In this lesson, Orville introduces one of the basic fingerstyle techniques - the alternating bass technique.
Taught by Orville Johnson in Fingerstyle Blues seriesLength: 14:49Difficulty: 2.0 of 5

The blues is a distinctly American style of music. Many popular genres such as jazz, rock, and country music draw upon basic blues concepts. Consequently, it is advantageous for any guitarist to study the blues.
Lesson 1
In this lesson, Orville introduces one of the basic fingerstyle techniques - the alternating bass technique.
Length: 14:49 Difficulty: 2.0 Members OnlyLesson 2
Orville Johnson teaches his interpretation of the piano-based song "Winin' Boy Blues" by Jelly Roll Morton.
Length: 29:33 Difficulty: 3.0 Members OnlyLesson 3
Orville Johnson introduces turnarounds and provides great ideas and techniques.
Length: 16:30 Difficulty: 2.5 FREELesson 4
Orville Johnson teaches the fingerstyle blues song "Payday Blues."
Length: 19:04 Difficulty: 2.5 Members OnlyLesson 5
Orville Johnson demonstrates how to play a walking bass line in conjunction with chordal accompaniment.
Length: 18:33 Difficulty: 2.5 Members OnlyLesson 6
Orville Johnson teaches his take on a blues standard entitled "One Dime Blues."
Length: 13:46 Difficulty: 2.5 Members OnlyLesson 7
Orville Johnson teaches the classic gospel tune "I'll Fly Away" in the Piedmont style.
Length: 18:40 Difficulty: 2.5 Members OnlyLesson 8
Orville Johnson teaches the classic gospel song "Beulah Land."
Length: 12:40 Difficulty: 2.0 Members OnlyLesson 9
Orville Johnson teaches "Make Me a Pallet on the Floor" in the Piedmont style.
Length: 17:58 Difficulty: 2.5 Members OnlyLesson 10
Orville teaches the a fingerstyle version of the classic blues number "How Long, How Long."
Length: 23:31 Difficulty: 2.5 Members OnlyLesson 11
Orville Johnson teaches a common blues melody that has been used in several classic songs including "Louis Collins."
Length: 15:09 Difficulty: 0.0 Members OnlyLesson 12
Orville Johnson reviews an original tune he calls "St. Johnny" in this lesson.
Length: 44:09 Difficulty: 2.5 Members OnlyLesson 13
In this lesson, Orville Johnson takes a look at the style of Blind Blake with some fun tips and tricks.
Length: 12:50 Difficulty: 2.0 Members OnlyLesson 14
In this Fingerstyle Blues lesson, Orville Johnson uses the 12 bar blues in C to talk about chord substitutions.
Length: 35:34 Difficulty: 3.0 Members OnlyLesson 15
To demonstrate the relationship between gospel and blues, Orville Johnson teaches an arrangement of an old gospel tune called "Softly and Tenderly, Jesus Is Calling".
Length: 20:22 Difficulty: 2.5 Members OnlyLesson 16
Orville Johnson is back with another fantastic lesson on chord substitutions, this time in a minor key.
Length: 19:03 Difficulty: 3.0 Members Only
About Orville Johnson
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Orville Johnson was born in 1953 in Edwardsville, Illinois and came up on the St. Louis, Missouri music scene, where he was exposed to and participated in a variety of blues, bluegrass and American roots music. He began singing in his Pentecostal church as a young boy, in rock bands in middle school, then took up the guitar at 17,with early influences from Doc Watson, Rev. Gary Davis, Mississippi John Hurt, and Chuck Berry. In the early 1970's, Orville spent several seasons playing bluegrass on the SS Julia Belle Swain, a period-piece Mississippi river steamboat plying the inland waterways, with his group the Steamboat Ramblers.
Orville moved to Seattle, Washington in 1978, where he was a founding member of the much-loved and well-remembered folk/rock group, the Dynamic Logs. Other musical associates include Laura Love, Ranch Romance, File' Gumbo Zydeco Band, Scott Law, and the Twirling Mickeys. Johnson, known for his dobro and slide guitar stylings and vocal acrobatics, has played on over 100 albums. He has appeared on Garrison Keilor's Prairie Home Companion, Jay Leno's Tonight Show and was featured in the 1997 film Georgia with Mare Winningham. His musical expertise can also be heard on the Microsoft CD-ROMs, Musical Instruments of the World and the Complete Encyclopedia of Baseball. He teaches as well at the International Guitar Seminar, Pt. Townsend Country Blues Week and Puget Sound Guitar Workshop.
Orville released 4 recordings in the 1990's: The World According to Orville (1990) Blueprint for the Blues (1998) Slide & Joy (1999) an all-instrumental dobro tour de force and Kings of Mongrel Folk (1997) with Mark Graham. He also appeared on 4 discs with the File' Gumbo Zydeco Band and produced Whose World Is This (1997) for Jim Page and Inner Life (1999) for Mark Graham. In the 21st century, he has released Freehand, a new Kings of Mongrel Folk disc, Still Goin' Strong, and been featured in the soundtracks of PBS' Frontier House and the Peter Fonda flick The Wooly Boys as well as the compilation cd Legends of the Incredible Lap Steel Guitar.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Hello Mr. Johnson. First, I would like to say great lesson on alternating bass line picking. The first time I heard this style of playing, it blew me away. You have done an outstanding job of explaining it, and you seem so relaxed when you play. Thank you
Orville: Good stuff, but you are SO RIGHT about one issue with the alternating bass lines...and how your experience has seen MANY frustrated students try it...count me in that group! I have wound and re-wound that portion of the lessons...played is super slow with beat on the base and not...so far it still sounds like anything but music or a song anyone would know...I am still waiting for that magic moment you described when I can declare I CAN DO IT! Keep 'em coming...we thank you for patience!
I know it's frustrating at first but the key is go slow...you can't play it fast until you can play it slow. And repetition. you just have to do it over and over until it kicks in. Keep at it and it will come to you.
Thanks Orville. This lesson set is great... Even for an old guy who never thought he could go finger style after forty odd years.....I just might have a shot after all....
good lesson, would love to see more!
Orvillle, Never mind my question I forgot I need the "Pinky" for the Melody. Woops.
Thanks Orville for this lesson. Om the alternateing C Chord could I just play a full "C" and not have to move my finger up and back?
Thanks Orville, tremendous lesson, super approachable. I love country style blues. Look forward to your upcoming lessons.
Excellent lesson. Really looking forward to some more
I work on this song like no other...and I GOT IT!!! slow but it sounds good. Thanks Sir!!
Om point, Orville. I like having some songs to learn rather than just exercises and scales. I like your style and hope that you will develop more lessons for us.
Yes, I like using songs as a context for learning techniques. When I did my initial filming for jamplay I did several more songs as well as lessons like this one that concentrate on a certain aspect of playing. Many more lessons will roll out as time goes by. And don't forget to have a look at my teaching of Railroad Bill in the song section. I used it here to illustrate the bass technique but I teach the entire song in detail in that lesson
When will we see more lessons from Big Orv? These fingerstyle lessons are really cool... more please ;-)
thanks orville I am very impatient knowing how at least to make my thumb independant form the other fingers. bye
Just keep at it. As I mentioned, it's the kind of thing that one day you'll be able to do and you'll wonder why it was so hard to get.
i cannot hear the guitar-well barely hear it--have sound at highest on the right---how can i get sound higher--guess ineed some special speakersd
Great Lesson, Looking forward to many more.