Steve Eulberg continues his discussion on giving the congregation a comfortable amount of time to sing. This lesson focuses on tagging the last line, giving everyone a chance to breathe and start again at the beginning. You will be taking a look at a hymn called "The Ash Grove" as an example.
Taught by Steve Eulberg in Gospel Guitar seriesLength: 6:44Difficulty: 2.0 of 5
The word gospel is derived from Old English god-spell, meaning "good news." With history that can be dated back to the 18th century, gospel music's creation, performance and significance varies by culture and social context.
Steve Eulberg starts his new gospel series with a lesson that details what he plans to teach in the lessons to follow, a hymn called "What a Fellowship," and finally, what playing for worship means.Length: 34:18 Difficulty: 2.0 Members Only
Steve Eulberg talks about transposing to be compatible with other instruments and playing in the best key for singers.Length: 15:11 Difficulty: 2.0 FREE
Steve Eulberg emphasizes the importance of having a good, clear beginning and ending to your songs when playing for a congregation.Length: 8:26 Difficulty: 1.0 Members Only
Steve Eulberg discusses using the bluegrass style to relax the song and give the congregation time to sing comfortably. You will be looking at "Cwm Rhondda" as an example.Length: 9:33 Difficulty: 2.0 Members Only
Steve Eulberg continues his discussion on giving the congregation a comfortable amount of time to sing. This lesson focuses on tagging the last line, giving everyone a chance to breathe and start again...Length: 6:44 Difficulty: 2.0 Members Only
Steve Eulberg takes some time to talk about hymns. He discusses the importance of having a good message in your songs, as they tend to be "sticky" and a great way of getting your message across. He gives...Length: 8:32 Difficulty: 1.0 Members Only
Steve Eulberg takes a look at what happens when you reinterpret the meter of a song. He uses the hymn "Immortal, Invisible, God Only Wise" as an example.Length: 7:23 Difficulty: 2.0 Members Only
Steve Eulberg takes a look at whether it's possible to play along with a hymn that is very complex harmonically. He uses the beautiful tune "O Sacred Head, Now Wounded" as an example.Length: 8:17 Difficulty: 2.0 Members Only
Steve Eulberg takes a look at the hymn, "I Love to Tell the Story" in his newest gospel lesson.Length: 12:17 Difficulty: 2.5 Members Only
Steve Eulberg takes the hymn you learned in the last lesson, "I Love to Tell the Story," and modernizes it by changing the rhythm.Length: 6:02 Difficulty: 2.0 Members Only
Steve Eulberg takes a look at an old, beautiful American hymn tune called "Martyrdom."Length: 9:40 Difficulty: 2.5 Members Only
Steve Eulberg looks at a fun, bluegrass arrangement of "Life Is Like a Mountain Railway."Length: 5:50 Difficulty: 2.0 Members Only
Join Steve as he teaches a beautiful fingerstyle arrangement of Amazing Grace.Length: 7:24 Difficulty: 2.5 Members Only
Join Steve and take a look at the beautiful melody found in this familiar song.Length: 12:39 Difficulty: 2.5 Members Only
Steve creates yet another beautiful fingertsyle arrangement for this classic hymn.Length: 13:43 Difficulty: 2.5 Members Only
Join Steve as he discusses and models what it means to be the acoustic rhythm player in a worship band. He offers two of his own original worship songs as a great examples.Length: 18:56 Difficulty: 2.0 Members Only
It may seem like a simple thing, but when it comes down to it, how do we know what the best strum is for a song? Join Steve as he tackles this challenge with a couple different songs.Length: 14:43 Difficulty: 2.0 Members Only
Sometimes chord charts are right on, but more often than not, those chords are misaligned with the words and the rhythm is left a mystery. Join Steve as he gives some practical advice on how to navigate...Length: 15:55 Difficulty: 2.0 Members Only
About Steve Eulberg
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An Award-winning multi-instrumentalist and singer-songwriter, Steve Eulberg weaves mountain and hammered dulcimers with a variety of unusual instruments to create thought-provoking, smile-inducing, toe-tapping acoustic experiences.
He has sung and composed for religious communities, union halls, picket lines, inter-faith retreats, mountain-top youth camps, as well as the more familiar venues: clubs, coffeehouses, bookstores, festivals, charity benefits and showcase concerts.
Born and raised in the German-heritage town of Pemberville, Ohio, Steve was exposed to a variety of music in his home. Early piano lessons were followed by trumpet in school band, and he became self-taught on ukelele and guitar and harmonica. Mandolin was added at Capital University where, while majoring in History, he studied Ear Training, Voice and took Arranging lessons from the Conservatory of Music.
While at college, he first heard hammered and mountain dulcimers, building his first mountain dulcimer just before his final year. Seminary training took him the west side of Denver where he built his first hammered dulcimer. With these instruments, he was able to give voice to the Scottish, English and Irish traditions to which he is also heir.
Following marriage in 1985 to Connie Winter-Eulberg he settled in Kansas City, Missouri. There he worked cross-culturally in a church of African-Americans, Latinos and European Americans, with music being a primary organizing tool. He moved with his family in 1997 to be nestled beside the Rocky Mountains in Fort Coillins, Colorado.
Founder of Owl Mountain Music, Inc. he teaches and performs extensively in Colorado and Wyoming with tours across the US and the UK. He delights in introducing the â€œsweet musicâ€ of dulcimers to people in diverse settings and in addition to his own recordings, has included dulcimers in a variety of session work for other musicians.
In 2000 he was commissioned to create a choral composition featuring dulcimers for the Rainbow Chorus in Fort Collins. It was recorded in the same year (BEGINNINGS). He is currently at work on a commissioned symphony that will feature hammered dulcimer and Australian didjeridu.
Eulberg passionately believes that music crosses cultural and language barriers because music builds community. Influenced by a variety of ethnic styles, his music weaves vital lyric with rap, rock, folk, gospel and blues. Audiences of all ages respond well to his presentation and to his warm sense of humor.
Steve is a member of Local 1000 (AFM), The Folk Alliance, BMI and BWAAG (Better World Artists and Activist's Guild).
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Free LessonSeries Details
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.Free LessonSeries Details
JamPlay is proud to introduce jazz guitarist Peter Einhorn. In this lesson series, Peter will discuss and demonstrate a way...Free LessonSeries Details
Welcome to the Phil Keaggy Master Course! In this series introduction, Phil shows and tells us what we can expect from this...Free LessonSeries Details
Orville Johnson introduces turnarounds and provides great ideas and techniques.Free LessonSeries Details
In this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...Free LessonSeries Details
In this lesson, Freebo covers the basics of right hand technique. This lesson is essential for all up and coming bassists.Free LessonSeries Details
JamPlay welcomes David Isaacs to our teacher roster. With his first lesson Dave explains his approach to playing guitar with...Free LessonSeries Details
In this lesson Justin introduces his series on playing with a capo and dishes out some basic tips, including how to properly...Free LessonSeries Details
JamPlay welcomes bassist and founding member of Godsmack, Robbie Merrill. In this short introduction lesson, Robbie showcases...Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
David MacKenzie introduces the tapping technique and teaches a fun exercise. This lesson includes a backing track.Free LessonSeries Details
Tom Appleman takes a look at a blues in E with a focus on the Chicago blues style. The bass line for Chicago blues is very...Free LessonSeries Details
JamPlay is proud to welcome senior professor and Coordinator of Guitar Studies at the University of Colorado at Denver,...Free LessonSeries Details
James explains how to tap arpeggios for extended musical reach.Free LessonSeries Details
Michael "Nomad" Ripoll dives deep into the rhythm & blues, funk, and soul genres that were made popular by artists like Earth...Free LessonSeries Details
David Ellefson, co-founding member of Megadeth, explains his overall approach to teaching and learning bass in this introductory...Free LessonSeries Details
In this lesson Eric talks about playing basic lead in the Memphis Blues style.Free LessonSeries Details
Matt Brown shows off some ways to add some creativity and originality to your rock chord voicings.Free LessonSeries Details
Stuart delves into all the different aspects of how R&B guitar has had an impact within reggae music.Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
|Money Back Guarantee||Sometimes||n/a|
|Number of Instructors||88||1 – 3||1||Zillions|
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|Learn Any Style||Sorta|
|Multiple Camera Angles||Sometimes||-||Sometimes|
|Learn in Sweatpants||Socially Unacceptable|
|Gasoline Needed||$0.00||$0.00||~$4 / gallon!||$0.00|
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I am 66 years young and I still got it! I would have never known this if it had not been for Jamplay! I feel like a 12 year old kid with a new guitar! Ha! I cannot express enough how great you're website is! It is for beginners and advanced pickers! I am an advanced picker and thought I had lost it but thanks to you all, I found it again! Even though I only play by ear, I have been a member a whopping whole two weeks now and have already got Brent's country shuffle and country blues down and of course with embellishments. Thank you all for your wonderful program!
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I'm a fifty eight year old newbie who owns a guitar which has been sitting untouched in a corner for about seven years now. Last weekend I got inspired to pick it up and finally learn how to play after watching an amazing Spanish guitarist on TV. So, here I am. I'm starting at the beginning with Steve Eulberg and I couldn't be happier (except for the sore fingers :) Some day I'm going to play like Steve! I'm self employed with a hectic schedule. With Jamplay I can fit in a random session when I have time and I can go at my own pace, rewinding and replaying the videos until I get it. This is a very enjoyable diversion from my work yet I still feel like I'm accomplishing something worthwhile. Thanks a lot, Greg
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I am commenting here to tell you and everyone at JamPlay that I believe this is the absolute best site for guitar students. I truly enjoy learning to play the guitar on JamPlay.com. Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.