Mark Lincoln applies singing and playing techniques to the Doors song "Riders on the Storm."
Taught by Mark Lincoln in Guitar Performance seriesLength: 17:19Difficulty: 2.0 of 5
1. Warm up the body.Rhythm Variations
2. Single note hum.
3. Three note hum. 4. Hum "me-me-me-me" to "mah-mah-mah mah" to "me-ma-me-ma-me." 5. Wake up the breath with "sah-sah-sah" etc. long and sustained then five times staccato. 6. "Sah" in five-note descending scales, then five-note ascending scales.
7. Work these scales faster and faster, then louder and louder.
8. Practice singing along with rhythms that we’ve been working on in the last few lessons. Practice singing single note hums first. Then, sing / make up a melody line that works well with the chord you are strumming.
(E) meaning strike the E note in a downward fashion. The note in parentheses is the note that should be struck and often will be an indicator of the chord that will be played immediately after. Play this strum
(E)
(E)

first using E, then D and then A. The two upstrokes should be played as a snap strum and should be played together. Watch me demonstrate this strum in the video.
(E)
(E)
(A)
(A). In this exercise you’ll switch back and forth between the E and the A. Watch me in the video to get a better idea of how this should be done.
(E)
(E)
(A)
(A)
(E)
(E)
(A)
(A)
Then, the “break” or bridge doesn’t utilize striking the root note but just strummed chords like this: Am Bm C D Then, finally the last part of the song to learn pauses and looks like this: D C.
This is a fairly simple song when you take away all of the frills and keyboard parts. But pay attention to the way dynamics play a role in this song, and how silence can contribute to the overall effect and passion of the piece. Watch me in the video for more insight on how to really make this song “sing” and how the vocals work over the top of the rhythm. 
Performing live or in a studio situation is a goal of many aspiring guitarists. Vocal training and the ability to sing and play at the same time are skills that will help in this endeavor.
Lesson 1
Mark introduces you to the wonderful world of singing.
Length: 15:12 Difficulty: 0.5 Members OnlyLesson 2
Mark Lincoln guides you through stretches and vocal exercises to warm up the voice.
Length: 23:12 Difficulty: 1.0 Members OnlyLesson 3
Mark continues to discuss vocal warm-ups and exercises. Then, he moves on to explain vibrato.
Length: 23:42 Difficulty: 1.5 Members OnlyLesson 4
Mark covers some singing terms and teaches an exercise that is used to "warm the breath."
Length: 19:10 Difficulty: 1.5 Members OnlyLesson 5
Mark Lincoln talks more about vocal exercise and warm-up. Then, he moves on to discuss singing and playing at the same time.
Length: 26:12 Difficulty: 1.5 Members OnlyLesson 6
Mark Lincoln provides more singing exercises to practice while playing your guitar.
Length: 26:15 Difficulty: 2.0 Members OnlyLesson 7
Mark returns to singing and playing. Mark teaches proper form while singing and playing, cognitive exercises, and chord progression basics.
Length: 17:54 Difficulty: 2.0 Members OnlyLesson 8
Mark Lincoln discusses song dynamics and the anatomy of songs. He also explains more about singing and playing.
Length: 23:19 Difficulty: 2.0 Members OnlyLesson 9
Mark Lincoln explains how rhythm is used in music.
Length: 15:16 Difficulty: 2.0 Members OnlyLesson 10
Mark Lincoln applies singing and playing techniques to the Doors song "Riders on the Storm."
Length: 17:19 Difficulty: 2.0 Members OnlyLesson 11
In lesson 11 of his performance series, Mark discusses the palm muting technique and how to separate your singing from your playing.
Length: 23:30 Difficulty: 2.5 Members OnlyLesson 12
Mark discusses how alternating between arpeggios and strummed chords can add contrast and flair to your music.
Length: 15:02 Difficulty: 2.0 Members OnlyLesson 13
Mark discusses silence in music and how it can transform a piece. Additionally, he explains how to use silence effectively in your playing.
Length: 16:40 Difficulty: 1.5 Members OnlyLesson 14
In this lesson, Mark Lincoln talks more about warming up your voice and walks you through a few exercises that will aid this process.
Length: 16:14 Difficulty: 2.0 Members OnlyLesson 15
Mark provides a lecture on items you should do and think about to become a proficient live player.
Length: 20:57 Difficulty: 1.0 Members OnlyLesson 16
In this lesson, Mark delves into the concept of combining both your voice and guitar into one neat little package you can deliver to your listener.
Length: 21:47 Difficulty: 2.0 Members OnlyLesson 17
Mark Brings us Lesson 17 today to explain the preparation that goes into a performance. Mark tracks back up to 36 hours in advance, and shows us some routines to prepare for a great show.
Length: 19:09 Difficulty: 2.0 Members OnlyLesson 18
In this lesson, Mark teaches all of the diverse parts to a song with regards to dynamics.
Length: 20:17 Difficulty: 2.0 Members OnlyLesson 19
In this episode, Mark talks about proper breathing techniques and routines. He gives us eight points to work off of when singing and playing together.
Length: 23:34 Difficulty: 2.5 Members OnlyLesson 20
Mark Lincoln brings us a great play along opportunity. Mark provides lyrics as well as the chord progression for this play along. He also breaks down key elements such as palm muting, hammer-ons, bending,...
Length: 24:06 Difficulty: 3.0 Members OnlyLesson 21
Lesson 21 is a repeat of lesson 20's content only with a whole new set of chords and techniques. The"chords de jour" will be a little simpler than lesson 20's and will also include a much more in depth...
Length: 20:05 Difficulty: 2.0 Members Only
About Mark Lincoln
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Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Love it!! Jam Play needs more Doors content, severily enjoyed and took this lesson to heart! good job Mark!!
Hi Rachel, great to hear from you and thanks for the great feedback. Take care,Mark
The singing is beautiful :)
Great lesson Mark, I like your voice. Why isn't this lesson in the 'song' section, Phase 3 ?! Many Thanks
I don't make those kind of decisions but I appreciate the feedback! Thanks! Mark
Thanks Billy and great to hear from you. Learning songs is definitely a great way to acquire new chords and technique as well. Keep rockin' my friend! Mark
Great leson again Mark. I am in the "learn to play and sing as many songs as I can" phase of my development. This Riders on the Storm lesson is perfect.