Experiment With Playing (Guitar Lesson)


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Mark Lincoln

Experiment With Playing

Lesson 44 is all about trying new things. Mark discusses experimenting with your playing in order to take it to the next level.

Taught by Mark Lincoln in Basic Guitar with Mark Lincoln seriesLength: 17:20Difficulty: 2.0 of 5
Chapter 1: (06:54) Introduction and Review
Review
- Warm up the hands.
- Stretch the wrists.
- Play the major and minor open chords.
- Warm up your strumming muscles by relaxing the wrists and letting the pick flow over the strings.
- Play the E major chord in the "new" way and play the type 1 barre chords.
- Play the A major chord in the "new" way and play the type 2 barre chords.
- Practice the "slanting A" technique.
- Practice the type 1 minor barre chords.
- Practice the type 2 minor Barre Chords.
- Play all of the type 1 mini-barre chords.
- Play all of the type 2 mini-barre chords.
- Review and practice quantitative and qualitative techniques.
- Review last week's exercises.
- Practice "wrist warming."
- Enjoy!
Ready?

We've been working on the process of liquefying chords and adding notes to make chord changes in subtle but really cool ways, right? In addition, we've been exploring pathways one can use to transition between two chords. Last week, I explained how to change one note within a barre chord to create fresh sounds. Please review last week's lesson as we're going to continue to build upon some of the fundamental skills behind those exercises. Ready?

Many of us are attached to the concept of playing a chord one certain way, which is often dictated by our teachers. I've been telling you all from the beginning of this series that you should always be flexible and play chords in every way conceivable. This concept becomes more and more and important as we progress further into the lesson series. Don't be afraid to open your mind to some new and different ways of playing and liquefying chords .

Think about this chord:

E_0_
B_0_
G_0_
D_0_
A_0_
E_0_

Okay, so you might be saying "what chord, Mark? Have you gone completely out of your mind? You're not holding down any strings." True, all of the strings are open in this example but you might remember me saying in the beginning of this series that any three strings played simultaneously create a chord. Although the chord diagramed above does not sound pretty, it is still technically a chord (Em11).

For example, if you played the three lowest strings on the guitar (open as in the above example) together or E, A, and D you would be playing the equivalent of a Dsus2/E chord.

Dsus2
E_0_
B_3_
G_2_
D_0_
A_x_
E_x_

If you played the A, D and G strings together you would be playing the equivalent of a Dsus4/A or

Dsus4
E_3_
B_3_
G_2_
D_0_
A_x_
E_X_

and so on.
Chapter 2: (03:44) Experiment Exercise 1
Play all four groups of three strings (EAD, ADG, DGB, and GBE) and see what other chords they sound like. Also, do as I did above and compare the first two groups of E, A and D and A, D and G to the two chords that I've given you - Dsus2 and Dsus4. Do you hear the similarities when you compare the two groupings of three notes? Watch me in the video for more insight into this phenomenon.


*Note - The reason why I'm bringing this issue to your attention at this point is to show you that you can use the strings of the guitar in unconventional ways or ways that you may not have thought of. In this case, I'm suggesting that you can strum the strings of the guitar open if you like the chord that you are playing. Also, you may opt to use open strings as a transition chord, if you so desire.

Now, let's look at a simple C major chord:

C major
E_0_
B_1_
G_0_
D_2_
A_3_
E_X_

You’re all quite familiar with this chord by now, but have you ever played a C chord like this?

Cmaj9
E_0_
B_0_
G_0_
D_0_
A_3_
E_X_

This is in fact a C chord as well, and although it has a different sound than the previous C chord, it is in fact a C chord. Why use this skimpy little C chord you might be asking? Variation, flexibility, and also liquification! Watch this next move!

Here are the three chords that I want you to use for the next exercises:

Cmaj9
E_0_
B_0_
G_0_
D_0_
A_3_
E_X__

Em
E_0_
B_0_
G_0_
D_2_
A_X_
E_X_

C/D
E_0_
B_1_
G_0_
D_0_
A_X_
E_X_

Notice that each chord is in fact one note from each of the three notes in the C major chord.

Exercise 2
Using the "down, down-up-down" strumming pattern, play each of the above chords in succession. Play the strum pattern twice on the last C chord. While playing each of the chords, focus on relaxing your wrist and allowing the pick to flow freely over the strings of the guitar.
Chapter 3: (06:43) Strum Hand Positioning Hand Positioning
Where you position your strum hand in the above exercise dictates the strings you are striking and will subsequently dictate the chord you are playing (especially when only holding down one string at a time). In the first chord, for example, if your strum hand is positioned near the high E-string, then chances are you are not strumming the only note in the chord you’re holding down. Consequently, this could possibly change the name of the chord that you're playing. Be aware of where your strum hand is perched and which strings you’re strumming.

Exercise 3
Using the strum "down, down-up, down-up," play the three chords again. In this exercise, we're basically changing the dynamic of the progression by adding a little pepper to the strum pattern. Once again, play the pattern twice over the last chord to maintain the integrity of the phrase.

Exercise 4
Play Exercise 3 with your eyes closed.

Okay, so you are seeing that simple is not necessarily a bad thing, right? It is acceptable to play pieces of chords, especially if you happen to like the sound of them. Pieces of other chords become, well, other chords right? So you see, the rules are fairly flexible especially if you look at them from a performance perspective. Whatever you want to play is fair game as long as you like what you hear. Your audience may not like it as much as you do, but that always remains to be seen, and musical tastes are subjective.

Exercise 5
Go through the same process as we've discussed in this lesson but with another open chord. How about A major?

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Member Comments about this Lesson

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tomorrowtomorrow replied on June 17th, 2009

a terrific lesson .I feel this is a great starting point for exploring and discovering ways to get music from the guitar.thanks,

Mark.LincolnMark.Lincoln replied on June 22nd, 2009

Hey Tomorrow thanks a lot, I'm glad this stuff is working for you! Mark

Mark.LincolnMark.Lincoln replied on June 18th, 2009

Hey Tomorrow thanx for the great feedback, much appreciated! Mark

Mark.LincolnMark.Lincoln replied on June 16th, 2009

Helllo Aqua how are? I can't tell you how much we've missed you in the live Q and A's! Thanks for the great input and the beautiful and most profound metaphor as well. I too see the similarities with different art forms and obviously look for ways to find various and esoteric different forms of chords and strums. Great to hear from you, Mark

aquariartyaquariarty replied on June 16th, 2009

Interesting lesson Mark, I like your inventive and creative approach to playing the guitar, it really appeals to me. It's amazing how similar it is to art, which is a hobby of mine, being almost a bit crazy with different ideas and media.

Basic Guitar with Mark Lincoln

Found in our Beginner Lesson Sets

Learning the basics of the guitar, the building blocks if you will, is an extremely important step in learning and mastering the guitar. This series is all about the basics.



Lesson 1

Guitar Basics

This lesson is all about the basics. Mark explains guitar parts, holding the guitar, and more.

Length: 13:12 Difficulty: 0.5 Members Only
Lesson 2

Tuning, Gear, and Chords

Mark begins by discussing equipment every guitarist should own. Then, he introduces chords and proper tuning methods.

Length: 17:28 Difficulty: 0.5 Members Only
Lesson 3

Chords and Strumming

Mark finishes his discussion of the "open" chords. He applies these chords to basic rhythm and strumming concepts.

Length: 17:33 Difficulty: 1.0 Members Only
Lesson 4

Minor Chords and More

Mark reviews the major chords and introduces the minor chords. He also covers strumming techniques in greater depth.

Length: 25:48 Difficulty: 1.0 Members Only
Lesson 5

Expanding Chords

Mark introduces a few more minor chords. He also provides a monster chord exercise.

Length: 16:36 Difficulty: 1.5 Members Only
Lesson 6

Strumming Exercises

Mark Lincoln continues his discussion of chords and strumming. He introduces several new exercises in this lesson.

Length: 19:30 Difficulty: 1.5 Members Only
Lesson 7

Music Theory and Barre Chords

Mark covers several topics in this lesson. He explains scales and barre chords. He also demonstrates how to find notes on the fretboard.

Length: 21:45 Difficulty: 1.5 Members Only
Lesson 8

E Shape Barre Chords

Mark Lincoln covers E shaped barre chords in greater depth. Mark refers to these chords as "Type 1" barre chords.

Length: 15:12 Difficulty: 2.0 Members Only
Lesson 9

A Shape Barre Chords

Mark covers the A Shape / Type 2 barre chords in greater depth.

Length: 17:12 Difficulty: 2.0 Members Only
Lesson 10

Minor Barre Chords

Mark introduces minor barre chords that utilize the shape of the "open" Em chord.

Length: 13:10 Difficulty: 2.0 Members Only
Lesson 11

A Minor Shape Barre Chords

Mark introduces minor barre chords based on the shape of the "open" Am chord. He refers to these chords as "Type 2 Minor" barre chords.

Length: 12:36 Difficulty: 2.0 Members Only
Lesson 12

Mini Barre Chord

Mark demonstrates abbreviated versions of the "Type 1" and "Type 2" barre chords. He calls these "mini barre" chords.

Length: 17:43 Difficulty: 2.0 Members Only
Lesson 13

A Shape Mini Barre

Mark teaches the "mini barre" version of the A major shaped barre chord. He also explains dissonance.

Length: 20:29 Difficulty: 2.0 Members Only
Lesson 14

Minor Mini Barre Chords

Mark Lincoln applies mini-barre chord concepts to minor chords.

Length: 12:28 Difficulty: 2.0 Members Only
Lesson 15

Guitar Technique

Mark Lincoln explains essential components of guitar technique.

Length: 15:59 Difficulty: 2.0 Members Only
Lesson 16

Guitar Dynamics

Mark Lincoln explains how dynamics can enhance your playing. He covers topics such as volume, tempo, rests, and more.

Length: 27:48 Difficulty: 0.5 Members Only
Lesson 17

Transistion Strums

Mark Lincoln explains more about guitar technique. This time around he introduces "transition strums" and continues his discussion of liquid chords.

Length: 26:12 Difficulty: 2.0 Members Only
Lesson 18

Harmonic Technique

Mark Lincoln explains what harmonics are and how they are played.

Length: 15:31 Difficulty: 2.5 Members Only
Lesson 19

Expanding Liquid Chords

Mark Lincoln expands on the concept of liquid chords. He explains new chord variations and how they can be changed in mid-strum.

Length: 16:21 Difficulty: 2.0 Members Only
Lesson 20

Spicing up Chords

Mark demonstrates how chord progressions can be spiced up by adding hammer-ons and pull-offs.

Length: 12:21 Difficulty: 2.5 Members Only
Lesson 21

Chord Fingering

Mark explains how chord fingerings must be altered when applying "liquid chord" concepts. He also provides a few new "liquid chord" exercises.

Length: 11:10 Difficulty: 2.0 Members Only
Lesson 22

Precision Strumming

Mark returns to the land of chords. This time around, he provides an exercise that contains four variations on the A chord.

Length: 14:28 Difficulty: 2.5 Members Only
Lesson 23

D to D in Six Steps

Mark provides a chord progression that shifts from one D chord to another in six steps.

Length: 15:20 Difficulty: 2.0 Members Only
Lesson 24

Chord Voicings and Construction

Mark delves deeper into chord construction and alternate chord voicings.

Length: 13:36 Difficulty: 2.0 Members Only
Lesson 25

Quantitative and Qualitative Changes

Mark tests your guitar knowledge with a pop quiz. Then, he discusses quantitative and qualitative changes.

Length: 22:54 Difficulty: 2.5 Members Only
Lesson 26

Quantitative and Qualitative Review

In the 26th installment of his basic guitar series, Mark reviews the quantitative and qualitative changes he presented in lesson 25.

Length: 17:34 Difficulty: 2.5 Members Only
Lesson 27

Rhythm and Guitar

Mark provides exercises designed to make you a better rhythm player.

Length: 0:00 Difficulty: 2.0 Members Only
Lesson 28

Expanded Rhythm Exercise

Mark Lincoln expands on the rhythm exercise from lesson 27. This time around he incorporates several C based chords.

Length: 14:31 Difficulty: 2.5 Members Only
Lesson 29

Hand Structure

Mark discusses proper playing technique. He provides a few exercises that facilitate right hand mechanics.

Length: 17:02 Difficulty: 2.5 Members Only
Lesson 30

Cadd9 and Dsus2

Mark provides an exercise that features two new chords - Cadd9 and Dsus2.

Length: 0:00 Difficulty: 2.0 Members Only
Lesson 31

Finger Glue and Flexibility

In the 31st lesson, Mark discusses his "finger glue" technique. This technique improves speed and accuracy.

Length: 21:31 Difficulty: 2.0 Members Only
Lesson 32

Reviewing Chord Changes

Mark takes a step back in lesson 32 to explain how to make quick and accurate chord changes.

Length: 22:14 Difficulty: 1.5 Members Only
Lesson 33

Sliding

Mark explains how to use the slide technique between chords.

Length: 19:24 Difficulty: 2.0 Members Only
Lesson 34

Keeping Time While Playing

Mark reviews qualitative and quantitative changes. He explains how to keep time while performing these changes.

Length: 21:17 Difficulty: 2.0 Members Only
Lesson 35

A Minor Progression

Mark discusses qualitative and quantitative changes within an A minor progression.

Length: 19:56 Difficulty: 0.5 Members Only
Lesson 36

Chord Transistions

Mark Lincoln discusses several techniques that can be used when transitioning between chords.

Length: 21:43 Difficulty: 2.0 Members Only
Lesson 37

Chord Transistions Revisited

In this lesson, Mark once again covers the subject of chord transitions. This time around, he focuses on barre chords and includes several helpful exercises.

Length: 23:25 Difficulty: 2.5 Members Only
Lesson 38

Playing Individual Notes

In lesson 38, Mark discusses how playing single notes rather than chords can spice up your playing.

Length: 22:56 Difficulty: 2.0 Members Only
Lesson 39

Rocking Out

Lesson 39 is all about rocking out. Mark discusses some tips to take your playing to the next level.

Length: 18:08 Difficulty: 2.0 Members Only
Lesson 40

Slash Chords

Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.

Length: 14:42 Difficulty: 2.0 FREE
Lesson 41

Strumming from the Wrist

In lesson 41, Mark reviews the warm-up section and provides new tips on playing adequately from the wrist.

Length: 22:09 Difficulty: 2.0 Members Only
Lesson 42

Raising the Barre

Mark builds further on barre chord techniques and liquid chords.

Length: 17:24 Difficulty: 2.5 Members Only
Lesson 43

Building on Your Chord Knowledge

In lesson 43, Mark discusses additional skills related to learning and playing chords, specifically "liquification" of chords.

Length: 20:42 Difficulty: 2.0 Members Only
Lesson 44

Experiment With Playing

Lesson 44 is all about trying new things. Mark discusses experimenting with your playing in order to take it to the next level.

Length: 17:20 Difficulty: 2.0 Members Only
Lesson 45

Diversifying

In this lesson, Mark once again talks about changing up chord derivatives to create a more unique sound.

Length: 20:56 Difficulty: 1.5 Members Only
Lesson 46

Shaping the Hands

In lesson 46, Mark explains how to maximize your options by maintaining chord shapes while playing.

Length: 21:44 Difficulty: 1.5 Members Only
Lesson 47

Precision Strumming

Today, Mark takes in depth look at strumming.

Length: 23:57 Difficulty: 1.0 Members Only
Lesson 48

Shine Like the Sun

Mark Lincoln teaches an original song entitled "Shine Like the Sun."

Length: 18:59 Difficulty: 2.0 Members Only
Lesson 49

Changing Chords : Accuracy and Speed

Mark teaches some useful information on how to mix postures, "finger glue," and techniques to make your chord changes speedy and more effective.

Length: 30:56 Difficulty: 2.5 Members Only
Lesson 50

Play Along with Mulitple Chord Voicings

In this lesson, Mark guides you through the world of alternate chord voicings. He teaches several shapes and shows how they can be used to enhance your playing.

Length: 23:06 Difficulty: 2.0 Members Only
Lesson 51

Understanding Liquified Chords

Mark brings us a very appealing aspect to better understand the guitar. With his explanation of "liquified" chords, mark will explain how to move up and down the guitar to create different chord voicing.

Length: 25:32 Difficulty: 2.0 Members Only

About Mark Lincoln View Full Biography Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.

Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.

Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.

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