The blues is a distinctly American style of music. Many popular genres such as jazz, rock, and country music draw upon basic blues concepts. Consequently, it is advantageous for any guitarist to study the blues.
In this lesson, Orville introduces one of the basic fingerstyle techniques - the alternating bass technique.Length: 14:49 Difficulty: 2.0 Members Only
Orville Johnson teaches his interpretation of the piano-based song "Winin' Boy Blues" by Jelly Roll Morton.Length: 29:33 Difficulty: 3.0 Members Only
Orville Johnson introduces turnarounds and provides great ideas and techniques.Length: 16:30 Difficulty: 2.5 FREE
Orville Johnson teaches the fingerstyle blues song "Payday Blues."Length: 19:04 Difficulty: 2.5 Members Only
Orville Johnson demonstrates how to play a walking bass line in conjunction with chordal accompaniment.Length: 18:33 Difficulty: 2.5 Members Only
Orville Johnson teaches his take on a blues standard entitled "One Dime Blues."Length: 13:46 Difficulty: 2.5 Members Only
Orville Johnson teaches the classic gospel tune "I'll Fly Away" in the Piedmont style.Length: 18:40 Difficulty: 2.5 Members Only
Orville Johnson teaches the classic gospel song "Beulah Land."Length: 12:40 Difficulty: 2.0 Members Only
Orville Johnson teaches "Make Me a Pallet on the Floor" in the Piedmont style.Length: 17:58 Difficulty: 2.5 Members Only
Orville teaches the a fingerstyle version of the classic blues number "How Long, How Long."Length: 23:31 Difficulty: 2.5 Members Only
Orville Johnson teaches a common blues melody that has been used in several classic songs including "Louis Collins."Length: 15:09 Difficulty: 0.0 Members Only
Orville Johnson reviews an original tune he calls "St. Johnny" in this lesson.Length: 44:09 Difficulty: 2.5 Members Only
In this lesson, Orville Johnson takes a look at the style of Blind Blake with some fun tips and tricks.Length: 12:50 Difficulty: 2.0 Members Only
In this Fingerstyle Blues lesson, Orville Johnson uses the 12 bar blues in C to talk about chord substitutions.Length: 35:34 Difficulty: 3.0 Members Only
To demonstrate the relationship between gospel and blues, Orville Johnson teaches an arrangement of an old gospel tune called "Softly and Tenderly, Jesus Is Calling".Length: 20:22 Difficulty: 2.5 Members Only
Orville Johnson is back with another fantastic lesson on chord substitutions, this time in a minor key.Length: 19:03 Difficulty: 3.0 Members Only
Orville Johnson demonstrates Mississippi John Hurt's style using an old spiritual song called "When the Roll Is Called Up Yonder".Length: 10:18 Difficulty: 2.0 Members Only
Orville Johnson explores the style of Skip James in open G tuning.Length: 19:28 Difficulty: 2.5 Members Only
Orville Johnson takes another look at the style of Skip James, this time in cross-note (D Minor) tuning.Length: 25:08 Difficulty: 2.5 Members Only
Orville Johnson takes a look at the style of blues artist Bo Carter in this lesson.Length: 15:35 Difficulty: 2.5 Members Only
Orville Johnson walks through "Jelly Jelly," an original piano blues style song.Length: 22:14 Difficulty: 2.5 Members Only
Welcome to part one of a two part lesson bundle where Orville breaks down Travis Picking, a fingerstyle pattern made famous by the great Merle Travis.Length: 21:51 Difficulty: 3.0 Members Only
This is part two in Orville's Travis Picking demonstration. Orville now teaches how to increase speed with the picking hand. Then, he explains how to improve synchronization between the picking and fretting...Length: 23:10 Difficulty: 3.0 Members Only
Welcome to part one of a two part mini series on the great guitarist known as Scrapper Blackwell! Orville tackles the unique techniques Scrapper utilized.Length: 28:15 Difficulty: 2.5 Members Only
Now that Orville has introduced Scrapper's style, he covers some more difficult techniques that he used.Length: 17:56 Difficulty: 2.5 Members Only
About Orville Johnson
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Orville Johnson was born in 1953 in Edwardsville, Illinois and came up on the St. Louis, Missouri music scene, where he was exposed to and participated in a variety of blues, bluegrass and American roots music. He began singing in his Pentecostal church as a young boy, in rock bands in middle school, then took up the guitar at 17,with early influences from Doc Watson, Rev. Gary Davis, Mississippi John Hurt, and Chuck Berry. In the early 1970's, Orville spent several seasons playing bluegrass on the SS Julia Belle Swain, a period-piece Mississippi river steamboat plying the inland waterways, with his group the Steamboat Ramblers.
Orville moved to Seattle, Washington in 1978, where he was a founding member of the much-loved and well-remembered folk/rock group, the Dynamic Logs. Other musical associates include Laura Love, Ranch Romance, File' Gumbo Zydeco Band, Scott Law, and the Twirling Mickeys. Johnson, known for his dobro and slide guitar stylings and vocal acrobatics, has played on over 100 albums. He has appeared on Garrison Keilor's Prairie Home Companion, Jay Leno's Tonight Show and was featured in the 1997 film Georgia with Mare Winningham. His musical expertise can also be heard on the Microsoft CD-ROMs, Musical Instruments of the World and the Complete Encyclopedia of Baseball. He teaches as well at the International Guitar Seminar, Pt. Townsend Country Blues Week and Puget Sound Guitar Workshop.
Orville released 4 recordings in the 1990's: The World According to Orville (1990) Blueprint for the Blues (1998) Slide & Joy (1999) an all-instrumental dobro tour de force and Kings of Mongrel Folk (1997) with Mark Graham. He also appeared on 4 discs with the File' Gumbo Zydeco Band and produced Whose World Is This (1997) for Jim Page and Inner Life (1999) for Mark Graham. In the 21st century, he has released Freehand, a new Kings of Mongrel Folk disc, Still Goin' Strong, and been featured in the soundtracks of PBS' Frontier House and the Peter Fonda flick The Wooly Boys as well as the compilation cd Legends of the Incredible Lap Steel Guitar.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Steve Eulberg does a quick review of this lesson series and talks about moving on.Free LessonSeries Details
In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...Free LessonSeries Details
Jessica kindly introduces herself, her background, and her approach to this series.Free LessonSeries Details
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Free LessonSeries Details
Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...Free LessonSeries Details
Lesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.Free LessonSeries Details
JamPlay welcomes David Isaacs to our teacher roster. With his first lesson Dave explains his approach to playing guitar with...Free LessonSeries Details
Rich Nibbe takes a look at how you can apply the pentatonic scale in the style of John Mayer into your playing.Free LessonSeries Details
Miche introduces several new chord concepts that add color and excitement to any progression.Free LessonSeries Details
Eve talks about the boom-chuck strum pattern. This strum pattern will completely change the sound of your playing.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Learn a variety of essential techniques commonly used in the metal genre, including palm muting, string slides, and chord...Free LessonSeries Details
This is a crucial lesson that explains tablature, how to read it, and why it's important.Free LessonSeries Details
Mark Brennan teaches this classic rock song by Jethro Tull. Released on the album of the same name in 1971, this song features...Free LessonSeries Details
In his first Guitar & Pedal Mods lesson, Steve McKinley shows you how to replace the input jack on your guitar. If your jack...Free LessonSeries Details
James explains how to tap arpeggios for extended musical reach.Free LessonSeries Details
Allen shows you the 24 rudiments crucial to developing finger dexterity. This is a short lesson but the exercises here can...Free LessonSeries Details
Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...Free LessonSeries Details
Chris brings his ingenuity to this lesson on the American folk song called "Where Did You Sleep Last Night?" Also known as...Free LessonSeries Details
Lesson 25 from Glen presents a detailed exercise that firmly builds up fret hand dexterity for both speed and accuracy.Free LessonSeries Details
Lisa breaks into the very basics of the electric guitar. She starts by explaining the parts of the guitar. Then, she dives...Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
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|Number of Instructors||78||1 – 3||1||Zillions|
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|Multiple Camera Angles||Sometimes||-||Sometimes|
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I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
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