T-Bone Walker Guitar Lesson
T-Bone Walker
DJ profiles blues guitarist T-Bone Walker in lesson 40.
Taught by DJ Phillips in Blues Guitar with DJ seriesLength: 31:23Difficulty: 2.5 of 5
Supplemental Learning Material
Blues Guitar with DJ
Found in our Beginner Lesson SetsDJ Phillips will teach you everything you need to know to become a master of the blues with an emphasis on fast-paced techniques & playing.
Lesson 1
Series Introduction
Meet Mr. DJ Phillips & learn what he's going to teach you throughout this series.
Length: 2:30 Difficulty: 0.5 Members Only
12 Bar Blues
Learn what makes a chord progression a blues progression as well as the basics to the famous 12 bar blues.
Length: 13:18 Difficulty: 1.0 Members Only
Rhythmic Variations
Time to take the 12 bar blues progression you've learned and add in some rhythmic variations.
Length: 8:48 Difficulty: 1.5 Members Only
12 Bar Blues Chord Variations
Now that you've learned the 12 bar blues and some rhythmic variations, it's time to throw in some chord variations.
Length: 6:22 Difficulty: 1.5 Members Only
Minor Pentatonic Scale
Time to take a break from the 12 bar blues and start mastering some lead techniques. This all starts with the minor pentatonic scale.
Length: 8:13 Difficulty: 1.5 Members Only
Minor Pentatonic Scale Variations
Now that you've learned the minor pentatonic scale, it's time to learn how to move it around.
Length: 11:10 Difficulty: 2.0 Members OnlyLesson 7
SRV - The House Is Rockin'
Learn a handful of new blues techniques while learning to play Stevie Ray Vaughn's "The House Is Rockin'".
Length: 49:58 Difficulty: 3.0 FREE
Funky Blues Rhythm
Now that you've mastered some SRV, DJ is going to show you some funky blues rhythms that use the 9th chords.
Length: 8:44 Difficulty: 1.5 Members Only
Minor Pentatonic in Open and First Position
DJ begins a discussion of the minor pentatonic scale patterns. He demonstrates the A minor pentatonic scale in first or "open" position.
Length: 12:16 Difficulty: 1.5 Members Only
Minor Pentatonic in Second Position
Continuing on with the minor pentatonic scale, DJ covers the second position. As with lesson 9, he provides a few exercises and riffs along the way.
Length: 10:11 Difficulty: 1.5 Members Only
Minor Pentatonic in Fifth Position
Continuing with the A minor pentatonic scale, DJ returns with a lesson on the fifth position pattern.
Length: 7:09 Difficulty: 1.5 Members Only
Minor Pentatonic in Seventh Position
In this lesson, DJ covers the A minor pentatonic scale in 7th position. He includes licks and riffs to help with skill building.
Length: 8:49 Difficulty: 2.0 Members Only
Minor Pentatonic in Ninth Position
This lesson covers the 9th position of the A minor pentatonic scale. DJ provides licks, riffs, and a string skipping exercise.
Length: 15:00 Difficulty: 2.0 Members Only
Moving Positions
Now that DJ has covered all five patterns of the minor pentatonic scale, he explains how to shift from one pattern to the next.
Length: 6:12 Difficulty: 2.0 Members Only
Major Pentatonic
Now that DJ has covered the minor pentatonic positions, he shifts gears to the major pentatonic scale.
Length: 17:34 Difficulty: 2.0 Members Only
Moving Across Positions
In this lesson, DJ demonstrates a number of major pentatonic licks that feature position shifts.
Length: 5:15 Difficulty: 2.0 Members Only
Combining Major and Minor Pentatonics
DJ demonstrates how to combine the major and minor pentatonic scales. He provides a number of combined scale licks for you to learn.
Length: 12:54 Difficulty: 2.5 Members Only
Solo and Lead Lines
In this lesson, DJ demonstrates how to build an effective guitar solo.
Length: 9:13 Difficulty: 2.0 Members Only
Rhythm
This lesson details the importance of rhythm within solos and lead lines.
Length: 6:10 Difficulty: 2.0 Members Only
Improvising
DJ talks about the art of improvising in this lesson. Always begin with a grand entrance and end with a big finish.
Length: 7:59 Difficulty: 2.5 Members Only
Building Chords on the 6th String
DJ begins a discussion of colorful dominant chord voicings. He demonstrates how to build chords from a root note on the 6th string.
Length: 9:38 Difficulty: 2.0 Members Only
Building Chords on the 4th and 5th String
Continuing on from lesson 21, DJ explains how to build dominant chords from root notes on the 4th and 5th strings.
Length: 8:26 Difficulty: 2.0 Members Only
Using Different Voicings
In lesson 23, DJ demonstrates how various chord voicings can be used while playing rhythm or lead over a 12 bar blues progression.
Length: 4:49 Difficulty: 1.5 Members Only
Mute Raking
With lesson 24, DJ begins a short segment on tricks of the trade. First, he discusses and demonstrates string rakes.
Length: 5:08 Difficulty: 2.5 Members Only
Organ Licks
DJ explains how B3 organ licks can be played on guitar.
Length: 4:11 Difficulty: 2.0 Members Only
Volume Swells
In this lesson, DJ talks about volume swells and how they can be used.
Length: 4:37 Difficulty: 3.0 Members Only
Walking Bass and Upstroke Shuffle
Continuing with his "tricks of the trade" lessons, DJ demonstrates a walking bass line and the upstroke shuffle.
Length: 6:51 Difficulty: 2.5 Members Only
Slide
In this lesson, DJ discusses and demonstrates the basics of slide technique.
Length: 5:28 Difficulty: 2.0 Members Only
Wah Pedals
DJ demonstrates some of the subtleties of using a wah pedal in the blues style.
Length: 3:50 Difficulty: 2.0 Members Only
Harmonics
DJ discusses and demonstrates natural, artificial (harp), and pinch harmonics in the blues style.
Length: 8:37 Difficulty: 2.5 Members Only
Aspects of Tone
DJ delves into tone in lesson 31. He discusses how and why certain tones are achieved.
Length: 21:41 Difficulty: 1.5 Members Only
Minor Blues
With lesson 32, DJ introduces the minor form of the 12 bar blues progression.
Length: 4:57 Difficulty: 2.0 Members Only
Using the Dominant V7 Chord
Building on his minor blues set, DJ discusses how to utilize the dominant V7 chord to spice up the standard progression.
Length: 4:14 Difficulty: 1.5 Members Only
Minor Turnaround
DJ demonstrates a couple turnaround techniques that can be applied to the 12 bar minor blues progression.
Length: 6:13 Difficulty: 1.5 Members Only
Minor 7 Voicings
In this lesson, DJ discusses some minor 7 voicings with roots on the 6th, 5th, and 4th strings.
Length: 9:12 Difficulty: 2.0 Members Only
Minor 6th Voicings
Much like lesson 35, DJ discusses minor 6th chord voicings with roots on the 6th, 5th, and 4th strings.
Length: 8:53 Difficulty: 2.0 Members Only
Extensions of the V7 Chord
DJ explains how altered extensions such as the b9 and #9 can be added to the V7 chord within the context of a minor blues progression.
Length: 8:35 Difficulty: 2.0 Members Only
Scale Options
DJ discusses the scale options that can be used over a minor blues progression.
Length: 2:21 Difficulty: 1.5 Members Only
Minor Scale Positions
In this lesson, DJ builds upon lesson 38 and covers the minor scale positions across the entire fretboard.
Length: 5:11 Difficulty: 2.0 Members Only
T-Bone Walker
DJ profiles blues guitarist T-Bone Walker in lesson 40.
Length: 31:23 Difficulty: 2.5 Members Only
T-Bone Shuffle
Profiling T-Bone walker, DJ will demonstrate the T-Bone Shuffle.
Length: 29:26 Difficulty: 2.5 Members Only
Skills and Concepts of T-Bone Walker
DJ discusses and demonstrates skills acquired from learning T-Bone Walker's material.
Length: 17:42 Difficulty: 2.5 Members Only
Bo-Diddley
DJ will take a look at Blues guitarist Bo Diddley and teach you the "Bo Diddley beat."
Length: 13:26 Difficulty: 1.5 Members Only
Blues with DJ: More Bo Diddley
Dj is back yet again with more on the style of Bo Diddley. Here is will dive more into his style of solos as well as an in depth explanation of how the songs are played out. Get comfortable everyone and...
Length: 22:15 Difficulty: 2.0 Members Only
Implementing Bo Diddley's Style
Dj brings a kicking finish to the style of Bo Diddley by teaching you how to implement his style of playing to your's. With a quick review of what he has taught so far, Dj will play the backing track as...
Length: 10:59 Difficulty: 2.5 Members Only
About DJ Phillips
View Full Biography
Like many guitar players who began playing around the same time, DJ began plunking out Nirvana and Soundgarden tunes when he first picked up the guitar in the mid-nineties. While these grunge-y roots certainly have their merit, it wasn't until DJ's eldest sister took him to a Led Zeppelin laser light show that the full potential of the guitar began to come into focus.
With Jimmy Page's Les Paul pyrotechnics as his inspiration, DJ began fervently practicing for hours on end in the suburban jungle of Southwestern Ohio. This newfound passion (combined with his complete lack of athletic prowess and physical coordination thus completely ruling out all sports) led him to form rock bands in junior high and high school. He grew to love the performance aspect of music and soon decided on it as a career path.
College led him to Nashville, Tennessee where he began to pursue a degree in Commercial Music at Belmont University. He also started another band and got his first professional theater gig the following summer. Since that summer, DJ has spent nearly every waking hour finding ways to play music and avoiding a real contribution to society in any other way.
He moved to Minneapolis after college, rocking out between theater gigs with his current rock band Brother Big Bad. He has now convinced the band to move to Nashville where music flows like water.
DJ is elated to be a part of JamPlay and is thankful for everyone's warm welcome and says "Now, let's ROCK, people."
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.FYI - Earl Hines and Billie Eckstine wrote Stormy Monday - although T-Bone Walker's version was a bit different
good explanation - I thought Stormy Monday was more complicated, this is a good breakdown of the elements of the song. thanks!
Hey thanks! The chromatic thing with the chords was a new idea for me and is way cool for playing blues in any key.
Hi DJ, Great lesson , DJ ! Would you be willing to post a lesson in how to count in 12/8 ( 4/4) using the Stormy Monday solo ? When when i try to count out the beats, it seems like there are too many or not enough to add up to the equivalent of 12 8th notes.
has anyone ever told you that you sound like Toby McGuire, DJ? lol
Iagree with the tab comment
great lesson DJ, I think the tab for this lesson would be very helpful also. thanks again.
D.J. Really enjoy this. Question- When playing a 9th chord, I usually, almost always, touch the D string with my middle finger. I don't mute it completely, but it is slightly muffled. Any tips? Thanks
Just keep at it, jimm! Get your fingers to where every note sounds clearly, then take your hand away. Then repeat. After a while, your fingers will (hopefully) start to get used to the way that position feels and you'll know it's right before you even strum. Short answer: keep at it!
Thanks for the comments, guys!
Very nice lesson DJ, thanks. I'm really eager to see what you have planned for this "artist profile" idea in the future. Seems like a great idea.
love this song! Now i can do a really shitty version of it! Thanks!
err.. not that your version is crummy, my playing is! Sorry if it came off wrong!
this fits in really nicely with Eric's lessons! well done man.
Very Cool DJ! Thank You