Guthrie is back with another take on soloing over a comping pattern. In this lesson, he takes a look at more soulful playing and the use of minor tonalities.
Taught by Guthrie Trapp in Guthrie Trapp Artist Series seriesLength: 8:21Difficulty: 3.0 of 5
Learn roots music and techniques from Nashville session player Guthrie Trapp.
JamPlay introduces Nashville session player Guthrie Trapp! In this first segment, Guthrie talks a little about his influences, style, and how his upbringing influenced his playing. He also provides an...Length: 3:45 Difficulty: 0.0 FREE
To get his lesson series off the ground, Guthrie provides a lesson on the basic rhythm types and picking techniques he utilizes. He'll build on these topics and techniques as his series progresses.Length: 27:25 Difficulty: 2.5 Members Only
Now that Guthrie has discussed foundational rhythm playing, he hops on over to the country side of things. In this lesson, Guthrie discusses how he uses Jimi Hendrix as an influence to create swinging...Length: 15:24 Difficulty: 3.0 Members Only
Continuing with his rhythm style studies, Guthrie Trapp provides a lesson on some of the swing and blues styles that he uses in his session playing. He discusses chord voicings and easy ways to get around...Length: 18:30 Difficulty: 3.0 Members Only
In the fifth lesson of his artist series, Guthrie Trapp detours a little and talks about fundamental funk ideas. Specifically, he talks about rhythmic features of the genre and how he attacks them.Length: 14:53 Difficulty: 3.0 Members Only
In lesson six of his artist series, Guthrie begins an in depth discussion of the hybrid picking style. This technique forms the foundation for many of the rhythm and lead parts associated with the Nashville...Length: 18:55 Difficulty: 3.0 Members Only
Guthrie is back with another Nashville style lesson in his artist series. In this lesson, he takes a lick-based approach to double stop ideas and a few country kick-offs.Length: 17:01 Difficulty: 3.0 Members Only
One of the staples of the Nashville sound is the use of open ringing strings in licks. In lesson eight, Guthrie discusses open string ideas and demonstrates several licks to get you started.Length: 15:27 Difficulty: 2.5 Members Only
The Memphis style borrows heavily from the soul and R&B genres. In this lesson, Guthrie covers some typical licks you'll find in this style and discusses how to translate these licks across the fingerboard.Length: 8:27 Difficulty: 2.5 Members Only
It's fairly easy to get lost on the fretboard when trying to play low or high. Using familiar chord shapes, Guthrie discusses how you can orient yourself on the fretboard and keep from getting lost. This...Length: 14:04 Difficulty: 3.0 Members Only
In lesson 11 of his artist series, Guthrie Trapp explains how to play steel type bends on the guitar. He discusses the techniques and provides some exercises that will help you bend in tune.Length: 14:34 Difficulty: 2.5 Members Only
Now that Guthrie has provided information on basic country bending and lap steel style bends, he takes that knowledge to the next step. In this lesson, Guthrie covers more flair and technique that you...Length: 21:42 Difficulty: 3.0 Members Only
Nashville session player Guthrie Trapp is back with a look at several country kick-offs that you can use in your playing. These phrases happen shortly after the beginning of traditional country tunes and...Length: 25:40 Difficulty: 3.0 Members Only
Guthrie Trapp returns to his artist series with a look at how he tackles improvisation and solos on the guitar.Length: 20:44 Difficulty: 3.0 Members Only
Guthrie Trapp is back with a first look at how he approaches soloing. He calls this a "hillbilly jazz" approach that tends to outline chord tones without the need for much theoretical knowledge.Length: 8:43 Difficulty: 2.5 Members Only
In this artist lecture, Guthrie Trapp talks about the Nashville session scene and what it takes to cut it as a session musician. He discusses how gigs are pulled together and some of the knowledge you'll...Length: 10:04 Difficulty: 0.0 Members Only
Guthrie Trapp is back with a short lecture on how he has his rig setup, what gear he uses and what's necessary to be a successful Nashville session player.Length: 14:34 Difficulty: 0.5 Members Only
Now that you've learned some of the tricks Guthrie uses in his solos, it's time to apply what you've learned. In this lesson, Guthrie provides a solo over a rhythm track and discusses how he created the...Length: 23:15 Difficulty: 3.0 Members Only
Guthrie Trapp is back with another practical solo application. This time he's playing over a country groove with a bit of funk in there as well.Length: 6:04 Difficulty: 3.0 Members Only
Guthrie Trapp touched on some funk soloing in his previous lesson. For this one, he's taking a look at the funk genre specifically. He also discusses how to build a solo and some things to think about...Length: 15:02 Difficulty: 3.0 Members Only
Guthrie is back with another take on soloing over a comping pattern. In this lesson, he takes a look at more soulful playing and the use of minor tonalities.Length: 8:21 Difficulty: 3.0 Members Only
For Guthrie Trapp's next demonstration on solo technique, he discusses how he gets around the neck when the underlying track requires a fast paced solo.Length: 9:08 Difficulty: 3.5 Members Only
To wrap up his solo technique lessons and the series, Guthrie takes a look at his approach to soloing in minor keys.Length: 8:49 Difficulty: 3.0 Members Only
About Guthrie Trapp
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Guthrie Trapp is one of Nashville’s busiest and most versatile performing, session musicians & solo artist.
Guthrie Trapp is one of Nashville’s busiest and most versatile performing, session musicians & solo artist. He has worked with artists such as Garth Brooks, Alison Krauss, Jerry Douglas, Dolly Parton, Lyle Lovett, Randy Travis, Vince Gill, John Oates, Trisha Yearwood, Tom Paxton, Vassar Clements, Sam Bush, Delbert McClinton, Taylor Hicks, Shawn Camp, Carl Jackson, George Porter Jr, Tim O’Brien, Travis Tritt, Patty Loveless, George Jones (the list goes on) as well his own band “18 South”, the Guthrie Trapp Trio & TAR (Trapp, Abbott & Rhodes).
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
In this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...Free LessonSeries Details
Trace Bundy talks about the different ways you can use multiple capos to enhance your playing.Free LessonSeries Details
Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...Free LessonSeries Details
In this lesson Justin introduces his series on playing with a capo and dishes out some basic tips, including how to properly...Free LessonSeries Details
In this lesson, Freebo covers the basics of right hand technique. This lesson is essential for all up and coming bassists.Free LessonSeries Details
JamPlay is proud to introduce jazz guitarist Peter Einhorn. In this lesson series, Peter will discuss and demonstrate a way...Free LessonSeries Details
JamPlay welcomes bassist and founding member of Godsmack, Robbie Merrill. In this short introduction lesson, Robbie showcases...Free LessonSeries Details
Jessica kindly introduces herself, her background, and her approach to this series.Free LessonSeries Details
Rich Nibbe takes a look at how you can apply the pentatonic scale in the style of John Mayer into your playing.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
JamPlay sits down with veteran fret grinder Steve Smyth of Forbidden and The EssenEss Project. He talks about how he got...Free LessonSeries Details
In this lesson, Braun teaches the chord types that are commonly used in jazz harmony. Learn how to build the chords and their...Free LessonSeries Details
Mark Brennan teaches this classic rock song by Jethro Tull. Released on the album of the same name in 1971, this song features...Free LessonSeries Details
David MacKenzie introduces the tapping technique and teaches a fun exercise. This lesson includes a backing track.Free LessonSeries Details
Hone in on your right hand and focus on getting in the groove. You'll only play one note during this lesson, but it'll be...Free LessonSeries Details
Joel Kosche talks about creating and composing a guitar solo. He uses his original song "Sunrise" as an example.Free LessonSeries Details
Dave "David J" Weiner returns with a lesson on how to play with style and attitude. He covers all the basic techniques you'll...Free LessonSeries Details
Tosin explains some of the intricacies of the 8 string guitar such as his personal setup and approach to playing.Free LessonSeries Details
Brendan demonstrates the tiny triad shapes derived from the form 1 barre chord.Free LessonSeries Details
Nick explains how to use scales and modes effectively when soloing over a chord progression.Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
|Money Back Guarantee||Sometimes||n/a|
|Number of Instructors||88||1 – 3||1||Zillions|
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|Learn Any Style||Sorta|
|Multiple Camera Angles||Sometimes||-||Sometimes|
|Learn in Sweatpants||Socially Unacceptable|
|Gasoline Needed||$0.00||$0.00||~$4 / gallon!||$0.00|
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I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
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