David explains the basics of natural harmonics. You will learn the acoustical properties pertaining to harmonics. You will also learn how to tune your guitar using natural harmonics.
Taught by David Anthony in Tips and Tricks seriesLength: 25:00Difficulty: 2.5 of 5
David Anthony plays some introductory music that introduces the topic of Lesson 2. In this lesson, David defines what a harmonic is and how one is produced. There are several types of harmonics. Each type of harmonic is performed in its own unique way. In this lesson, David explores “natural” harmonics, the most prevalent type of harmonics. The remaining types of harmonics are discussed in later lessons.
What is a Harmonic?“Harmonic” is a term that is often used in the scientific field of acoustics. Harmonics are component frequencies that comprise a larger, fundamental frequency. The individual pitches or notes that occur in music are referred to as “fundamentals.” For example, the pitch we hear when the fifth string is struck is a fundamental. This fundamental is called “A”. The pitch that our ears perceive as “A” is actually a sum of several overtone frequencies called harmonics. When we hear a fundamental, our ears cannot distinguish the individual overtones. We only hear their resulting sum or fundamental.
A frequency is assigned to every pitch or note that we hear. Frequency is measured in a unit called hertz (abbreviated Hz). For example, the frequency of the open A string is 220Hz. Harmonics are integer multiples of this fundamental frequency. For example, if the length of the A string is divided in half, the resulting pitch is an octave higher. The 12th fret marks the exact center of a string. If a harmonic is plucked at the 12th fret, the frequency of the pitch doubles. The frequency of this harmonic is 440Hz. The pitch that results is still A, just one octave higher. If the length of string is divided into an even smaller section, a higher harmonic occurs.
Natural HarmonicsListen to the introduction music once again. The high chime-y sounds David creates are examples of “natural harmonics.” The natural harmonics he plays occur at the 12th fret. Harmonics are a frequently used compositional technique. Compare the sound of a fretted note at the 12th fret to a harmonic played at the 12th fret. The pitch is the same, but the overall tone is quite different. Harmonics are added to a piece of music to add a contrasting tonal color.
Performing a natural harmonic is relatively easy. Begin by practicing harmonics at the 12th fret. Harmonics at this location are much easier to produce. Lightly rest the fleshy tip of the finger on the string directly over the 12th fret. If your finger is not directly over the fret, the harmonic will not sound. Do not press the string down at all. As soon as you pluck the string with the right hand, quickly release your left hand finger from the string. Watch David carefully as he demonstrates some harmonics at the 12th fret.
Also, practice playing two harmonics simultaneously. Simply barre a left hand finger across the desired strings.
Where do Natural Harmonics Occur?The easiest harmonics to produce occur at the 5th, 7th, and 12th frets of each string. Harmonics actually occur down the length of the entire string. However, many of these harmonics are very difficult to produce. As a result, these harmonics are used rather infrequently.
Note: It is much easier to produce natural harmonics on an electric guitar. Harmonics really jump out when played with a distorted tone. Also, scooping the midrange frequency of a distorted guitar tone increases the projection of harmonics.
Chapter 2: (09:44) Tuning With Harmonics A.The 5th Fret MethodYou may already be familiar with a tuning method called the“5th fret method.”
However, many guitarists use harmonics as their favorite tuning method. This is because some people hear better in higher registers. Since harmonics produce a high, chime-y sound, they are an ideal basis for tuning the guitar.
Note: The following review information regarding the “5th fret method” is taken from Lesson 2 of Brian Thomas’ Phase 1 series.
One common way to tune the guitar by ear is by using a method commonly referred to as the “5th Fret Method.” There are other ways to tune the guitar that are more effective. However, these methods are much too difficult for beginners to perform. Consequently, they will be discussed in later lessons. Here is a quick list of steps that will take you through the 5th Fret Tuning Method.
1. Using your electronic tuner, tune your lowest (fattest) string to E.
2. Now, play the note on the 5th fret of the E string. This note is A.
3. While this fretted note is still ringing, play the next string open. This note is also A.
4. Match the pitch of the open A string to the pitch of the fretted note on the sixth string. As Brian mentions, when two notes are slightly out of tune with one another, an oscillating waveform is heard. The wavering sound is referred to as a “beat.” The greater the length of time between beats, the farther the string is from being in tune. When the beat disappears, the strings are in tune with one another. Watch this scene carefully and listen closely to the beats as Brian is tuning his guitar.
5. Play the note at the 5th fret of the A string. This note is a D. Match the pitch of the open D string to this pitch.
6. Play the note at the 5th fret of the D string. This note is a G. Match the pitch of the open G string with this note.
7. Play the note at the 4th fret of the G string. This note is a B. Match the pitch of the open B string to this note.
8. Play the note at the 5th fret of the B string. This note is an E. Match the pitch of the open E string to this note.
9. Check your accuracy with your electronic tuner. Make any necessary adjustments.
10. Rock out!
Tuning with Harmonics1. Using your electronic tuner, tune your lowest (fattest) string to E.
2. Now, play the harmonic on the 5th fret of the E string.
3. While the harmonic is still ringing, play the harmonic on the 7th fret of the A string.
4. Match the pitch of the harmonic on the A string to the harmonic on the sixth string.
5. Play the harmonic at the 5th fret of the A string. Match this harmonic with the harmonic on the 7th fret of the D string.
6. Play the harmonic at the 5th fret of the D string. Match this with the 7th fret harmonic on the G string.
7. Play the harmonic at the 4th fret of the G string. Match the 5th fret harmonic on the B string with this pitch.
8. Play the harmonic at the 5th fret of the B string. Match it with the 7th fret harmonic on the E string.
9. Check your accuracy with your electronic tuner. Make any necessary adjustments.

Every guitarist gets to a point where he/she wishes to add his/her own touch to songs. Basic techniques such as hammer-ons, pull-offs, rakes, and harmonics are a great way to put an original spin on the music you play.
Lesson 1
David Anthony introduces the Tips and Tricks lesson series.
Length: 4:12 Difficulty: 0.5 Members OnlyLesson 2
David explains the basics of natural harmonics.
Length: 25:00 Difficulty: 2.5 Members OnlyLesson 3
David Anthony teaches a basic harmonic exercise. The exercise is modeled after "Nothing Else Matters" by Metallica.
Length: 10:48 Difficulty: 2.5 Members OnlyLesson 4
David Anthony explains a technique known as string rakes. He explains how rakes may be used with harmonics.
Length: 15:30 Difficulty: 3.0 Members OnlyLesson 5
David Anthony teaches a beautiful harmonic exercise. This exercise is a short piece that is great for building harmonic skills.
Length: 15:00 Difficulty: 3.0 Members OnlyLesson 6
David Anthony covers the basics of tap harmonics. He demonstrates an exercise that will help you with this technique.
Length: 24:00 Difficulty: 3.0 Members OnlyLesson 7
In this action packed lesson, David Anthony teaches slap harmonics and CGDGAD tuning.
Length: 15:00 Difficulty: 3.0 Members OnlyLesson 8
David demonstrates a new exercise involving slap harmonics.
Length: 9:00 Difficulty: 3.0 Members OnlyLesson 10
David Anthony brings harp and slap harmonics together in a practical, musical exercise.
Length: 10:03 Difficulty: 3.0 Members OnlyLesson 11
David returns to the world of harp harmonics. Once again, this lesson uses an alternate tuning.
Length: 14:30 Difficulty: 3.0 Members Only
About David Anthony
View Full Biography
David Anthony was born on November 9th, 1982, in the small town of Mount Hope, NY. As a child he absorbed the church flavored musical environment that his parents provided. With this influence he realized at a young age that music would not simply be a passive experience for him. It was not until the age of 15 that he decided to string up his first guitar. Relying solely on his father for his foundational chord knowledge, he quickly became enamored with the possibility of endless melodic structures, and the goal of becoming a fantastic player himself.
His early shredder influences came from Kirk Hammet of Metallica. During his first few years of guitar playing, he developed a very workable knowledge of pentatonic, major and minor scales.
Over the years his musical interests swayed from rock to standards, from jazz to classical, and a strong love of the art of flamenco guitar; Spanish finger style. It was not until the age of 18
that he decided to surround himself entirely with the music of Steve Vai and Joe Satriani. This influential exclusivity enabled him to learn more about thinking outside of the musical box. In
one year he had learned than in the prior 3 years. Picking up multiple ways to structure melodies, create chords and use different modes, his writing and improvisational abilities grew exponentially.
In his senior year of high school, he was responsible for the development of the first Musical Appreciation class in the schools history, and had aided the instructor in the teaching of those classes.
After high school, his focus started to rest mainly in writing. With this he realized that he would need additional, abstract influences to develop a unique style of writing. After a couple more
years of playing in a small band, and writing some decent material, he greeted 2004 with a move to Nashville, TN. There he found the exact influence that would change his opinion of the guitar forever.
Attempting to weed out a strong foundation in shredding and solo techniques, he began learning finger style guitar, and quickly realized the options that his door would open for him.
As he picked up more complex chord structures and jazz scales, his style became a passion for him that continues to drive him and push him to learn more. He feels strongly about the connection
between musical input and the music you write. He notes that his subconscious pool of influence, developed from the music he listens to, is almost directly responsible for the type of music that
he writes. He adamantly believes that in order to create a unique, soulful style, the pool must remain unpolluted by substandard music. What's that mean? As David puts it, "If you don't want to play
crap, don't listen to crap."
David currently teaches Jazz guitar in Fort Collins, Colorado, with plans to move back to Nashville in the spring to pursue a career in writing.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Miche introduces several new chord concepts that add color and excitement to any progression.
Free LessonSeries DetailsIn lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...
Free LessonSeries DetailsLesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.
Free LessonSeries DetailsSteve Eulberg does a quick review of this lesson series and talks about moving on.
Free LessonSeries DetailsTrace Bundy talks about the different ways you can use multiple capos to enhance your playing.
Free LessonSeries DetailsTime to unlock your creativity because in this information packed lesson. Mark dives deep into how to deconstruct the process...
Free LessonSeries DetailsNick explains how to play some of the most commonly used chords in the bluegrass genre.
Free LessonSeries DetailsHawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.
Free LessonSeries DetailsOrville Johnson introduces turnarounds and provides great ideas and techniques.
Free LessonSeries DetailsOur electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Learn a variety of essential techniques commonly used in the metal genre, including palm muting, string slides, and chord...
Free LessonSeries DetailsEmil takes you through some techniques that he uses frequently in his style of playing. Topics include neck bending, percussive...
Free LessonSeries DetailsLearn a handful of new blues techniques while learning to play Stevie Ray Vaughn's "The House Is Rockin'".
Free LessonSeries DetailsThis is a crucial lesson that explains tablature, how to read it, and why it's important.
Free LessonSeries DetailsTosin explains some of the intricacies of the 8 string guitar such as his personal setup and approach to playing.
Free LessonSeries DetailsLauren Passarelli offers up her wisdom on purchasing a guitar. She also includes information regarding proper setup and care....
Free LessonSeries DetailsMark Brennan teaches this classic rock song by Jethro Tull. Released on the album of the same name in 1971, this song features...
Free LessonSeries DetailsNick starts his series with Alternate Picking part 1. Improve your timing, speed, and execution with this important lesson.
Free LessonSeries DetailsJane Miller talks about chord solos in part one of this fascinating mini-series.
Free LessonSeries DetailsWhile we have attempted to provide you with an accurate rendition of our video lesson experience, there are some features which
require a membership with us!
At JamPlay, we give you the ability to monitor your own progress for any lesson! If you watch one of our lessons and feel as though you understand around half of it, mark your progress at 50%. This adds the lesson to your customized Progress Report, and gives you an incredible ability to document what you need to work on, and where you left off.
With thousands of lessons at your fingertips, JamPlay can be a touch intimidating to a first-time user. With Progressive Bookmarking, we give you the ability to systematically bookmark sections of any lessons you are working on to quickly access later. After all, what is the point of all this content if it isn't easy to use?
JamPlay also gives you the ability to leave notes for yourself on any lesson. Just like in any educational system, taking your own notes while learning gives you the ability to highlight the instruction that is important to you. Leave your notes, and we store them in our database for you to reference each and everytime you come back to the lesson.
Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.
Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Hi Dave, There is no megahertz in audible frequencies range. 1 Megeherzt = 1,000,000Hz. You should say 220 hertz no 220 megahertz. Just a little correction. Adam
Youre the man David. Love your playing, love your style. Hope u teach me enough to be half as good as you. Im looking to buy a good low cost acoustic. Whats the best one?
i made a fine investment when i wanted to start about 2 yrs ago, maybe a martin really similar to what david is playing with ( mine is CX auditorium) was a bit too much for the beginning but trust me, when u want to do harmonics, u need to be able to hear that vibration and only good guitars can produce sounds like that. im suggesting u to invest $500-$700 and ull be amazed by the quality. get one of the low end martin models. they are amazing. they well worth for the investment.
Hi Dave, Thanks for the harmonics lessons. Can you please teach/explain the cool funky jazzy lick, ? chords, on the 5th fret area you played "with feeling"on your 2nd lesson for harmonics? Please help! Thanks, Ron
Having trouble grasping how you are making the tone like that, It would really help if you could get a close up of your left hand to show exactly what you are doing. I have played around on the 12th fret for about an hour and can't seem to emulate the sound?
u r soo cool and cute i love ur work
by the way could u breakdown that groove in the "feel" section in lesson two. I would appreciate.