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Jazz and Blues Guitar Lesson

Home > Guitar Lessons > Genres > Jazz > Jazz Guitar with Jane > Jazz and Blues
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Jane Miller

Jazz and Blues

Jane explains the chord changes used in a 12 bar jazz style blues.

Taught by Jane Miller in Jazz Guitar with Jane seriesLength: 17:30Difficulty: 2.0 of 5
  • Notation/Tab Page 1
  • Notation/Tab Page 2
  • Notation/Tab PDF
  • Additional Content (1)
  • Additional Content (2)
  • Additional Content (3)
  •  
  • F7(no 3rd)
  • F7
  • F13
  • F9
  • F9/C
  • F7(#9)
  • F7(#11)
  • F13
  • F7(#5)
  • F7sus4
  • F7(#5)
  • F7
  • F13
  • Gm7
  • Gm9
  • Gm7
  • Gm9
  • Gm11
  • Am11
  • Am7
  • Bb7(b9)
  • Bb9
  • Bb7
  • Bb9
  • Bb9sus4
  • Bb13
  • Bbm7
  • Bb7
  • Bb9(#11)
  • Bb13
  • Bb9
  • E9
  • E13
  • B7(#11)
  • Bo7
  • B13
  • B9sus4
  • C7(b9)
  • C7+(b9)
  • C7+(#9)
  • C7
  • C7(#9)
  • C13
  • C9/E
  • Cm11
  • Gb7(#11)
  • Gb13
  • Gb9
  • Gb9/Db
  • D7(#9)
  • D7/F#
  • D7(b9)
  • D7(b9)
  • D7(b9)
  • Ab7(#11)
  • Ab7
  • Eb9
  • Eb13
  •  



Supplemental Learning Material

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Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


goodbar ukgoodbar uk replied on January 13th, 2012

Hi Jane, I've bween on JP for almost a year now and only just discovered your lessons, WOW!! it's opened a whole new genre for me. I've had a 25 year break from the Guitar (sad I know) I was following Hawkeye and Michael Maddis as my desire was to learn the blues. I progressed well as I'd reached a good standard all those years ago and was amazed how many things came flooding back, but now I've discovered Jazz thanks to you and it's wonderful. I didn't realise Jazz was so closely related to the blues, and I think your lessons are GREAT!! - Please keep posting them!! Kind regards, Richard, aka Goodbar UK, West Yorkshire UK

adrianabshireadrianabshire replied on December 14th, 2011

I think this (sadly) is too advanced for me - I need more help with the v, vi, vii type stuff... these chords are ok but beyond what I need now. i love your teaching style! I wish you had more 'beginner/int. type tutorials'... maybe you do and I haven't found them yet!

destrilogydestrilogy replied on November 24th, 2011

I feel like at the end of the video when you are playing that amazing thing blues with all those voices, I am completely lost like I'm not sure if I should continue or keep on studying the last part.

mlcopemlcope replied on November 19th, 2011

Very Cool! Thanks

progrmrprogrmr replied on October 22nd, 2011

The supplemental content does not match the video. This needs to be fixed - there is no reason a student looking at this video should need to lookup the chords in a separate chord instruction and transpose.

jessestrumjessestrum replied on October 16th, 2011

this is great

thyzelthyzel replied on December 8th, 2010

This is great, its really helping me out with the Jazz thing. :) I really like the chords

wdipaolowdipaolo replied on November 26th, 2010

Thanks Jane - I am really enjoying your series. My question refers to chord selection for the blues. I see you have added 7ths, 9ths and even used ii, vi and vii in different variations. To keep with the 12 bar concept - can you provide some help as to when these chords can be used and substituted?

chrisjoneschrisjones replied on October 26th, 2010

The supplemental content has first position chords but she starts playing up the neck. The roots seem right it's not what she is playing.

chrisjoneschrisjones replied on October 26th, 2010

I made a typo, it's just that the tab shows her playing in first position and the video has her playing up the neck.

nash24nash24 replied on October 24th, 2010

Thanks for helping me find the direction I've been looking for. And I appreciate the way you teach.

andylipscombandylipscomb replied on September 16th, 2010

This is the lesson series I've been waiting for. I have to say, though, that I wish the tabs would occasionally match up with what the instructor is playing. I know that it's part of the learning experience, and particularly part of the jazz experience, to figure things out on your own, but there's a lot of material here that is completely foreign to me. Sometimes I would just like to imitate for awhile until I get the basics down.

elliottdogelliottdog replied on October 16th, 2010

Great lesson! - the first time through a lot of seemingly unanswered questions come up that were actually addressed when I studied it the second time through - such as why a Gmin works in the 7th bar (ii-V-I) in the jazzier version when a C7 is the standard 7th bar cord in the 12 bar blues in F.

elliottdogelliottdog replied on October 16th, 2010

I guess watching it three times through is needed - the ii-V (Gmin C7) replaces the V-IV in the 9th and 10th bars, not the 7th and 8th.

mattbrownmattbrown replied on September 30th, 2010

Over the next several days, I'll be working on transcribing a few choruses of of Jane's blues comping. Hopefully, that will help your understanding of how all of the voicings can be used. Also, I'll add some written information under the "Info" tab explaining concepts such as the ii chord substitution, the tritone substitution, the ii-V turnaround, the I VI ii V "turnback" turnaround, and other important ideas presented in this lesson. Stay tuned!

andylipscombandylipscomb replied on October 1st, 2010

Thanks, Matt. The new tabs you've added are a great help.

Jane.MillerJane.Miller replied on October 1st, 2010

I'll be adding my take on all of this in the next day or two as well. Thanks.

Jane.MillerJane.Miller replied on September 17th, 2010

hi, thanks for your comment. If you play the chords as shown on the 2 pages of the notation (shown as pdf in supplemental content) then you will have played the chords that I played. They will not, as you noticed, be in the same order, but they will for sure all be there. I wrote out diagrams for a few times around the 12-bar form, giving a lot of room for some freedom. If it's easier to look at the page and memorize what's there first, then do that, and then come back to the video. I promise you will then see the chords go by as I play them. I agree with you that it is better in jazz to figure things out, in the spirit of spontaneity. I like to think of comping as I think of improvising: learn to use the language "in the moment" as you play, similar to having a conversation with someone and using familiar phrases without reading a prepared speech over and over again. Hope this helps. It really is all there for you to use in your own way.

andylipscombandylipscomb replied on September 17th, 2010

Thanks for the reply, Jane. I've started clawing my way through the supplementals. I can play the third version with the metronome if the metronome is on 10. I'll come back to the video when I get up to 12 or so. Ah, the pain. Who needs talent when you've got masochism? All BS aside, I really am looking forward to your series.

aquariartyaquariarty replied on September 20th, 2010

I love jazz guitar. Listening to you play is a joy and I would love to play just a fraction as well as you. However I was hoping this course of lessons would start off in a more simple way and gradually build up to the complicated chords and improvisations as the lessons went along. I'm afraid to say for me it's a bit like being thrown in at the deep end, and I'm a bit disappointed. This is no reflection whatsoever on you as a tutor, and I'm sure advanced players on the site will enjoy it.

aquiguillermoaquiguillermo replied on September 14th, 2010

Hands on that. Enjoying your lesson Jane !!Thanks.

clifford wrightclifford wright replied on September 13th, 2010

Thanks for a great lesson. Would it be possible to indicate how you finger the different chords. Sometimes I can't find the exact ones you use on the chord chart. For many of us these chords are new and unfamiliar. Many thanks.

gotatelegotatele replied on September 10th, 2010

great to have you here Jane, looking forward to regaining some of my traditional jazz chops, in my opinion you are a tremendous addition here. cant wait to see the charts when matt posts them and hope we cover some standards as well as blues

ramedyramedy replied on September 9th, 2010

Thx all! It's great to see such quick response to our questions. The folks at JamPlay are impressive!!!

ramedyramedy replied on September 9th, 2010

Jane, there is nothing in the "Supplemental Content" folder! I was looking for those chords that you mentioned. Really cool lesson! Like the progressions used!

Jason.MounceJason.Mounce replied on September 9th, 2010

Where possible we try to have the supplemental content up with the lesson. It's not always possible depending on the instructor however. They will be posted as soon as Jane provides the content for us to post.

mattbrownmattbrown replied on September 9th, 2010

I'll be adding all of the chord charts over the next week or so. I'm not sure when Jane is planning on adding the tabs.

eitanprouserepiceitanprouserepic replied on September 9th, 2010

i cant wait to be playing like that. i wanna be able to playajazz sooo bad

carollbcarollb replied on September 9th, 2010

It takes a bit of time for the good people of Jamplay get the Supplemental up. No worries, they'll be there soon.

leon126leon126 replied on September 9th, 2010

Great lesson Jane. I only can't find the supplemental content.

Jazz Guitar with Jane

Found in our Beginner Lesson Sets

In this lesson series, you will be exploring the world of Jazz guitar with Jane Miller.



Lesson 1

Interview with Jane Miller

This exciting interview takes a close look at the playing and teaching of Jane Miller. Learn about her influences, some jazz recommendations, and her musical experience.

Length: 43:05 Difficulty: 0.5 Members Only
Lesson 2

Introductory Lesson

Jane Miller talks about her new jazz series and provides a couple quick tips to get you started.

Length: 9:03 Difficulty: 1.0 Members Only
Lesson 3

Hand Warm-ups

Jane Miller explains the importance of hand stretches and warm-up exercises.

Length: 4:06 Difficulty: 0.5 Members Only
Lesson 4

Jazz and Blues

Jane explains the chord changes used in a 12 bar jazz style blues.

Length: 17:30 Difficulty: 2.0 Members Only
Lesson 5

Soloing Over the Blues

Jane Miller shares some fun ideas about soloing over a 12 bar blues.

Length: 22:08 Difficulty: 2.0 Members Only
Lesson 6

The ii-V-I Progression

Jane talks more about the ii-V-I progression and how to work it into your jazz playing.

Length: 7:25 Difficulty: 1.5 Members Only
Lesson 7

Tensions on Chords

Jane Miller shares some valuable thoughts regarding chord tensions.

Length: 20:10 Difficulty: 2.5 Members Only
Lesson 8

Melodic Minor Scales

Jane provides an introductory lesson on the melodic minor scale.

Length: 2:44 Difficulty: 2.0 Members Only
Lesson 9

Melodic Minor Scales Application

Jane explains how the melodic minor scale and its corresponding modes are used in jazz melodies.

Length: 18:09 Difficulty: 3.0 Members Only
Lesson 10

Movable Chord Forms

Jane takes a look at movable chord forms played on the treble strings.

Length: 20:39 Difficulty: 2.5 Members Only
Lesson 11

Movable Chord Forms Continued

Jane Miller expands on her discussion of movable chord forms and how they apply to jazz.

Length: 19:18 Difficulty: 2.5 Members Only
Lesson 12

Groove & Rhythm

Jane Miller shares a wonderful lesson about the importance of rhythm.

Length: 7:58 Difficulty: 2.5 Members Only
Lesson 13

Rhythm Part 2

Jane Miller explores more rhythm and groove with another lesson using the metronome.

Length: 7:40 Difficulty: 2.0 Members Only
Lesson 14

Rhythm Part 3

Jane Miller continues her discussion on rhythm and using a metronome.

Length: 6:15 Difficulty: 2.0 Members Only
Lesson 15

Daily Practice

Jane Miller concludes her discussion on metronomes and forming daily practice routines.

Length: 10:27 Difficulty: 2.0 Members Only
Lesson 16

Right Hand Techniques

Jane Miller dives into her first lesson on right hand techniques.

Length: 3:58 Difficulty: 2.0 Members Only
Lesson 17

Right Hand Part 2

Jane Miller dives right into part 2 of her Right Hand Techniques mini-series.

Length: 5:00 Difficulty: 2.0 Members Only
Lesson 18

Right Hand Part 3

Jane Miller talks about fingerstyle playing exclusively in the third installment of Right Hand Techniques.

Length: 18:05 Difficulty: 2.5 Members Only
Lesson 19

Drop 2 Voicings

Jane Miller explores drop 2 voicings in this lesson.

Length: 18:06 Difficulty: 2.5 Members Only
Lesson 20

Bargain Chord

Jane Miller talks about a "bargain chord" in this lesson. Learn what a bargain chord is and how it can be applied to your playing.

Length: 15:35 Difficulty: 2.5 Members Only
Lesson 21

Chord Solos

Jane Miller talks about chord solos in part one of this fascinating mini-series.

Length: 18:43 Difficulty: 2.5 FREE
Lesson 22

Chord Solos Part 2

Jane Miller explores another aspect of chord solos in part two of this fun topic.

Length: 6:27 Difficulty: 2.5 Members Only
Lesson 23

Chord Solos Part 3

Jane Miller concludes her discussion on chord solos.

Length: 13:59 Difficulty: 2.5 Members Only
Lesson 24

Latin Grooves

Jane Miller explores some common Latin vamps in this lesson.

Length: 10:49 Difficulty: 2.5 Members Only
Lesson 25

Repertoire Practice

Jane Miller shares her insights on the topic of practice versus repertoire practice.

Length: 7:39 Difficulty: 0.5 Members Only
Lesson 26

Song Demonstrations: Bedtime Story

Jane Miller plays an original song called "Bedtime Story" that showcases techniques discussed in earlier lessons such as the use of open strings and Bossa Nova comping.

Length: 4:19 Difficulty: 1.0 Members Only
Lesson 27

Song Demonstrations: Free Alongside Ship

Jane demonstrates another original song called "Free Alongside Ship" that uses techniques learned in previous lessons.

Length: 3:00 Difficulty: 1.0 Members Only
Lesson 28

The Other Room

Jane Miller shares an original tuned called "The Other Room." Similar to songs taught in the past few lessons, "The Other Room" showcases techniques that Jane taught earlier in the series. See if you can...

Length: 4:55 Difficulty: 2.0 Members Only
Lesson 29

Diminished Chords & Scales

Jane Miller takes a look at diminished chords in this lesson. She also touches on diminished scales and their relationship with diminished and dominant chords.

Length: 11:36 Difficulty: 2.5 Members Only
Lesson 30

Diminished Chords: Inversions

Jane Miller continues her discussion on diminished chords. In this lesson, she touches on their inversions and how they can be used in chord progressions.

Length: 11:43 Difficulty: 2.5 Members Only
Lesson 31

Diminished Scales

Jane Miller changes gears and talks about diminished scales that go along with the diminished chords you learned.

Length: 12:48 Difficulty: 3.0 Members Only
Lesson 32

Substitutions

Jane Miller touches on making diminished 7th chords a substitution for dominant 7th chords.

Length: 15:38 Difficulty: 3.0 Members Only
Lesson 33

Diminished Scales Continued

Jane Miller returns to the subject of diminished scales. This time she explains how they fit in with the chord substitutions you learned about in the last lesson.

Length: 14:28 Difficulty: 2.5 Members Only
Lesson 34

Arpeggios

Jane Miller starts explaining arpeggios. In continuation of the last couple of lessons, she starts with diminished 7th chord arpeggios.

Length: 10:07 Difficulty: 2.5 Members Only
Lesson 35

Arpeggios Part 2

Jane Miller continues her discussion on arpeggios in this lesson. This time around, she focuses on major 7th chord arpeggios.

Length: 9:42 Difficulty: 2.5 Members Only
Lesson 36

Arpeggios Part 3

In continuation of her last lesson, Jane Miller discusses another use for major 7th arpeggios.

Length: 8:50 Difficulty: 2.5 Members Only
Lesson 37

Arpeggios Part 4

Jane Miller gives a few more examples of using major 7th arpeggios against minor chords and explains how you can better incorporate them into your playing.

Length: 14:45 Difficulty: 2.5 Members Only
Lesson 38

Major 6th Chords

In this lesson, Jane Miller talks about major 6th chords and their relationship with minor 7th chords.

Length: 8:35 Difficulty: 2.5 Members Only
Lesson 39

Scales & Patterns

Jane Miller talks about scales & patterns in this lesson. She addresses some popular questions including how to improve the melodic element of your improvisation.

Length: 10:10 Difficulty: 2.5 Members Only
Lesson 40

Scales & Patterns Part 2

Jane Miller revisits her last lesson and explains how to apply major scales.

Length: 7:24 Difficulty: 2.5 Members Only
Lesson 41

Scales & Patterns Part 3

Jane Miller continues her lessons about scales & patterns with a discussion on the pentatonic scale.

Length: 14:43 Difficulty: 2.5 Members Only
Lesson 42

Scales & Patterns Part 4

Jane Miller continues her discussion of the pentatonic scale and its patterns. She talks about how to start applying some of the lines you learned in the previous lesson.

Length: 13:36 Difficulty: 2.5 Members Only
Lesson 43

The Whole Tone Scale

Jane Miller talks about the whole tone scale. This scale consists entirely of whole steps.

Length: 13:41 Difficulty: 2.5 Members Only
Lesson 44

The Chromatic Scale

Now that you've learned all about the diminished and whole tone scales, Jane Miller discusses the chromatic scale.

Length: 9:21 Difficulty: 2.5 Members Only
Lesson 45

Chromatic Scale Part 2

Jane Miller continues her discussion of the chromatic scale with a great exercise to help you practice dynamics.

Length: 6:58 Difficulty: 2.5 Members Only
Lesson 46

Dynamics & Improvising

Jane Miller continues her discussion on dynamics in this lesson. She invites you to think about volume as a way to add feeling or catch attention while improvising.

Length: 7:01 Difficulty: 2.0 Members Only
Lesson 47

Bass Lines

Jane Miller discusses bass lines in this lesson. She begins by explaining how you can get a bassline going by itself first. Then, she explains how to add in chord voicings.

Length: 15:53 Difficulty: 2.5 Members Only
Lesson 48

Upper Structure Triads

Jane Miller begins a discussion on upper structure triads. In this lesson, Jane refers to the top part of a major 7th chord as well as added tensions.

Length: 12:37 Difficulty: 2.5 Members Only
Lesson 49

Upper Structure Triads Part 2

Jane Miller continues her discussion of upper structure triads.

Length: 15:14 Difficulty: 2.5 Members Only
Lesson 50

Upper Structure Triads Part 3

Jane Miller picks up where she left off in her last lesson and shares a great technique that will provide you with some new comping options.

Length: 4:58 Difficulty: 2.0 Members Only
Lesson 51

Upper Structure Triads Part 4

Jane Miller concludes her discussion of upper structure triads. In this lesson, she helps you turn the E minor triad you have been using into a G major triad.

Length: 9:29 Difficulty: 2.5 Members Only
Lesson 52

Lydian Mode

Jane Miller changes gears and focuses on the E Lydian mode in this lesson.

Length: 13:31 Difficulty: 2.5 Members Only

About Jane Miller View Full Biography Guitarist, composer, arranger, and Berklee Associate Professor, Jane Miller has roots in both Jazz and Folk circuits. In addition to leading her own jazz instrumental quartet, she is in a working Chamber Jazz Trio with saxophonist Cercie Miller and bassist David Clark, for which she contributes many compositions. She has been a frequent guitarist with singer-songwriter SONiA, of disappear fear.

Jane is a contributing writer to Acoustic Guitar Magazine, writing lessons for the popular intermediate column, The Woodshed. She also writes a monthly column for Premiere Guitar Magazine called the Jazz Box . She has contributed several lesson columns for the Mel Bay publishing company’s on-line magazine, Guitar Sessions.

The Jane Miller Group has released three CDs on Jane’s label, Pink Bubble Records; all three received national radio play and press. She has performed solo and in duo and group settings regionally and around the country at clubs, festivals, and concerts as well as live TV and Radio appearances in New England.

Since joining the faculty in 1994 at Berklee College of Music in Boston, Jane has contributed many arrangements for solo guitar to the Guitar Department library, and has performed solo recitals and concerts with her group in the Berklee Performance Center and Recital Halls.

Discography
The Jane Miller Group "The Other Room" (2000)
The Jane Miller Trio "Secret Pockets" with guests Jay Ashby and Bill O'Connell (1998)
The Jane Miller Group "Postcard" with guests Patty Larkin, Mick Goodrick, Mili Bermejo and Ken LaRoche (1993) SONiA "Me, Too" (1998)

Performances
Regattabar, Scullers, The Berklee Performance Center,The Firehouse, The Iron Horse, Club Passim, The Acton Jazz Cafe, The Hatch Shell, First Nights in Boston, Hartford, and Worcester, NOW Summit in Washington, D.C., Pride Festivals in San Diego, Baltimore, and Worcester, Susquehanna Music and Arts Festival, MD, Capital Region Guitar Show, Saratoga Springs, NY.

TV and Radio
Live appearances throughout New England, including WGBH-FM, WICN-FM. Composed and recorded theme music for "Barbara...and You," for Leominster Cablevision, as well as other jingles and themes. Former Jazz Coordinator for WCUW-FM, Worcester, MA.

Arts Lottery Grant recipient, award given to worthy artists and composers funded by Massachusetts Arts Lottery.

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