Marote Rasgueado #3 (Guitar Lesson)
What are you waiting for? Get your membership now!
Marote Rasgueado #3
Mario DaSilva wraps up the rasgueado techniques with the 16th note subdivision of the marote rasgueado.
Taught by Mario DaSilva in Flamenco Guitar with Mario DaSilva seriesLength: 3:48Difficulty: 0.0 of 5
Compás: is a repetitive section of a given dance that sequences itself by only a few bars, which gets its character and uniqueness from its own chord progressions and rhythmic characterizations.
The ones studied here are not all the compasses there are in flamenco. They are:
MALAGUEÑA, RUMBA, SEVILLANAS, FARRUCA, SOLEARES, BULERIAS, ALEGRIAS, FANDANGOS DE HUELVA, GUAJIRAS AND SEGUIRIYAS.
Falseta: a melodic statement that is plugged into the compas. They can be improvised, composed by the own guitarist, or they can be used as a quotation from another. Falsetas are only credible if composed with stylistic appropriateness to the compás in question.
Coplas: a folk melodic treatment is included within the compás.
Rasgueado: multiple finger strokes; Marote rasgueado: multiple finger strokes with the aid of thumb.
Arpeggios: (ascending, descending and combined) fingerpicking applications; “Arpeggios por Farruca...”
Golpe: stroke with fingernail on the top of guitar as strings are strummed, or played singly.
Golpeador: the invisible protection against golpes, which is glued above the top of the guitar.
Ligados: slurred notes by means of hammer-ons or pull-offs.
Disjunct lines: lines which are built skip-wise rather than step-wise or scale-wise.
Apagados: the technique of muting the strings after a stately strum, either with the palm of the right hand or the left hand's little finger.
Alzapúa: multiple and brisk ‘thumb only’ strokes in an upward and downward motion that are used to create high rhythmic excitement in a given passage.
Picado: the way in which melodies are performed in flamenco. It is similar to the ‘rest stroke’ used in classical guitar.
One Octave: the first eight notes in a scale that can begin on any scale degree.
Tremolo: the device used in guitar execution to sustain notes as if played by a bowed or wind instrument. All fingers are required to perform the tremolo: p, i, a, m.
Ayudado: translation; "helped." Performing melodic thumb duties with the middle finger resting on the B string.
Salidas: the closing last bars of either an entire dance or just a smaller section.
Silencio: slower and somber passage within the context of the Alegrias.
Escobillas: another passage within the context of the Alegrias that features foot work.
Video Subtitles / Captions
Supplemental Learning Material
Flamenco Guitar with Mario DaSilva
Found in our Beginner Lesson SetsLearn the techniques and dance accompaniments associated with the Flamenco guitar.
Lesson 1
Introduction to Flamenco Guitar
Mario DaSilva introduces himself and the Spanish art form of flamenco guitar.
Length: 4:06 Difficulty: 0.5 FREELesson 2
Basic Strumming
Mario DaSilva starts to break down flamenco guitar techniques, starting with a basic one finger strum.
Length: 4:49 Difficulty: 1.0 Members Only
Two Finger Rasgueado
Mario DaSilva starts to break down the different versions of the flamenco rasgueado. He starts with the triplet subdivision using two fingers.
Length: 4:32 Difficulty: 2.0 Members Only
Four Subdivision Rasgueado
Mario DaSilva breaks down the stroke pattern for the sixteenth note rasgueado.
Length: 3:06 Difficulty: 2.0 Members Only
Five Stroke Rasgueado
Mario DaSilva breaks down the five stroke rasgueado technique. He continues to use the Soleares in his examples.
Length: 2:10 Difficulty: 2.0 Members Only
Six Stroke Rasgueado
Mario DaSilva turns up the heat with a six stroke rasgueado technique.
Length: 2:44 Difficulty: 2.0 Members Only
Marote Rasgueado
Mario DaSilva begins to break down what are known as the marote rasgueados. This technique involves subdivision using both the thumb and fingers.
Length: 3:23 Difficulty: 2.0 Members Only
Marote Rasgueado #2
Mario DaSilva demonstrates an alternate way to perform the marote rasgueados.
Length: 2:03 Difficulty: 2.0 Members Only
Marote Rasgueado #3
Mario DaSilva wraps up the rasgueado techniques with the 16th note subdivision of the marote rasgueado.
Length: 3:48 Difficulty: 0.0 Members Only
Arpeggios
Mario DaSilva begins to teach the arpeggio techniques utilized in the flamenco style.
Length: 3:06 Difficulty: 2.0 Members Only
Combination Arpeggios
Mario DaSilva adds the ascending arpeggio to the repertoire and combines it with the descending arpeggio.
Length: 5:10 Difficulty: 2.0 Members Only
16th Note Arpeggios
Mario DaSilva demonstrates arpeggios subdivided into sixteenth notes. He introduces a new compas called the Farruca as well as the golpe technique.
Length: 11:09 Difficulty: 2.0 Members Only
Ligados
Ligados are slurred notes used to create melodic content within a compas. In this lesson, Mario will be demonstrates ligados using the Soleares. He then demonstrates how to combine strumming, ligados,...
Length: 11:05 Difficulty: 2.0 Members Only
The Alzapúa
The Alzapúa is a fast, thumb only picking technique designed to project and create a more flamenco-styled sound. In this lesson, Mario provides some drills that will help you master this technique.
Length: 6:20 Difficulty: 2.0 Members Only
The Alzapúa #2
In the second lesson for the Alzapúa technique, Mario discusses why you would want to use this technique over a standard fingerstyle pattern.
Length: 2:08 Difficulty: 1.5 Members Only
Scale Usage
Mario DaSilva discusses and demonstrates how scales are incorporated into the flamenco style.
Length: 8:34 Difficulty: 2.0 Members Only
Building Endurance
In lesson 17, Mario discusses endurance and ways to built upon it for speed and accuracy.
Length: 9:00 Difficulty: 1.5 Members Only
Arpeggio Drills
Mario DaSilva provides several drills to help build your arpeggio skill. He uses the Malaguena dance as an example for these drills.
Length: 3:29 Difficulty: 2.0 Members Only
Tremolo Technique
Mario DaSilva demonstrates how the tremolo technique is utilized within the confines of the flamenco style.
Length: 4:22 Difficulty: 1.5 Members Only
The Malaguena
Now that Mario has covered the basic techniques needed to play in the flamenco style, he begins to break down the individual dances from the style. He starts first with the Malaguena.
Length: 22:42 Difficulty: 2.5 Members Only
The Rumba
Mario DaSilva breaks down and demonstrates the famous Rumba dance.
Length: 11:40 Difficulty: 2.0 Members Only
The Sevillanas
In lesson 22, Mario DaSilva breaks down the Sevillanas.
Length: 11:20 Difficulty: 2.0 Members Only
The Farruca
Mario DaSilva takes an in depth look at the dance he initially introduced during his technique lessons.
Length: 13:45 Difficulty: 2.0 Members Only
The Soleares
You'll remember this dance from the beginning of Mario's technique studies. In this lesson, Mario covers the Soleares in its entirety.
Length: 14:02 Difficulty: 2.0 Members Only
The Bulerias
Mario DaSilva breaks down the Bulerias. He includes the basic compas, variations, as well as several salidas to use.
Length: 21:16 Difficulty: 2.5 Members Only
The Alegrias
In lesson 26 of his Flamenco guitar series, Mario DaSilva breaks down the Alegrias dance.
Length: 14:39 Difficulty: 2.5 Members Only
Fandangos de Huelva
In lesson 27, Mario DaSilva breaks down the Fandangos de Huelva.
Length: 13:35 Difficulty: 2.5 Members Only
The Guajiras
In the 28th lesson of his Flamenco series, Mario DaSilva discusses and breaks down the Guajiras.
Length: 14:57 Difficulty: 3.0 Members Only
Seguiriyas
Completing his studies on the dances of Flamenco, Mario Dasilva offers up a lesson on the Seguiriyas.
Length: 11:24 Difficulty: 3.0 Members Only
About Mario DaSilva
View Full Biography
Mario DaSilva is an expert classical and Flamenco player who has toured and played with some of the finest musicians in the business, including the following: Nashville Chamber Orchestra, Belmont University Orchestra, Indiana University SE Orchestra, Bowling Green Chamber Orchestra, Nashville Ballet, Lari White, Chuck Cannon, Little Big Town, Muriel Anderson, Felipe De La Rosa, Bruce and Sandra Dudley, Lori Meecham, and Tracy Silverman.
Acoustic Guitar Lessons
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Mitch Reed
Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...
Free LessonSeries Details
Orville Johnson
Orville Johnson introduces turnarounds and provides great ideas and techniques.
Free LessonSeries Details
Justin Roth
In this lesson Justin introduces his series on playing with a capo and dishes out some basic tips, including how to properly...
Free LessonSeries Details
Mark Kroos
Free LessonSeries Details
Phil Keaggy
Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...
Free LessonSeries Details
Hawkeye Herman
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.
Free LessonSeries Details
Erik Mongrain
Erik expounds on the many possibilities of open tunings and the new harmonics that you can use in them. He explains what...
Free LessonSeries Details
Randall Williams
In this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...
Free LessonSeries Details
Calum Graham
Award winning, Canadian fingerstyle guitarist Calum Graham introduces his Jamplay Artist Series, which aims to transform...
Free LessonSeries DetailsElectric Guitar Lesson Samples
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Brent Mason
Learn Nashville style country guitar from one of the most recorded guitarists in history. Check out rhythm grooves, solos,...
Free LessonSeries Details
Larry Cook
In this lesson, Larry discusses and demonstrates how to tune your bass. He explains why tuning is critical and discusses...
Free LessonSeries Details
Steve Stevens
Steve Stevens shows some of his go-to licks and ideas while improvising over a backing track he made.
Free LessonSeries Details
Nick Greathouse
Nick starts his series with Alternate Picking part 1. Improve your timing, speed, and execution with this important lesson.
Free LessonSeries Details
Billy Sheehan
Billy starts his artist series off with a lesson on something he gets asked the most to explain: right hand 3 finger technique.
Free LessonSeries Details
Lisa Pursell
Lisa breaks into the very basics of the electric guitar. She starts by explaining the parts of the guitar. Then, she dives...
Free LessonSeries Details
John Shannon
Meet John Shannon and his approach to rhythm guitar. John discusses why he put this lesson series together and what his...
Free LessonSeries Details
Prashant Aswani
Do you want to play more musical sounding solos? Do you want to play solos with more emotion behind them? Maybe you're the...
Free LessonSeries Details
Rex Brown
Dive into the playing of Rex Brown. As the bass player for Pantera, Down, and Kill Devil Hill, Brown's real world experience...
Free LessonSeries DetailsJoin over 520754 guitarists who have learned how to play in weeks... not years!
Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.
Unlimited Lesson Viewing
A JamPlay membership gives you access to every lesson, from every teacher on our staff. Additionally, there is no restriction on how many times you watch a lesson. Watch as many times as you need.Live Lessons
Exclusive only to JamPlay, we currently broadcast 8-10 hours of steaming lesson services directly to you! Enjoy the benefits of in-person instructors and the conveniences of our community.Interactive Community
Create your own profile, manage your friends list, and contact users with your own JamPlay Mailbox. JamPlay also features live chat with teachers and members, and an active Forum.Chord Library
Each chord in our library contains a full chart, related tablature, and a photograph of how the chord is played. A comprehensive learning resource for any guitarist.Scale Library
Our software allows you to document your progress for any lesson, including notes and percent of the lesson completed. This gives you the ability to document what you need to work on, and where you left off.Custom Chord Sheets
At JamPlay, not only can you reference our Chord Library, but you can also select any variety of chords you need to work on, and generate your own printable chord sheet.Backing Tracks
Jam-along backing tracks give the guitarist a platform for improvising and soloing. Our backing tracks provide a wide variety of tracks from different genres of music, and serves as a great learning tool.Interactive Games
We have teachers covering beginner lessons, rock, classic rock, jazz, bluegrass, fingerstyle, slack key and more. Learn how to play the guitar from experienced players, in a casual environment.Beginners Welcome.. and Up
Unlike a lot of guitar websites and DVDs, we start our Beginner Lessons at the VERY start of the learning process, as if you just picked up a guitar for the first time.Our teaching is structured for all players.Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
 |
||||
| Price Per Lesson | < $0.01 | $4 - $5 | $30 - $50 | Free |
| Money Back Guarantee | Sometimes | n/a | ||
| Number of Instructors | 91 | 1 – 3 | 1 | Zillions |
| Interaction with Instructors | Daily Webcam Sessions | Weekly | ||
| Professional Instructors | Luck of the Draw | Luck of the Draw | ||
| New Lessons | Daily | Weekly | Minutely | |
| Structured Lessons | ||||
| Learn Any Style | Sorta | |||
| Track Progress | ||||
| HD Video | - | Sometimes | ||
| Multiple Camera Angles | Sometimes | - | Sometimes | |
| Accurate Tabs | Maybe | Maybe | ||
| Scale/Chord Libraries | ||||
| Custom JamTracks | ||||
| Interactive Games | ||||
| Community | ||||
| Learn in Sweatpants | Socially Unacceptable | |||
| Gasoline Needed | $0.00 | $0.00 | ~$4 / gallon! | $0.00 |
Mike H.
"I feel like a 12 year old kid with a new guitar!"
I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!
Greg J.
"With Jamplay I can fit in a random session when I have time and I can go at my own pace"
I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
Bill
"I believe this is the absolute best site for guitar students."
I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.
Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Using the Soleares with the different strumming techniques was extremely helpful in expanding to the varieties of flamingo. It also provides a basis for experimentation from my varied studies to use. I feel your structure has a solid base to grow and create. Thank you!! and Gracias amigo!
Mario, I appreciate you using a starting foundation with the Soleares.
Dear Mario, Good lessons. Are you also planning to put some songs like the on in "Ciclone, Il, (The Cyclone) (1996)" and a famous actor played a song on guitar whihc also turns into a gun but cannot remember his name (relatively new movie) Regards Rama
I believe it was Once Upon a Time in Mexico with Antonio Bandares