Proper Practicing Part 2 (Guitar Lesson)


What are you waiting for? Get your membership now!
Matt Brown

Proper Practicing Part 2

Learn how to incorporate arpeggios, chord progressions, diatonic intervals, comping, walking bass lines, learning tunes, and more into your practice sessions.

Taught by Matt Brown in Jazz Guitar with Matt seriesLength: 32:00Difficulty: 3.0 of 5
Chapter 1: (07:45) Arpeggios Learning and memorizing all five arpeggio patterns for Dominant 7th, Major 7th, and Minor 7th chords is an essential step in becoming an effective jazz soloist. Many jazz solos and melody lines are based on arpeggio patterns.

Note: Open the "Supplemental Content" tab for MA7 arpeggio patterns in the key of C. Arpeggio patterns for Minor 7th and Dominant 7th chords can be found in "Supplemental Content" in jazz lesson 4.

Practice arpeggios by outlining the chord changes of a tune that you are familiar with. Matt demonstrates this process with a twelve bar blues progression in the key of Bb. The first measure of this progression features a Bb7 chord. Outline this measure with a Bb7 arpeggio played in eighth notes. The chord progression changes to Eb7 in the second measure. Use an Eb7 arpeggio pattern in the same fretboard position to outline this chord. When you practice this process, stay in one position for the entire duration of the tune. For example, play through the entire 12 bar blues progression in Bb using arpeggio patterns in 5th position. Then, repeat the entire process using 8th position arpeggios. Repeat this process until you have played through the arpeggios in all five possible positions on the fretboard. Your knowledge of the fretboard will increase exponentially by completing this process.

Diatonic Intervals

Most guitarist practice scales by racing through memorized vertical scale patterns. It is important to practice scales in this manner. However, this process doesn't increase your knowledge of the fretboard. This process also ignores how a certain note relates to a specific key. For this reason, it is important to practice scales using diatonic intervals. This will force you to think about each and every note you play and how it relates to the key you are playing in.

A. Vertical Intervals

Matt demonstrates how to play a C major scale using vertical diatonic intervals. Begin with the root note of the scale. Then, play the note a diatonic third above the root. Next, move to the second note in the scale, D. Then, play the note a diatonic third above it. Repeat this process until you have ascended as far as you can go in the scale pattern. Then, descend the scale using the same process. When descending the scale pattern, you are going to play the note that is a third below any given scale degree.

Once you complete this process using diatonic thirds, repeat the process using diatonic fourths, fifths, sixths and octaves. Practice this exercise with a new scale pattern each day.

Note: Open the "Supplemental Content" tab in Lesson 7 for tablature to this exercise.

B. Horizontal Intervals

The same exercise can be performed horizontally across the fretboard using a pair of strings. Start by playing diatonic thirds, fourths, and fifths on the B and E strings in the key of C major. For larger intervals such as sixths, sevenths, and octaves, you must use the E and G strings. Practice this process using all possible pairs of strings. For example, repeat this process using the G and B strings. For sixths, sevenths, and octaves, use the G and D strings.

Note: Open the "Supplemental Content" tab for tablature to this exercise.
Chapter 2: (04:43) Comping "Comping" is a jazz slang term that means "accompanying." So far, Matt has shown you two forms of jazz comping the Charleston rhythm and The Freddie Green rhythm pattern. Apply these comping styles to common jazz chord progressions. The two most common progressions in jazz are the ii V I and the iii VI ii V I. Play both of these progressions in all 12 keys using both the Charleston and Freddie Green rhythms.

Walking Bass Lines

Walking bass lines provide a third comping option. Walking bass lines can be performed on guitar, because the bass range of the guitar overlaps with some of the range of the bass. A walking bass line is an especially effective comping option when no bass player is present. It is also an effective option when playing rapid bebop tunes in a guitar duet setting. Tunes played at 200 BPM or higher sound pretty ridiculous when played with a Freddie Green rhythm. A walking bass line provides a smoother, less chaotic sound.

Note: Matt will discuss how to perform a walking bass line in a future lesson. To learn the basics of this process, study Steve Eulberg's bluegrass lessons that pertain to playing bass lines between chords.
Chapter 3: (07:38) Learning Tunes Classic jazz tunes that have withstood the test of time are referred to as "standards." Lead sheets to these particular tunes can be found in the jazz Real Book. The title of this book was chosen to differentiate itself from jazz “fake” books. The Charlie Parker Omnibook is another great source for learning standard bebop tunes.

If you are just beginning to play jazz, focus your time learning standards. Do not jump right into crazy hybrid styles of jazz that involve advanced theoretical concepts. Matt will cover these areas of theory in due time.

Standards are typically grouped into four specific jazz styles. The original New Orleans (Dixieland) and Chicago styles evolved into what is most commonly referred to as the “swing” style. Famous performers of this style are Duke Ellington and Count Basie. In the 1940's and 50’s many jazz performers felt that this style was too limiting. As a result, a faster, more aggressive form of jazz was created. This style is known as bebop. Pioneers of this style are Dizzy Gillespie and Charlie Parker. Later, Miles Davis took jazz in the complete opposite direction of bebop. This style become known as "cool." This style was named after Miles' 1949 album "Birth of the Cool." Later, modal jazz was developed. This style features infrequent chord changes, quartal chord voicings, and modal improvisation.

For the time being, focus on learning one tune in the swing, bebop, and cool styles. Modal jazz will be discussed in later lessons.

Follow the following process when learning any jazz tune:

1. Learn and memorize the title.
2. Note the form of the tune. Most jazz tunes follow the 32 bar form of AABA. In this particular form, the tune begins with an A section that spans 8 measures. This section is then repeated with little or no alterations. Then, a B section is performed. This section lasts 8 bars, and is typically in a different key from the A section. Finally, the A section is repeated once more. Another common jazz form is the 12 bar blues.
3. Learn the melody. Listen to as many recordings of the tune as possible. Always listen to the original recording! This will give you some ideas regarding how the written melody should be interpreted. Remember that jazz musicians never perform the melody or "head" exactly as it is written in the lead sheet. The melody is the most important component of a jazz tune.
4. Learn and memorize the chord changes. Learn the chords in terms of how they function within the key not by their letter names. For example, the 12 bar blues begins with the I7 chord. It then moves to the IV7 chord in bar 2.
5. Improvise over the chord changes. Learn as many licks as you can from books and recordings to get an idea of how jazz licks are created.
Chapter 4: (11:57) Public Domain Licks In this scene, Matt presents some public domain licks that he has learned and memorized. These licks are not copyrighted and can be used by anyone in the course of a live performance or recording. Memorize these licks and transpose them to a variety of keys. Then, insert them into your own improvised solos.

Note: Open the "Supplemental Content" tab for tablature to these licks.

Philosophy on Reading Music

It is very important that you learn to read music and learn music theory as early in your guitar training as possible. Learning these concepts will never harm your playing. Learning to read music will only open up doors and options that you never knew were possible. Start this process by checking out the following books:

1. Beginning Guitar Method by Gary Turner and Brenton White.
2. A Modern Method for Guitar Volumes I and II by William G. Leavitt.

Video Subtitles / Captions


Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


dwightcassdwightcass replied on July 27th, 2011

Is there any more stuff on walking bass lines? Sounds cool. How do you do it? Thanks.

mattbrownmattbrown replied on July 30th, 2011

Dennis has a lesson on walking bass lines in his jazz series.

jpfanboyjpfanboy replied on December 5th, 2009

Haha never mind. I got it now xD

jpfanboyjpfanboy replied on December 5th, 2009

Hey when your playing the perfect 5th your not always playing it you somtimes play tritone intervall. Can you call it a perfect 5th then?

kevinacekevinace replied on January 10th, 2008

Lot of info here, I like!

Jazz Guitar with Matt

Found in our Beginner Lesson Sets

In this lesson set, Matt will teach you everything you need to know to fluently play jazz guitar.



Lesson 1

Intro to Jazz

Check out this lesson to learn some basic jazz theory & chord voicings.

Length: 31:36 Difficulty: 3.0 Members Only
Lesson 2

Voicings & Melodies

Learn some more advanced chord voicings as well as the Charleston rhythm.

Length: 19:13 Difficulty: 3.0 FREE
Lesson 3

Set II Voicings

Learn a handful of Set II voicings & round out your knowledge of the basic jazz chords.

Length: 27:08 Difficulty: 3.0 Members Only
Lesson 4

Applying Chords / Solo Ideas

Apply the chords you've learned & experiment with some solo ideas.

Length: 32:47 Difficulty: 3.0 Members Only
Lesson 5

Scales and Chords Together

Learn which scales work with which jazz chord voicings.

Length: 43:00 Difficulty: 3.0 Members Only
Lesson 6

Circle of Fifths

Matt sheds some light on the circle of fifths.

Length: 28:00 Difficulty: 3.0 Members Only
Lesson 7

Proper Practicing

Learn how to get the most out of your time when practicing.

Length: 31:00 Difficulty: 2.5 Members Only
Lesson 8

Proper Practicing Part 2

Here's the second installment of Matt's proper practicing lesson.

Length: 32:00 Difficulty: 3.0 Members Only
Lesson 9

Physicalities of Playing

Learn how to avoid carpal tunnel and other hand injuries by using proper technique.

Length: 46:19 Difficulty: 1.0 Members Only
Lesson 10

All of Me

Matt Brown teaches the jazz standard "All of Me."

Length: 31:12 Difficulty: 2.0 Members Only
Lesson 11

Lead and Scales

Matt Brown explains how to improvise over the changes to "All of Me."

Length: 7:54 Difficulty: 2.0 Members Only
Lesson 12

Estudio No. 1.

Matt Brown begins talking about solo arrangements in this lesson. He teaches Carcassi's "Estudio No. 1" as an introduction to this concept.

Length: 18:10 Difficulty: 2.5 Members Only
Lesson 13

Reviewing the ii V I Progression

Matt Brown returns to his Jazz series with a review lesson. He applies the standard ii V I progression to the circle of fifths.

Length: 18:10 Difficulty: 2.0 Members Only
Lesson 14

Turnback Progression

In lesson 14, Matt discusses the turnback progression in the jazz style.

Length: 22:20 Difficulty: 1.5 Members Only
Lesson 15

Set Three Voicings

Matt brown discusses and demonstrates the set three voicings used in jazz guitar.

Length: 25:42 Difficulty: 2.0 Members Only
Lesson 16

Jazz Solo Arrangement

In this lesson, Matt demonstrates how to practice jazz solo arrangements by taking a look at "Here's That Rainy Day."

Length: 35:10 Difficulty: 2.0 Members Only
Lesson 17

Expanding on the 12 Bar Blues

In lesson 17, Matt reviews and expands on the jazz version of the 12 bar blues form.

Length: 23:20 Difficulty: 2.0 Members Only
Lesson 18

Adding Voices

In this lesson, Matt adds to your voicing repertoire while playing the Charleston rhythm.

Length: 14:22 Difficulty: 2.0 Members Only
Lesson 19

Key of B Flat Major

Matt Brown talks about lead options when playing a blues in B flat major.

Length: 23:35 Difficulty: 2.0 Members Only
Lesson 20

Key of F

Matt Brown provides instruction and examples of playing jazz heads in the key of F. Once again, all examples follow the 12 bar blues form.

Length: 18:22 Difficulty: 2.0 Members Only
Lesson 21

Jazz Heads in B Flat

Matt Brown takes another look at blues heads in the key of B flat. In this lesson, he covers a head by Thelonious Monk.

Length: 10:03 Difficulty: 2.0 Members Only
Lesson 22

Tools for Solo Arrangements

Matt Brown takes a look at a solo arrangement and provides thoughts and tools necessary to complete this type of guitar playing.

Length: 23:13 Difficulty: 2.0 Members Only
Lesson 23

Introduction to Bossa Nova

Matt Brown starts breaking down the rhythmic tendencies and patterns to the Brazilian Bossa Nova style of playing.

Length: 17:56 Difficulty: 0.0 Members Only
Lesson 24

Blue Bossa #1

In lesson 24 of his Jazz series, Matt takes a look at the melody to Blue Bossa.

Length: 9:12 Difficulty: 0.0 Members Only
Lesson 25

Blue Bossa #2

Matt Brown takes a look at the available chord voicings for Blue Bossa.

Length: 10:39 Difficulty: 0.0 Members Only

About Matt Brown View Full Biography Matt Brown began playing the guitar at the age of 11. "It was a rule in my family to learn and play an instrument for at least two years. I had been introduced to a lot of great music at the time by friends and their older siblings. I was really into bands like Nirvana, Alice In Chains, and Smashing Pumpkins, so the decision to pick up the guitar came pretty easily."

Matt's musical training has always followed a very structured path. He began studying the guitar with Dayton, Ohio guitar great Danny Voris. I began learning scales, chords, and basic songs like any other guitarist. After breaking his left wrist after playing for only a year, Matt began to study music theory in great detail. I wanted to keep going with my lessons, but I obviously couldn't play at all. Danny basically gave me the equivalent of a freshman year music theory course in the span of two months. These months proved to have a huge impact on Brown's approach to the instrument.

Brown continued his music education at Capital University in Columbus, Ohio. He completed a degree in Classical Guitar Performance in 2002. While at Capital, he also studied jazz guitar and recording techniques in great detail. "I've never had any desire to perform jazz music. Its lack of relevance to modern culture has always turned me off. However, nothing will improve your chops more than studying this music."

Matt Brown currently resides in Dayton, Ohio. He teaches lessons locally as well as at Capital University's Community Music School. Matt's recent projects include writing and recording with his new, as of yet nameless band as well as the formation of a cover band called The Dirty Cunnies.

Acoustic Guitar Lessons

Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.


Freebo Freebo

In this lesson, Freebo covers the basics of right hand technique. This lesson is essential for all up and coming bassists.

Free LessonSeries Details
Danny Voris Danny Voris

Lesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.

Free LessonSeries Details
Kaki King Kaki King

In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...

Free LessonSeries Details
Phil Keaggy Phil Keaggy

Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...

Free LessonSeries Details
Calum Graham Calum Graham

Award winning, Canadian fingerstyle guitarist Calum Graham introduces his Jamplay Artist Series, which aims to transform...

Free LessonSeries Details
Don Ross Don Ross

New fingerstyle instructor Don Ross introduces himself, his background, and what you should expect in this series.

Free LessonSeries Details
Robbie Merrill Robbie Merrill

JamPlay welcomes bassist and founding member of Godsmack, Robbie Merrill. In this short introduction lesson, Robbie showcases...

Free LessonSeries Details
Dave Yauk Dave Yauk

Learn a simple mini song that illustrates just how intertwined scales and chords really are. Dave uses a G chord paired...

Free LessonSeries Details
Hawkeye Herman Hawkeye Herman

Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.

Free LessonSeries Details

Electric Guitar Lesson Samples

Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.


Braun Khan Braun Khan

In this lesson, Braun teaches the chord types that are commonly used in jazz harmony. Learn how to build the chords and their...

Free LessonSeries Details
Paul Musso Paul Musso

JamPlay is proud to welcome senior professor and Coordinator of Guitar Studies at the University of Colorado at Denver,...

Free LessonSeries Details
David Davidson David Davidson

JamPlay interviews Revocation's Dave Davidson.

Free LessonSeries Details
Glen Drover Glen Drover

Lesson 25 from Glen presents a detailed exercise that firmly builds up fret hand dexterity for both speed and accuracy.

Free LessonSeries Details
Billy Sheehan Billy Sheehan

Billy starts his artist series off with a lesson on something he gets asked the most to explain: right hand 3 finger technique.

Free LessonSeries Details
Andy James Andy James

Get an in-depth look into the mind of virtuoso guitarist Andy James. Learn about Andy's early beginnings all the way up to...

Free LessonSeries Details
Michael Mennell Michael Mennell

Mike introduces himself and his series.

Free LessonSeries Details
Matt Brown Matt Brown

Matt Brown shows off some ways to add some creativity and originality to your rock chord voicings.

Free LessonSeries Details
Guthrie Trapp Guthrie Trapp

JamPlay introduces Nashville session player Guthrie Trapp! In this first segment, Guthrie talks a little about his influences,...

Free LessonSeries Details
Aaron Marshall Aaron Marshall

JamPlay welcomes instrumental guitarist Aaron Marshall for a comprehensive master course. In this first lesson Aaron discusses...

Free LessonSeries Details




Join over 490417 guitarists who have learned how to play in weeks... not years!

Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.



Unlimited Lesson Viewing

A JamPlay membership gives you access to every lesson, from every teacher on our staff. Additionally, there is no restriction on how many times you watch a lesson. Watch as many times as you need.

Live Lessons

Exclusive only to JamPlay, we currently broadcast 8-10 hours of steaming lesson services directly to you! Enjoy the benefits of in-person instructors and the conveniences of our community.

Interactive Community

Create your own profile, manage your friends list, and contact users with your own JamPlay Mailbox. JamPlay also features live chat with teachers and members, and an active Forum.

Chord Library

Each chord in our library contains a full chart, related tablature, and a photograph of how the chord is played. A comprehensive learning resource for any guitarist.

Scale Library

Our software allows you to document your progress for any lesson, including notes and percent of the lesson completed. This gives you the ability to document what you need to work on, and where you left off.

Custom Chord Sheets

At JamPlay, not only can you reference our Chord Library, but you can also select any variety of chords you need to work on, and generate your own printable chord sheet.

Backing Tracks

Jam-along backing tracks give the guitarist a platform for improvising and soloing. Our backing tracks provide a wide variety of tracks from different genres of music, and serves as a great learning tool.

Interactive Games

We have teachers covering beginner lessons, rock, classic rock, jazz, bluegrass, fingerstyle, slack key and more. Learn how to play the guitar from experienced players, in a casual environment.

Beginners Welcome.. and Up

Unlike a lot of guitar websites and DVDs, we start our Beginner Lessons at the VERY start of the learning process, as if you just picked up a guitar for the first time.Our teaching is structured for all players.

Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.

Price Per Lesson < $0.01 $4 - $5 $30 - $50 Free
Money Back Guarantee Sometimes n/a
Number of Instructors 88 1 – 3 1 Zillions
Interaction with Instructors Daily Webcam Sessions Weekly
Professional Instructors Luck of the Draw Luck of the Draw
New Lessons Daily Weekly Minutely
Structured Lessons
Learn Any Style Sorta
Track Progress
HD Video - Sometimes
Multiple Camera Angles Sometimes - Sometimes
Accurate Tabs Maybe Maybe
Scale/Chord Libraries
Custom JamTracks
Interactive Games
Community
Learn in Sweatpants Socially Unacceptable
Gasoline Needed $0.00 $0.00 ~$4 / gallon! $0.00

Mike H.

"I feel like a 12 year old kid with a new guitar!"
 

I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!


Greg J.

"With Jamplay I can fit in a random session when I have time and I can go at my own pace"
 

I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg


Bill

"I believe this is the absolute best site for guitar students."
 

I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.



Join thousands of others that LIKE JamPlay!