
The blues is a distinctly American style of music. Many popular genres such as jazz, rock, and country music draw upon basic blues concepts. Consequently, it is advantageous for any guitarist to study the blues.
Lesson 1
In this lesson, Orville introduces one of the basic fingerstyle techniques - the alternating bass technique.
Length: 14:49 Difficulty: 2.0 Members OnlyLesson 2
Orville Johnson teaches his interpretation of the piano-based song "Winin' Boy Blues" by Jelly Roll Morton.
Length: 29:33 Difficulty: 3.0 Members OnlyLesson 3
Orville Johnson introduces turnarounds and provides great ideas and techniques.
Length: 16:30 Difficulty: 2.5 FREELesson 4
Orville Johnson teaches the fingerstyle blues song "Payday Blues."
Length: 19:04 Difficulty: 2.5 Members OnlyLesson 5
Orville Johnson demonstrates how to play a walking bass line in conjunction with chordal accompaniment.
Length: 18:33 Difficulty: 2.5 Members OnlyLesson 6
Orville Johnson teaches his take on a blues standard entitled "One Dime Blues."
Length: 13:46 Difficulty: 2.5 Members OnlyLesson 7
Orville Johnson teaches the classic gospel tune "I'll Fly Away" in the Piedmont style.
Length: 18:40 Difficulty: 2.5 Members OnlyLesson 8
Orville Johnson teaches the classic gospel song "Beulah Land."
Length: 12:40 Difficulty: 2.0 Members OnlyLesson 9
Orville Johnson teaches "Make Me a Pallet on the Floor" in the Piedmont style.
Length: 17:58 Difficulty: 2.5 Members OnlyLesson 10
Orville teaches the a fingerstyle version of the classic blues number "How Long, How Long."
Length: 23:31 Difficulty: 2.5 Members OnlyLesson 11
Orville Johnson teaches a common blues melody that has been used in several classic songs including "Louis Collins."
Length: 15:09 Difficulty: 0.0 Members OnlyLesson 12
Orville Johnson reviews an original tune he calls "St. Johnny" in this lesson.
Length: 44:09 Difficulty: 2.5 Members OnlyLesson 13
In this lesson, Orville Johnson takes a look at the style of Blind Blake with some fun tips and tricks.
Length: 12:50 Difficulty: 2.0 Members OnlyLesson 14
In this Fingerstyle Blues lesson, Orville Johnson uses the 12 bar blues in C to talk about chord substitutions.
Length: 35:34 Difficulty: 3.0 Members OnlyLesson 15
To demonstrate the relationship between gospel and blues, Orville Johnson teaches an arrangement of an old gospel tune called "Softly and Tenderly, Jesus Is Calling".
Length: 20:22 Difficulty: 2.5 Members OnlyLesson 16
Orville Johnson is back with another fantastic lesson on chord substitutions, this time in a minor key.
Length: 19:03 Difficulty: 3.0 Members Only
About Orville Johnson
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Orville Johnson was born in 1953 in Edwardsville, Illinois and came up on the St. Louis, Missouri music scene, where he was exposed to and participated in a variety of blues, bluegrass and American roots music. He began singing in his Pentecostal church as a young boy, in rock bands in middle school, then took up the guitar at 17,with early influences from Doc Watson, Rev. Gary Davis, Mississippi John Hurt, and Chuck Berry. In the early 1970's, Orville spent several seasons playing bluegrass on the SS Julia Belle Swain, a period-piece Mississippi river steamboat plying the inland waterways, with his group the Steamboat Ramblers.
Orville moved to Seattle, Washington in 1978, where he was a founding member of the much-loved and well-remembered folk/rock group, the Dynamic Logs. Other musical associates include Laura Love, Ranch Romance, File' Gumbo Zydeco Band, Scott Law, and the Twirling Mickeys. Johnson, known for his dobro and slide guitar stylings and vocal acrobatics, has played on over 100 albums. He has appeared on Garrison Keilor's Prairie Home Companion, Jay Leno's Tonight Show and was featured in the 1997 film Georgia with Mare Winningham. His musical expertise can also be heard on the Microsoft CD-ROMs, Musical Instruments of the World and the Complete Encyclopedia of Baseball. He teaches as well at the International Guitar Seminar, Pt. Townsend Country Blues Week and Puget Sound Guitar Workshop.
Orville released 4 recordings in the 1990's: The World According to Orville (1990) Blueprint for the Blues (1998) Slide & Joy (1999) an all-instrumental dobro tour de force and Kings of Mongrel Folk (1997) with Mark Graham. He also appeared on 4 discs with the File' Gumbo Zydeco Band and produced Whose World Is This (1997) for Jim Page and Inner Life (1999) for Mark Graham. In the 21st century, he has released Freehand, a new Kings of Mongrel Folk disc, Still Goin' Strong, and been featured in the soundtracks of PBS' Frontier House and the Peter Fonda flick The Wooly Boys as well as the compilation cd Legends of the Incredible Lap Steel Guitar.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Thank you Orville. You're playing is wonderful and you explain in a relaxed and very approachable manner.
That's a fun song to learn. Thanks, Orville! I really love your teaching style!
Is it just me or is there a an extra measure of the C chord in the tab - measure 8 of page 3? I can' t fit this second measure of C in and still match Orville's playing and singing.
Thank you. My "Planxton" improves daily but progress on Whinin is trickier. Biggest challenge: My difficulty singing the lyrics to the "Spanish Tinge" rhumba beat. It is like patting your head and rubbing your belly. The 2 elements seem like oil and water early on. I keep using the rewind button to suss it out.
Orville, thanks for your lessons. I always get a lot out of them!
Orville, i just wanted to let you know that i got so much out of this lesson. For one thing , the concept that the Ab7 and G7 on the bass strings are an abbreviated version of the full chord , with a much different feel than when poirtions of the chord are played in the mid or upper range of the guitar. Now this has launched a big project where i'm experimenting with little pieces of all types of chords :-}
My first video lesson at jamplay and I'm already learning so much! Thank you Orville
I've always liked that song. Thanks for teaching it Orville. Are you going to post more lessons?
Yes, there's more in the pipeline. Keep coming back and I'll be happy to make some more for you.
Orville, Thanks for taking the time to explain everything so clearly. I can understand all the moves, and, though I can't play it in time yet, I know that will come with practice.
If you're interested theres a definition of 'winin' boy' here: http://www.stevemanngtr.com/sblues.htm Also, a staving chain was a real tool, used to hold barrel staves in position prior to putting on the hoops.
Stavin' Chain is also a mythical character in African-American folklore who has a way with the ladies.
That's interesting. I was wondering what the heck that was when I was doing the lyric sheet for this one.
Thanks nessa. I should've known you wouldnt post anything that was incorrect :)
Thanks for a great lesson. Your instructions made that song extreamly approchable. I really like the feel of that kind of music.
yeah...no kidding! This lesson couldn't have been easier for me to transcribe! BTW, the tabs / notation are now posted. I'll be putting in the chord charts here shortly.
Another great one, Orville. Sort of a nit-pick but is it winin' boy, or WHININ' boy?
It's spelled correctly. I did my research and actually had to correct my spelling before posting. :) I know it's strange but the official spelling is "Winin" for the song.