Chris Liepe continues to build on the concept of a straight eighth played against a dotted eighth delay. In this lesson, you'll take a look at triads arpeggiated in a higher register.
Taught by Chris Liepe in Style of The Edge seriesLength: 5:00Difficulty: 2.5 of 5
Chris Liepe breaks down the electric guitar stylings of U2 guitarist "The Edge." This lick based series covers delay, playing techniques and arrangement that gives The Edge his signature sound.
Chris Liepe is back with a new In the Style of series! This time he's taking a look at U2 guitarist "The Edge." In this lick based series, Chris discusses the use of delay, layering and arrangement that...Length: 4:25 Difficulty: 0.0 FREE
In this lesson of the Style of The Edge series, Chris discusses the types of delay that The Edge uses and how to setup those delays yourself. You'll need to setup several for the lessons to come.Length: 7:04 Difficulty: 2.0 Members Only
In lesson 3 of this series, Chris teaches the first lick of the song you'll be learning. This lick is focused on getting you playing with the delay. Specifically playing the pocket of a dotted eighth...Length: 11:02 Difficulty: 2.5 Members Only
Lesson four of this series is all about using repeated figures with the delay. In this lesson Chris demonstrates a lick that is repeated through the tune you're learning. Played with the delay, this...Length: 8:40 Difficulty: 2.0 Members Only
In this lesson of his Style of The Edge series, Chris Liepe discusses the use of an E-bow. This accessory helps guitarists like The Edge create pad like elements that thicken and round out the sound of...Length: 11:44 Difficulty: 2.0 Members Only
Lesson 6 of this series is all about using straight eighth note patterns to create a sixteenth note feel with the delay.Length: 6:05 Difficulty: 2.0 Members Only
In this lesson, Chris introduces the straight eighth note delay and the common practice of double the bass part of a track.Length: 6:38 Difficulty: 2.0 Members Only
In this "Style of The Edge" lesson, Chris Liepe introduces the tremolo effect. He also discusses the layering of parts that you've learned in the past several lessons.Length: 8:15 Difficulty: 2.0 Members Only
Chris is back with another look at layered elements. In this lesson you're going to be adding a layered element using basic strumming. Chris discusses how layering helps to fill out a broad spectrum of...Length: 8:02 Difficulty: 2.0 Members Only
So far in this series, Chris has mainly discussed rhythmic elements that make up The Edge's playing. Now it's time to start taking a look at a bit of lead playing. By making a few small tweaks to your...Length: 5:52 Difficulty: 2.5 Members Only
In lesson 11 of this series, Chris borrows from the previous lesson. Specifically you'll be taking a look at adding the major 7th to the minor pentatonic scale.Length: 4:57 Difficulty: 2.5 Members Only
In lesson 12, Chris takes a look at playing triadic arpeggios with a dotted eighth note delay.Length: 5:19 Difficulty: 2.5 Members Only
Chris Liepe continues to build on the concept of a straight eighth played against a dotted eighth delay. In this lesson, you'll take a look at triads arpeggiated in a higher register.Length: 5:00 Difficulty: 2.5 Members Only
Now that you have a completely layered track, it's time to start thinking in terms of a solo. Chris gets you going with the first lick of the solo section.Length: 6:11 Difficulty: 3.0 Members Only
It's time to take a look at the final solo passage. Things are getting more aggressive here as we work towards the tune's climax.Length: 8:15 Difficulty: 3.0 Members Only
About Chris Liepe
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Chris Liepe was born on September 17th, 1981 in Portland OR. His first instrument was piano which he pursued until discovering his love for the electric guitar in high school. He became fans of such groups as Soundgarden, Collective Soul and U2 inspiring him to start singing, songwriting and helping others in their musical endeavors with teaching, co-writing and album production.
Having moved to Colorado with his family, he began gigging, recording and teaching in a number of music stores as well as out of his apartment until deciding to pursue music full time. He moved to Denver, CO to complete a Bachelors in Music Technology and was then hired on by Sweetwater Productions, a division of Sweetwater Sound and one of the largest, most successful recording studios in the Midwest.
Chris spent nearly 4 years at Sweetwater as a producer, recording engineer, studio musician and writer. During this time he had the privilege of working with many artists including Augustana, Landon Pigg, Jars of Clay, and Mercy Me. He also wrote for and played on numerous independent albums and hundreds of radio/TV commercials.
Wanting to get back to his favorite State in the world (Colorado) and feeling the urge to 'go freelance', Chris moved to Greeley, CO and opened his own recording and teaching studio. He continues to write and produce music for artists and agencies and is happy to be among the proud JamPlay.com instructors.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Alan shares his background in teaching and sets the direction for his beginning bass series with simple ideas and musical...Free LessonSeries Details
Orville Johnson introduces turnarounds and provides great ideas and techniques.Free LessonSeries Details
Playing fingerstyle requires the ability to play different techniques at the same time. This of course, is not always an...Free LessonSeries Details
Pamela brings a cap to her first 13 JamPlay lessons with another original etude inspired by the great Leo Brouwer. This is...Free LessonSeries Details
Steve Eulberg does a quick review of this lesson series and talks about moving on.Free LessonSeries Details
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.Free LessonSeries Details
JamPlay is proud to introduce jazz guitarist Peter Einhorn. In this lesson series, Peter will discuss and demonstrate a way...Free LessonSeries Details
Eve talks about the boom-chuck strum pattern. This strum pattern will completely change the sound of your playing.Free LessonSeries Details
Rich Nibbe takes a look at how you can apply the pentatonic scale in the style of John Mayer into your playing.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Just like with the plucking hand, Brent-Anthony shows us the basics of proper fretting hand technique. In addition, he shows...Free LessonSeries Details
Albert Collins brought a lot of style to the blues scene. In this lesson, Kenny breaks down Albert's style for you to learn.Free LessonSeries Details
In this lesson, Braun teaches the chord types that are commonly used in jazz harmony. Learn how to build the chords and their...Free LessonSeries Details
Lisa breaks into the very basics of the electric guitar. She starts by explaining the parts of the guitar. Then, she dives...Free LessonSeries Details
Steve Stevens shows some of his go-to licks and ideas while improvising over a backing track he made.Free LessonSeries Details
In this lesson Eric talks about playing basic lead in the Memphis Blues style.Free LessonSeries Details
Michael kicks off his course and explains what to expect from the course, as well as who this course is designed for.Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
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|Number of Instructors||124||1 – 3||1||Zillions|
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|Gasoline Needed||$0.00||$0.00||~$4 / gallon!||$0.00|
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I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
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