
The blues is a distinctly American style of music. Many popular genres such as jazz, rock, and country music draw upon basic blues concepts. Consequently, it is advantageous for any guitarist to study the blues.
Lesson 1
In this lesson, Orville introduces one of the basic fingerstyle techniques - the alternating bass technique.
Length: 14:49 Difficulty: 2.0 Members OnlyLesson 2
Orville Johnson teaches his interpretation of the piano-based song "Winin' Boy Blues" by Jelly Roll Morton.
Length: 29:33 Difficulty: 3.0 Members OnlyLesson 3
Orville Johnson introduces turnarounds and provides great ideas and techniques.
Length: 16:30 Difficulty: 2.5 FREELesson 4
Orville Johnson teaches the fingerstyle blues song "Payday Blues."
Length: 19:04 Difficulty: 2.5 Members OnlyLesson 5
Orville Johnson demonstrates how to play a walking bass line in conjunction with chordal accompaniment.
Length: 18:33 Difficulty: 2.5 Members OnlyLesson 6
Orville Johnson teaches his take on a blues standard entitled "One Dime Blues."
Length: 13:46 Difficulty: 2.5 Members OnlyLesson 7
Orville Johnson teaches the classic gospel tune "I'll Fly Away" in the Piedmont style.
Length: 18:40 Difficulty: 2.5 Members OnlyLesson 8
Orville Johnson teaches the classic gospel song "Beulah Land."
Length: 12:40 Difficulty: 2.0 Members OnlyLesson 9
Orville Johnson teaches "Make Me a Pallet on the Floor" in the Piedmont style.
Length: 17:58 Difficulty: 2.5 Members OnlyLesson 10
Orville teaches the a fingerstyle version of the classic blues number "How Long, How Long."
Length: 23:31 Difficulty: 2.5 Members OnlyLesson 11
Orville Johnson teaches a common blues melody that has been used in several classic songs including "Louis Collins."
Length: 15:09 Difficulty: 0.0 Members OnlyLesson 12
Orville Johnson reviews an original tune he calls "St. Johnny" in this lesson.
Length: 44:09 Difficulty: 2.5 Members OnlyLesson 13
In this lesson, Orville Johnson takes a look at the style of Blind Blake with some fun tips and tricks.
Length: 12:50 Difficulty: 2.0 Members OnlyLesson 14
In this Fingerstyle Blues lesson, Orville Johnson uses the 12 bar blues in C to talk about chord substitutions.
Length: 35:34 Difficulty: 3.0 Members OnlyLesson 15
To demonstrate the relationship between gospel and blues, Orville Johnson teaches an arrangement of an old gospel tune called "Softly and Tenderly, Jesus Is Calling".
Length: 20:22 Difficulty: 2.5 Members OnlyLesson 16
Orville Johnson is back with another fantastic lesson on chord substitutions, this time in a minor key.
Length: 19:03 Difficulty: 3.0 Members OnlyLesson 17
Orville Johnson demonstrates Mississippi John Hurt's style using an old spiritual song called "When the Roll Is Called Up Yonder".
Length: 10:18 Difficulty: 2.0 Members OnlyLesson 18
Orville Johnson explores the style of Skip James in open G tuning.
Length: 19:28 Difficulty: 2.5 Members OnlyLesson 19
Orville Johnson takes another look at the style of Skip James, this time in cross-note (D Minor) tuning.
Length: 25:08 Difficulty: 2.5 Members OnlyLesson 20
Orville Johnson takes a look at the style of blues artist Bo Carter in this lesson.
Length: 15:35 Difficulty: 2.5 Members OnlyLesson 21
Orville Johnson walks through "Jelly Jelly," an original piano blues style song.
Length: 22:14 Difficulty: 2.5 Members Only
About Orville Johnson
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Orville Johnson was born in 1953 in Edwardsville, Illinois and came up on the St. Louis, Missouri music scene, where he was exposed to and participated in a variety of blues, bluegrass and American roots music. He began singing in his Pentecostal church as a young boy, in rock bands in middle school, then took up the guitar at 17,with early influences from Doc Watson, Rev. Gary Davis, Mississippi John Hurt, and Chuck Berry. In the early 1970's, Orville spent several seasons playing bluegrass on the SS Julia Belle Swain, a period-piece Mississippi river steamboat plying the inland waterways, with his group the Steamboat Ramblers.
Orville moved to Seattle, Washington in 1978, where he was a founding member of the much-loved and well-remembered folk/rock group, the Dynamic Logs. Other musical associates include Laura Love, Ranch Romance, File' Gumbo Zydeco Band, Scott Law, and the Twirling Mickeys. Johnson, known for his dobro and slide guitar stylings and vocal acrobatics, has played on over 100 albums. He has appeared on Garrison Keilor's Prairie Home Companion, Jay Leno's Tonight Show and was featured in the 1997 film Georgia with Mare Winningham. His musical expertise can also be heard on the Microsoft CD-ROMs, Musical Instruments of the World and the Complete Encyclopedia of Baseball. He teaches as well at the International Guitar Seminar, Pt. Townsend Country Blues Week and Puget Sound Guitar Workshop.
Orville released 4 recordings in the 1990's: The World According to Orville (1990) Blueprint for the Blues (1998) Slide & Joy (1999) an all-instrumental dobro tour de force and Kings of Mongrel Folk (1997) with Mark Graham. He also appeared on 4 discs with the File' Gumbo Zydeco Band and produced Whose World Is This (1997) for Jim Page and Inner Life (1999) for Mark Graham. In the 21st century, he has released Freehand, a new Kings of Mongrel Folk disc, Still Goin' Strong, and been featured in the soundtracks of PBS' Frontier House and the Peter Fonda flick The Wooly Boys as well as the compilation cd Legends of the Incredible Lap Steel Guitar.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.You can sing! I liked it man! Good singin'!
Hi Orville, I really enjoyed this lesson! I too am wondering what you did on the ending of the song, that's very nice.
The chords I play at the end of the song on the initial play-through are F major, F minor, C, G7, C.
Hi Orville, Love you play. What are the ending cords you played? They are not on the sheets.
cannot find the TABS is there a slip up?
If you're referring to the proper guitar pro file, I just uploaded it. Sorry! That was my mistake...It should be fixed now.
Look under Supplemental Content.
Cant find the Tabs
I really enjoyed this lesson - so easy to follow. The tabs matched perfectly and I found the slowed down version very helpful.
I would really like the tablature to that song. It was done very beautifully, but I can't quite keep up with all the notes. I noticed the chords were in the supplemental contents, but I couldn't find the tabs
Orville.......you surprised me once more. Not only is you playing nice to listen to.....you have a wonderful singing voice.
Sup content is of course coming soon!
Another great tune. Thanks Orville - you are an excellent tutor to learn from.