Spring Savings Event with sub-Netflix prices and 2020 Guitarist Toolkits. Unlock all artists, courses and platform features. Apply Your Coupon Code
In this lesson, Matt will teach you set II voicings with both 6th string & 5th string root notes. You'll learn major, minors, suspensions, sharps, flats, 11ths, and 13ths.
Taught by Matt Brown in Jazz Guitar with Matt seriesLength: 27:08Difficulty: 3.0 of 5
Scene 1 presents the remaining options for a Major chord. Any chord that is written as a major chord in the lead sheet (i.e., CMA, C6, CMA7, etc.) can be substituted for any other major chord. The substituted chord must not clash with the melody however. Remember, in the jazz genre, the melody is sacred. Chords can be changed and substituted, but the melody cannot be changed. Be careful using chord voicings that include alterations such as CMA7(#11). The altered extensions in these chords provide color, but they frequently clash with the melody line.B. Set II Dominant Chords
The following chords are now viable options to add to your major chord vocabulary:
CMA13 (6th string root)
C6(#11) (6th string root)
These chords can be substituted for any chord written as a DOM7. Once again, analyze the melody first to see if any of these options will clash with it. Frequently, if the tune calls for a dominant chord with altered extensions, the composer will write CALT. The “ALT” stands for altered. This indicates that a dominant chord with altered extensions must be played (#9,b9,#11,#5).C. Dominant 7 Suspended chords
The following chords are now viable options to add to your dominant chord vocabulary:
C7(#5) or C+7 or C7(+) (6th string root)
C7(#11) (6th string root)
These chords can only be used when C7SUS is written!Chapter 2: (5:11) Set II Voicings A. MIN7 Chords
The most common suspension is the suspended fourth (SUS4). This means that the 3rd of the chord is omitted and replaced with the fourth. The sound of this chord is meant to leave you hanging. Hence the name “suspended”.
Here are some options for C7SUS:
C13SUS (6th string root)
C7SUS (6th string root)
When MIN7 is written, any minor chord can be used except for chords that function as minor tonics. Minor tonic chords are MI6, MIN6/9, MI13 and the MIMAJ7. These chords can only be played as tonic in a minor key. (Tunes in minor keys will be discussed in a later lesson.)B. Minor Tonics:
Note: CMIMA7 is a C minor triad with a major 7 interval added on top.
The following chords are now viable options to add to your MIN7 chord vocabulary:
CMIN11 (6th string root)
CMI13 (6th string root)Chapter 3: (8:07) String Root Voicings The previous two scenes dealt entirely with chords that have roots on the 6th string. This scene continues with all the Set II voicings that have 5th string roots.
CMIMA7 (6th string root)
CMA6/9B. Tonic Minor Chords
This chord is spelled 1,3,5,6,9. The fifth scale degree is almost always omitted from this chord.
CMI6/9C. Dominant Chords
C7(#9)D. Dominant 7 SUS Chords
At this point, you should have all of the Set I, rootless Set I, and Set II voicings memorized. Keep in mind that it is impossible to memorize all of these chords if you don’t use them in a practical musical setting. In the lessons to come, these chords will be used to comp over a jazz 12 bar blues and some other basic tunes.
In this lesson set, Matt will teach you everything you need to know to fluently play jazz guitar.
Check out this lesson to learn some basic jazz theory & chord voicings.Length: 31:36 Difficulty: 3.0 Members Only
Learn some more advanced chord voicings as well as the Charleston rhythm.Length: 19:13 Difficulty: 3.0 FREE
Learn a handful of Set II voicings & round out your knowledge of the basic jazz chords.Length: 27:08 Difficulty: 3.0 Members Only
Apply the chords you've learned & experiment with some solo ideas.Length: 32:47 Difficulty: 3.0 Members Only
Learn which scales work with which jazz chord voicings.Length: 43:00 Difficulty: 3.0 Members Only
Matt sheds some light on the circle of fifths.Length: 28:00 Difficulty: 3.0 Members Only
Learn how to get the most out of your time when practicing.Length: 31:00 Difficulty: 2.5 Members Only
Here's the second installment of Matt's proper practicing lesson.Length: 32:00 Difficulty: 3.0 Members Only
Learn how to avoid carpal tunnel and other hand injuries by using proper technique.Length: 46:19 Difficulty: 1.0 Members Only
Matt Brown teaches the jazz standard "All of Me."Length: 31:12 Difficulty: 2.0 Members Only
Matt Brown explains how to improvise over the changes to "All of Me."Length: 7:54 Difficulty: 2.0 Members Only
Matt Brown begins talking about solo arrangements in this lesson. He teaches Carcassi's "Estudio No. 1" as an introduction to this concept.Length: 18:10 Difficulty: 2.5 Members Only
Matt Brown returns to his Jazz series with a review lesson. He applies the standard ii V I progression to the circle of fifths.Length: 18:10 Difficulty: 2.0 Members Only
In lesson 14, Matt discusses the turnback progression in the jazz style.Length: 22:20 Difficulty: 1.5 Members Only
Matt brown discusses and demonstrates the set three voicings used in jazz guitar.Length: 25:42 Difficulty: 2.0 Members Only
In this lesson, Matt demonstrates how to practice jazz solo arrangements by taking a look at "Here's That Rainy Day."Length: 35:10 Difficulty: 2.0 Members Only
In lesson 17, Matt reviews and expands on the jazz version of the 12 bar blues form.Length: 23:20 Difficulty: 2.0 Members Only
In this lesson, Matt adds to your voicing repertoire while playing the Charleston rhythm.Length: 14:22 Difficulty: 2.0 Members Only
Matt Brown talks about lead options when playing a blues in B flat major.Length: 23:35 Difficulty: 2.0 Members Only
Matt Brown provides instruction and examples of playing jazz heads in the key of F. Once again, all examples follow the 12 bar blues form.Length: 18:22 Difficulty: 2.0 Members Only
Matt Brown takes another look at blues heads in the key of B flat. In this lesson, he covers a head by Thelonious Monk.Length: 10:03 Difficulty: 2.0 Members Only
Matt Brown takes a look at a solo arrangement and provides thoughts and tools necessary to complete this type of guitar playing.Length: 23:13 Difficulty: 2.0 Members Only
Matt Brown starts breaking down the rhythmic tendencies and patterns to the Brazilian Bossa Nova style of playing.Length: 17:56 Difficulty: 0.0 Members Only
In lesson 24 of his Jazz series, Matt takes a look at the melody to Blue Bossa.Length: 9:12 Difficulty: 0.0 Members Only
Matt Brown takes a look at the available chord voicings for Blue Bossa.Length: 10:39 Difficulty: 0.0 Members Only
About Matt Brown
View Full Biography
Matt Brown began playing the guitar at the age of 11. "It was a rule in my family to learn and play an instrument for at least two years. I had been introduced to a lot of great music at the time by friends and their older siblings. I was really into bands like Nirvana, Alice In Chains, and Smashing Pumpkins, so the decision to pick up the guitar came pretty easily."
Matt's musical training has always followed a very structured path. He began studying the guitar with Dayton, Ohio guitar great Danny Voris. I began learning scales, chords, and basic songs like any other guitarist. After breaking his left wrist after playing for only a year, Matt began to study music theory in great detail. I wanted to keep going with my lessons, but I obviously couldn't play at all. Danny basically gave me the equivalent of a freshman year music theory course in the span of two months. These months proved to have a huge impact on Brown's approach to the instrument.
Brown continued his music education at Capital University in Columbus, Ohio. He completed a degree in Classical Guitar Performance in 2002. While at Capital, he also studied jazz guitar and recording techniques in great detail. "I've never had any desire to perform jazz music. Its lack of relevance to modern culture has always turned me off. However, nothing will improve your chops more than studying this music."
Matt Brown currently resides in Dayton, Ohio. He teaches lessons locally as well as at Capital University's Community Music School. Matt's recent projects include writing and recording with his new, as of yet nameless band as well as the formation of a cover band called The Dirty Cunnies.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Learn a simple mini song that illustrates just how intertwined scales and chords really are. Dave uses a G chord paired...Free LessonSeries Details
Alan shares his background in teaching and sets the direction for his beginning bass series with simple ideas and musical...Free LessonSeries Details
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.Free LessonSeries Details
Lesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.Free LessonSeries Details
Fingerstyle guitar is a broad term that can incorporate percussive elements of playing as well as Chet Atkins/Jerry Reed...Free LessonSeries Details
In this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...Free LessonSeries Details
In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...Free LessonSeries Details
In this lesson Justin introduces his series on playing with a capo and dishes out some basic tips, including how to properly...Free LessonSeries Details
Jim discusses the importance of setting goals. He provides some tips that will help steer your practicing in the right direction.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Leads are fun to work with because when you are writing a lead, this is LITERALLY your chance to give your guitar a voice....Free LessonSeries Details
Lita Ford, guitarist for The Runaways, presents a fantastic and in depth series on what it was like and what it took professionally...Free LessonSeries Details
Get an in-depth look into the mind of virtuoso guitarist Andy James. Learn about Andy's early beginnings all the way up to...Free LessonSeries Details
JamPlay sits down with veteran fret grinder Steve Smyth of Forbidden and The EssenEss Project. He talks about how he got...Free LessonSeries Details
Learn a variety of essential techniques commonly used in the metal genre, including palm muting, string slides, and chord...Free LessonSeries Details
Dan Sugarman gives us an introduction and preview to his series - Sugarman's Shredding Revolution.Free LessonSeries Details
Dive into the playing of Rex Brown. As the bass player for Pantera, Down, and Kill Devil Hill, Brown's real world experience...Free LessonSeries Details
Take a new look at the fretboard and learn where to find a voicing that works. There are techniques that simplify the fretboard...Free LessonSeries Details
Jane Miller talks about chord solos in part one of this fascinating mini-series.Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
|Money Back Guarantee||Sometimes||n/a|
|Number of Instructors||125||1 – 3||1||Zillions|
|Interaction with Instructors||Daily Webcam Sessions||Weekly|
|Professional Instructors||Luck of the Draw||Luck of the Draw|
|Learn Any Style||Sorta|
|Multiple Camera Angles||Sometimes||-||Sometimes|
|Learn in Sweatpants||Socially Unacceptable|
|Gasoline Needed||$0.00||$0.00||~$4 / gallon!||$0.00|
Mike H."I feel like a 12 year old kid with a new guitar!"
I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!
Greg J."With Jamplay I can fit in a random session when I have time and I can go at my own pace"
I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
Bill"I believe this is the absolute best site for guitar students."
I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.