Harmonically, Wes Montgomery was based in the blues. In this lesson, Marcelo shows us how he always brought his playing back to the blues scale and passing notes.
Taught by Marcelo Berestovoy in In the Style of Wes Montgomery seriesLength: 11:01Difficulty: 3.0 of 5
Wes Montgomery was a powerhouse musician in every sense of the word. An amazingly gifted and innovative player, he's influenced countless guitarists over the last 50+ years. In this series, Marcelo takes a small peek into his genius. He looks at the techniques that defined parts of his playing.
The genius of Wes Montgomery can never be understated. In the series introduction, Marcelo previews what he is going to cover in this, an "In the Style of" series.Length: 5:17 Difficulty: 0.0 FREE
Right away, anyone will notice that Wes Montgomery played with his thumb almost exclusively. Marcelo uses this lesson to break down this technique and get you on your way!Length: 8:39 Difficulty: 3.0 Members Only
Wes Montgomery's use of octaves has inspired countless guitar players over the years. In this lesson, Marcelo looks at the common shapes he used, and how to implement them into your playing.Length: 9:52 Difficulty: 3.0 Members Only
Harmonically, Wes Montgomery was based in the blues. In this lesson, Marcelo shows us how he always brought his playing back to the blues scale and passing notes.Length: 11:01 Difficulty: 3.0 Members Only
Now Marcelo explores some other techniques that made Wes Montgomery's style so unique, particularly chord solos, chording between phrases, and injecting a latin feel into parts of his arrangements.Length: 9:53 Difficulty: 3.5 Members Only
Marcelo bring the entire style of Wes together here in this original song, "à La Wes Blues".Length: 20:58 Difficulty: 3.5 Members Only
About Marcelo Berestovoy
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This Latino artist, composer and guitarist, has inspired a new musical trend that he has called “Southern World Music”. This innovative mix of sounds is a blend of the tango from Argentina, flamenco from the south of Spain, and several musical styles from Southern California. Marcelo has done live presentations and recorded with artists like Ricky Martin, Selena, Leon Gieco, Daniela Romo, Sergio Arau and Bebu Silvetti to name a few. In television, he accompanied stars such as Jorge Moreno, Grammy Award winner in 2002 in the “Best New Artist” category. He also composed the song “Gitano Corazon”, recorded by Natalia Oreiro in her album “Tu Veneno”. This album was nominated in the Latino Grammy Award 2001 in the category of “Best Female Pop Album”. He is co-author of the song “One Heart” with Steven Segal, Larry King and Tommy Coster. His musical talent has been shown in movies including “Dirt”, “The Mexican”, “Un Pedazo de Tierra” and “Paulie”. He has participated in television shows, concerts and kick-off parties for movies like “Mission Impossible II” and “The Disapearance of Garcia Lorca”.
Marcelo was born and raised in Argentina. He says he felt a passion for the music since he was about 11 years old when he started to take guitar lessons. His father had a lot of influence in his love for music. Together they used to play the songs that Marcelo wrote. His father always took him to listen to jazz. At this time, listening to jazz gave Marcelo another perspective since he was a rock fanatic. His motivation was first the Beatles and then Charly and Spinetta “the skinny”. Marcelo recalls that by the age of 18, he was playing in different places throughout Buenos Aires, Argentina. He would play four to five nights a week with different groups or to accompany solo singers.
His decision to come to Los Angeles was motivated by his interest in jazz. In 1985, he came to study to GIT and he never returned to Argentina. Marcelo currently lives in Los Angeles, California with his lovely wife and son. He performs live at several local places. In addition to playing the guitar and composing, Marcelo teaches in the “Musicians Institute”, one of the most prestigious in the music world.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...Free LessonSeries Details
In this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...Free LessonSeries Details
Marcelo teaches the eight basic right hand moves for the Rumba Flamenca strum pattern. He then shows you how to apply it...Free LessonSeries Details
New fingerstyle instructor Don Ross introduces himself, his background, and what you should expect in this series.Free LessonSeries Details
Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...Free LessonSeries Details
Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...Free LessonSeries Details
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Meet John Shannon and his approach to rhythm guitar. John discusses why he put this lesson series together and what his...Free LessonSeries Details
Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...Free LessonSeries Details
Bryan Beller of the Aristocrats, Dethklok, and Steve Vai takes you inside his six step method to learning any song by ear....Free LessonSeries Details
Michael kicks off his course and explains what to expect from the course, as well as who this course is designed for.Free LessonSeries Details
Dan Sugarman gives us an introduction and preview to his series - Sugarman's Shredding Revolution.Free LessonSeries Details
Joel Kosche talks about creating and composing a guitar solo. He uses his original song "Sunrise" as an example.Free LessonSeries Details
Lesson 25 from Glen presents a detailed exercise that firmly builds up fret hand dexterity for both speed and accuracy.Free LessonSeries Details
Brendan demonstrates the tiny triad shapes derived from the form 1 barre chord.Free LessonSeries Details
Emil takes you through some techniques that he uses frequently in his style of playing. Topics include neck bending, percussive...Free LessonSeries Details
Nick explains how to use scales and modes effectively when soloing over a chord progression.Free LessonSeries Details
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