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Stuart Ziff - Intervals for Open Tuning Guitar Lesson

Home > Guitar Lessons > Genres > Blues > Blues Guitar with Stuart Ziff > Intervals for Open Tuning
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Stuart Ziff

Intervals for Open Tuning

Stuart will continue his slide blues techniques by demonstrating how to find intervals within an open tuning.

Taught by Stuart Ziff in Blues Guitar with Stuart Ziff seriesLength: 9:54Difficulty: 3.0 of 5
  • (1) Intervals for Open Tunings
  • (2) Intervals for Open Tuning
  • (3) Intervals for Open Tuning
  • (4) Intervals for Open Tuning
  • (5) Intervals for Open Tuning
  • (6) Intervals for Open Tuning
  • (7) Intervals for Open Tuning
  • (8) Intervals for Open Tuning
  • (9) Intervals for Open Tuning
  • (10) Intervals for Open Tuning
  • (11) Intervals for Open Tuning
  • (PDF) Intervals for Open Tuning
  • (GPX) Intervals for Open Tuning
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  • Slide Blues Backing Track
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Supplemental Learning Material

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Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


godbluesgodblues replied on May 1st, 2013

Thank You for giving such an in depth education and history of the blues.

aquariartyaquariarty replied on February 19th, 2013

Sounds great Stuart, but I'm afraid I lost you after the 1, 4 & 5 chords. Didn't have a clue what individual strings you were playing. Will there be any tabs coming on the supplemental content?

Stuart.ZiffStuart.Ziff replied on February 27th, 2013

I noticed your comment about what strings I was playing demonstrating the intervals. At the beginning I'm showing you the basic notes on the Bottom 3 strings. Open E, then on the 5th string you have open 5th , 3rd fret is D, 5th fret is E. the 4th string is open root E, 3rd fret is G, 5th is A and so on. I hope this clears things up a bit. If you still have some issues please log on to my Q&A on Monday evening at 7 PST and I'll be more then happy to demonstrate whatever you want to see.

Blues Guitar with Stuart Ziff

Found in our Beginner Lesson Sets

Stuart will demonstrate his own unique style of Blues guitar. He will talk about the genre and demonstrate why this unique style is a staple of American music.



Lesson 1

Flat Tire Shuffle

Stuart doesn't waste an ytime diving into blues as he starts his series off by demonstrating one of the most iconic and recognizable blues rhythm patterns, the "flat tire" shuffle.

Length: 13:34 Difficulty: 1.5 FREE
Lesson 2

Rhythmic Foundation

Rhythm in blues is essential, and Stuart provides some tips on how the foundation for blues rhythm can be built.

Length: 11:44 Difficulty: 1.5 Members Only
Lesson 3

Complementary Rhythm Techniques

In this lesson, Stuart demonstrates how to create complementary rhythms that accompany the rest of the band or layer in while a soloists takes over.

Length: 11:39 Difficulty: 2.5 Members Only
Lesson 4

Supportive Single Note Lines

Stuart demonstrates how simple single note lines can really influence rhythm within blues music.

Length: 17:24 Difficulty: 2.0 Members Only
Lesson 5

Minor Pentatonic Scales

Stuart moves forward in his blues series by demonstrating the minor pentatonic scale. He explains how some major artists have influenced its use within blues music.

Length: 17:02 Difficulty: 2.5 Members Only
Lesson 6

Minor Blues

Even though they are less common than major keys, minor keys play a huge part in blues music. Stuart discusses and demonstrates minor blues concepts.

Length: 13:13 Difficulty: 2.5 Members Only
Lesson 7

Soloing over Minor Blues

This lesson provide tips on soloing over minor blues progressions. Stuart uses a backing track to help demonstrate some basic fundamentals to keep in mind while soloing.

Length: 20:06 Difficulty: 2.5 Members Only
Lesson 8

Adding Swing to Blues

Adding a "swing" to eighth note groupings is the subject of this lesson. Stuart demonstrates how this simple rhythmic technique gives blues music part of its signature feel.

Length: 11:17 Difficulty: 3.0 Members Only
Lesson 9

Uptown Blues

Stuart utilizes the swing technique to help demonstrate how "uptown blues" has its own unique sound that stems from larger, urban east coast cities.

Length: 15:15 Difficulty: 3.0 Members Only
Lesson 10

Blues with ii-V Change

Stuart demonstrates what a ii-V change is and explains how it is such a widely used turnaround within blues music.

Length: 16:53 Difficulty: 3.0 Members Only
Lesson 11

Pentatonic Scale Theory

Stuart takes an in depth look at pentatonic scale theory and demonstrates many different ways it can be applied within blues music.

Length: 34:05 Difficulty: 3.5 Members Only
Lesson 12

2 Bar Phrase

Stuart will demonstrate what a 2 bar phrase is and how it can be used within the blues genre.

Length: 15:43 Difficulty: 3.0 Members Only
Lesson 13

Slide Blues Guitar

Stuart will now demonstrate what bottleneck slide blues guitar is, some of his favorite artists, and the techniques on how to achieve that unique twang sound.

Length: 7:24 Difficulty: 2.0 Members Only
Lesson 14

Slide Blues Part 2

Stuart will now dive much deeper into the many different techniques that are needed to create a Bottleneck Slide Blues sound.

Length: 14:14 Difficulty: 2.5 Members Only
Lesson 15

Intervals for Open Tuning

Stuart will continue his slide blues techniques by demonstrating how to find intervals within an open tuning.

Length: 9:54 Difficulty: 3.0 Members Only

About Stuart Ziff View Full Biography A veteran guitarist fluent in, Blues, R&B, Funk, Rock, Reggae and everything in between. As a Studio Musician playing guitar on numerous commercials, demos for singer songwriters and records

. A career as a songwriter that began with Warner Bros recording artist David Ball’s first Nashville CD in 1994 “ Thinking Problem .“ Stuart was co writer on the hit song “ Thinking Problem.” Also playing on the record supplying acoustic and electric guitar. Since 2000, He’s been living in Los Angles. Presently the Guitarist for the band WAR, touring and recording with them. As a songwriter for Film & TV: “ National Lampoons Cattle Call ,“ Americas Funniest Home Videos and Bad Girls. Songs on recordings by Eric Burden, Johnny Adams, Gary Hoey and Theresa James. Since 2005, a member of the faculty at Musician’s Institute in Hollywood.

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