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In lesson 142, Hawkeye dives into the style of Son House. House pioneered an innovative style featuring strong, repetitive rhythms often played with a slide.
Taught by Hawkeye Herman in Blues Guitar with Hawkeye seriesLength: 14:32Difficulty: 3.5 of 5
The blues is a distinctly American style of music. Many popular genres such as jazz, rock, and country music draw upon basic blues concepts. Consequently, it is advantageous for any guitarist to study the blues.
Lesson 1
Hawkeye Herman introduces the blues. He explains the 12 bar blues chords and the poetic format that blues lyrics typically follow.
Length: 19:25 Difficulty: 1.0 Members Only
Hawkeye explains how the I, IV, and V chords are used in a 12 bar blues progression.
Length: 12:12 Difficulty: 1.0 Members Only
Hawkeye demonstrates common strumming patterns used in blues music. He also explains how country music evolved from the blues.
Length: 19:42 Difficulty: 1.5 Members Only
The shuffle is one of the most common rhythms used in blues music. Hawkeye introduces the most basic shuffle rhythm pattern.
Length: 18:12 Difficulty: 1.5 Members Only
Hawkeye covers the blues shuffle in greater depth.
Length: 13:13 Difficulty: 1.5 Members Only
Hawkeye introduces and explains a common blues turnaround.
Length: 7:45 Difficulty: 2.0 Members Only
Hawkeye demonstrates various ways of arpeggiating the blues turnaround from the previous lesson.
Length: 8:08 Difficulty: 2.0 Members Only
Hawkeye explains how the turnaround from the previous lesson can be transposed to all 12 keys.
Length: 5:57 Difficulty: 2.0 Members Only
Hawkeye explains how the blues turnaround can be played on the bass strings.
Length: 11:12 Difficulty: 2.0 Members Only
Hawkeye provides some tips regarding how to integrate turnarounds into the context of the 12 bar blues form.
Length: 3:58 Difficulty: 2.0 Members Only
In this lesson Hawkeye will explain how you can use turnarounds as a way to play basic lead.
Length: 0:00 Difficulty: 2.0 Members Only
Hawkeye demonstrates how subtle changes made to the blues shuffle can have a profound impact on the overall sound of the 12 bar form.
Length: 7:12 Difficulty: 2.0 Members Only
Hawkeye demonstrates more blues shuffle variations. He discusses playing individual notes and palm muting.
Length: 7:23 Difficulty: 2.0 Members Only
In this lesson, Hawkeye teaches a bass version of the blues shuffle that mimics a common left-hand piano pattern.
Length: 10:49 Difficulty: 2.0 Members Only
Hawkeye presents an exercise that will enable you to play a turnaround over the blues form in all twelve keys.
Length: 10:44 Difficulty: 2.0 Members Only
Hawkeye teaches a Delta blues turnaround in the key of A. This turnaround is played in the style of Robert Johnson.
Length: 10:45 Difficulty: 2.0 Members Only
Hawkeye Herman teaches a new Delta blues turnaround. This lick was inspired by Robert Johnson.
Length: 7:12 Difficulty: 2.0 Members Only
Hawkeye Herman teaches more components of Robert Johnson's signature sound.
Length: 27:38 Difficulty: 2.0 Members Only
Hawkeye introduces some common, movable chord shapes.
Length: 17:42 Difficulty: 2.0 Members Only
Hawkeye reviews movable chords in this lesson. He explains how these chord voicings can be used in a practical blues context.
Length: 5:41 Difficulty: 2.0 Members Only
Hawkeye Herman introduces the minor pentatonic scale in this lesson, the most commonly used scale in blues lead guitar.
Length: 23:54 Difficulty: 2.0 Members Only
Hawkeye builds on the pentatonic scale. He introduces "blue" notes, which transform the pentatonic scale into the minor blues scale.
Length: 12:50 Difficulty: 2.0 Members Only
Hawkeye explains how to transpose the minor pentatonic and minor blues scales to different keys.
Length: 21:18 Difficulty: 2.0 Members Only
Hawkeye Herman explains how to determine the key of a blues song. This information is essential if you wish to play lead over a song.
Length: 15:31 Difficulty: 2.0 Members Only
In this lesson, Hawkeye will bring together much of what he has taught in this lesson series and apply it to the style of Lightnin' Hopkins.
Length: 16:36 Difficulty: 2.0 Members Only
Hawkeye explains how to play the blues shuffle on the treble strings.
Length: 9:22 Difficulty: 2.0 Members Only
Hawkeye Herman teaches you how to play his original song, "The Great River Road," in this phenomenal lesson.
Length: 16:39 Difficulty: 2.0 Members Only
Hawkeye covers the guitar style of Mississippi John Hurt. This style makes heavy use of alternating bass lines.
Length: 14:48 Difficulty: 2.0 Members Only
Hawkeye teaches an original piece called "Piano Blues." He teaches this song to further demonstrate the alternating bass line.
Length: 13:20 Difficulty: 2.5 Members Only
Hawkeye Herman teaches a beautiful blues accompaniment pattern.
Length: 10:11 Difficulty: 2.5 Members Only
Hawkeye introduces the stop-time blues rhythm.
Length: 17:21 Difficulty: 2.5 Members Only
Hawkeye Herman explains how to play Robert Johnson's "Sweet Home Chicago."
Length: 16:17 Difficulty: 2.5 Members Only
Hawkeye introduces the eight bar blues progression.
Length: 22:28 Difficulty: 2.0 Members Only
Hawkeye takes the 8 bar blues material from the last lesson and explains how to transpose it to different keys.
Length: 6:39 Difficulty: 0.5 Members Only
Hawkeye teaches a classic 8 bar blues tune in the style of Brownie McGhee and Big Bill Broonzy.
Length: 25:10 Difficulty: 2.0 Members Only
In this lesson Hawkeye revisits the blues/pentatonic scale and talks about playing multiple notes at the same time.
Length: 9:42 Difficulty: 1.5 Members Only
Hawkeye Herman teaches a classic blues song ending. He also explains how it can be played in different keys.
Length: 9:42 Difficulty: 2.0 Members Only
Hawkeye Herman covers the basics of slide technique and provides exercises to demonstrate them.
Length: 25:49 Difficulty: 2.5 Members Only
Hawkeye Herman introduces open D tuning. He explains how to play a 12 bar blues progression with a slide in this tuning.
Length: 14:56 Difficulty: 2.5 Members Only
Hawkeye Herman demonstrates the classic Robert Johnson song, "Ramblin' On My Mind" in open D tuning.
Length: 8:41 Difficulty: 2.5 Members Only
Hawkeye explains how to play the blues shuffle in open D tuning.
Length: 0:00 Difficulty: 2.0 Members Only
Hawkeye teaches the "harmony" version of the shuffle in open D tuning.
Length: 5:15 Difficulty: 2.0 Members Only
Hawkeye teaches a simple blues turnaround in open D tuning.
Length: 9:00 Difficulty: 2.5 Members Only
Hawkeye Herman teaches some open D slide guitar licks. These licks are inspired by the song "Ramblin' On My Mind" by Robert Johnson.
Length: 8:14 Difficulty: 3.0 Members Only
Hawkeye Herman explains how to play the D minor pentatonic scale in Open D tuning.
Length: 4:00 Difficulty: 2.5 Members Only
Hawkeye challenges you to play "Ramblin' On My Mind" using the techniques from the past couple of lessons.
Length: 4:03 Difficulty: 3.0 Members Only
Hawkeye shows that open D tuning and slide guitar are not exclusive to the blues. He provides an exercise that demonstrates how this tuning can be used in rock music.
Length: 15:55 Difficulty: 2.5 Members Only
Hawkeye returns to the world of open D tuning. He introduces various chord voicings and explains how they can be used in the blues.
Length: 10:00 Difficulty: 0.5 Members Only
In this lesson, Hawkeye teaches a classic blues song by Mississippi Fred McDowell - "You Got To Move".
Length: 9:03 Difficulty: 2.5 Members Only
Hawkeye Herman demonstrates how to play the melody of "You Got to Move" with a slide.
Length: 6:51 Difficulty: 2.5 Members Only
Hawkeye Herman talks about playing and creating blues licks with the slide.
Length: 9:53 Difficulty: 2.5 Members Only
Hawkeye Herman breaks down important aspects of Elmore James' style.
Length: 23:11 Difficulty: 2.5 Members Only
Hawkeye teaches some versatile blues licks and riffs that can be used in open D tuning.
Length: 11:15 Difficulty: 2.5 Members Only
Hawkeye Herman teaches the basics of open G tuning.
Length: 7:28 Difficulty: 2.0 Members Only
Hawkeye gives a brief overview of chords and how they are played in open G tuning.
Length: 6:11 Difficulty: 1.5 Members Only
Hawkeye gives a brief rundown of how the blues / minor pentatonic scale can be played in open G tuning.
Length: 4:48 Difficulty: 1.5 Members Only
Hawkeye talks about playing accompaniment using open G tuning.
Length: 7:44 Difficulty: 2.5 Members Only
Improvisation using the minor pentatonic / blues scale is discussed in open G tuning. Hawkeye also touches on Robert Johnson's song, "Walkin' Blues."
Length: 7:26 Difficulty: 2.5 Members Only
In this lesson, Hawkeye Herman talks about playing the blues shuffle in open G tuning. He also shows some basic turnarounds.
Length: 10:37 Difficulty: 2.5 Members Only
Hawkeye reviews the blues shuffle in open G tuning. He demonstrates shuffle variations as well as a few licks, turnarounds, and other tidbits.
Length: 15:45 Difficulty: 2.5 Members OnlyLesson 61
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.
Length: 14:40 Difficulty: 2.5 FREE
Hawkeye introduces the capo and explains how it can be used. This lesson is still in the context of G tuning.
Length: 10:28 Difficulty: 2.5 Members Only
Hawkeye Herman showcases the power of slide guitar by demonstrating the classic Robert Johnson song, "Come On In My Kitchen."
Length: 6:33 Difficulty: 3.0 Members Only
Hawkeye Herman gives a brief rundown of Skip James' blues guitar style. This lesson also focuses on playing in open tunings without a slide.
Length: 19:15 Difficulty: 3.0 Members Only
Hawkeye demonstrates how to take a song from open D tuning and play it in open G. He uses the song "No Expectations" by the Rolling Stones as an example.
Length: 10:26 Difficulty: 0.5 Members Only
Hawkeye shows you the wonders of drop D tuning and teaches his rendition of "Big Road Blues."
Length: 30:30 Difficulty: 3.0 Members Only
Hawkeye goes over the fantastic song "Statesboro Blues" by Blind Willie McTell in Drop D tuning.
Length: 27:12 Difficulty: 2.5 Members Only
Hawkeye discusses some history behind the great blues guitarist Blind Lemon Jefferson. He covers the song "Matchbox Blues" to provide an example of his style.
Length: 19:40 Difficulty: 2.0 Members Only
Hawkeye explains the chord changes used in a minor blues progression.
Length: 12:53 Difficulty: 2.0 Members Only
Hawkeye talks about the capo and its many uses.
Length: 22:32 Difficulty: 2.0 Members Only
By user request, Hawkeye shares ideas on how to end songs in this lesson.
Length: 21:26 Difficulty: 2.0 Members Only
In this lesson, Hawkeye Herman returns to the wonderful world of stop-time blues. He teaches a few more ways to play in this glorious style.
Length: 17:53 Difficulty: 0.5 Members Only
Hawkeye talks about the eight bar blues and uses some classic blues songs as examples.
Length: 26:19 Difficulty: 3.0 Members Only
Hawkeye talks all about the blues mambo in this lesson.
Length: 16:09 Difficulty: 2.5 Members Only
Hawkeye explains how all the endings you've learned up to this point can be transposed to any key.
Length: 31:53 Difficulty: 3.0 Members Only
Hawkeye talks about transposing the minor pentatonic scale to various keys.
Length: 16:58 Difficulty: 3.0 Members Only
Hawkeye explains how the blues scale can be used to play lead in any song.
Length: 30:57 Difficulty: 3.0 Members Only
Hawkeye explains how the blues scale can span the neck in any key.
Length: 22:09 Difficulty: 3.5 Members Only
Hawkeye talks about the background of rock 'n roll and how it is connected to blues.
Length: 21:42 Difficulty: 2.0 Members Only
This lesson is filled with fun licks and lick techniques.
Length: 17:32 Difficulty: 3.0 Members Only
Hawkeye brings more blues wisdom to you in this lesson about spanning the neck.
Length: 18:18 Difficulty: 3.0 Members Only
Hawkeye provides a few useful tips on playing barre chords.
Length: 13:18 Difficulty: 2.0 Members Only
Hawkeye discusses how the visual shapes of chords relate to one another on the fretboard.
Length: 15:06 Difficulty: 3.0 Members Only
Hawkeye explains how to find the I, IV, and V chords in all 12 major keys.
Length: 8:43 Difficulty: 3.0 Members Only
Hawkeye answers member questions on the shuffle rhythm.
Length: 16:19 Difficulty: 2.0 Members Only
Hawkeye shares an idea in the key of A that you can apply to your blues playing.
Length: 18:15 Difficulty: 3.0 Members Only
Thumbpick Vs. Flatpick: A most common question asked among guitarists is discussed in this lesson.
Length: 15:13 Difficulty: 0.5 Members Only
Hawkeye shares his ideas on the capo and explains why he thinks it is important for every guitarist to own one.
Length: 18:34 Difficulty: 0.5 Members Only
Hawkeye reiterates that everything is movable on the guitar and provides some fresh new ideas.
Length: 12:27 Difficulty: 2.0 Members Only
Hawkeye explains how to add variety to the shuffle pattern by transferring the bass notes to the treble register and by adding palm muting. He also explains how you can create your own shuffle variations.
Length: 21:21 Difficulty: 2.0 Members Only
Hawkeye provides more amazing tips and tricks on moving your shuffle rhythm to the treble for a unique sound.
Length: 16:50 Difficulty: 3.0 Members Only
Hawkeye revisits the techniques learned in the last few lessons and explains how to tie tie them together to create solos.
Length: 9:46 Difficulty: 2.0 Members Only
Hawkeye provides some great tips for transposing any song you want to learn to a different key.
Length: 17:31 Difficulty: 3.0 Members Only
This exciting lesson dives into some of the earliest history of blues music and how it has shaped popular music today.
Length: 13:52 Difficulty: 0.5 Members Only
Hawkeye Herman explains why "blues is the roots, and everything else is the fruits."
Length: 8:41 Difficulty: 1.0 Members Only
Hawkeye discusses the history and style of Hank Williams.
Length: 17:07 Difficulty: 2.0 Members Only
Hawkeye demonstrates some key aspects of Jimmie Rodgers' style.
Length: 12:30 Difficulty: 2.0 Members Only
Hawkeye demonstrates the "boom-chicka" strum and explains various ways you can incorporate it into your playing.
Length: 22:44 Difficulty: 2.0 Members Only
Hawkeye Herman explains how to spice up your rhythm playing by incorporating bass runs between chord changes.
Length: 16:20 Difficulty: 2.0 Members Only
Hawkeye Herman celebrates lesson 100 with a short but sweet review of what you've learned in the past couple of lessons.
Length: 6:51 Difficulty: 2.0 Members Only
Hawkeye Herman demonstrates rhythmic concepts from earlier lessons by playing a fun medley.
Length: 13:08 Difficulty: 2.0 Members Only
Hawkeye shares some of his favorite licks in this lesson.
Length: 22:35 Difficulty: 3.0 Members Only
Hawkeye teaches more fun licks to add to your blues bag of tricks.
Length: 31:20 Difficulty: 2.5 Members Only
Hawkeye Herman is back with some more classic blues licks that span the length of the fretboard.
Length: 26:20 Difficulty: 2.5 Members Only
Hawkeye explains the importance of playing licks over the entire neck of the guitar.
Length: 21:33 Difficulty: 2.0 Members Only
Hawkeye Herman shares a lick that is commonly known as the "Rock Me Baby" Lick. He explains how this lick can be incorporated into a performance of this classic B.B. King song.
Length: 19:09 Difficulty: 2.0 Members Only
Hawkeye discusses how ideas derived from turnarounds can be incorporated into blues solos.
Length: 8:19 Difficulty: 2.0 Members Only
Hawkeye Herman talks about instrumental themes and how you can add lead fills to them.
Length: 18:03 Difficulty: 3.0 Members Only
Hawkeye continues his discussion on instrumental themes and blues.
Length: 23:42 Difficulty: 2.5 Members Only
Hawkeye Herman explains how dominant 9th chords are formed and how they can be used in blues music.
Length: 15:16 Difficulty: 3.0 Members Only
Hawkeye Herman continues his discussion on 9th chords.
Length: 26:52 Difficulty: 2.5 Members Only
Hawkeye Herman shares more eight bar blues knowledge in this fun and information-packed lesson.
Length: 23:57 Difficulty: 2.5 Members Only
Hawkeye shares his thoughts on tuners in this lesson.
Length: 6:38 Difficulty: 0.5 Members Only
In the 114th installment of his Blues Series, Hawkeye introduces the capo. He demonstrates how this valuable tool allows you to transpose chord voicings to various keys.
Length: 23:21 Difficulty: 2.5 Members Only
Having trouble getting those fingers to form barre chords? In lesson #115 of his Blues Series, Hawkeye covers some tips and techniques to help with these problematic chord shapes. Any beginner can master...
Length: 10:03 Difficulty: 2.5 Members Only
Hawkeye explains why the adjacent strings on the guitar are tuned in perfect fourths and how this relates to left hand fingering.
Length: 18:44 Difficulty: 3.0 Members Only
Hawkeye continues where he left off in lesson 116 and explains how the tuning of the guitar relates to commonly used chord shapes.
Length: 16:43 Difficulty: 2.0 Members Only
Hawkeye Herman reviews important transposition concepts. Here he demonstrates how to change the key of a song so that it is appropriate for your vocal range.
Length: 20:31 Difficulty: 3.0 Members Only
Hawkeye takes a look at this important right hand technique.
Length: 20:54 Difficulty: 3.0 Members Only
Hawkeye provides a history lesson on Bo Diddley. He also demonstrates how to play the classic "Bo Diddley Beat." This rhythmic pattern appears in countless blues and rock songs.
Length: 20:15 Difficulty: 2.0 Members Only
Hawkeye teaches some blues bass lines that can be applied to the twelve bar blues form.
Length: 19:04 Difficulty: 2.5 Members Only
Hawkeye continues on from his 121st lesson with more examples of blues bass lines for guitar.
Length: 7:14 Difficulty: 2.5 Members Only
Hawkeye dives into some lead bass ideas. He demonstrates how a classic Eric Clapton riff can be used over the twelve bar blues form in any key.
Length: 12:57 Difficulty: 3.0 Members Only
Hawkeye teaches the bass line riff to his song "Willie's Bounce."
Length: 16:31 Difficulty: 3.0 Members Only
Hawkeye continues his discussion on finger picking.
Length: 12:27 Difficulty: 3.0 Members Only
Hawkeye Herman teaches a version of the A chord that he calls "The Texas A."
Length: 13:59 Difficulty: 3.0 Members Only
Hawkeye breaks down the blues scale and demonstrates how to appropriately add the major 3rd.
Length: 26:16 Difficulty: 3.0 Members Only
As demonstrated in previous lessons, Hawkeye opens up the world of double stops. Hawkeye teaches some classic Chuck Berry licks to demonstrate how double stops can be used effectively.
Length: 11:53 Difficulty: 2.5 Members Only
Hawkeye introduces the guitar stye of Scrapper Blackwell. He uses the song Scrapper called "E Blues" as a starting point.
Length: 20:46 Difficulty: 2.5 Members Only
History flows deep in blues music. Hawkeye discusses the influence of Blind Lemon Jefferson. This lesson is one for the history books.
Length: 22:43 Difficulty: 2.0 Members Only
Hawkeye opens up some ideas on how to "plan ahead" in your playing. Similar to riding a bike, you need to look forward to see where your going. Humming what you want to play allows you to anticipate the...
Length: 18:49 Difficulty: 4.0 Members Only
Inspired by the tragedy of Hurricane Katrina, Hawkeye was commissioned by the BBC to write a song about Katrina. Hawkeye demonstrates this song and recalls his thought process in writing this song.
Length: 29:53 Difficulty: 3.0 Members Only
Hawkeye demonstrates how a hammer-on can be used to open up doors in your playing. Hawkeye shows you how to achieve this technique and use it successfully in your playing.
Length: 24:07 Difficulty: 3.0 Members Only
Hawkeye covers the pull-off, best friend of the hammer on. This technique is used to achieve the same goal as the hammer-on, yet with a completely different finger movement.
Length: 15:02 Difficulty: 3.0 Members Only
Hawkeye combines lessons 133 and 134 and demonstrates some examples of how to utilize the hammer-on and pull-off techniques together to enhance your overall blues guitar skills.
Length: 10:27 Difficulty: 3.5 Members Only
The 12 bar form is a staple in the world of blues music. However, there are plenty of different ways to arrange it. This lesson covers what is commonly called "The Quick Change."
Length: 15:15 Difficulty: 2.0 Members Only
Hawkeye demonstrates how to change up a traditional 12 bar blues progression by starting on the IV chord.
Length: 16:51 Difficulty: 2.5 Members Only
Hawkeye demonstrates yet another form of blues known as the "Talking Blues." This style is indicative of its name. It features a talking vocal style played over a I, IV, V chord progression.
Length: 24:43 Difficulty: 4.0 Members Only
Need a slightly different voicing to spice up your playing? 9th chords will give your blues playing a colorful, urban sound.
Length: 24:53 Difficulty: 3.5 Members Only
Hawkeye breaks out his slide and demonstrates how chord progressions in major keys can be played in open minor tunings.
Length: 4:43 Difficulty: 1.0 Members Only
Hawkeye offers up some tricks and techniques that Elmore James utilized in his style of playing.
Length: 25:52 Difficulty: 3.5 Members Only
In lesson 142, Hawkeye dives into the style of Son House. House pioneered an innovative style featuring strong, repetitive rhythms often played with a slide.
Length: 14:32 Difficulty: 3.5 Members Only
About Hawkeye Herman
View Full Biography
""One of America's finest acoustic guitarists and blues educators."
Cascade Blues Association
"Herman plays with a sensitive, reflective touch that continually draws
attention to his vocals, which are effectively understated and free of
affectation... Herman can rock with the best of them. A solid choice for fans of
traditional acoustic blues."
Living Blues Magazine
" ...plays haunting music on a mournful guitar."
Los Angeles Times
"The only thing better than hearing this live album is seeing Hawkeye Herman
in the flesh. Whether adding his own spin to blues classics or offering his
own songs, Herman is a one-man history of blues, noteworthy guitar player and
inimitable communicator. Miss him at your peril."
Blues Access
With over 40 years of performing experience, Michael "Hawkeye" Herman
personifies the range of possibilities in blues and folk music. His dynamic blues
guitar playing and vocal abilities have won him a faithful following and he leads
a very active touring schedule of performances at festivals, concerts, school
programs and educational workshops throughout the U.S., Canada, and Europe.
His original music has been included in video dramas and documentaries and in
four hit theatrical productions.
In 2000, Hawkeye was awarded Philadelphia's
Barrymore Award for Excellence in Theatre for best original music in a
theatrical production. "Everyday Living," Hawkeye's first nationally released album
from 1987, now reissued on CD, features the late blues giants Charles Brown and
"Cool Papa" Sadler, and established the demand for his now long-standing
festival and concert touring. His latest CDs and DVD, "Blues Alive!" (CD), "It's
All Blues To Me" (CD), and "Hawkeye Live In Concert" (DVD) have been greeted
with rave reviews. Hawkeye's journalistic efforts have been published in numerous
national and regional blues and music-related periodicals.
In 1998 he was the
recipient of the Blues Foundation's "Keeping The Blues Alive" award for
achievement in education. He served on the Board of Directors of the Blues
Foundation for six years. Hawkeye was inducted into the Iowa Blues Hall of fame in
2004. In September of 2005, Hawkeye composed, at the request of the British
Broadcasting Company (BBC), "Katrina, Oh Katrina (Hurricane Blues)," detailing the
hurricane disaster on the Gulf Coast. The song was aired to over 7 million
listeners on the popular "BBC Today" program. He is the cofounder of the Rogue
Valley Blues Festival, Ashland, OR.
This musician has definitely carved out a
spot for himself in the contemporary acoustic blues/folk field, and has earned a
reputation as one of the most accomplished artists in the genre, and
audiences throughout the US/Canada/Europe have come to know and appreciate Hawkeye's
talent, dedication, and captivating performances.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Mitch Reed
Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...
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Calum Graham
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Alan Skowron
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Mark Lincoln
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.
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Mario DaSilva
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Freebo
In this lesson, Freebo covers the basics of right hand technique. This lesson is essential for all up and coming bassists.
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Justin Roth
In this lesson Justin introduces his series on playing with a capo and dishes out some basic tips, including how to properly...
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Danny Voris
Lesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.
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David Isaacs
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Rich Nibbe
Rich Nibbe takes a look at how you can apply the pentatonic scale in the style of John Mayer into your playing.
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Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
John DeServio
JD teaches the pentatonic and blues scales and explains where and when you can apply them.
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Emil Werstler
Emil takes you through some techniques that he uses frequently in his style of playing. Topics include neck bending, percussive...
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Prashant Aswani
Do you want to play more musical sounding solos? Do you want to play solos with more emotion behind them? Maybe you're the...
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Nick Greathouse
Nick starts his series with Alternate Picking part 1. Improve your timing, speed, and execution with this important lesson.
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Bumblefoot
Guns N' Roses guitarist Ron "Bumblefoot" Thal pulls out all the stops in his blistering artist series. Dive into the intense,...
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Brent-Anthony Johnson
Just like with the plucking hand, Brent-Anthony shows us the basics of proper fretting hand technique. In addition, he shows...
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Chris Liepe
Chris brings his ingenuity to this lesson on the American folk song called "Where Did You Sleep Last Night?" Also known as...
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Braun Khan
In this lesson, Braun teaches the chord types that are commonly used in jazz harmony. Learn how to build the chords and their...
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Dennis Hodges
Learn a variety of essential techniques commonly used in the metal genre, including palm muting, string slides, and chord...
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Bryan Beller
Bryan Beller of the Aristocrats, Dethklok, and Steve Vai takes you inside his six step method to learning any song by ear....
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Mike H.
"I feel like a 12 year old kid with a new guitar!"
I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!
Greg J.
"With Jamplay I can fit in a random session when I have time and I can go at my own pace"
I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
Bill
"I believe this is the absolute best site for guitar students."
I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.
Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Just jumped forward from lesson 29 to have a look. I can't wait to get here! Looks like I need a guitar with more Mojo though.
Take your time and enjoy the process of learning, practicing, and playing, while improving your skills and understanding of blues guitar. Thanks so mjch for your comments.
Greetings Hawkeye!! As I now type from my new floating home (narrowboat) moored up in the English countryside, on the outskirts of London. I figured I’m way overdue to leave a comment… These lessons have laid the foundation for, what I hope to be, a lifetime adventure into this music. It’s been 3 years now, 142 lessons later and, with your countless words of wisdom and boundless enthusiasm, I have progressed from being barely able to fret an open chord to shuffling, bending, fingerpicking, barring, sliding, and generally having an fantastic time whenever I pick up my guitar!! It’s been a lot of hard work, frustration, breakthroughs and the odd celebration to make it this far. I know I’ve hardly begun. But for now - I’m very grateful for this wealth of knowledge you’ve handed down, and I promise to play my part (no matter how seemingly insignificant!!!) in keeping this blues alive. Looking forward to all that lies ahead on the highway. Thanks again. Dan
Dan, I apoligize for not responding to your message sooenr. All I can say is thank you so much for your kind words and for 'traveling' with me on the 'blues highway.' It's most gratifying for me to read your thoughtful and appreciative words. I very much appreciate your foollowing my lessons patiently and realizing such wonderful and satisfying results. Do visit my web site for more freee lessons ... hawkeyehherman.com ... I hope you'll take the time to read some of the "Ortingal Articles" I've written on blues hsitory and the iconic masters I met and learned from directly, and don't forget to watch the "Videos" and play along with me, it's good practice, try to 'lift' my licks/riffs/ideas. ;-) . and you'll also see how I use the rechniques I teach in these lessons when performing in concert and at blues music festivals. I have video-taped many more lessons for JamPlay that will be imcrementally posted here in Phase Three and as 'stad alone' lessons. Please check for those 'new' lessons. Again, thanks so much for your kind words, patience, perserverenace, and new found skills and joy in playing blues guitar and keeping the tradition alive. "Carry on the blues!" my friend. ;-)
Hawkeye, just got word on the forum that Jamplay is "looking at hopefully bringing you back later this year". That would be great.
I've vilmed many more hours of lessons yet to be posted on a variety of blues guitar related subjects. I hope you'll check them out. It will take all of 2015 + for jamplay to incrementally post the new lessons. I hope you stick around to enjoy them. Thanks again for your message.
It's been a great ride hawkeye... I've learned so much over the course of 6 months. you are a superb teacher...can't wait to see you in concert. I'll be visiting the states next year, perhaps i can see you then. till then take care and most of all stay healthy and always keep smiling^^
I apologize for the very long delay in my responding to your message. By now, mid 2015, there are many more of my lessons appearing on jamplay, and many more to cone. Don't forget to explore my web site hawkeyeherman.com ... and the free guitar lessons, articles, and videos. THere are many more hours of my lessons yet to be posted. I hope you're around to enjoy them.. ;-)
well it's been just under a year and i have come to the end of the road in terms of your lesson set. Thank you , it's been great. While i anxiously await new lessons from you , i thought i would ask your opinion of what to do next here on jamplay. Obviooulsy i have a great deal more to learn. Appreciate your thoughts on this. I do enjoy the Jamplay format just not sure where to turn next. Thanks for everything.
Thanks so much for enjoying my lesson series. THere are many more lessons of mine being posted in Phase Three and as 'stand alone' lessons ... many more hours of my lessons to come. Don't forget to explore my web site hawkeyeherman.omc, the free guitar lessons, articles, and videos. THere are many more hours of my lessons, on a variety of blues guitar relatted subjects yet to be posted at JamPlay, so please keep an eye out for them. Again, thanks so much for allowing me to share myt love and passion for the guitar and the music with you.
It has taken this old man 1 year and 5 months to go thru all your lessons. I am a much better player than I was before, thanks to you and your teaching methods. It is with a little sadness that have finished. I know I can go back and replay lessons, but it is kind of like finishing a great dessert, you always want more. I feel like a friend has taught me and watched over my lessons. I will visit your site often and wish you good health and happiness. If ever in the Atlanta area, well, you know.
Thanks so much for your kind comments in regard to my lessons and your improved skills on the guitar as a result of your diligent study. I think it's obvious that I love what I do, and I hope my enthusiasm and the information I've shared with you continues to serve you for the rest of your life. I have many more lessson planned for Jamplay.com, in both the Phase Two and Phase Three areas ... it's just a matter of the JamPlay.com administrators finding the time to schedule the taping of those lessons ... I've been waiting to extend my lesson series for over 2 years! Perhaps a message to the admin folks might hasten that process. I hope you've watched some of the many song/videos I have posted at youtube .... http://www.youtube.com/user/HawkeyeH ... please watch these videos to see how I use the skills I teach in my lessons when I'm performing in concert and at festivals ... try to play along with me, try to 'steal' my licks/riffs/ideas ;-) I do hope to perform and give workshop(s) in the Atlanta area ... someday. If there are blues festivals in your area, it would be helpful and apprecaited if you contacted them by email and referred them to me for a possible performance/workshop spot in the future ... there's nothing like a message/request from the 'ticket buying public' to help 'leverage' the possibility of my being in the Atlanta area. Again, thanks so much for taking the time to let me know that you've found my lessons helpful and 'tasty' in guiding your path on the 'blues highway.'
hey hawkeye! really enjoying your lessons! just wondering if your just revisiting slide temporarily but i really really love slide. i personally like open D myself but i dip into G as well. i was listening to some blues guys like Blind Willie Johnson's dark was the night and lightin' Hopkins sail on little girl sail on and was wondering how these musicians come up with all these awesome licks!?!?! they really bring out the soul do they just use the slide on pentatonic scales higher on the neck? would love to get your take. and if you are putting out more slide videos i cant wait! Cheers!
Thanks for the kind comments, Christian. Much appreciated. I answer all of the questions you asked me throughout my lesson series. Please be sure not to skip around/'cherry pick' these lessons. I have given a lot of thought and planning as to the order and content of these lessons. Start with lesson #1 and patiently progress for one lesson to the next, not moving on to the next lesson until you can accomplish what is in the current lesson. This is not a 'race to finish line' ... there is no 'race' and there is no 'finish line/' All of your questions are answered within my lesson series. I will, hopefully, when the JamPlay admin. team is ready, be videotaping more lessons on slide guitar. In the meantime, please follow my lessons in the order they are presented, please be patient with yourself and progress at your own speed, and don't skip over any lessons or take the lessons out of the order they are presented ... and you will see that everything you have asked me is revealed to you in these lessons. ;-) Thanks so much for enjoying these lessons and for taking the time to write to me.
sorry hawkeye my question lacked elaboration. I meant like as far as tone how do artists achieve that real dirty, melancholy tone that is synonymous with delta blues. never the less your lessons have helped me tremendously in playing blues so thank you. Btw youve met lighting Hopkins and son house?? U lucky son of a gun.
'Real dirty and melancholy tone are individual choices that are not to be generalized about from one artist to the next, I would not qualify and generalize about many regional aspects of blues music as 'having a 'dirty' tone' ... I suggest you listen to much more blues music, your opinion about tone seems 'narrow' to me, and I don't agree with it, so I'm not going to expound on what I don't believe in as a generalized statement about blues music ... perhaps Charley Patton, Son House and Big Joe Williams had a bit of a 'dirty tone' ... Memphis Minnie, Lonnie Johnson, Bukka White, John Hurt, Fred McDowell, Willie Brown, Robert Johnson and many, many others had a clean/clear tone. The 'melancholy' tone aspect is due to the use of the pentatonic scale ... and these choices are covered in/throughout my lesson series. It is impossible for me to explain/answer your generalized abstract question with a short answer that would cover the artistic choices of all artists and all regional aspects of blues guitar playing ... that's why there are over 140 of my lessons for you to discover, progressing patiently, in the order they are presented, so you can see/learn the choices that are available and make your own artistic decisions about tone and melancholy, as an individual, just as every blues artist does. Yes, I met and learned directly from many of the iconic old blues legends: Son House, Bukka White, Lightnin' Hopkins, Mance Lipscomb, Furry Lewis, Sam Chatmon, and others ... you can read about those encounters and other interesting historical and personal background(s) here: http://hawkeyeherman.com/articles.htm ... Thanks so much for enjoying my lessons. I hope you continue to enjoy 'traveling' with me on the 'blues highway' here at JamPlay.com.
We ALL need to/should listen to more blues music. ;-)
Hi Hawkey, I just wanted to say thank you for being such a great and inspiring teacher. I've gone through every one of your lessons. The reason in stopped taking lessons as a kid was a bad teacher but you changed that for me. Keep teaching, its a gift....
Thanks so much for the message and kind words about these lessons, Maurice. Very much appreciated. There will be more of my lessons to come in both the Phase Two and Phase Three areas ... as the JamPlay.com admin. plans to schedule videotaping more of my lessons in the year to come ... I sure hope it happens .. I have a lot more information to share with y'all ... so, keep an eye out for more 'new' lessons beyond this 'last' one (#142) ... it was never my intention to end this Phase Two blues lesson series at this point ... or at any point! ;-) ... there's always more to share. Thanks again for taking the time to let me know that these lessons and my personal 'skills' as a guitar instructor have made a difference in your playing the guitar (and your attitude ;-) ... 'the blues highway never ends' ... thanks for 'traveling' on it with me here at JamPlay.com.
thanks for the great lesson..I have learned so much as a result of your patient teaching style...this seems to be the last one..are there more coming
thanks hawkeye I will be sending an email today and I hope others that read this post make the request as well....quite frankly most of the value in the site is from your lessons eric madis
Thanks so much for the support and kind comments. Eric Madis is a fine player/teacher and a longtime friend of mine, and I'm happy to say that it was I who recommended Eric to JamPlay.com as an instructor a few years ago. ;-)
Yes, #142 is the "last lesson" ... so far. ;-) I have many more lessons planned for both the Phase Two and Phase Three area. I am patiently awaiting for the JamPlay admin. to schedule me for the videotaping of more lessons ... if you want to 'hurry' the process, you might send the JamPlay admin a message requesting more of my lessons sooner than later, as I've been ready with a lot more lessons in both Phase Two and Three for over a year. I believe there are a few of my lessons in the Phase Three area. In the meantime, you can go to my web site, HawkeyeHerman.com, and click on the 'guitar lessons' navigation bar on the lesft hand side of the page for more FREE lessons that can be viewed and downloaded in the .pdf format. Also, it's a good idea to click on the 'videos' navigation bar at my web site which will take you to my videos that are posted on youtube.com ... watch me perform many blues tunes in concert so that you can see how I use the techniques I teach here at jamplay when I'm performing in concerts and at festivals, and try to play along with me, and also, try to 'lift'/'steal' some of my licks/riffs/ideas. Thanks so much for enjoying these lessons and for your support. I hope jamplay will schedule me for the videotaping of more lessons soon. ;-)
Hey Hawkeye, my ol' friend, back with you again on jamplay, tony sullivan on facebook, one of your friends, good to be back jamming along with you. I have seen son house on youtube, he's amazing, he uses his hand a lot hitting the body of the guitar, just phenominal, great lesson mate. OB
Hi Tony. Welcome back to jamplay. Yes, I saw Son House perform, met him, and learned a bit of slide from him ... he also influenced the great Robert Johnson ... Johnson reworked a number of Son House's songs to his own satisfaction. I hope you continue to enjoy these lessons.
"I HAD A JOB ON THE LEVEE, yeah I had a good looking woman..." Couldn't help singing along to your playing hawkeye. Great lesson, beautiful guitar. I'd love to hear a bit more about son house the man, though, my curiosity is piqued by your statement "he wasn't the sort of person you asked a lot of questions to...". :)
Thanks for "Levee Camp Blues" ... ;-). My guitar is a 1934 wood body National 'Trojan' model. Note the special inlay I had done on the neck. It is not necessary to play a National guitar, metal body or wood body, to play this style of blues. Blues guitar can be played on just about any type of guitar, even classical/nylon stringed guitars. You might be interested in reading about Son House here: http://hawkeyeherman.com/pdf/tale_feathers.pdf ... and don't forget that I have some free guitar lessons, including on slide guitar, here: http://hawkeyeherman.com/guitar-lessons.htm ... Thanks again for enjoying these lessons.