Like a Drummer (Guitar Lesson)


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David Isaacs

Like a Drummer

Learn how to create motion and percussive interest with your strumming. If you look at and listen to how drummers accent general grooves, there is a lot of insight there in to how to make your rhythm playing groove.

Taught by David Isaacs in Beginner Guitar With David Isaacs seriesLength: 17:29Difficulty: 1.5 of 5


By now you’ve probably gotten comfortable with the basics of strumming, and may have even mastered some of the rhythms that have been introduced so far. But we’re about to take another leap forward in your rhythm playing.

Accomplished players know that there’s much more you can do with the strumming hand than just swing back and forth. This lesson will introduce some techniques you can use to really bring your rhythm playing to life, and add subtleties that make a part dynamic and musical.

First of all, we need to talk about dynamics. Dynamics in music refer to levels of intensity or volume: how loud or soft a sound is, and how hard we strike the strings to produce it. Variations in dynamics are a powerful way to add interest and color to your strumming, and there’s a variety of ways we can accomplish this.

One very useful technique is something I’ll call a “ghost strum”. This means to strike the strings so lightly that we hardly hear the notes of the chord, but the sound of the pick hitting the strings provides just a little bit of light percussion. This is particularly effective if you don’t hit every string, but aim for a small area of the guitar. Watch the illustration of example 1 at 1:20. You’ll hear the familiar syncopated rhythm from lesson 28, but with a small addition: instead of skipping the strings completely on beat 3, the pick lightly brushes the bass strings on the downstroke. This doesn’t produce enough sound to match the level of the other strums, but it fills in the space with a lighter, softer sound that helps provide some additional drive. The sound of the pick hitting the strings adds a percussive effect, and the focus on the bass side of the guitar adds even more variation by bringing out a low note instead of a high, ringing chord. This is explained in detail starting at 3:35.

Another important technique that uses the same basic concept of tonal and sonic variation is the muted backbeat. This is where we start thinking like a drummer – although we’ve actually been doing that all along in this lesson. Consider that a drummer on a kit has a variety of different things they can hit to make a variety of different sounds. A good drummer learns how to put these sounds together in a way that moves the music forward, and the variations in sound come from striking different drums with different levels of intensity or volume. On the guitar, we might be hitting the same object each time, but we can vary how hard we hit (dynamics!), where we hit (high or low strings) and how much note we hear versus the percussive sound of pick hitting string. In the case of the backbeat, we’re using all three of these elements at once.

The backbeat is generally understood to be the 2nd and 4th beats of a four count measure. Most popular music has some kind of backbeat, often played by the snare drum or a similar sounding percussive effect. The backbeat is played strongly and usually has an element of “snap” or “pop”, accentuating the higher frequencies of the sonic spectrum. On a guitar, we can accomplish this effect very nicely with a strong downstroke on the muted treble strings. This is most easily accomplished with a barre chord, because we can simply release the left hand pressure so that none of the notes ring out. You’ll hear this sound at 00:56 of the second video.

Muting open position chords can be a little more challenging, because there are open strings to account for. Releasing the left hand pressure won’t stop the sound of an open string, so we need to find another way. In some cases, we can let the open strings ring and still have enough percussion from the other muted strings to create the same effect. But if we want to stop the sound completely, we can also use the strumming hand to mute the strings.

Watch the demonstration at 1:58 of the second video. This technique is a little more challenging, but the basic idea is to use the heel of the strumming hand to stop the strings as the pick moves through them. This requires a loose enough wrist that the hand “snaps” down as the base of the palm lands on the strings. The exact spot on the hand may be a little different for everyone, depending on the size and proportion of your hands, but experiment until you find an approach that works. The discussion at 4:55 sums up the big idea of this lesson: to simulate the dynamics and drive of a rhythm section, we work with different sounds to create varying degrees of thump and snap. On a drum kit, the thump comes from the bass drum, while the snap comes from the snare. On guitar, we strike the bass and treble strings with different degrees of intensity to create a similar effect.

As you work through the exercises in this lesson, notice how these subtle techniques create variation and contrast. Pay attention to the rhythmic and percussive aspects of each example, not just the physical means of producing the sound. Over time, these techniques will become a natural part of your vocabulary, especially as you notice them being used in songs you’re learning to play. Taken together, they give you a powerful set of tools to move your playing to another level.







Video Subtitles / Captions


Member Comments about this Lesson

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hog49801hog49801 replied on September 26th, 2016

Nice

alternaltern replied on August 17th, 2015

Audio on this lesson cuts out at 0:53

Beginner Guitar With David Isaacs

Found in our Beginner Lesson Sets

Whether you've never played before, or your coming back to guitar after brief startup attempt, you'll find everything you need to get going in this series. David uses real musical examples to teach even the most basic concepts and techniques.



Lesson 1

The Series Introduction

Don't get stuck learning chords, scales and theory with nowhere to apply the things you work on. Take the "David Isaacs" approach and learn the guitar by using real music. You'll be playing along with...

Length: 2:32 Difficulty: 0.5 FREE
Lesson 2

Strings & Things

Tune up, learn your way around your guitar, and explore a simple, musical picking exercise to help you learn the string names. You'll be playing right out of the gate!

Length: 22:20 Difficulty: 0.5 Members Only
Lesson 3

Hands on the Fretboard

Learn hand position, posture and see how to set up your playing for success when it comes to your fret hand. Dave goes in depth with his discussion and demonstration of hand mechanics. Don't miss this...

Length: 16:10 Difficulty: 0.5 Members Only
Lesson 4

Your First Song!

Learn the E7 minor and Am chords and then immediately put them to use with a simple song. Play along to the provided backing track and feel like you're part of the band...It's only your 4th lesson! Keep...

Length: 15:32 Difficulty: 1.0 Members Only
Lesson 5

Power to the Chords

Power chords are some of the most simple and ubiquitous tools for playing and making great songs. Learn the most basic shapes and put them to use right here! Dave also discusses the beginnings of strumming...

Length: 12:21 Difficulty: 1.0 Members Only
Lesson 6

Music & Melody

Learn a simple melody and take in a little info about what a 'key' is. You can learn the melody and have a friend strum the rhythm. Or, do it the other way around!

Length: 18:07 Difficulty: 1.0 Members Only
Lesson 7

Two Finger Chords & More

These simple, musical tools can take you a long way. Use your index and middle fingers to play a simple Am chord and a simple E chord. You'll also learn how to read chord charts and play through another...

Length: 16:46 Difficulty: 1.0 Members Only
Lesson 8

A Simple Melody

You will be introduced to a simple A minor scale and then learn a song that helps you get your new scale under your finger tips!

Length: 12:08 Difficulty: 1.5 Members Only
Lesson 9

Finger Independence

Do you ever feel like you are wearing mittens while you are trying to practice your guitar playing? If you have ever experienced this sensation, this lesson is for you!

Length: 11:04 Difficulty: 1.5 Members Only
Lesson 10

Let's Major on C Major

You'll be introduced to the C Major scale and then you'll be able to put it to use over a soothing acoustic guitar rhythm bed. Have fun!

Length: 10:37 Difficulty: 1.5 Members Only
Lesson 11

The C Chord and G7 Chord

Here you'll get to spend some time applying some fundamental chord shapes. Dave shows how to switch between these two chords seamlessly and, as usual, has a creative example ready to go so you can put...

Length: 18:39 Difficulty: 1.5 Members Only
Lesson 12

G and C Working Together

I know what you're thinking..."I just learned these!" Well, you did learn a C chord and a G chord, but this lesson goes over ways to play these chords together in a chord progression that REALLY sounds...

Length: 11:06 Difficulty: 1.0 Members Only
Lesson 13

Playing Most Songs

You've probably heard it before, but most songs out there can really be played with just 3 or 4 chords. In this lesson, Dave gives you the tools to play most of the songs you know and love!

Length: 14:04 Difficulty: 2.0 Members Only
Lesson 14

Rhythm & Charts

We're moving into some new territory with this series now. You'll now be focusing more and more on material that you can play in a band setting. Up until now, you've been applying the basics to real music,...

Length: 24:54 Difficulty: 2.0 Members Only
Lesson 15

A Taste of the Blues

Learn about the blues form and strum along with a cool, laid back, bluesy track. You'll be able to take the material in this lesson a long way down the road! Don't forget to have fun with it now though...

Length: 12:03 Difficulty: 2.0 Members Only
Lesson 16

Major Pentatonic Music

Learn the C major pentatonic scale and put it to good use over a catchy tune! You'll be surprised how simple this is and how very musical you can be with just 5 notes arranged in a musically interesting...

Length: 8:38 Difficulty: 2.0 Members Only
Lesson 17

Four Fingers and a Chord

The mighty and intimidating F chord is one that most beginners see as a major hurdle in learning the basic chords on the guitar. Dave offers some ways to make the F chord more approachable. Once you examine...

Length: 15:35 Difficulty: 2.0 Members Only
Lesson 18

Chord Shapes & Arpeggios

Work on precision with your picking hand and more finger independence with your fretting hand using a soothing practice track called "Chimes". You'll get a good taste of combining melody and rhythm playing...

Length: 15:34 Difficulty: 2.0 Members Only
Lesson 19

Work Those Rhythms

Dave works you through eight different strumming variations, discusses how to feel the groove while keeping the rhythm, and shows you how to take a handful of examples and create any strum pattern you...

Length: 14:18 Difficulty: 1.5 Members Only
Lesson 20

Complete C

Look at the C major scale once again. This time however, you'll get to complete the first position C major pattern. You'll play every note within reach of your first 4 frets. You'll also learn a catchy...

Length: 16:28 Difficulty: 1.5 Members Only
Lesson 21

The Return to Chords

Work in the Am, Dm, and Em chords and play them in a melancholy, yet soothing example. You'll also get to work on your basic strumming.

Length: 12:18 Difficulty: 1.5 Members Only
Lesson 22

Shifty Pentatonic

Learn the E minor pentatonic scale with a small position shift that will get you out of the open position and moving around the neck a little bit. This is where it really starts to feel like you are owning...

Length: 13:53 Difficulty: 2.0 Members Only
Lesson 23

Let's Major on A Minor

Earlier in the series, we explored the C major scale. In this lesson, the A minor will get some love. Learn the basic open position and use it in a new melody.

Length: 15:43 Difficulty: 1.5 Members Only
Lesson 24

In 7th Heaven

Back to some chords now. In case you couldn't tell from the title, we'll be focusing on 7th chords for this lesson. You learned A7 a while back, and now you'll learn E7 and B7.

Length: 13:32 Difficulty: 1.5 Members Only
Lesson 25

Walkin' The Blues

Take a moment to pat yourself on the back! You've covered a lot of ground so far! You've been playing real music now for some time, and in this lesson, we're going to learn a walking blues line. What is...

Length: 10:50 Difficulty: 2.0 Members Only
Lesson 26

Moveable Chords

Chords that don't have any open strings in them AND chords whose open strings fit comfortably within the chord all called "moveable chords". Learn how to play a couple chords up the neck.

Length: 15:31 Difficulty: 1.5 Members Only
Lesson 27

Moveable Pentatonic

In this lesson, you'll take another big step forward when it comes to working outside of the open position. You'll feel like doing some jamming too!

Length: 8:44 Difficulty: 1.5 Members Only
Lesson 28

Syncopated Strumming

There are eight more strum patterns for you to dig into in this lesson. This time, they are a bit trickier. Follow along with the rhythm charts and take each example in chunks if needed. Combine them with...

Length: 19:33 Difficulty: 2.5 Members Only
Lesson 29

And Now...Barre Chords!

You knew it was coming! This is the lesson where we stop dancing around full fingered moveable chords and dive head first into the most common barre chord shapes. They're not as bad as you may be fearing....

Length: 19:21 Difficulty: 2.0 Members Only
Lesson 30

Advancing with Blues

As the musical examples continue to distance themselves from that stereotypical beginner sound, Dave works through this track with a simple, moving melody inside a blues progression.

Length: 14:47 Difficulty: 1.5 Members Only
Lesson 31

Make It up as You Go

Some of you may have been waiting for this one! Now we'll focus on some improvisation...Some lead playing. It's not about knowing all the scales or trying to be fancy. It is about using what you know...

Length: 12:45 Difficulty: 2.5 Members Only
Lesson 32

Like a Drummer

Learn how to create motion and percussive interest with your strumming. If you look at and listen to how drummers accent general grooves, there is a lot of insight there in to how to make your rhythm playing...

Length: 17:29 Difficulty: 1.5 Members Only
Lesson 33

New Chords, New Strums

Learn B minor chord and continue developing your feel and grooviness when it comes to strumming. Be sure that you are combing over older lessons as well so that you can incorporate many ideas into what...

Length: 21:19 Difficulty: 2.0 Members Only
Lesson 34

A Start to Alternate Picking

Develop precision in your picking. Learn when it's best to use alternate picking. Get comfortable with a few exercises and then apply the technique in a musical context!

Length: 20:26 Difficulty: 2.0 Members Only
Lesson 35

A Little Bluegrass

We're going to continue with rhythm playing and 16th note strumming, but this time we're going to touch on some laid back bluegrass playing. This is another simple style of playing to add to your arsenal.

Length: 10:06 Difficulty: 2.0 Members Only
Lesson 36

A Bit More on Barre Chords

Learn a few more barre chord forms and get more advanced with your strumming. As you've come to know and love with these lessons, you'll have a chance to learn a new song!

Length: 13:51 Difficulty: 2.0 Members Only
Lesson 37

Here You Are

You've made it a long way if you've made it to the end of this series! In this final lesson of Mr. Isaacs beginner course, you'll spend some dedicated time moving both major and minor barre chord formations...

Length: 21:58 Difficulty: 2.0 Members Only

About David Isaacs View Full Biography Nashville-based Dave Isaacs has made a name for himself as one of Music City's top guitar instructors, working with both professional and aspiring songwriters and artists at his Music Row teaching studio. He is also an instructor in the music department at Tennessee State University and is the coordinator and artistic director of the annual TSU Guitar Summit.

A seasoned performer as well, Dave has released eight independent CDs and gigs steadily as a solo artist, bandleader, and sideman. He continues to write, record, and perform as well as arranging and producing projects for other artists.

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