Blind Willie McTell and the Piedmont Style Part 2 (Guitar Lesson)


What are you waiting for? Get your membership now!
Eric Madis

Blind Willie McTell and the Piedmont Style Part 2

Eric Madis returns with the second part of his lesson on the Piedmont style and Blind Willie McTell. This time around he makes the arrangement a bit more complex.

Taught by Eric Madis in Fingerstyle Blues and Ragtime seriesLength: 8:52Difficulty: 2.5 of 5


Video Subtitles / Captions


Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


melanchthonmelanchthon replied on October 25th, 2015

Great lessons. I do agree that it would be better if the tab matched the videos, exactly

francie1francie1 replied on October 10th, 2015

These are really nice lessons and your pace is good but it takes awhile to figure out what you are doing when the tab does not match like in measure 20.

KitKit replied on May 2nd, 2014

The printed lesson #9 does not match what you are teaching on the video. I really like having the printed material with which to refer. Can you redo the lesson 9 material?

fourpeaksracingfourpeaksracing replied on August 10th, 2014

I'm with Kit...would be great to have the correct tab for this lesson.

gateway40gateway40 replied on August 18th, 2013

Having a hard time printing the tabs. I hit print and all I get is a jam play sheet with lesson info ( no tab ex. Lesson 14 : the style of John Hurt ect.). Any help or thoughts. Great teaching tool!

razzmatazzrazzmatazz replied on September 10th, 2013

You'll want to go to the Supplemental Content tab, and click on PDF version of the lesson materials there. Open the PDF with Adobe Reader (you probably have it installed already), then just hit the printer icon. That should do it.

thomaspeterfloodthomaspeterflood replied on February 8th, 2013

Hello from Ireland Eric. Loving the lessons! I have a problem that maybe you can help me with. Im noticing some tension in my right hand as I play that seems to correspond to the tension im having to use in my left while using these unfamiliar chord shapes. I wonder do you have any tips to alleviate this tension.

ke3mbke3mb replied on December 21st, 2012

This is the coolest thing I've ever played. Thank you. More Willie McTell stuff please.

Eric.MadisEric.Madis replied on January 21st, 2013

Thanks!

feb52feb52 replied on August 27th, 2012

Eric, I'm on lesson #9 I had a hec of a time getting the right fingering on that d7 chord but I finally got it. should I get every thing up to your speed before moving on. One more thing, what guage strings do you use on your flat top. thanks

Eric.MadisEric.Madis replied on January 21st, 2013

Not necessarily. As long as you have the song down well, you can move on, because over time you can increase speed and anything else that you learn in this idiom will reinforce your technique on previously learned songs.

feb52feb52 replied on August 27th, 2012

Eric, I'm on lesson #9 I had a hec of a time getting the right fingering on that d7 chord but I finally got it. should I get every thing up to your speed before moving on. One more thing, what guage strings do you use on your flat top. thanks

Eric.MadisEric.Madis replied on September 17th, 2012

I don't remember if I used bluegrass gauge (medium gauge for strings 4-6 and light gauge for 1-3) or lights on that guitar. I think I used lights. I don't have that guitar anymore.

memphismemphis replied on July 3rd, 2012

thanks Eric, like the drop D style...open d ringing adds so much...anytime i can get a tune with an open string going...it sounds so cool...still trying to get that alternating bass line in my brain...

Eric.MadisEric.Madis replied on September 17th, 2012

Thanks, glad you enjoy it. That alternating bass is very important, but once you have it down, you will be very happy that you did all that patient work.

GlenBGlenB replied on June 20th, 2012

Eric, this way of learning in small, but significant, steps is really the way to do it! Thanks so much.

Eric.MadisEric.Madis replied on September 17th, 2012

Thanks, Glenn. Yes, if someone makes too big of a leap, it will result in a breakdown on the basics (mostly the bassline) and then the bottom drops out. So, one step at a time works well, and there is nothing you can't do.

jchendyjchendy replied on June 12th, 2012

Thanks alien_x! I knew the beginning of the supplemental wasn't what he was teaching, but I didn't know the lesson was at the end until you pointed it out.

Eric.MadisEric.Madis replied on September 17th, 2012

We did that just to keep you all on your toes!

theleesthelees replied on May 30th, 2012

Excellent lesson. I'm to the point that I don't need tab. Thanks,Eric Don

Eric.MadisEric.Madis replied on September 17th, 2012

Good news, Don. Yeah, I was hoping most people would rely more on their memory and ear.

alien_xalien_x replied on May 27th, 2012

Wow! That was a tough one ... actually is, since I'm still working it. Watch out folks. The supplemental can be confusing. The first 12 bars are Eric's intro, and not what he is teaching in the lesson. It took me a while yo realize, slowpoke that I am. All in all hard work, but worth the while. Again, thx Eric.

cgrapskicgrapski replied on January 16th, 2013

Took me a while to figure that out - was a bit perplexed!

Eric.MadisEric.Madis replied on January 21st, 2013

Good news...thanks for letting me know.

Eric.MadisEric.Madis replied on September 17th, 2012

Thank you!

Fingerstyle Blues and Ragtime

Found in our Beginner Lesson Sets

Eric Madis covers a uniquely American style of music, the Blues. In this series he tackles the subject from the acoustic fingerstyle perspective and even throws in a bit of ragtime for good measure.



Lesson 1

The Rolling E Blues

Eric Madis introduces his Fingerstyle Blues and Ragtime lesson series. After the introduction, he starts things off with a bang by teaching "The Rolling E Blues".

Length: 14:13 Difficulty: 2.0 FREE
Lesson 2

The Rolling E Blues Phase 2

Eric Madis expands on "The Rolling E Blues," which he taught in the last lesson. This time around he adds information to make the arrangement more complex.

Length: 8:35 Difficulty: 2.0 Members Only
Lesson 3

Monotonic Bass

Eric Madis introduces the concept of monotonic bass lines and gives an excellent exercise for practicing the technique.

Length: 7:24 Difficulty: 2.5 Members Only
Lesson 4

The Rolling E Blues Phase 3

Eric Madis returns to the wonderful world of "The Rolling E Blues" and demonstrates how the arrangement can be made a bit more complex.

Length: 6:23 Difficulty: 2.5 Members Only
Lesson 5

The Rolling E Blues Phase 4

Eric Madis returns to "The Rolling E Blues" and teaches an even more complex variation.

Length: 5:33 Difficulty: 2.5 Members Only
Lesson 6

Robert Johnson Style Blues

In this lesson Eric teaches a Robert Johnson style blues.

Length: 9:56 Difficulty: 3.0 Members Only
Lesson 7

Robert Johnson Style Blues Part 2

Eric Madis returns with the second part of his lesson on the Robert Johnson style blues.

Length: 10:51 Difficulty: 3.0 Members Only
Lesson 8

Blind Willie McTell and the Piedmont Style

In this lesson, Eric Madis talks about the Piedmont blues and the musical stylings of Blind Willie McTell.

Length: 12:54 Difficulty: 2.5 Members Only
Lesson 9

Blind Willie McTell and the Piedmont Style Part 2

Eric Madis returns with the second part of his lesson on the Piedmont style and Blind Willie McTell. This time around he makes the arrangement a bit more complex.

Length: 8:52 Difficulty: 2.5 Members Only
Lesson 10

Improvisation Opportunity

Eric Madis demonstrates some opportunities for improvisation within the Blind Willie McTell/Piedmont style arrangement he taught in previous lessons.

Length: 11:59 Difficulty: 3.0 Members Only
Lesson 11

The Memphis Diads

Eric Madis introduces a series of diad patterns he calls "The Memphis Diads" and shows how they can be used as chord substitutions.

Length: 11:06 Difficulty: 3.0 Members Only
Lesson 12

Idea Application

This time around, Eric takes the ideas from the past few lessons and ties them together effectively within a blues progression.

Length: 8:23 Difficulty: 2.5 Members Only
Lesson 13

The Style of Mississippi John Hurt

In this lesson, Eric Madis begins teaching the style of Mississippi John Hurt. He talks about the signature syncopation technique Mississippi John Hurt used and discusses playing with the G chord.

Length: 12:12 Difficulty: 2.0 Members Only
Lesson 14

The Style of Mississippi John Hurt Part 2

Eric Madis takes the ideas taught in the last lesson and expands upon them. He talks about taking these ideas and playing melodies similar to what Mississippi John Hurt would have played.

Length: 9:59 Difficulty: 2.5 Members Only
Lesson 15

Robert Johnson Theme

Eric Madis begins teaching a common theme in the style of Robert Johnson. This theme will span several lessons. This time, Eric teaches a signature turnaround that gives the theme its flair.

Length: 5:29 Difficulty: 2.5 Members Only
Lesson 16

Robert Johnson Style Blues Part 2

Eric Madis continues with the Robert Johnson theme. This time, he finishes up the first variation of this 12 bar blues arrangement.

Length: 8:20 Difficulty: 2.5 Members Only
Lesson 17

Robert Johnson Theme Part 3

In this lesson, Eric teaches a brilliant variation to the Robert Johnson theme taught in the last lesson.

Length: 6:39 Difficulty: 2.0 Members Only
Lesson 18

Robert Johnson Theme Improvisation

In this lesson Eric talks about improvising using the Robert Johnson theme he has been teaching in the past few lessons.

Length: 11:04 Difficulty: 2.0 Members Only
Lesson 19

The Rolling E Blues Phase 5

Eric Madis takes knowledge he has taught in past lessons and applies it to an update of "The Rolling E Blues" that features exciting improvisational variations.

Length: 4:48 Difficulty: 2.5 Members Only
Lesson 20

The 7th and 9th Chords

In this lesson, Eric Madis talks about using the 7th and 9th chords in blues progressions. He uses "The Rolling E Blues" to demonstrate these chord options.

Length: 9:12 Difficulty: 2.5 Members Only
Lesson 21

Big Bill and the Reverend

Eric teaches a Piedmont blues number inspired by Big Bill Broonzy and the Reverend Gary Davis.

Length: 14:59 Difficulty: 2.5 Members Only
Lesson 22

Big Bill and the Reverend Part 2

In this lesson, Eric Madis returns to a piece he calls "Big Bill and the Reverend". This time around, he teaches ways you can embellish the song to make it more interesting.

Length: 9:57 Difficulty: 2.5 Members Only
Lesson 23

Big Bill and the Reverend Part 3

In this lesson, Eric returns to the tune "Big Bill and the Reverend" and talks about D chord substitutions.

Length: 12:25 Difficulty: 2.5 Members Only
Lesson 24

Big Bill and the Reverend Part 4

In this lesson, Eric shows several interesting improvisational techniques you can use with the E chord and shows how they can be applied to "Big Bill and the Reverend".

Length: 11:17 Difficulty: 2.5 Members Only
Lesson 25

Baby Please Don't Go

Eric Madis teaches a traditional blues tune entitled "Baby Please Don't Go".

Length: 9:29 Difficulty: 2.5 Members Only
Lesson 26

Baby Please Don't Go Part 2

In this lesson Eric discusses variations that can be used when playing "Baby Please Don't Go".

Length: 10:36 Difficulty: 2.5 Members Only
Lesson 27

RJ's Lament

Eric Madis will have you sounding like Robert Johnson in no time with this amazing blues progression entitled "RJ's Lament".

Length: 10:44 Difficulty: 2.5 Members Only
Lesson 28

RJ's Lament Part 2

In this lesson Eric Madis teaches a version of "RJ's Lament" that contains Robert Johnson's signature musical flair.

Length: 8:10 Difficulty: 2.5 Members Only
Lesson 29

Mississippi John Hurt Tribute

In this lesson, Eric teaches a 16 bar blues progression that honors blues musician Mississippi John Hurt.

Length: 8:02 Difficulty: 2.5 Members Only
Lesson 30

Mississippi John Hurt Tribute Part 2

In the second part of his "Mississippi John Hurt Tribute," Eric Madis teaches several interesting variations on this 16 bar progression.

Length: 9:41 Difficulty: 3.0 Members Only
Lesson 31

The Americana Rag

Eric Madis teaches a traditional blues and ragtime theme he likes to call "The Americana Rag".

Length: 9:35 Difficulty: 2.5 Members Only
Lesson 32

The Americana Rag Part 2

Eric Madis returns to "The Americana Rag". He teaches the melody portion of the song and how to add it into the basic arrangement taught in lesson 31.

Length: 7:53 Difficulty: 3.0 Members Only
Lesson 33

Walking Bass Lines

Eric Madis teaches the concept of walking bass lines within a new blues chord progression.

Length: 11:11 Difficulty: 3.0 Members Only
Lesson 34

Glory, Glory, Hallelujah

Eric starts teaching his blues/ragtime rendition of the classic song "Glory, Glory, Hallelujah". This version he teaches is in G6 tuning. He explains this tuning and the first section of the song.

Length: 12:26 Difficulty: 3.0 Members Only
Lesson 35

Glory, Glory, Hallelujah Part 2

Eric Madis returns to this song and teaches the second part of the melody.

Length: 5:52 Difficulty: 2.5 Members Only
Lesson 36

Glory, Glory, Hallelujah Part 3

In this lesson, Eric teaches another melody that can be used with this song. This time the melody features a bit of Hawaiian slack key flair.

Length: 8:02 Difficulty: 3.0 Members Only
Lesson 37

Glory, Glory, Hallelujah Part 4

In this lesson, Eric teaches a version of this tune that is inspired by Mississippi John Hurt. Mixing this variation in with the others will have you sounding like a blues god in no time!

Length: 9:00 Difficulty: 3.0 Members Only
Lesson 38

Glory, Glory, Hallelujah Part 5

Eric Madis teaches you how to incorporate some Memphis lead ideas into the arrangement of "Glory, Glory Hallelujah" that he has been teaching.

Length: 6:36 Difficulty: 2.5 Members Only
Lesson 39

Glory, Glory, Hallelujah Part 6

Eric teaches another way to play this song that includes arpeggio techniques often employed by Chet Atkins.

Length: 5:45 Difficulty: 2.5 Members Only
Lesson 40

Glory, Glory, Hallelujah Part 7

Eric Madis teaches what he calls the "Blind Blake and Merle Travis" section of the song. Basically this is a version of the song taught in their styles.

Length: 7:28 Difficulty: 2.5 Members Only
Lesson 41

Glory, Glory, Hallelujah Part 8

In the final lesson on this song, Eric teaches the ending and then demonstrates the entire song using all of the different arrangements from previous lessons. These may have seemed like small and easy...

Length: 8:35 Difficulty: 3.0 Members Only
Lesson 42

Maple Leaf Rag

Eric Madis teaches a fingerstyle version of the classic ragtime tune "Maple Leaf Rag". He begins with this simple introduction arrangement and moves on to teach more difficult portions in later lessons.

Length: 8:00 Difficulty: 2.5 Members Only
Lesson 43

Maple Leaf Rag Part 2

In the second part of his series on "Maple Leaf Rag," Eric teaches a basic version of the melody for the A section of the song.

Length: 6:43 Difficulty: 2.5 Members Only
Lesson 44

Maple Leaf Rag Part 3

Eric Madis teaches the next major portion of the melody for "Maple Leaf Rag". This melody is a bit more difficult to play, but the sound is worth it.

Length: 11:23 Difficulty: 2.5 Members Only
Lesson 45

Maple Leaf Rag Part 4

In this lesson, Eric teaches the third part of the melody to "Maple Leaf Rag". When combined with the intro, these three parts form a nearly complete arrangement of this classic ragtime tune.

Length: 8:53 Difficulty: 3.0 Members Only
Lesson 46

Maple Leaf Rag Part 5

Eric wraps up his rendition of "Maple Leaf Rag" by teaching the ending segment of the song. Afterwards, he puts the entire song together and talks about performing it.

Length: 8:02 Difficulty: 2.5 Members Only

About Eric Madis View Full Biography Eric Madis is a guitarist, singer and composer, a versatile artist whose playing and compositions reflect his diverse and thorough background in American music. Whether performing in an ensemble or as a soloist, he exudes a love and a mastery of the blues that have been refined by years of experience in jazz, country, rock, and even Hawaiian music. What results are performances that include authentic renderings of old rural blues, personal interpretations of modern urban blues and jazz standards, and original music that defies strict categorization, but that draws heavily from these traditions.

Eric lives in Seattle where he leads his own ensemble, performs as a solo act and performs in the Seattle Swing Trio. He has released four CDs on Luna Records, and is currently working on a fifth. He is on the faculty of the National Guitar Workshop and Dusty Strings Music and teaches guitar privately.

Eric lived his formative years in Colorado with a family that was musical (his mother was an accomplished opera singer), and began his music study on the piano at the age of nine. He began performing shortly after picking up a guitar at ten years of age. By the age of sixteen, he was performing in Chicago-area coffeehouses. He has accompanied artists as diverse as bluesmen Big Walter Horton, Sunnyland Slim, Deacon Jones, Hawaiian luminaries Irmgaard Aluli, Kekua Fernandez, Emma Sharpe and author/poet Nikki Grimes.

He has led bands in Illinois, Texas, Colorado and Washington. He has opened shows for Robben Ford, James Cotton, Little Charlie and the Nightcats, Mem Shannon, Hawkeye Herman and author Sherman Alexie. Eric's four albums have received critical acclaim, including regional airplay and nominations from NAMA and Washington Blues Society (WBS). He has received 16 Best Blues nominations from WBS, was a finalist in the New Folk Awards at the 1981 Kerrville National Folk Festival, a finalist in the 1991 Seattle Guitar Starz competition, and has music featured on five film soundtracks. Eric has taught guitar classes at Denver Free University, University of Washington's Experimental College, Northwest Folklife Festival, National Guitar Workshop, and Canada's Guitar Workshop Plus.

Whether performing in a group or as a soloist, at a concert or a small club, teaching privately or a large workshop, Eric is a dedicated professional, with commitment to the quality of his art and to his audience.

Acoustic Guitar Lessons

Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.


Danny Voris Danny Voris

Lesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.

Free LessonSeries Details
Phil Keaggy Phil Keaggy

Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...

Free LessonSeries Details
Trace Bundy Trace Bundy

Trace Bundy talks about the different ways you can use multiple capos to enhance your playing.

Free LessonSeries Details
Mary Flower Mary Flower

Mary talks about the key of F in this fantastic lesson.

Free LessonSeries Details
Mark Lincoln Mark Lincoln

Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.

Free LessonSeries Details
Miche Fambro Miche Fambro

Miche introduces several new chord concepts that add color and excitement to any progression.

Free LessonSeries Details
Justin Roth Justin Roth

In this lesson Justin introduces his series on playing with a capo and dishes out some basic tips, including how to properly...

Free LessonSeries Details
Dave Yauk Dave Yauk

Learn a simple mini song that illustrates just how intertwined scales and chords really are. Dave uses a G chord paired...

Free LessonSeries Details
Rich Nibbe Rich Nibbe

Rich Nibbe takes a look at how you can apply the pentatonic scale in the style of John Mayer into your playing.

Free LessonSeries Details

Electric Guitar Lesson Samples

Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.


Danny Morris Danny Morris

Hone in on your right hand and focus on getting in the groove. You'll only play one note during this lesson, but it'll be...

Free LessonSeries Details
Tony MacAlpine Tony MacAlpine

Free LessonSeries Details
David MacKenzie David MacKenzie

David MacKenzie introduces the tapping technique and teaches a fun exercise. This lesson includes a backing track.

Free LessonSeries Details
Prashant Aswani Prashant Aswani

Do you want to play more musical sounding solos? Do you want to play solos with more emotion behind them? Maybe you're the...

Free LessonSeries Details
Guthrie Trapp Guthrie Trapp

JamPlay introduces Nashville session player Guthrie Trapp! In this first segment, Guthrie talks a little about his influences,...

Free LessonSeries Details
DJ Phillips DJ Phillips

Learn a handful of new blues techniques while learning to play Stevie Ray Vaughn's "The House Is Rockin'".

Free LessonSeries Details
David Davidson David Davidson

JamPlay interviews Revocation's Dave Davidson.

Free LessonSeries Details
Paul Musso Paul Musso

JamPlay is proud to welcome senior professor and Coordinator of Guitar Studies at the University of Colorado at Denver,...

Free LessonSeries Details
Joe Burcaw Joe Burcaw

Join Joe as he shows one of his favorite drills for strengthening his facility around the fretboard: The Spider Technique.

Free LessonSeries Details
Kris Norris Kris Norris

Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...

Free LessonSeries Details




Join over 481003 guitarists who have learned how to play in weeks... not years!

Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.



Unlimited Lesson Viewing

A JamPlay membership gives you access to every lesson, from every teacher on our staff. Additionally, there is no restriction on how many times you watch a lesson. Watch as many times as you need.

Live Lessons

Exclusive only to JamPlay, we currently broadcast 8-10 hours of steaming lesson services directly to you! Enjoy the benefits of in-person instructors and the conveniences of our community.

Interactive Community

Create your own profile, manage your friends list, and contact users with your own JamPlay Mailbox. JamPlay also features live chat with teachers and members, and an active Forum.

Chord Library

Each chord in our library contains a full chart, related tablature, and a photograph of how the chord is played. A comprehensive learning resource for any guitarist.

Scale Library

Our software allows you to document your progress for any lesson, including notes and percent of the lesson completed. This gives you the ability to document what you need to work on, and where you left off.

Custom Chord Sheets

At JamPlay, not only can you reference our Chord Library, but you can also select any variety of chords you need to work on, and generate your own printable chord sheet.

Backing Tracks

Jam-along backing tracks give the guitarist a platform for improvising and soloing. Our backing tracks provide a wide variety of tracks from different genres of music, and serves as a great learning tool.

Interactive Games

We have teachers covering beginner lessons, rock, classic rock, jazz, bluegrass, fingerstyle, slack key and more. Learn how to play the guitar from experienced players, in a casual environment.

Beginners Welcome.. and Up

Unlike a lot of guitar websites and DVDs, we start our Beginner Lessons at the VERY start of the learning process, as if you just picked up a guitar for the first time.Our teaching is structured for all players.

Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.

Price Per Lesson < $0.01 $4 - $5 $30 - $50 Free
Money Back Guarantee Sometimes n/a
Number of Instructors 86 1 – 3 1 Zillions
Interaction with Instructors Daily Webcam Sessions Weekly
Professional Instructors Luck of the Draw Luck of the Draw
New Lessons Daily Weekly Minutely
Structured Lessons
Learn Any Style Sorta
Track Progress
HD Video - Sometimes
Multiple Camera Angles Sometimes - Sometimes
Accurate Tabs Maybe Maybe
Scale/Chord Libraries
Custom JamTracks
Interactive Games
Community
Learn in Sweatpants Socially Unacceptable
Gasoline Needed $0.00 $0.00 ~$4 / gallon! $0.00

Mike H.

"I feel like a 12 year old kid with a new guitar!"
 

I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!


Greg J.

"With Jamplay I can fit in a random session when I have time and I can go at my own pace"
 

I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg


Bill

"I believe this is the absolute best site for guitar students."
 

I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.



Join thousands of others that LIKE JamPlay!