Mark Brings us Lesson 17 today to explain the preparation that goes into a performance. Mark tracks back up to 36 hours in advance, and shows us some routines to prepare for a great show.
Taught by Mark Lincoln in Guitar Performance seriesLength: 19:09Difficulty: 2.0 of 5
1. Warm-up the body.
2. Single note hum.
3. Three note hum.
4. Hum "me-me-me-me" to "mah-mah-mah-mah" to "me-ma-me-ma" to "mo-mo-mo-mo."
5. Wake up the breath with "sah-sah-sah" long and sutained then five times staccato.
6. "Sah" in five note descending scales then five note ascending scales
7. Start softly with each. Then, gradually get louder and louder, faster and faster until you reach the volume and speed that you feel you will be using during the performance.
8. Practice singing along with guitar rhythms that you’ve been using in the last few lessons or with material that you’ve discovered on your own and apply the steps listed above to your playing.
9. Relax and enjoy!

Performing live or in a studio situation is a goal of many aspiring guitarists. Vocal training and the ability to sing and play at the same time are skills that will help in this endeavor.
Lesson 1
Mark introduces you to the wonderful world of singing.
Length: 15:12 Difficulty: 0.5 Members OnlyLesson 2
Mark Lincoln guides you through stretches and vocal exercises to warm up the voice.
Length: 23:12 Difficulty: 1.0 Members OnlyLesson 3
Mark continues to discuss vocal warm-ups and exercises. Then, he moves on to explain vibrato.
Length: 23:42 Difficulty: 1.5 Members OnlyLesson 4
Mark covers some singing terms and teaches an exercise that is used to "warm the breath."
Length: 19:10 Difficulty: 1.5 Members OnlyLesson 5
Mark Lincoln talks more about vocal exercise and warm-up. Then, he moves on to discuss singing and playing at the same time.
Length: 26:12 Difficulty: 1.5 Members OnlyLesson 6
Mark Lincoln provides more singing exercises to practice while playing your guitar.
Length: 26:15 Difficulty: 2.0 Members OnlyLesson 7
Mark returns to singing and playing. Mark teaches proper form while singing and playing, cognitive exercises, and chord progression basics.
Length: 17:54 Difficulty: 2.0 Members OnlyLesson 8
Mark Lincoln discusses song dynamics and the anatomy of songs. He also explains more about singing and playing.
Length: 23:19 Difficulty: 2.0 Members OnlyLesson 9
Mark Lincoln explains how rhythm is used in music.
Length: 15:16 Difficulty: 2.0 Members OnlyLesson 10
Mark Lincoln applies singing and playing techniques to the Doors song "Riders on the Storm."
Length: 17:19 Difficulty: 2.0 Members OnlyLesson 11
In lesson 11 of his performance series, Mark discusses the palm muting technique and how to separate your singing from your playing.
Length: 23:30 Difficulty: 2.5 Members OnlyLesson 12
Mark discusses how alternating between arpeggios and strummed chords can add contrast and flair to your music.
Length: 15:02 Difficulty: 2.0 Members OnlyLesson 13
Mark discusses silence in music and how it can transform a piece. Additionally, he explains how to use silence effectively in your playing.
Length: 16:40 Difficulty: 1.5 Members OnlyLesson 14
In this lesson, Mark Lincoln talks more about warming up your voice and walks you through a few exercises that will aid this process.
Length: 16:14 Difficulty: 2.0 Members OnlyLesson 15
Mark provides a lecture on items you should do and think about to become a proficient live player.
Length: 20:57 Difficulty: 1.0 Members OnlyLesson 16
In this lesson, Mark delves into the concept of combining both your voice and guitar into one neat little package you can deliver to your listener.
Length: 21:47 Difficulty: 2.0 Members OnlyLesson 17
Mark Brings us Lesson 17 today to explain the preparation that goes into a performance. Mark tracks back up to 36 hours in advance, and shows us some routines to prepare for a great show.
Length: 19:09 Difficulty: 2.0 Members OnlyLesson 18
In this lesson, Mark teaches all of the diverse parts to a song with regards to dynamics.
Length: 20:17 Difficulty: 2.0 Members OnlyLesson 19
In this episode, Mark talks about proper breathing techniques and routines. He gives us eight points to work off of when singing and playing together.
Length: 23:34 Difficulty: 2.5 Members OnlyLesson 20
Mark Lincoln brings us a great play along opportunity. Mark provides lyrics as well as the chord progression for this play along. He also breaks down key elements such as palm muting, hammer-ons, bending,...
Length: 24:06 Difficulty: 3.0 Members OnlyLesson 21
Lesson 21 is a repeat of lesson 20's content only with a whole new set of chords and techniques. The"chords de jour" will be a little simpler than lesson 20's and will also include a much more in depth...
Length: 20:05 Difficulty: 2.0 Members Only
About Mark Lincoln
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Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.If you drink so much water how do you prevent the need to go on the toilet every 5 minutes during your performance? :-) Thanks for the lesson. Some really good advice!
Hey Al....just time it out to go to the bathroom between sets!
I forgot to say Thank You Mark This is invaluable to any performer. Great, stupendous advice that everyone who plays and sings or aspires to do so should listen to this one segment. It's worth the cost of membership alone.
Hey 6-string thanx! Great to hear from you and thanks for your input as well, it's always appreciated! Mark
All great tips for any performer. I remember playing drums performing and singing. It's very demanding and you have to condition your body for the task at hand. Mark is speaking words of wisdom from real experience. These tips are very important if you want to better your performance. Thanks Mark !
Thanks for sharing your experiences as a performer and for the great feedback as well Dino. See ya soon in the Q and A and rock on my friend! Mark
Very good info and I am so glad that you have shared this with your subscribers. The breathing and hydrating is so important. Just before any performance I take as deep a breath as I can and count backwards from 100 and go as far as I can using that one breath. I usually do this sevral times before the actual performance. It really helps. Being in good physical condition is also very, very important to a great performance.