Mastering rock guitar requires a solid foundation. This lesson covers electric guitars and how they differ from acoustics. Brad explains pickups, amplifiers, changing the strings, effects pedals and more. A very valuable lesson for someone moving into the world of rock guitar.
Taught by Brad Henecke in Rock Guitar with Brad Henecke seriesLength: 52:09Difficulty: 0.5 of 5

In this Phase 2 series Brad Henecke will school you in the art of rock guitar. You will not only learn how to play some of your favorite songs in this series, but you will also learn how to create your own.
Lesson 1
This lesson covers the absolute basics of rock guitar. Learn about the electric guitar, pickups, amplifiers, changing strings, and more.
Length: 52:09 Difficulty: 0.5 Members OnlyLesson 2
The first step of your rock guitar experience is learning some of the more popular chords and that is what this lesson is all about.
Length: 42:30 Difficulty: 1.0 Members OnlyLesson 3
Brad Henecke introduces common strumming patterns and barre chords.
Length: 42:23 Difficulty: 2.5 Members OnlyLesson 4
In this lesson Brad covers some of the more advanced barre chord shapes. He applies these shapes to the song "Hotel California."
Length: 41:31 Difficulty: 2.0 Members OnlyLesson 5
Rock has its roots in the blues. Brad helps you explore the wonderful world of blues in this lesson. He also covers some chord theory.
Length: 48:14 Difficulty: 2.0 Members OnlyLesson 6
This lesson is all about specific techniques used by lead guitarists.
Length: 52:02 Difficulty: 2.5 Members OnlyLesson 7
This lesson details how to improvise with the blues scale.
Length: 27:27 Difficulty: 2.5 Members OnlyLesson 8
In this fun lesson, Brad Henecke teaches you riffs from 3 classic rock songs.
Length: 28:28 Difficulty: 2.5 Members OnlyLesson 9
Power chords help give rock music that "punch you in the face" feel. Learn basic power chords in this lesson.
Length: 13:22 Difficulty: 2.5 Members OnlyLesson 10
Are you ready to learn "Ain't Talking About Love" by Van Halen and "You Shook Me All Night Long" by AC/DC? That's what this lesson is all about.
Length: 27:32 Difficulty: 2.5 Members OnlyLesson 11
In this lesson Brad teaches the first pattern of the minor pentatonic scale and explains how it relates to the blues scale.
Length: 14:30 Difficulty: 2.5 Members OnlyLesson 12
Brad covers the second pattern for both the minor blues and minor pentatonic scales.
Length: 9:07 Difficulty: 2.5 Members OnlyLesson 13
Learn the classic rock song "Message in a Bottle."
Length: 10:22 Difficulty: 3.0 Members OnlyLesson 14
This great lesson covers the 3rd fretboard pattern of the minor pentatonic and minor blues scales.
Length: 7:19 Difficulty: 2.5 Members OnlyLesson 15
Brad demonstrates how open strings can be added to chord shapes you are already familiar with.
Length: 9:09 Difficulty: 2.5 Members OnlyLesson 16
Brad covers the 4th pattern of the minor pentatonic and minor blues scales.
Length: 8:28 Difficulty: 2.5 Members OnlyLesson 17
In this lesson Brad demonstrates how to play the Beatles song "Daytripper."
Length: 15:21 Difficulty: 3.0 Members OnlyLesson 18
Brad demonstrates the 5th pattern of the minor pentatonic and minor blues scales. He also discusses practicing and memorizing them.
Length: 13:05 Difficulty: 2.5 Members OnlyLesson 19
Learn the classic rock song "Brown Eyed Girl" in this episode of Rock Guitar.
Length: 11:23 Difficulty: 3.0 Members OnlyLesson 20
Brad introduces you to the importance of phrasing. Quality phrasing is essential when performing any melodic line.
Length: 14:19 Difficulty: 3.0 Members OnlyLesson 21
Tapping is an idiomatic guitar technique that offers a unique sound.
Length: 14:34 Difficulty: 3.0 Members OnlyLesson 22
Learning the modes is essential to the development of your scale vocabulary.
Length: 31:04 Difficulty: 3.0 Members OnlyLesson 23
Brad further explains what chord shapes are and how they relate to barre chords.
Length: 10:15 Difficulty: 2.0 Members OnlyLesson 24
Learn the right and left hand mechanics involved in playing harmonics.
Length: 13:16 Difficulty: 3.0 Members OnlyLesson 25
Brad covers more advanced harmonic techniques such as harp harmonics, pinch harmonics and tap harmonics.
Length: 16:10 Difficulty: 3.0 Members OnlyLesson 26
Brad moves on in his modal lesson series to explain the Dorian mode. Includes 2 backing tracks.
Length: 22:00 Difficulty: 3.0 Members OnlyLesson 27
Brad explains and demonstrates the Phrygian mode.
Length: 13:33 Difficulty: 3.0 Members OnlyLesson 28
Brad continues his discussion of the modes. You will learn the Lydian mode in this lesson.
Length: 9:27 Difficulty: 3.0 Members OnlyLesson 29
Brad explains the Mixolydian mode and its practical applications.
Length: 10:00 Difficulty: 3.0 Members OnlyLesson 30
Continuing with his modal lessons, Brad Henecke teaches the Aeolian mode.
Length: 9:09 Difficulty: 3.0 Members OnlyLesson 31
The final lesson in our modal series covers the Locrian mode.
Length: 9:00 Difficulty: 3.0 Members OnlyLesson 32
Brad teaches some licks inspired by Ace Frehley of KISS. Incorporate these licks into your own solos.
Length: 7:18 Difficulty: 3.0 Members OnlyLesson 33
In this lesson Brad Henecke teaches you some fun licks that can be used in your own guitar solos.
Length: 10:00 Difficulty: 3.0 Members OnlyLesson 34
Brad Henecke demonstrates some cool blues licks.
Length: 17:00 Difficulty: 3.0 Members OnlyLesson 35
Brad Henecke provides an alternate way of comparing modes and scales.
Length: 8:00 Difficulty: 3.0 Members OnlyLesson 36
In the last lesson, Brad Henecke compared some scales that are major or dominant in quality. Now, he repeats this process with minor scales.
Length: 7:00 Difficulty: 3.0 Members OnlyLesson 37
This lesson is all about 1 string scales. Learning scales on 1 string is essential to your knowledge of the fretboard.
Length: 8:34 Difficulty: 3.0 Members OnlyLesson 38
Brad demonstrates a one string version of the Ionian mode. This lesson demonstrates the importance of horizontal scales.
Length: 7:27 Difficulty: 3.0 Members OnlyLesson 39
Brad continues his discussion of single string scales. He explains how to play the Aeolian mode across a single string.
Length: 4:11 Difficulty: 3.0 Members OnlyLesson 40
Brad explains how to locate octaves within scale patterns. He demonstrates a cool lick that involves playing simultaneous octaves.
Length: 7:07 Difficulty: 3.0 Members OnlyLesson 41
Brad explains how to use octaves in the context of an exercise. Octaves can also be used to build effective licks.
Length: 5:18 Difficulty: 3.0 Members OnlyLesson 42
Brad introduces the harmonic minor scale. He explains how it can be applied to the solo break in "Sweet Child O' Mine."
Length: 7:00 Difficulty: 3.0 Members OnlyLesson 43
Brad Henecke provides valuable tips regarding the process of learning songs by ear.
Length: 23:00 Difficulty: 3.5 Members OnlyLesson 44
Improve your ear training by playing "The Tone Is Right" with Brad Henecke.
Length: 29:00 Difficulty: 3.0 Members OnlyLesson 45
Brad Henecke explains diminished chords and provides a fun diminished arpeggio exercise.
Length: 19:00 Difficulty: 3.0 Members OnlyLesson 46
Brad Henecke addresses time signatures.
Length: 10:00 Difficulty: 2.5 Members OnlyLesson 47
Brad Henecke explains the construction of diminished seventh chords. He also provides a diminished chord exercise.
Length: 10:30 Difficulty: 2.5 Members OnlyLesson 48
Brad Henecke introduces open G tuning in this lesson.
Length: 23:50 Difficulty: 2.5 Members OnlyLesson 49
Brad Henecke introduces drop D tuning in this lesson. He explains many advantages of this tuning.
Length: 12:57 Difficulty: 2.0 Members OnlyLesson 50
Brad Henecke teaches the G major pentatonic scale. He demonstrates all 5 patterns and explains how they can be transposed to any key.
Length: 22:50 Difficulty: 2.0 Members OnlyLesson 51
In this lesson Brad Henecke talks about changing the pentatonic/blues scales with each chord in a chord progression.
Length: 11:08 Difficulty: 3.0 Members OnlyLesson 52
Brad will show how to use the Mixolydian scale with a blues chord progression.
Length: 6:56 Difficulty: 3.0 Members OnlyLesson 53
This lesson is all about gear and effects. Brad begins his discussion with power conditioning and removing hiss from your amplifier. He progresses to discuss a plethora of effects pedals. Brad explores...
Length: 52:48 Difficulty: 2.5 Members OnlyLesson 54
In this lesson, Brad Henecke introduces the wah pedal and demonstrates its many applications.
Length: 15:53 Difficulty: 1.5 Members Only
About Brad Henecke
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Brad Henecke was born in Cedar Rapids, Iowa on May 5th of 1963. He has been a fan of music for as long as he & his family can remember. You could always find him running around the farm wailing on his cardboard guitar, pretending to be a member of the rock band KISS. Additional inspiration came during his first concert when he got the chance to see Boston & Sammy Hagar in the early 1970's.
This opened up a whole new world of rock and roll music for him; his parents noticed his growing interest in music and enrolled him into guitar lessons when he was 13.
From there he jumped into two years of lessons at a local music store in Cedar Rapids. After discovering Eddie Van Halen, Brad knew that the
guitar would always be a part of his life. He took his love throughout the city as he played as a pit musician & jammed at parties for friends.
This made him thirsty for more. He enrolled classes at Kirkwood Community College & also took lessons from the one & only Craig-Erickson (www.craig-erickson.com).
His love for music landed him a gig opening for Molly Hatchet in Cedar Rapids with a band called "Slap & Tickle". He has also played in the Greeley
Stampede show for quite a few years with "True North".
Brad is currently playing in Greeley, Colorado with a rock band titled "Ragged Doll". They play a wide variety of music with an emphasis on
classic rock from the 60's to present, with Brad playing electric guitar in the five piece lineup.
He currently jams on his all-time favorite guitar: a Paul Reed Smith Custom 24. Beyond guitar, he plays also plays drums & bass guitar. He has
also been known to thrash a banjo from time to time. He is still actively playing & passing his 31 years of playing experience on to others (you!).
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Any truth around changing one string at a time vs removing them all at one time creating issues? Musician's Friend suggests doing one at a time because of bridge movement? Thanks
Changing one string at a time can save you time in resetting the tremolo if it gets out of wack. Not too much of a problem on the strat type trems. If you ever tried re-tuning a floyd rose after you taken all strings off, it can be a real pain. Changing one string at a time on floyds can save tons of time and frustration.
Hey ! Thanks for the string changing method. It's simple and efficient !
could you post the tabs of the song your were playing at the begning of the lesson Brad??????
Thanks Brad for showing hoe to get those string so tight & clean looking I've never been able to work that out until now , thanks mate
Recently bought a pack of DAVE picks ( Jazz ) nice textured grip & about 1.5 mm thick - btw Brad you say ' um ' as long as you like mate !
oops sorry that should be DAVA picks
hmm on the 'coming up'screen at section 4 there is a small mistake ,there stands pracitce
i was having a query about what type of electric guitar should i buy ..... i mean will a fender bullet strat do the job or some else... for the amp i have the same which u have shown in the basic amp section(Marshall) ... i also wanted to ask that with having a marshall amp do i have to get pedals and all that stuff?? pls do post ur suggestions....Thanks. URGENT!!!
The video is not showing up on my screen. Either get it fixed or stop my payments!
I have a eq burn unit which allows me to play clean as well as distortion. Can I hook up a chorus pedal to it and use both during the rythem section o the music?
Brad , excellent lesson. Thank you for the very straight forward nonsense approach to teaching.
Do you have to have an electric guitar to play rock music? Will an acoustic guitar still work?
Hay san, I'm going to try the lessons with a acoustic guitar. It's all I have now. Did the bluegrass lessons and of course a acoustic worked fine, but love Rock so here we go. Lesson 1
Having played for a # of years I still found Lesson 1 to have a some solid nuggets of intel.
good series but could you please work on not saying um as much
um I'll work on it um next time i'll do better .Lol
I really like that Scene 1 intro! Sounds like a Van Halen type riff with chorus effects ... love to see that TAB'd! Best overall intro to electric guitar & accessories I've seen - great job man!
Yeah, I wouldn't mind the tab to the intro either. :)
Brad, Thanks for these Great lessons.I bought my son two guitars (Dimebag dean and a les paul- zakk wild) And also two amps (Marshall MG30dfx- crate GLX30) and he's played them once ,never pick them up again.So Im gonna learn to play,I ran across Jamplay on youtube and became a member Im looking forward to learning from you.Keep up the Great work!
wow! you are a generous dad ;)
The tuning keys o my guitar are not the type with holes but notches. Any clue on how to string these? Everytime I think I've got it I go to tune it and the slip out of the notches.
I think you're great! Really easy to follow and feel like I'm having fun!!! Thank You! Think I'll take a ride on your lessons. xo
Enjoy the ride! Let me know how things are going.
Hey Brad, I saw you just went ahead and took all of the strings off the guitar. I heard elsewhere, that taking them all off at the same time is bad for the tension on the neck. Is that true, or really matter?
In some cases it might not be a good idea to take all the strings off of your guitar at one time . For example if you have an acoustic guitar that doesn’t have a truss rod or an older guitar that has some problems with the neck . Some times it’s good to take the strings off of the guitar to relax the neck when you are transporting the guitar or moving to a different climate. It depends on the situation. If you have an electric guitar with a truss rod you will most of the time be ok with taking all the strings off but I wouldn’t leave the strings off for a long time. It takes wood a long time to settle back or move, so you will be ok to take all the strings off. I just wouldn’t let the guitar sit for a long time with out them .Finish the job put all the strings on in one sitting or better yet do one string at a time. Acoustic guitars I would change one string at a time. They are a little tricky sometimes
i to love cleaning my guitar
Hi Brad; I join Jamplay after watching your free lesson. I really apppreciated the fact that you went over amp settings. Currently I have a Marshall that's more advanced than what I am in playing, and the owner's manual didn't really explain that much. Kudos m'man! I think your lessons are awesome.
Hi Brad, Thanks for the lessons. Few basic questions: 1. How often should I change the string on the guitar? How do I know it is the time? 2. How do you you pick the strins gaige? I know on most electric guitar you should use 009 strings set while on les paul guitars you should use 010, as well as on an acoustic guitar. Can you comment on that? Thanks.
How often you change your strings depends on how often you are playing. If you play a lot you will want to change them more often .Listen to the strings if they sound dull or the brightness is gone change the strings .If the strings are frayed or dirty change the strings. There are some products out there that help prolong the life of the strings .Go to a music store and ask what to use. Try some of the products to see what works best for you. String gage depends on what you are going for .I use a 009. -042 on my electrics guitars The lighter gauge string makes bending a lot easer .If you use a heaver gauge string bending is harder but your tone is better .If you want to play slide guitar a heaver set would be nice . You can use a 009. On a Les Paul. It just depends on how you set the guitar up . What ever gauges you get you need to set your guitar up for that gauge. If you don’t know how ,take it to some one that knows how to set a guitar up. Acoustic you need to have about a 011.or a 012 .some times a 010. Is to light .Then again it needs to be set up.
Nice lesson Brad.... Fyi... the intro between lessons 3 and 4 has the word "practice" misspelled. :o)
sorry i can't spell worth a crap LOL
Hi Brad, Nice lesson. In chapters 5 and 6 about the effects, I 've been trying to setup my ZOOM G1X pedal to sound like your Chorus pedal and there is no way to sound like yours. Do you have turnned on distorsion and chorus. It will be nice if you or some other instructor in Video Q&A give us some tips about setting the ZOOM G1X pedal.
Brads GREAT , he's the reason I joined Jamplay after I watched the free lesson with him. Give the man a raise. Fred
great lesson dude!
HI bator82. I'll try to answer your questions best as I can. First off what I probably should have said in the video was the smaller combo amps are more for practice and not for a band situation. I would definitely look at a larger combo amp. Combo amps are easer to carry around. The amp you decide to get will depend on what kind off music you want to play and what you want to sound like. If price is a factor you may want to look at some of the solid state amps, the valve state Marshal combo’s, or VOX valvetronics combos. They have amps in the 50 to 120 watt range that are really nice and have effects that are built right in the amp. The differences between the distortion knobs, gain, and overdrive. Distortion: adds distortion effects that you hear in rock and roll, that grind sound. Gain adds more sustain and it will push the amp a little harder and add some volume. Overdrive basically boost your amp adding volume, sustain, and distortion. This is very hard to describe unless you try out the differences. The reason I bought the Boss digital delay was I like the sound, it is very versatile, and it is easy to understand how to use. The reason I bought the Dan-electro is because it has an effect on it that you can cut back the highs on the delay itself that will make the delay sound more like a old tape delay. I like the sound of the old tape delay because they are more spacey sounding and they sound more analog. The reason I bought two is that I like a short and a long delay, on one I set a short slap back (Boss) delay and on the other I use a long swooping delay (Dan-electro).
Hey Brad, what's up? I have a lot of questions concerning amps and effects. (I'm a total effects nut, hence, I own a Boss GT-8 multi-effects processor) You mention how combo amps are more for beginners, but I've actually been looking at the Roland JC-120 combo amp which looks very interesting. I also like the Marshall amp you are using in your videos. Right now, I have a small combo tube amp, an old Garnet, that was lent to me. If I were to buy another one to move on to the next step, would you recommend me to stray from combo amps completely? Also, I was wondering, what's the difference between let's say, the overdrive or distortion knob (or even gain) on an amplifier itself, or owning a compact pedal that does the same effect? In your video, you use 2 different types of delay pedal, what justified your purchase? I mean, I know why you use 2 delays, but like, what were you looking for in one type of delay that you didn't find in the other? What I mean is let's say, why did you choose pedals from 2 brands instead of 2 of the Boss pedals, or vice-versa? By the way, great idea for the power pack, I don't recommend anyone use batteries in their pedals. Mine didn't last 24 hours in my old Boss MD-2 (Duracells, not the dollar store brand), so I don't see anyone changing batteries everyday. Thanks for the info! :)
strap locks are great. I wouldn't leave home with out them .Dont ever wan't to drop my baby .
Hi Brad! I always say that, beginner's lessons always have something you need to know.... thank you for the tip on the strap locks, I went to the store just today and they're already installed on my guitar! I felt that the standard buttons were too loose and I felt really insecure when standing... now I'm ready to rock! thank u! millaTK
That was a great lesson, very informative! What kind of amp should someone who is playing in a small garage band get?