Taught by Mike Dawes in Mike Dawes Master Course seriesLength: 3:53Difficulty: 0.5 of 5
Start your fingerstyle foray under the tutelage of a world-class player. Mike Dawes teaches you to go from a fingerstyle newbie to playing some of his most advanced compositions. 40 lessons to both inspire and challenge any guitarist, exclusively from JamPlay.
Mike Dawes introduces you to his inspirational course. He talks about what you will learn, and what you need to know. Buckle up and get ready for the ride.Length: 3:53 Difficulty: 0.5 Members Only
From fingernails to pickups, take a close look at the gear that helps Mike create his unique, beautiful sound.Length: 7:23 Difficulty: 3.0 Members Only
Time for a technique overview! Mike walks through the basics of Travis picking to set a good foundation for what's to come.Length: 10:38 Difficulty: 2.0 Members Only
Mike demonstrates travis picking over the 12-bar blues, a perfect context to get your fingers wrapped around this technique.Length: 13:43 Difficulty: 3.0 Members Only
Learn a lead accompaniment inspired by the late Jerry Reed. This travis picked lick works great over the 12-bar blues.Length: 6:07 Difficulty: 2.5 Members Only
Taking the parts learned in the last two lessons, Mike demonstrates them separately, then we overlay them to hear what they sound like together.Length: 3:55 Difficulty: 3.5 Members Only
DADGAD offers a great stepping stone out of standard tuning. Mike introduces scales and warm-ups to familiarize yourselfLength: 10:48 Difficulty: 3.5 Members Only
Now that we are comfortable with scales in our left hand, Mike introduces right hand exercises that will increase strength and control.Length: 8:51 Difficulty: 3.5 Members Only
When you changed into DADGAD, it probably felt like you lost your chord shapes. Mike eases you into the change by teaching shapes for this tuning.Length: 11:22 Difficulty: 3.5 Members Only
Continuing with movable shapes, Mike introduces some of his favorite chord shapes that have proven useful in his own songwriting.Length: 5:36 Difficulty: 3.5 Members Only
So far, we've taken a very technical and theoretical approach to DADGAD. Let's start making music. Mike teaches a beautiful, celtic composition.Length: 7:37 Difficulty: 3.5 Members Only
Extracting a section from "Somewhere Home", Mike puts DADGAD tuning to good use. Beware: this song utilizes hammer-ons, trills, and modulates.Length: 14:39 Difficulty: 3.5 Members Only
Mike starts into some more advanced techniques, starting with harmonics. These tools are sure to make your playing rise above the fray.Length: 13:22 Difficulty: 3.5 Members Only
Learning to blend harmonics into chords and melodies is next level! Mike teaches an exercise that introduces harmonics into a chord environment.Length: 8:30 Difficulty: 3.5 Members Only
Tapping is an useful technique to extend melodies beyond basic fingerpicking. Mike introduces the concept and introduces an exercise.Length: 7:51 Difficulty: 3.5 Members Only
Find out how an accident led to Mike discovering a whole new approach to tapping. Lap tapping is an effective to know your fretboard even better.Length: 7:26 Difficulty: 4.0 Members Only
As Mike continues his exploration into horizontal tapping, he breaks down the first section of his song, Still, for a practical study of this technique.Length: 7:35 Difficulty: 4.0 Members Only
Mike introduces a new, untitled lap tapping riff. We're still hanging out in E minor, but this riff will help increase speed and precision with your tapping.Length: 7:04 Difficulty: 4.0 Members Only
Time to put your guitar back in the upright position. Mike starts to delve into some more advanced tapping techniques, including harmonization and percussion.Length: 7:53 Difficulty: 4.0 Members Only
In this "ridiculously, hectic" exercise, Mike takes some familiar shapes and turns them into a beautiful, challenging workout for anyone brave enough to join him.Length: 8:36 Difficulty: 4.0 Members Only
You would never hit your guitar? Well, Mike will convince you otherwise. He introduces his "grid" system which offers a foundation to add percussion.Length: 13:06 Difficulty: 4.0 Members Only
As introduced in the previous lesson, Mike expands on the percussion grid and teaches how to create a snare like sound on your guitar.Length: 10:51 Difficulty: 3.5 Members Only
If you've ever seen a drum kit, there's more than just a kick and snare. We are going to start recreating other sounds found in the world of percussion.Length: 6:24 Difficulty: 3.5 Members Only
Now that we've got a handle on drums, it's time to add guitar! We introduce the fretting hand, both as a percussive element and for adding chords.Length: 5:57 Difficulty: 4.0 Members Only
Mike takes a percussive groove from his song, Overload, and breaks it down. This riff takes the grid system and introduces a simple bass line.Length: 7:05 Difficulty: 3.5 Members Only
Mike takes a riff from "Maybe Someday" a song from his first album, "What Just Happened" and breaks it down for us. This riff has a celtic waltz feel and involves subtle percussion.Length: 5:51 Difficulty: 3.5 Members Only
World Premiere of this hauntingly beautiful song, "The Old Room". In this lesson, Mike does a complete playthrough, then breaks down the first verse.Length: 16:41 Difficulty: 4.0 Members Only
The chorus of The Old Room opens up into a majestic section with lush, full chords, harmonics, and accented single note runs. Sounds difficult, but it's an achievable challenge!Length: 7:21 Difficulty: 3.5 Members Only
Now Mike takes a look at some slight but cool variations in the second verse and second chorus of The Old Room.Length: 9:52 Difficulty: 3.5 Members Only
Relying heavily on a mix of harmonics, fingerpicking, pull-off's, hammer-on's and percussion, this will be a technical challenge, but it is well worth the effort.Length: 13:27 Difficulty: 4.0 Members Only
Interlude C of The Old Room features 3 sub-sections that build off of one another. Starting with a melodic phrase, Mike then adds a little percussion, then adds a lot of percussion. A nice build as we...Length: 12:16 Difficulty: 0.0 Members Only
Mike closes out the song with this open, free-time outro with dark harmonic tones and heavy reverb. If you don't feel the emotion, check your pulse!Length: 6:05 Difficulty: 3.5 Members Only
Building off of what we've learned, Mike is going to break down his song Boogie Shred, section by section, in unparalleled detail. In this first lesson, Mike does a complete playthrough, then shows us...Length: 16:01 Difficulty: 0.0 Members Only
The verse of Boogie Shred is built upon a bass pattern with some simple percussion. From there is escalates, but getting the foundation is key!Length: 11:34 Difficulty: 4.0 Members Only
We'll take a look at the pre-chorus of Boogie Shred.Length: 7:53 Difficulty: 4.0 Members Only
In this lesson, Mike teaches us some cool variations on the verse and chorus of Boogie Shred.Length: 4:41 Difficulty: 4.0 Members Only
Now it's time to take a look at some variations in the pre-chorus the second time it comes around.Length: 7:17 Difficulty: 4.0 Members Only
It sounds crazy, but Mike breaks down the hectic bridge of Boogie Shred and shows that it is actually possible to play!Length: 8:11 Difficulty: 4.5 Members Only
For the final piece of Boogie Shred, we look at the outro, which is a variation of the chorus. Mike then congratulates us on a job well done as he wraps up the entire series.Length: 5:05 Difficulty: 4.0 Members Only
Mike shares stories and advice from his own experience as a career musician.Length: 16:10 Difficulty: 0.0 Members Only
About Mike Dawes View Full Biography
Mike Dawes (ENG) is hailed as one of the world’s finest and most creative modern fingerstyle guitar performers.
His acclaimed solo music has gained over 50 million hits on popular video sharing sites and since the release of his debut album in 2013 he has toured almost every continent on the planet, with an average of 150 concerts per year.
Mike needs to be seen live to be believed. His ability to create the most unusual tones and textures simultaneously from a single acoustic guitar leaves fellow musicians stunned. Bass, melody, harmony and percussion all seamlessly produced using his signature technical yet intrinsically musical guitar technique.
His show is not just for guitar fans however, his entertaining and humorous rapport transcends the traditional guitar concert. Extraordinary virtuosity meets Monty Python via a one-man rock show. Mike has recorded with and taught multiple grammy winning artists, appeared on film and TV soundtracks, released apps, written for the world’s best selling music magazines and in addition to his solo work, currently performs alongside and in support of the legendary frontman of The Moody Blues, Justin Hayward, the debut live DVD of which entered the US Billboard charts at #2.
At 28 years of age, Mike has made a huge impact in a relatively short space of time. His persistent work ethic and entertainingly meticulous approach to composition and performance on a single instrument has seen raised smiles and dropped jaws all over the world. He is not a typical guitar player. On a single steel string guitar Mike is able to coax out the most unusual and subtle textures, whilst performing layers and layers of music simultaneously using complex micro-techniques led predominantly by the right hand.
In a style that is hard to illustrate, the young Brit combines rock, folk, funk and pop music in an instrumental concoction that leaves listeners both confused and intrigued. However, it’s his innate musicality and ear for melody that give listeners something different. Mike is able to utilise his advanced technical arsenal to achieve a musical and emotional end, a skill set often lacking in this instrumental category. In the live arena, his British humour and electric presence sprinkle an entertainment not uncommon in a comedy club. He does not take himself seriously, but the music is taken very seriously
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Trace Bundy talks about the different ways you can use multiple capos to enhance your playing.Free LessonSeries Details
Rich Nibbe takes a look at how you can apply the pentatonic scale in the style of John Mayer into your playing.Free LessonSeries Details
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Free LessonSeries Details
Orville Johnson introduces turnarounds and provides great ideas and techniques.Free LessonSeries Details
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.Free LessonSeries Details
Greg kicks off his series telling a little about himself and introduces the C9 tuning.Free LessonSeries Details
JamPlay welcomes David Isaacs to our teacher roster. With his first lesson Dave explains his approach to playing guitar with...Free LessonSeries Details
Marcelo teaches the eight basic right hand moves for the Rumba Flamenca strum pattern. He then shows you how to apply it...Free LessonSeries Details
Pamela brings a cap to her first 13 JamPlay lessons with another original etude inspired by the great Leo Brouwer. This is...Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
JamPlay is proud to welcome senior professor and Coordinator of Guitar Studies at the University of Colorado at Denver,...Free LessonSeries Details
In this lesson, Braun teaches the chord types that are commonly used in jazz harmony. Learn how to build the chords and their...Free LessonSeries Details
Jane Miller talks about chord solos in part one of this fascinating mini-series.Free LessonSeries Details
Dive into the playing of Rex Brown. As the bass player for Pantera, Down, and Kill Devil Hill, Brown's real world experience...Free LessonSeries Details
Tom Appleman takes a look at a blues in E with a focus on the Chicago blues style. The bass line for Chicago blues is very...Free LessonSeries Details
Joel Kosche talks about creating and composing a guitar solo. He uses his original song "Sunrise" as an example.Free LessonSeries Details
In this lesson Eric talks about playing basic lead in the Memphis Blues style.Free LessonSeries Details
James explains how to tap arpeggios for extended musical reach.Free LessonSeries Details
Join Joe as he shows one of his favorite drills for strengthening his facility around the fretboard: The Spider Technique.Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
|Money Back Guarantee||Sometimes||n/a|
|Number of Instructors||92||1 – 3||1||Zillions|
|Interaction with Instructors||Daily Webcam Sessions||Weekly|
|Professional Instructors||Luck of the Draw||Luck of the Draw|
|Learn Any Style||Sorta|
|Multiple Camera Angles||Sometimes||-||Sometimes|
|Learn in Sweatpants||Socially Unacceptable|
|Gasoline Needed||$0.00||$0.00||~$4 / gallon!||$0.00|
Mike H."I feel like a 12 year old kid with a new guitar!"
I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!
Greg J."With Jamplay I can fit in a random session when I have time and I can go at my own pace"
I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
Bill"I believe this is the absolute best site for guitar students."
I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.