difficulty: 3.0 Member OnlyLesson 32
Jane Miller touches on making diminished 7th chords a substitution for dominant 7th chords.
Length: 15:38 Difficulty: 3.0 Member OnlyLesson 33
Jane Miller returns to the subject of diminished scales. This time she explains how they fit in with the chord substitutions you learned about in the last lesson.
Length: 14:28 Difficulty: 2.5 Member OnlyLesson 34
Jane Miller starts explaining arpeggios. In continuation of the last couple of lessons, she starts with diminished 7th chord arpeggios.
Length: 10:07 Difficulty: 2.5 Member OnlyLesson 35
Jane Miller continues her discussion on arpeggios in this lesson. This time around, she focuses on major 7th chord arpeggios.
Length: 9:42 Difficulty: 2.5 Member OnlyLesson 36
In continuation of her last lesson, Jane Miller discusses another use for major 7th arpeggios.
Length: 8:50 Difficulty: 2.5 Member OnlyLesson 37
Jane Miller gives a few more examples of using major 7th arpeggios against minor chords and explains how you can better incorporate them into your playing.
Length: 14:45 Difficulty: 2.5 Member OnlyLesson 38
In this lesson, Jane Miller talks about major 6th chords and their relationship with minor 7th chords.
Length: 8:35 Difficulty: 2.5 Member OnlyLesson 39
Jane Miller talks about scales & patterns in this lesson. She addresses some popular questions including how to improve the melodic element of your improvisation.
Length: 10:10 Difficulty: 2.5 Member OnlyLesson 40
Jane Miller revisits her last lesson and explains how to apply major scales.
Length: 7:24 Difficulty: 2.5 Member OnlyLesson 41
Jane Miller continues her lessons about scales & patterns with a discussion on the pentatonic scale.
Length: 14:43 Difficulty: 2.5 Member OnlyLesson 42
Jane Miller continues her discussion of the pentatonic scale and its patterns. She talks about how to start applying some of the lines you learned in the previous lesson.
Length: 13:36 Difficulty: 2.5 Member OnlyLesson 43
Jane Miller talks about the whole tone scale. This scale consists entirely of whole steps.
Length: 13:41 Difficulty: 2.5 Member OnlyLesson 44
Now that you've learned all about the diminished and whole tone scales, Jane Miller discusses the chromatic scale.
Length: 9:21 Difficulty: 2.5 Member OnlyLesson 45
Jane Miller continues her discussion of the chromatic scale with a great exercise to help you practice dynamics.
Length: 6:58 Difficulty: 2.5 Member OnlyLesson 46
Jane Miller continues her discussion on dynamics in this lesson. She invites you to think about volume as a way to add feeling or catch attention while improvising.
Length: 7:01 Difficulty: 2.0 Member OnlyLesson 47
Jane Miller discusses bass lines in this lesson. She begins by explaining how you can get a bass line going by itself first. Then, she explains how to add in chord voicings.
Length: 15:53 Difficulty: 2.5 Member OnlyLesson 48
Jane Miller begins a discussion on upper structure triads. In this lesson, Jane refers to the top part of a major 7th chord as well as added tensions.
Length: 12:37 Difficulty: 2.5 Member OnlyLesson 49
Jane Miller continues her discussion of upper structure triads.
Length: 15:14 Difficulty: 2.5 Member OnlyLesson 50
Jane Miller picks up where she left off in her last lesson and shares a great technique that will provide you with some new comping options.
Length: 4:58 Difficulty: 2.0 Member OnlyLesson 51
Jane Miller concludes her discussion of upper structure triads. In this lesson, she helps you turn the E minor triad you have been using into a G major triad.
Length: 9:29 Difficulty: 2.5 Member OnlyLesson 52
Jane Miller changes gears and focuses on the E Lydian mode in this lesson.
Length: 13:31 Difficulty: 2.5 Member Only
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