Taught by Mario DaSilva in Flamenco Guitar with Mario DaSilva seriesLength: 5:10Difficulty: 2.0 of 5
Learn the techniques and dance accompaniments associated with the Flamenco guitar.
Mario DaSilva introduces himself and the Spanish art form of flamenco guitar.Length: 4:06 Difficulty: 0.5 FREE
Mario DaSilva starts to break down flamenco guitar techniques, starting with a basic one finger strum.Length: 4:49 Difficulty: 1.0 Members Only
Mario DaSilva starts to break down the different versions of the flamenco rasgueado. He starts with the triplet subdivision using two fingers.Length: 4:32 Difficulty: 2.0 Members Only
Mario DaSilva breaks down the stroke pattern for the sixteenth note rasgueado.Length: 3:06 Difficulty: 2.0 Members Only
Mario DaSilva breaks down the five stroke rasgueado technique. He continues to use the Soleares in his examples.Length: 2:10 Difficulty: 2.0 Members Only
Mario DaSilva turns up the heat with a six stroke rasgueado technique.Length: 2:44 Difficulty: 2.0 Members Only
Mario DaSilva begins to break down what are known as the marote rasgueados. This technique involves subdivision using both the thumb and fingers.Length: 3:23 Difficulty: 2.0 Members Only
Mario DaSilva demonstrates an alternate way to perform the marote rasgueados.Length: 2:03 Difficulty: 2.0 Members Only
Mario DaSilva wraps up the rasgueado techniques with the 16th note subdivision of the marote rasgueado.Length: 3:48 Difficulty: 0.0 Members Only
Mario DaSilva begins to teach the arpeggio techniques utilized in the flamenco style.Length: 3:06 Difficulty: 2.0 Members Only
Mario DaSilva adds the ascending arpeggio to the repertoire and combines it with the descending arpeggio.Length: 5:10 Difficulty: 2.0 Members Only
Mario DaSilva demonstrates arpeggios subdivided into sixteenth notes. He introduces a new compas called the Farruca as well as the golpe technique.Length: 11:09 Difficulty: 2.0 Members Only
Ligados are slurred notes used to create melodic content within a compas. In this lesson, Mario will be demonstrates ligados using the Soleares. He then demonstrates how to combine strumming, ligados,...Length: 11:05 Difficulty: 2.0 Members Only
The Alzapúa is a fast, thumb only picking technique designed to project and create a more flamenco-styled sound. In this lesson, Mario provides some drills that will help you master this technique.Length: 6:20 Difficulty: 2.0 Members Only
In the second lesson for the Alzapúa technique, Mario discusses why you would want to use this technique over a standard fingerstyle pattern.Length: 2:08 Difficulty: 1.5 Members Only
Mario DaSilva discusses and demonstrates how scales are incorporated into the flamenco style.Length: 8:34 Difficulty: 2.0 Members Only
In lesson 17, Mario discusses endurance and ways to built upon it for speed and accuracy.Length: 9:00 Difficulty: 1.5 Members Only
Mario DaSilva provides several drills to help build your arpeggio skill. He uses the Malaguena dance as an example for these drills.Length: 3:29 Difficulty: 2.0 Members Only
Mario DaSilva demonstrates how the tremolo technique is utilized within the confines of the flamenco style.Length: 4:22 Difficulty: 1.5 Members Only
Now that Mario has covered the basic techniques needed to play in the flamenco style, he begins to break down the individual dances from the style. He starts first with the Malaguena.Length: 22:42 Difficulty: 2.5 Members Only
Mario DaSilva breaks down and demonstrates the famous Rumba dance.Length: 11:40 Difficulty: 2.0 Members Only
In lesson 22, Mario DaSilva breaks down the Sevillanas.Length: 11:20 Difficulty: 2.0 Members Only
Mario DaSilva takes an in depth look at the dance he initially introduced during his technique lessons.Length: 13:45 Difficulty: 2.0 Members Only
You'll remember this dance from the beginning of Mario's technique studies. In this lesson, Mario covers the Soleares in its entirety.Length: 14:02 Difficulty: 2.0 Members Only
Mario DaSilva breaks down the Bulerias. He includes the basic compas, variations, as well as several salidas to use.Length: 21:16 Difficulty: 2.5 Members Only
In lesson 26 of his Flamenco guitar series, Mario DaSilva breaks down the Alegrias dance.Length: 14:39 Difficulty: 2.5 Members Only
In lesson 27, Mario DaSilva breaks down the Fandangos de Huelva.Length: 13:35 Difficulty: 2.5 Members Only
In the 28th lesson of his Flamenco series, Mario DaSilva discusses and breaks down the Guajiras.Length: 14:57 Difficulty: 3.0 Members Only
Completing his studies on the dances of Flamenco, Mario Dasilva offers up a lesson on the Seguiriyas.Length: 11:24 Difficulty: 3.0 Members Only
About Mario DaSilva
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Mario DaSilva is an expert classical and Flamenco player who has toured and played with some of the finest musicians in the business, including the following: Nashville Chamber Orchestra, Belmont University Orchestra, Indiana University SE Orchestra, Bowling Green Chamber Orchestra, Nashville Ballet, Lari White, Chuck Cannon, Little Big Town, Muriel Anderson, Felipe De La Rosa, Bruce and Sandra Dudley, Lori Meecham, and Tracy Silverman.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...Free LessonSeries Details
New fingerstyle instructor Don Ross introduces himself, his background, and what you should expect in this series.Free LessonSeries Details
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Free LessonSeries Details
Orville Johnson introduces turnarounds and provides great ideas and techniques.Free LessonSeries Details
JamPlay is proud to introduce jazz guitarist Peter Einhorn. In this lesson series, Peter will discuss and demonstrate a way...Free LessonSeries Details
Lesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.Free LessonSeries Details
Marcelo teaches the eight basic right hand moves for the Rumba Flamenca strum pattern. He then shows you how to apply it...Free LessonSeries Details
Erik expounds on the many possibilities of open tunings and the new harmonics that you can use in them. He explains what...Free LessonSeries Details
Eve talks about the boom-chuck strum pattern. This strum pattern will completely change the sound of your playing.Free LessonSeries Details
Jim Deeming discusses how to use a metronome for practice, skill building, and speed building.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Steve McKinley talks about evaluating your bass and keeping it in top shape. He covers neck relief, adjusting the truss rod,...Free LessonSeries Details
Nick explains how to use scales and modes effectively when soloing over a chord progression.Free LessonSeries Details
James explains how to tap arpeggios for extended musical reach.Free LessonSeries Details
JD teaches the pentatonic and blues scales and explains where and when you can apply them.Free LessonSeries Details
This is a crucial lesson that explains tablature, how to read it, and why it's important.Free LessonSeries Details
In this lesson Eric talks about playing basic lead in the Memphis Blues style.Free LessonSeries Details
Joel Kosche talks about creating and composing a guitar solo. He uses his original song "Sunrise" as an example.Free LessonSeries Details
Dave "David J" Weiner returns with a lesson on how to play with style and attitude. He covers all the basic techniques you'll...Free LessonSeries Details
Billy starts his artist series off with a lesson on something he gets asked the most to explain: right hand 3 finger technique.Free LessonSeries Details
Hone in on your right hand and focus on getting in the groove. You'll only play one note during this lesson, but it'll be...Free LessonSeries Details
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I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
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