
David Wallimann will cover all of the topics necessary master the art of improvisation. He will cover theory, including intervals, scales and modes as well as techniques to improve ones improvisation.
Lesson 1
Before one can truly understand music theory the concept of intervals must be introduced. This lesson covers that topic in great depth.
Length: 27:40 Difficulty: 2.0 Members OnlyLesson 2
David teaches the minor pentatonic scale. He explains its scale formula, various fretboard positions, and how it can be used.
Length: 20:03 Difficulty: 2.0 Members OnlyLesson 3
David Wallimann moves on to cover the the major pentatonic scale. He teaches its scale formula, all five patterns, and gives advice on how the scale can be used.
Length: 9:46 Difficulty: 2.0 Members OnlyLesson 4
In this lesson, David covers both the minor and major blues scales. He explains the formulas and patterns for each scale. In addition, David has included a backing track for you to play along with.
Length: 9:08 Difficulty: 2.5 Members OnlyLesson 5
David Wallimann introduces three minor modes. In this lesson he covers Dorian, Phrygian and Aeolian modes.
Length: 11:37 Difficulty: 2.0 Members OnlyLesson 6
David Wallimann covers three major modes in this lesson. He covers the Ionian, Lydian and Mixolydian modes.
Length: 8:53 Difficulty: 2.0 Members OnlyLesson 7
David Wallimann introduces the Locrian mode. He explains its formula in terms of scale degrees as well as its five fretboard patterns. A few fun arpeggio-based ideas are also demonstrated.
Length: 20:37 Difficulty: 2.5 Members OnlyLesson 8
David Wallimann teaches a magic formula that will allow you to play each of the modes up and down the entire fretboard. He also teaches some exercises to help cement this knowledge.
Length: 11:49 Difficulty: 3.5 Members OnlyLesson 9
David Wallimann talks about how modes can be classified and thus used in a musical context. This is a valuable wrap-up lesson to the mini-series on modes.
Length: 13:24 Difficulty: 2.5 Members OnlyLesson 10
David Wallimann explains how to write diatonic chord progressions. This lesson features excellent practical music theory.
Length: 12:07 Difficulty: 2.5 Members OnlyLesson 11
David Wallimann teaches a valuable fusion guitar technique that he calls "Easy Outside Tricks."
Length: 8:31 Difficulty: 2.0 Members OnlyLesson 12
David Wallimann demonstrates how minor pentatonic scales can be used when improvising over the minor modes.
Length: 22:03 Difficulty: 3.0 Members OnlyLesson 13
David Wallimann shows how the major pentatonic scale can be used in modal playing.
Length: 11:13 Difficulty: 3.0 Members Only
About David Wallimann
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David was born in Aix-en-Provence, South France in 1977. At the age of 15, he picked up the guitar and started developing a true love for instrumental music and composition.
In 1999 he was recognized by Ibanez for his promising musical achievements and received an artist endorsement. That early recognition in David's musical career encouraged him to consecrate more time on crafting his musical art and apply to the school of modern music Artist' in Cavaillon, France. He received a full scholarship there where he graduated with honors.
In 2001, David won first place for the Tal Farlow French national jazz contest which gave him a full paid scholarship to the CMA school of modern music in Valenciennes, France. He graduated specializing in advance guitar with honors.
Following his school years, David spent the next 5 years working with several bands recording, writing and playing shows in France and Belgium. It's during that time that Wallimann was exposed to the world of progressive rock which opened new doors to his musical creativity.
Deep inside the Mind is his first release as a solo artist in which he exposes his Christian faith. The album was well received in the specialized press and was compared several times to some of Frank Zappa's approach to music adding an element of humor to deep subjects.
In 2005 he joined the internationally renown progressive band Glass Hammer based in Chattanooga, TN. He released several studio albums and live DVDs with the band.
David is today working on his next upcoming solo release and is also spending quite a bit of time teaching guitar in his studio and online at JamPlay.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.is there a good way to learn how to connect the patterns
If you have a chord progression with minor and major chords.. which scale do you use? (minor/major pent) Is it based on the key or does it change depending on the chord? Noob question I know :)
Okay I am wondering, So I am looking at the A major pentatonic scale And I notice that it is the same thing as the F# Minor pentatonic scale. Why is this?
It may be a bit too late for my answer, but the reason the F# minor pentatonic and the A Major scale sound the same/are the same is because they share the same notes. F# minor is the relative minor of A major, thus, sharing its notes. However, the difference in sound comes from the distance and quality the notes share relative to the root.
Very good lesson. Feel like I just unlocked many new possibilities on the fret board. One question. I have watched others use the minor scale with major chords. A bit confused as to when to use minor and major scales. It is suppose to depend on the Key the song is in?
So, if the back track is in A minor you could also play A aeolian correct?
David this is sooo great. You're a great teacher, and I feel I've learned so much in such a short time here on jamplay, it's really encouraging. Thanks.
David, ditto what Dennis said. Fantastically clear. Thanks, John
David, I just wnated to let you know I have learned more about Scale/Intervals from your lesson than any other source. Thanks,Dennis