Stop Time Blues (Guitar Lesson)
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Stop Time Blues
In this lesson, Hawkeye Herman returns to the wonderful world of stop-time blues. He teaches a few more ways to play in this glorious style.
Taught by Hawkeye Herman in Blues Guitar with Hawkeye seriesLength: 17:53Difficulty: 0.5 of 5
Lesson Objectives
In this lesson, Hawkeye revisits and expands upon stop-time blues. This topic was first covered in lesson 21 of this series. Chapter 2: (03:50) What Is Stop Time Blues? Stop time does not mean that you cease to keep time. It simply means that you are resting during certain parts of the form. Counting becomes even more important through rests.
Popular Use of Stop-Time
One common style of blues playing is referred to as stop-time blues. You'll frequently hear this rhythm style employed in rock and roll music as well. Most of you are probably familiar with George Thorogood's song "Bad to the Bone." The guitar riff from this song is a prime example of the stop-time pattern.
New Stop Time Riff
Hawkeye provides an example of a new stop-time blues pattern at 01:05. The stop-time blues rhythm figure consists of a brief riff derived from the minor pentatonic scale. Over the I chord in the key of E, the lick consists of the notes B, D, and E. You can strum the chord in between repetitions of the riff. However, this isn't necessary. It's simply another option to add to your toolbox.
Call and Response
The stop-time blues figure is typically used in a call and response fashion. The riff you learned earlier is typically played in between vocal phrases.
If you don't sing, you can practice the call and response form by adding lead or rhythm fills in between the basic stop-time riff. You can use any of the turnaround material that you have learned in previous lessons. You can also use the blues scale or the minor pentatonic scale to generate ideas. Playing a brief bass line provides another viable option. Hawkeye provides a demonstration of this idea in lesson 21. Remember to visualize the licks that you are going to play before you play them. You already know how the stop-time riff goes and where it occurs. While you are playing the stop-time riff, think of what you will improvise in between repetitions of this riff.
Applying Stop-Time to a 12 Bar Blues Progression
The stop-time figure is frequently applied to a 12 bar blues progression. Play the stop time riff over the first four bars. Then shuffle for the rest of the blues progression. Hawkeye demonstrates this idea throughout the lesson by playing "(I'm Your) Hoochie Coochie Man" by Muddy Waters. Chapter 3: (05:49) Riffs and Licks Transposition
You can transpose the basic stop-time riff as well as the version that utilizes chords to any of the 12 keys. Hawkeye demonstrates how to transpose this figure to the key of A. You can either use the intervals within the riff when transposing or you can transpose by examining how the notes are laid out on the fretboard from a visual standpoint. When playing the stop time riff in the key of A, simply move everything up a string (higher in pitch; towards the floor).
Chordal Stop Time Riff
You can convert each note in the stop-time riff demonstrated in lesson 21 into to a major chord. Refer back to lesson 21 if you cannot remember how to play this riff. This conversion process fattens up the sound of the riff. The E note in the riff is converted to the basic "open" E major chord. A is converted into the "open" A chord shape. When played in the context of the stop time riff, the high E string is typically omitted from the A chord. A G major chord is substituted for the G note played at the 3rd fret of the sixth string. The high E string is typically omitted from this chord voicing as well. However, it is not necessary to play the standard "open" G major shape. Instead, experiment with playing the open fourth, third, and second strings. These open string notes produce a G chord. Hawkeye demonstrates this at 02:25.
Video Subtitles / Captions
Supplemental Learning Material
Blues Guitar with Hawkeye
Found in our Beginner Lesson SetsThe blues is a distinctly American style of music. Many popular genres such as jazz, rock, and country music draw upon basic blues concepts. Consequently, it is advantageous for any guitarist to study the blues.
Lesson 1
Introduction to Blues
Hawkeye Herman introduces the blues. He explains the 12 bar blues chords and the poetic format that blues lyrics typically follow.
Length: 19:25 Difficulty: 1.0 Members Only
Understanding Blues Chords
Hawkeye explains how the I, IV, and V chords are used in a 12 bar blues progression.
Length: 12:12 Difficulty: 1.0 Members Only
Blues Rhythm
Hawkeye demonstrates common strumming patterns used in blues music. He also explains how country music evolved from the blues.
Length: 19:42 Difficulty: 1.5 Members Only
Intro to the Blues Shuffle
The shuffle is one of the most common rhythms used in blues music. Hawkeye introduces the most basic shuffle rhythm pattern.
Length: 18:12 Difficulty: 1.5 Members Only
More Blues Shuffle
Hawkeye covers the blues shuffle in greater depth.
Length: 13:13 Difficulty: 1.5 Members Only
The Blues Turnaround
Hawkeye introduces and explains a common blues turnaround.
Length: 7:45 Difficulty: 2.0 Members Only
Interesting Blues Turnaround
Hawkeye demonstrates various ways of arpeggiating the blues turnaround from the previous lesson.
Length: 8:08 Difficulty: 2.0 Members Only
Moving the Turnaround
Hawkeye explains how the turnaround from the previous lesson can be transposed to all 12 keys.
Length: 5:57 Difficulty: 2.0 Members Only
Turnaround in the Bass
Hawkeye explains how the blues turnaround can be played on the bass strings.
Length: 11:12 Difficulty: 2.0 Members Only
Turnaround Practice
Hawkeye provides some tips regarding how to integrate turnarounds into the context of the 12 bar blues form.
Length: 3:58 Difficulty: 2.0 Members Only
Turnarounds as Lead
In this lesson Hawkeye will explain how you can use turnarounds as a way to play basic lead.
Length: 0:00 Difficulty: 2.0 Members Only
Subtle Changes
Hawkeye demonstrates how subtle changes made to the blues shuffle can have a profound impact on the overall sound of the 12 bar form.
Length: 7:12 Difficulty: 2.0 Members Only
Blues Shuffle Variations
Hawkeye demonstrates more blues shuffle variations. He discusses playing individual notes and palm muting.
Length: 7:23 Difficulty: 2.0 Members Only
Bass Blues Shuffle
In this lesson, Hawkeye teaches a bass version of the blues shuffle that mimics a common left-hand piano pattern.
Length: 10:49 Difficulty: 2.0 Members Only
Turnaround Exercise
Hawkeye presents an exercise that will enable you to play a turnaround over the blues form in all twelve keys.
Length: 10:44 Difficulty: 2.0 Members Only
Delta Blues Turnaround
Hawkeye teaches a Delta blues turnaround in the key of A. This turnaround is played in the style of Robert Johnson.
Length: 10:45 Difficulty: 2.0 Members Only
Delta Blues Turnaround #2
Hawkeye Herman teaches a new Delta blues turnaround. This lick was inspired by Robert Johnson.
Length: 7:12 Difficulty: 2.0 Members Only
Robert Johnson Style
Hawkeye Herman teaches more components of Robert Johnson's signature sound.
Length: 27:38 Difficulty: 2.0 Members Only
Movable Chords
Hawkeye introduces some common, movable chord shapes.
Length: 17:42 Difficulty: 2.0 Members Only
Movable Chord Review
Hawkeye reviews movable chords in this lesson. He explains how these chord voicings can be used in a practical blues context.
Length: 5:41 Difficulty: 2.0 Members Only
Basic Blues Scale
Hawkeye Herman introduces the minor pentatonic scale in this lesson, the most commonly used scale in blues lead guitar.
Length: 23:54 Difficulty: 2.0 Members Only
Passing Notes
Hawkeye builds on the pentatonic scale. He introduces "blue" notes, which transform the pentatonic scale into the minor blues scale.
Length: 12:50 Difficulty: 2.0 Members Only
Scales and Keys
Hawkeye explains how to transpose the minor pentatonic and minor blues scales to different keys.
Length: 21:18 Difficulty: 2.0 Members Only
Finding the Key
Hawkeye Herman explains how to determine the key of a blues song. This information is essential if you wish to play lead over a song.
Length: 15:31 Difficulty: 2.0 Members Only
Lightnin' Hopkins Style
In this lesson, Hawkeye will bring together much of what he has taught in this lesson series and apply it to the style of Lightnin' Hopkins.
Length: 16:36 Difficulty: 2.0 Members Only
Treble Shuffle
Hawkeye explains how to play the blues shuffle on the treble strings.
Length: 9:22 Difficulty: 2.0 Members Only
The Great River Road
Hawkeye Herman teaches you how to play his original song, "The Great River Road," in this phenomenal lesson.
Length: 16:39 Difficulty: 2.0 Members Only
Mississippi John Hurt Style
Hawkeye covers the guitar style of Mississippi John Hurt. This style makes heavy use of alternating bass lines.
Length: 14:48 Difficulty: 2.0 Members Only
Piano Blues
Hawkeye teaches an original piece called "Piano Blues." He teaches this song to further demonstrate the alternating bass line.
Length: 13:20 Difficulty: 2.5 Members Only
Blues Accompaniment
Hawkeye Herman teaches a beautiful blues accompaniment pattern.
Length: 10:11 Difficulty: 2.5 Members Only
Stop-Time Blues
Hawkeye introduces the stop-time blues rhythm.
Length: 17:21 Difficulty: 2.5 Members Only
Sweet Home Chicago
Hawkeye Herman explains how to play Robert Johnson's "Sweet Home Chicago."
Length: 16:17 Difficulty: 2.5 Members Only
Eight Bar Blues
Hawkeye introduces the eight bar blues progression.
Length: 22:28 Difficulty: 2.0 Members Only
8 Bar Blues Key Transposition
Hawkeye takes the 8 bar blues material from the last lesson and explains how to transpose it to different keys.
Length: 6:39 Difficulty: 0.5 Members Only
Classic 8 Bar Blues
Hawkeye teaches a classic 8 bar blues tune in the style of Brownie McGhee and Big Bill Broonzy.
Length: 25:10 Difficulty: 2.0 Members Only
Playing Multiple Notes
In this lesson Hawkeye revisits the blues/pentatonic scale and talks about playing multiple notes at the same time.
Length: 9:42 Difficulty: 1.5 Members Only
Classic End Tag
Hawkeye Herman teaches a classic blues song ending. He also explains how it can be played in different keys.
Length: 9:42 Difficulty: 2.0 Members Only
Basic Blues Slide
Hawkeye Herman covers the basics of slide technique and provides exercises to demonstrate them.
Length: 25:49 Difficulty: 2.5 Members Only
Slide Guitar and Open D Tuning
Hawkeye Herman introduces open D tuning. He explains how to play a 12 bar blues progression with a slide in this tuning.
Length: 14:56 Difficulty: 2.5 Members Only
Ramblin' On My Mind
Hawkeye Herman demonstrates the classic Robert Johnson song, "Ramblin' On My Mind" in open D tuning.
Length: 8:41 Difficulty: 2.5 Members Only
Blues Shuffle in Open D
Hawkeye explains how to play the blues shuffle in open D tuning.
Length: 0:00 Difficulty: 2.0 Members Only
Open D Harmony Shuffle
Hawkeye teaches the "harmony" version of the shuffle in open D tuning.
Length: 5:15 Difficulty: 2.0 Members Only
Open D Turnaround
Hawkeye teaches a simple blues turnaround in open D tuning.
Length: 9:00 Difficulty: 2.5 Members Only
Open D Slide Licks
Hawkeye Herman teaches some open D slide guitar licks. These licks are inspired by the song "Ramblin' On My Mind" by Robert Johnson.
Length: 8:14 Difficulty: 3.0 Members Only
Pentatonic Scale in Open D
Hawkeye Herman explains how to play the D minor pentatonic scale in Open D tuning.
Length: 4:00 Difficulty: 2.5 Members Only
Ramblin' On My Mind
Hawkeye challenges you to play "Ramblin' On My Mind" using the techniques from the past couple of lessons.
Length: 4:03 Difficulty: 3.0 Members Only
Rock and Slide Guitar
Hawkeye shows that open D tuning and slide guitar are not exclusive to the blues. He provides an exercise that demonstrates how this tuning can be used in rock music.
Length: 15:55 Difficulty: 2.5 Members Only
D Tuning Chords
Hawkeye returns to the world of open D tuning. He introduces various chord voicings and explains how they can be used in the blues.
Length: 10:00 Difficulty: 0.5 Members Only
You Got To Move
In this lesson, Hawkeye teaches a classic blues song by Mississippi Fred McDowell - "You Got To Move".
Length: 9:03 Difficulty: 2.5 Members Only
You Got to Move Melody
Hawkeye Herman demonstrates how to play the melody of "You Got to Move" with a slide.
Length: 6:51 Difficulty: 2.5 Members Only
Slide Guitar and Blues Licks
Hawkeye Herman talks about playing and creating blues licks with the slide.
Length: 9:53 Difficulty: 2.5 Members Only
Elmore James Style
Hawkeye Herman breaks down important aspects of Elmore James' style.
Length: 23:11 Difficulty: 2.5 Members Only
Blues Licks and Riffs
Hawkeye teaches some versatile blues licks and riffs that can be used in open D tuning.
Length: 11:15 Difficulty: 2.5 Members Only
Open G Tuning
Hawkeye Herman teaches the basics of open G tuning.
Length: 7:28 Difficulty: 2.0 Members Only
G Tuning Chords
Hawkeye gives a brief overview of chords and how they are played in open G tuning.
Length: 6:11 Difficulty: 1.5 Members Only
Blues Scale in Open G Tuning
Hawkeye gives a brief rundown of how the blues / minor pentatonic scale can be played in open G tuning.
Length: 4:48 Difficulty: 1.5 Members Only
G Tuning Accompaniment
Hawkeye talks about playing accompaniment using open G tuning.
Length: 7:44 Difficulty: 2.5 Members Only
Improvising in G Tuning
Improvisation using the minor pentatonic / blues scale is discussed in open G tuning. Hawkeye also touches on Robert Johnson's song, "Walkin' Blues."
Length: 7:26 Difficulty: 2.5 Members Only
Open G Shuffle Rhythm
In this lesson, Hawkeye Herman talks about playing the blues shuffle in open G tuning. He also shows some basic turnarounds.
Length: 10:37 Difficulty: 2.5 Members Only
Open G Shuffle Variations
Hawkeye reviews the blues shuffle in open G tuning. He demonstrates shuffle variations as well as a few licks, turnarounds, and other tidbits.
Length: 15:45 Difficulty: 2.5 Members OnlyLesson 61
Robert Johnson Licks
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.
Length: 14:40 Difficulty: 2.5 FREE
G Tuning and the Capo
Hawkeye introduces the capo and explains how it can be used. This lesson is still in the context of G tuning.
Length: 10:28 Difficulty: 2.5 Members Only
Come On In My Kitchen
Hawkeye Herman showcases the power of slide guitar by demonstrating the classic Robert Johnson song, "Come On In My Kitchen."
Length: 6:33 Difficulty: 3.0 Members Only
Skip James Style
Hawkeye Herman gives a brief rundown of Skip James' blues guitar style. This lesson also focuses on playing in open tunings without a slide.
Length: 19:15 Difficulty: 3.0 Members Only
Open D to Open G
Hawkeye demonstrates how to take a song from open D tuning and play it in open G. He uses the song "No Expectations" by the Rolling Stones as an example.
Length: 10:26 Difficulty: 0.5 Members Only
Drop D Tuning
Hawkeye shows you the wonders of drop D tuning and teaches his rendition of "Big Road Blues."
Length: 30:30 Difficulty: 3.0 Members Only
Statesboro Blues
Hawkeye goes over the fantastic song "Statesboro Blues" by Blind Willie McTell in Drop D tuning.
Length: 27:12 Difficulty: 2.5 Members Only
Blind Lemon Jefferson
Hawkeye discusses some history behind the great blues guitarist Blind Lemon Jefferson. He covers the song "Matchbox Blues" to provide an example of his style.
Length: 19:40 Difficulty: 2.0 Members Only
Minor Blues
Hawkeye explains the chord changes used in a minor blues progression.
Length: 12:53 Difficulty: 2.0 Members Only
The Capo
Hawkeye talks about the capo and its many uses.
Length: 22:32 Difficulty: 2.0 Members Only
Song Endings
By user request, Hawkeye shares ideas on how to end songs in this lesson.
Length: 21:26 Difficulty: 2.0 Members Only
Stop Time Blues
In this lesson, Hawkeye Herman returns to the wonderful world of stop-time blues. He teaches a few more ways to play in this glorious style.
Length: 17:53 Difficulty: 0.5 Members Only
Eight Bar Blues
Hawkeye talks about the eight bar blues and uses some classic blues songs as examples.
Length: 26:19 Difficulty: 3.0 Members Only
Blues Mambo
Hawkeye talks all about the blues mambo in this lesson.
Length: 16:09 Difficulty: 2.5 Members Only
Movable Endings
Hawkeye explains how all the endings you've learned up to this point can be transposed to any key.
Length: 31:53 Difficulty: 3.0 Members Only
Movable Blues Scale
Hawkeye talks about transposing the minor pentatonic scale to various keys.
Length: 16:58 Difficulty: 3.0 Members Only
Blues Scale Lead
Hawkeye explains how the blues scale can be used to play lead in any song.
Length: 30:57 Difficulty: 3.0 Members Only
Spanning the Neck
Hawkeye explains how the blues scale can span the neck in any key.
Length: 22:09 Difficulty: 3.5 Members Only
The Blues Had a Baby
Hawkeye talks about the background of rock 'n roll and how it is connected to blues.
Length: 21:42 Difficulty: 2.0 Members Only
Fun Licks
This lesson is filled with fun licks and lick techniques.
Length: 17:32 Difficulty: 3.0 Members Only
Spanning the Neck Continued
Hawkeye brings more blues wisdom to you in this lesson about spanning the neck.
Length: 18:18 Difficulty: 3.0 Members Only
Barre Chords Refresher
Hawkeye provides a few useful tips on playing barre chords.
Length: 13:18 Difficulty: 2.0 Members Only
Chord Relationships
Hawkeye discusses how the visual shapes of chords relate to one another on the fretboard.
Length: 15:06 Difficulty: 3.0 Members Only
Chord Relationships Continued
Hawkeye explains how to find the I, IV, and V chords in all 12 major keys.
Length: 8:43 Difficulty: 3.0 Members Only
Shuffle Rhythm Review
Hawkeye answers member questions on the shuffle rhythm.
Length: 16:19 Difficulty: 2.0 Members Only
Key of A Idea
Hawkeye shares an idea in the key of A that you can apply to your blues playing.
Length: 18:15 Difficulty: 3.0 Members Only
Thumbpick Vs. Flatpick
Thumbpick Vs. Flatpick: A most common question asked among guitarists is discussed in this lesson.
Length: 15:13 Difficulty: 0.5 Members Only
Capo Ideas
Hawkeye shares his ideas on the capo and explains why he thinks it is important for every guitarist to own one.
Length: 18:34 Difficulty: 0.5 Members Only
Everything is Movable
Hawkeye reiterates that everything is movable on the guitar and provides some fresh new ideas.
Length: 12:27 Difficulty: 2.0 Members Only
Bass Notes in Treble
Hawkeye explains how to add variety to the shuffle pattern by transferring the bass notes to the treble register and by adding palm muting. He also explains how you can create your own shuffle variations.
Length: 21:21 Difficulty: 2.0 Members Only
Treble Shuffle
Hawkeye provides more amazing tips and tricks on moving your shuffle rhythm to the treble for a unique sound.
Length: 16:50 Difficulty: 3.0 Members Only
Creating Solos
Hawkeye revisits the techniques learned in the last few lessons and explains how to tie tie them together to create solos.
Length: 9:46 Difficulty: 2.0 Members Only
Transposing Songs
Hawkeye provides some great tips for transposing any song you want to learn to a different key.
Length: 17:31 Difficulty: 3.0 Members Only
History of Blues
This exciting lesson dives into some of the earliest history of blues music and how it has shaped popular music today.
Length: 13:52 Difficulty: 0.5 Members Only
Blues is the Roots
Hawkeye Herman explains why "blues is the roots, and everything else is the fruits."
Length: 8:41 Difficulty: 1.0 Members Only
The Style of Hank Williams
Hawkeye discusses the history and style of Hank Williams.
Length: 17:07 Difficulty: 2.0 Members Only
The Style of Jimmie Rodgers
Hawkeye demonstrates some key aspects of Jimmie Rodgers' style.
Length: 12:30 Difficulty: 2.0 Members Only
Boom-Chicka Strum
Hawkeye demonstrates the "boom-chicka" strum and explains various ways you can incorporate it into your playing.
Length: 22:44 Difficulty: 2.0 Members Only
Fun Runs
Hawkeye Herman explains how to spice up your rhythm playing by incorporating bass runs between chord changes.
Length: 16:20 Difficulty: 2.0 Members Only
Review & Practice
Hawkeye Herman celebrates lesson 100 with a short but sweet review of what you've learned in the past couple of lessons.
Length: 6:51 Difficulty: 2.0 Members Only
Song Medley
Hawkeye Herman demonstrates rhythmic concepts from earlier lessons by playing a fun medley.
Length: 13:08 Difficulty: 2.0 Members Only
Hawkeye's Favorite Licks
Hawkeye shares some of his favorite licks in this lesson.
Length: 22:35 Difficulty: 3.0 Members Only
More Fun Licks
Hawkeye teaches more fun licks to add to your blues bag of tricks.
Length: 31:20 Difficulty: 2.5 Members Only
More Licks Up the Neck
Hawkeye Herman is back with some more classic blues licks that span the length of the fretboard.
Length: 26:20 Difficulty: 2.5 Members Only
Bass Licks
Hawkeye explains the importance of playing licks over the entire neck of the guitar.
Length: 21:33 Difficulty: 2.0 Members Only
Rock Me Lick
Hawkeye Herman shares a lick that is commonly known as the "Rock Me Baby" Lick. He explains how this lick can be incorporated into a performance of this classic B.B. King song.
Length: 19:09 Difficulty: 2.0 Members Only
Turnaround Positions
Hawkeye discusses how ideas derived from turnarounds can be incorporated into blues solos.
Length: 8:19 Difficulty: 2.0 Members Only
Instrumental Themes
Hawkeye Herman talks about instrumental themes and how you can add lead fills to them.
Length: 18:03 Difficulty: 3.0 Members Only
Instrumental Themes Continued
Hawkeye continues his discussion on instrumental themes and blues.
Length: 23:42 Difficulty: 2.5 Members Only
Ninth Chords
Hawkeye Herman explains how dominant 9th chords are formed and how they can be used in blues music.
Length: 15:16 Difficulty: 3.0 Members Only
Ninth Chords Continued
Hawkeye Herman continues his discussion on 9th chords.
Length: 26:52 Difficulty: 2.5 Members Only
More Eight Bar Blues
Hawkeye Herman shares more eight bar blues knowledge in this fun and information-packed lesson.
Length: 23:57 Difficulty: 2.5 Members Only
Using a Tuner
Hawkeye shares his thoughts on tuners in this lesson.
Length: 6:38 Difficulty: 0.5 Members Only
Introducing the Capo
In the 114th installment of his Blues Series, Hawkeye introduces the capo. He demonstrates how this valuable tool allows you to transpose chord voicings to various keys.
Length: 23:21 Difficulty: 2.5 Members Only
Forming Barre Chords
Having trouble getting those fingers to form barre chords? In lesson #115 of his Blues Series, Hawkeye covers some tips and techniques to help with these problematic chord shapes. Any beginner can master...
Length: 10:03 Difficulty: 2.5 Members Only
4 Up, 5 Down Applied Concept
Hawkeye explains why the adjacent strings on the guitar are tuned in perfect fourths and how this relates to left hand fingering.
Length: 18:44 Difficulty: 3.0 Members Only
Relative Chord Shapes
Hawkeye continues where he left off in lesson 116 and explains how the tuning of the guitar relates to commonly used chord shapes.
Length: 16:43 Difficulty: 2.0 Members Only
Transposing Notes / Changing the Key
Hawkeye Herman reviews important transposition concepts. Here he demonstrates how to change the key of a song so that it is appropriate for your vocal range.
Length: 20:31 Difficulty: 3.0 Members Only
All About Finger Picking
Hawkeye takes a look at this important right hand technique.
Length: 20:54 Difficulty: 3.0 Members Only
Bo Diddley Beat
Hawkeye provides a history lesson on Bo Diddley. He also demonstrates how to play the classic "Bo Diddley Beat." This rhythmic pattern appears in countless blues and rock songs.
Length: 20:15 Difficulty: 2.0 Members Only
Thematic Bass Lines
Hawkeye teaches some blues bass lines that can be applied to the twelve bar blues form.
Length: 19:04 Difficulty: 2.5 Members Only
Bass Lines Continued
Hawkeye continues on from his 121st lesson with more examples of blues bass lines for guitar.
Length: 7:14 Difficulty: 2.5 Members Only
Lead Bass Ideas
Hawkeye dives into some lead bass ideas. He demonstrates how a classic Eric Clapton riff can be used over the twelve bar blues form in any key.
Length: 12:57 Difficulty: 3.0 Members Only
Willie's Bounce
Hawkeye teaches the bass line riff to his song "Willie's Bounce."
Length: 16:31 Difficulty: 3.0 Members Only
Finger Picking Part 2
Hawkeye continues his discussion on finger picking.
Length: 12:27 Difficulty: 3.0 Members Only
The Texas A
Hawkeye Herman teaches a version of the A chord that he calls "The Texas A."
Length: 13:59 Difficulty: 3.0 Members Only
Blues Scale: Adding the Major 3rd
Hawkeye breaks down the blues scale and demonstrates how to appropriately add the major 3rd.
Length: 26:16 Difficulty: 3.0 Members Only
Double Stops
As demonstrated in previous lessons, Hawkeye opens up the world of double stops. Hawkeye teaches some classic Chuck Berry licks to demonstrate how double stops can be used effectively.
Length: 11:53 Difficulty: 2.5 Members Only
Scrapper Blackwell
Hawkeye introduces the guitar stye of Scrapper Blackwell. He uses the song Scrapper called "E Blues" as a starting point.
Length: 20:46 Difficulty: 2.5 Members Only
Influence of Blind Lemon Jefferson
History flows deep in blues music. Hawkeye discusses the influence of Blind Lemon Jefferson. This lesson is one for the history books.
Length: 22:43 Difficulty: 2.0 Members Only
Humming and Strumming
Hawkeye opens up some ideas on how to "plan ahead" in your playing. Similar to riding a bike, you need to look forward to see where your going. Humming what you want to play allows you to anticipate the...
Length: 18:49 Difficulty: 4.0 Members Only
Katrina, Oh Katrina
Inspired by the tragedy of Hurricane Katrina, Hawkeye was commissioned by the BBC to write a song about Katrina. Hawkeye demonstrates this song and recalls his thought process in writing this song.
Length: 29:53 Difficulty: 3.0 Members Only
All About the Hammer-on
Hawkeye demonstrates how a hammer-on can be used to open up doors in your playing. Hawkeye shows you how to achieve this technique and use it successfully in your playing.
Length: 24:07 Difficulty: 3.0 Members Only
The Pull-off
Hawkeye covers the pull-off, best friend of the hammer on. This technique is used to achieve the same goal as the hammer-on, yet with a completely different finger movement.
Length: 15:02 Difficulty: 3.0 Members Only
Using Hammer-ons and Pull-offs Together
Hawkeye combines lessons 133 and 134 and demonstrates some examples of how to utilize the hammer-on and pull-off techniques together to enhance your overall blues guitar skills.
Length: 10:27 Difficulty: 3.5 Members Only
The Quick Change
The 12 bar form is a staple in the world of blues music. However, there are plenty of different ways to arrange it. This lesson covers what is commonly called "The Quick Change."
Length: 15:15 Difficulty: 2.0 Members Only
Starting on the IV Chord
Hawkeye demonstrates how to change up a traditional 12 bar blues progression by starting on the IV chord.
Length: 16:51 Difficulty: 2.5 Members Only
The Talking Blues
Hawkeye demonstrates yet another form of blues known as the "Talking Blues." This style is indicative of its name. It features a talking vocal style played over a I, IV, V chord progression.
Length: 24:43 Difficulty: 4.0 Members Only
Utilizing 9th Chords
Need a slightly different voicing to spice up your playing? 9th chords will give your blues playing a colorful, urban sound.
Length: 24:53 Difficulty: 3.5 Members Only
Minor Tuning, Major Sound
Hawkeye breaks out his slide and demonstrates how chord progressions in major keys can be played in open minor tunings.
Length: 4:43 Difficulty: 1.0 Members Only
Style of Elmore James
Hawkeye offers up some tricks and techniques that Elmore James utilized in his style of playing.
Length: 25:52 Difficulty: 3.5 Members Only
Style of Son House
In lesson 142, Hawkeye dives into the style of Son House. House pioneered an innovative style featuring strong, repetitive rhythms often played with a slide.
Length: 14:32 Difficulty: 3.5 Members Only
About Hawkeye Herman
View Full Biography
""One of America's finest acoustic guitarists and blues educators."
Cascade Blues Association
"Herman plays with a sensitive, reflective touch that continually draws
attention to his vocals, which are effectively understated and free of
affectation... Herman can rock with the best of them. A solid choice for fans of
traditional acoustic blues."
Living Blues Magazine
" ...plays haunting music on a mournful guitar."
Los Angeles Times
"The only thing better than hearing this live album is seeing Hawkeye Herman
in the flesh. Whether adding his own spin to blues classics or offering his
own songs, Herman is a one-man history of blues, noteworthy guitar player and
inimitable communicator. Miss him at your peril."
Blues Access
With over 40 years of performing experience, Michael "Hawkeye" Herman
personifies the range of possibilities in blues and folk music. His dynamic blues
guitar playing and vocal abilities have won him a faithful following and he leads
a very active touring schedule of performances at festivals, concerts, school
programs and educational workshops throughout the U.S., Canada, and Europe.
His original music has been included in video dramas and documentaries and in
four hit theatrical productions.
In 2000, Hawkeye was awarded Philadelphia's
Barrymore Award for Excellence in Theatre for best original music in a
theatrical production. "Everyday Living," Hawkeye's first nationally released album
from 1987, now reissued on CD, features the late blues giants Charles Brown and
"Cool Papa" Sadler, and established the demand for his now long-standing
festival and concert touring. His latest CDs and DVD, "Blues Alive!" (CD), "It's
All Blues To Me" (CD), and "Hawkeye Live In Concert" (DVD) have been greeted
with rave reviews. Hawkeye's journalistic efforts have been published in numerous
national and regional blues and music-related periodicals.
In 1998 he was the
recipient of the Blues Foundation's "Keeping The Blues Alive" award for
achievement in education. He served on the Board of Directors of the Blues
Foundation for six years. Hawkeye was inducted into the Iowa Blues Hall of fame in
2004. In September of 2005, Hawkeye composed, at the request of the British
Broadcasting Company (BBC), "Katrina, Oh Katrina (Hurricane Blues)," detailing the
hurricane disaster on the Gulf Coast. The song was aired to over 7 million
listeners on the popular "BBC Today" program. He is the cofounder of the Rogue
Valley Blues Festival, Ashland, OR.
This musician has definitely carved out a
spot for himself in the contemporary acoustic blues/folk field, and has earned a
reputation as one of the most accomplished artists in the genre, and
audiences throughout the US/Canada/Europe have come to know and appreciate Hawkeye's
talent, dedication, and captivating performances.
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Randall Williams
In this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...
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Phil Keaggy
Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...
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Lesson 7 is all about arpeggios. Danny provides discussion and exercises designed to build your right hand skills.
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Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...
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In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...
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Evan Taucher
In the classical guitar world, there seems to be a lot outdated instructional advice. And while this type of information...
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Mark Kroos
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Mark Kailana Nelson
Mark Nelson introduces "'Ulupalakua," a song he will be using to teach different skills and techniques. In this lesson, he...
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Trace Bundy
Trace Bundy talks about the different ways you can use multiple capos to enhance your playing.
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Albert Collins brought a lot of style to the blues scene. In this lesson, Kenny breaks down Albert's style for you to learn.
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Steve McKinley
Steve McKinley talks about evaluating your bass and keeping it in top shape. He covers neck relief, adjusting the truss rod,...
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Dennis Hodges
Learn a variety of essential techniques commonly used in the metal genre, including palm muting, string slides, and chord...
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Aaron Marshall
JamPlay welcomes instrumental guitarist Aaron Marshall for a comprehensive master course. In this first lesson Aaron discusses...
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Joel Kosche
Joel Kosche talks about creating and composing a guitar solo. He uses his original song "Sunrise" as an example.
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Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Hawk come to Los Angeles. We have an amazing Thai town here as well as Korea town. Over 400 thousand Thai people living here so you know they are bringing it old school.
Thanks fore the invite. I was in LA for a few days last May. I was in the Glendora area. I had good Thai food in Glendora ;-) I hung out at the Folk Music Store in Claremont one afternoon with a longtime old friend and guitar teacher/player. I don't get to LA much. I love good Thai and Korean food, anywhere/anytime. If there's a good blues fest in your area, please send 'em an email and request my 'presence' as a performer and workshop instructor ... the producers 'listen' to ticket buyers ;-) ... maybe we'll meet in LA over Pad Thai and Tom Kah Gai.
But I bet the like Thai Food.:))
I absolutely love Thai food ... I can eat a big bowl of tom kha gai any time ... day or night. ;-)
Well if you ever come to Chiang Mai..lunch is on me.....:))
I'm currently negotiating to visit and performa and teach in China ... I hope that I can visit Thailand, as well. That would be cool. I'l keep you advised if I'm to be in Asia in the future. I'd love to meet up with you for lunch. Thanks for the offer.
Hawkeye...beside a great teacher...you are one funny guy...you made me laugh during this lesson....you are the best man, thanks!
Thank you so much for your kind comments. One must maintain a good sense of humor when traveling on the blues highway. Remember, blues music is about all aspects of life, not just sadness. The music concerns all aspects of the human experience; the bad and the good, the sour and the sweet, the rich and poor, tears and laughter. It is most gratifying to know that you are not only enjoying these lessons, but that you are also understanding and appreciating my weird sense of humor. ;-) I hope you continue to enjoy the prices of learning, practicing, playing blues guitar ... and getting a good laugh once in awhile. ====== ????????????????????????????????? ??????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????; ??????????????????????????????????????????????????????????? ??????????????????????????????????????????? ??????????????????????????????? ?????????????????????????????????????????????????????????????????????????? ;-) ???????????????????????????????????????????????????????????????????????? ... ???????????????????????????????????
Ooops ... all those ???????? are the result of my trying to paste and post my answer in Thai. JamPlay doesn't recognize Thai script ... yet. Oh well. ;-)
Sitting in my office with boring paper work, had to take a break with a hawkye lesson to get me in a better mood....looking forward for going home and play the guitar
;-) I'm happy to know that my guitar lessons lift your spirits. Thanks so much for taking your 'musical medications' as needed. ;-)
One of the best lessons yet! Starting to feel very capable up and down the neck. Loving throwing in licks and runs between the stop time rhythms. Thanks for letting on about the hoochie coochie being 16 as well, i was confused with that one. Thanks hawkeye.
Thanks for the kind comments, Jason. Much appreciated. I hope you continue to enjoy thees lessons. ;-)
Love the Stop Time. The rhythmn just makes you want to keep on for ever and its great for the brief flurries of solo notes between each batch of the three chords. Graet for trying out ideas. As always Hawkeye, after one of your lesoons, it seems so much easier to play good sounding blues. Thank you. Keep the lesoons coming. Feed me Seymour!
vikingblues, Thanks so much. I'm very pleased that your taking the ball and 'running with it.' That's the idea. Don't worry, I'll keep 'throwing you bones.' There's pleaty more to come. Thanks again.
Hi Hawkeye......Just got my guitar back from having a new set up. great to come back to this and ur other new lessons. jam play and your lessons have been a great investment . look forward to more lessons. have gret time touring round for nxt few months/ Australia ever on yout itineray?!
harryj, Welcome back with your newly set up guitar. I just got back from South America ... check out the description of my tour in the Hawkeye forum area. I'll be touring around the USA for the next few months, and then to Europe in NOvember for a month. I'd love to visit Australia someday ... I've performed a number of times with Aussie bluesgal Fiona Boyes here in the States and on blues a blues cruise in the Caribbean, and we'll both be performing at a blues fest in the Midwest in July. There are plenty more of my guitar lessons to come ... so we'll be putting your guitar set-up to good use :-) Thanks so much for the message.
To say stop time is "infectious" is a terrific understatement. Even gets my dog going!
It's the Rockin' Pneumonia and The Boogie Woogie Flu ... and it's very contagious ;-)
The Pied Piper strikes again I went thru all your lessons HawkEye and I can not wait for more.
Glenn, Thanks for working through my blues program. There's plenty more to come. Jamplay should have more lessons to post in the days/weeks ahead. I just returned from performing in South America (see the Hawkeye forum post about this for more information), and I will be touring the USA doing blues festivals in the months ahead. In Sept. I'll be teaching blues guitar at the brand new BB King Museum in Indianola, MS, and in Oct./Nov. I'll be touring in Europe ... sometime in between all of this traveling I'll be flying out to the Colorado home of jamplay to film many more hours of video lessons. So, I assure you, there will be no shortage of new lessons for you to look forward to. Again, thanks so much for your kind comments and enthusiasm.
Hey, thanks to your all for the kind comments and enthusiasm for this variation in blues music. Don't worry about more material, I have a lifetime full of such information for you to work on. Have FUN!!!
i love the stop time blues style! i'm so glad you are going over how to play it and how to improvise with it!! :)
great!!! More plz
Wow, this is great. I can't wait to delve more into Stop Time Blues. In the past I've fooled around with an A or A7 chord pinch, then an open string pinch, then same on an E or E7 but never gone further. That's about to change. Thank you, Hawkeye!
This is no time to stop! MORE!!!
Tomorrow is right! This one was so much fun. Thanks, Hawkeye.
A good time