Finding Melodies by Ear Using the C Major Scale (Guitar Lesson)
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Finding Melodies by Ear Using the C Major Scale
Here's an ear training lesson for bluegrass flatpickers. Tyler moves through first position scales and explains how to use numbers and their associated tones to help train your ear so that finding the key melody is much easier.
Taught by Tyler Grant in Bluegrass Flatpicking Method seriesLength: 20:35Difficulty: 2.5 of 5
Video Subtitles / Captions
Supplemental Learning Material
Bluegrass Flatpicking Method
Found in our Beginner Lesson SetsA sub-genre of country music which blends improvising with folk-like melodies. Pioneered by Bill Monroe in the 1930s in the "bluegrass" state. Learning to flatpick properly is absolutely crucial to the Bluegrass style.
Lesson 1
Series Introduction
Welcome to Tyler Grant's series on bluegrass flatpicking! Tyler offers a vast history of awards and live experience that defines his knowledge of how to successfully accomplish the skill of utilizing a...
Length: 4:01 Difficulty: 1.0 Members Only
Fundamentals of Flatpicking Technique
Tyler Grant opens his series by demonstrating proper left and right hand techniques.
Length: 28:36 Difficulty: 2.5 Members Only
Understanding Songs and Tunes
Tyler Grant demonstrates and explains the difference between a song and a tune.
Length: 7:47 Difficulty: 1.5 Members Only
C Major Scale in Bluegrass
Tyler introduces the major scale and explains how it is a fundamental component in almost all of bluegrass music. Starting with the C major scale, Tyler provides tools on how to use ear training and numbering...
Length: 26:17 Difficulty: 2.0 Members Only
Finding Melodies by Ear Using the C Major Scale
Here's an ear training lesson for bluegrass flatpickers. Tyler moves through first position scales and explains how to use numbers and their associated tones to help train your ear so that finding the...
Length: 20:35 Difficulty: 2.5 Members Only
Pentatonic Scale and Blues Language
Tyler covers some key terminology and scales that are used in the bluegrass genre.
Length: 19:26 Difficulty: 2.5 Members Only
Song in C Major: New River Train
Tyler applies the scales taught in previous lessons to the melody and solo sections of the tune "New River Train".
Length: 15:05 Difficulty: 2.0 Members Only
Tune in C Major: The Gal I Left Behind Me
In lesson eight of his bluegrass flatpicking series, Tyler Grant teaches the tune "The Gal I Left Behind Me". This is another flatpicking study in the key of C.
Length: 17:52 Difficulty: 2.5 Members Only
G Major Scale in Bluegrass
Now that you've spent some time learning the C major scale and some melodies based on it, it's time to move on to the the G major scale. In lesson nine, Tyler Grant demonstrates the G major scale and...
Length: 16:52 Difficulty: 2.5 Members Only
Song in G Major: Banks of the Ohio
Tyler Grant is back with another tune for his Bluegrass Flatpicking series. In this lesson he teaches the traditional tune "Banks of the Ohio," which encompasses the techniques you've learned thus far.
Length: 21:32 Difficulty: 2.5 Members Only
Tune in G Major: Miss McLeod's Reel
Continuing on with his flatplicking studies, Tyler Grant offers up a tune lesson in the key of G. He teaches "Miss McLeod's Reel".
Length: 17:05 Difficulty: 2.5 Members Only
D Major Scale in Bluegrass
By now, you should be comfortable with the G major scale. Now it's time to tackle another commonly used scale in bluegrass flatpicking. This time Tyler Grant takes you through the D major scale.
Length: 17:46 Difficulty: 2.0 Members Only
Tune in D Major: Forked Deer
Tyler Grant is back with another traditional bluegrass standard. "Forked Deer" likely comes originally from old world fiddle tunes, and like "Banks of the Ohio," is good practice for what you've learned...
Length: 21:31 Difficulty: 2.5 Members Only
Transposing from One Key to Another
Tyler Grant is back with another lesson for his bluegrass flatpicking series. In this lesson, he discusses how to transpose tunes to different keys.
Length: 28:43 Difficulty: 2.5 Members Only
Keys of A and E Major
Now that you know how to transpose out of the keys of C and G, it's time to start taking a look at performing in the keys of A and E Major.
Length: 13:18 Difficulty: 2.5 Members Only
Variations on Tunes
Tyler Grant is back with a look at how to make variations on the tunes you are playing. This can be done either on the fly through improvisation techniques, or by writing specific variations and arrangements...
Length: 16:18 Difficulty: 3.0 Members Only
Bluegrass Vocabulary and Useful Licks
Tyler Grant is back with another lesson for his Bluegrass Flatpicking series! In lesson 17, he discusses basic vocabulary that is used in the bluegrass scene and demonstrates how and when those items...
Length: 23:19 Difficulty: 2.5 Members Only
Guitar Break in C: New River Train
In lesson 18 of his series on bluegrass flatpicking, Tyler Grant discusses the 'guitar break' or solo.
Length: 13:17 Difficulty: 2.5 Members Only
Guitar Break in G: Sitting On Top Of The World
In lesson 19 of his bluegrass series, Tyler offers up some thoughts on guitar breaks. To discuss and demonstrate the concept, he uses the song "Sitting On Top Of The World".
Length: 13:24 Difficulty: 3.0 Members Only
Guitar Break in D: I'll Fly Away
Much like the previous lesson in this series, lesson 20 is all about solos and guitar breaks. Using the tune "I'll Fly Away," Tyler Grant demonstrates more ideas for guitar breaks and solos.
Length: 6:20 Difficulty: 3.0 Members Only
Bluegrass Rhythm and Bass Runs
Tyler Grant is back with lesson 21 in his Bluegrass Flatpicking series. In this lesson, he discusses rhythm tendencies for the genre as well as the addition of bass runs.
Length: 24:44 Difficulty: 2.5 Members Only
Bluegrass G-runs
In lesson 22 of his Bluegrass Flatpicking series, Tyler Grant discusses the 'G run'. This is a melodic line typically played in the bass register in G major but can also be used in any key.
Length: 9:54 Difficulty: 2.5 Members Only
Tune in A minor: Cold Frosty Morning
Tyler Grant is back with another tune to add to your bluegrass repertoire. "Cold Frosty Morning" gives you some practice playing in a minor key in the bluegrass style.
Length: 20:30 Difficulty: 2.5 Members Only
Tune in D minor: Sally In The Garden
Continuing with his instruction in minor keys, Tyler Grant offers up the tune "Sally in the Garden". This tune is in the key of D minor.
Length: 19:51 Difficulty: 3.0 Members Only
Tune in E minor: Rights of Man
To conclude Tyler Grant's look at the bluegrass flatpicking style, he offers up one more tune in a minor key. Lesson 25 focuses on the tune "Rights of Man".
Length: 20:44 Difficulty: 2.5 Members Only
About Tyler Grant
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Tyler Grant brings his Flatpicking expertise to JamPlay!
Tyler took first place honors at the Rockygrass guitar contest in 2003, the Wayne Henderson festival contest in 2005, the 2008 New England Flatpicking Championship, the 2009 Doc Watson Guitar Championship at Merlefest and became the National Flatpicking Champion for placing first at Winfield in 2008. He has been an instructor at CalArts, Steve Kaufman’s Acoustic Kamp, Rockygrass Academy, Augusta Heritage Center Bluegrass Week and Grand Targhee Music Camp. He has been featured in Acoustic Guitar Magazine, Flatpicking Guitar Magazine and Fingerstyle Guitar Magazine. He lives in Lyons, Colorado, where he writes music, enjoys the outdoors, teaches lessons and records for Grant Central Records.
National Flatpicking Champion Tyler Grant is a versatile guitarist and multi-instrumentalist with a wide range of musical expertise. He is an internationally recognized guitar virtuoso with two solo albums and an impressive resume as a session musician, bandleader and sideman. He has shared the stage with such luminaries as Tony Rice, Sam Bush, Tim O’Brien, Jerry Douglas, Chris Thile, John Oates, Steve Kaufman, Leftover Salmon, Yonder Mountain String Band and The String Cheese Incident. Tyler showcases his powerful and original style of Flatpicking on his latest CD release, Up the Neck. His current band project, The Grant Farm, is taking root and growing fast.
Tyler graduated from California Institute of the Arts (CalArts) in 2000 with a Bachelors degree in Guitar Performance. After moving to Nashville from Southern California in 2003 he joined Adrienne Young’s band and toured with her for nearly two years, acting as musical director and playing on her acclaimed CDs Plow the End of the Row and The Art of Virtue. In 2004 he joined Casey and Chris Henry and the Two-Stringers. In the fall of 2004 he toured China with Abigail Washburn and Friends and appeared on her Song of the Traveling Daughter CD. During the first half of 2005 he toured with phenomenal Canadian fiddler April Verch. Tyler revealed his talents as a singer and songwriter with his first solo album, In The Light, released in June 2006 on FGM Records.
From 2005 through 2010 Tyler made hundreds of appearances across the country as a member of the Drew Emmitt Band and the Emmitt-Nershi Band, featuring the frontmen from two of the world’s most popular jambands: Leftover Salmon and the String Cheese Incident. Tyler played on Long Road, the latest acclaimed Drew Emmitt release, which reached #1 on the Jam Band chart, and New Country Blues, the outstanding current release by the Emmitt/Nershi Band. In 2011 Tyler will focus his attention on solo dates, acoustic duet acts with Andy Thorn and Benny Galloway, and his latest band, The Grant Farm.
Tyler took first place honors at the Rockygrass guitar contest in 2003, the Wayne Henderson festival contest in 2005, the 2008 New England Flatpicking Championship, the 2009 Doc Watson Guitar Championship at Merlefest and became the National Flatpicking Champion for placing first at Winfield in 2008. He has been an instructor at CalArts, Steve Kaufman’s Acoustic Kamp, Rockygrass Academy, Augusta Heritage Center Bluegrass Week and Grand Targhee Music Camp. He has been featured in Acoustic Guitar Magazine, Flatpicking Guitar Magazine and Fingerstyle Guitar Magazine. He lives in Lyons, Colorado, where he writes music, enjoys the outdoors, teaches lessons and records for Grant Central Records.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Another great lesson! I ditto BNevils comment below. Thanks, Tyler.
good stuff Tyler thanks!
You are an amazing teacher. The concept of using the numbers, instead of "do re me" is just what I needed. Using the numbers has opened a whole new understanding of playing by ear. Also, playing the scales real slow, calling out the numbers of the notes sounds very boring (at first), but it is so helpful. It gives us time to evalutate the relationship of all the different notes and how they can be used to enhance the chords. You have made playing scales and sequences fun and very interesting! You are indeed inspirational. Are you working on any new courses for us? Don't mean to sound greedy, but we're on a roll. Thank You!
Your a Great Teacher Tyler, just started your course, been playing for a while already but like to start from square one at least for review. Well I learned a great deal from just the first couple of lessons. The learning by ear training and the scales chromatic and using the open string to move position.....Wow good stuff. Thanks so much! Usually on lesson sites I try them and don't get much out of them, yours is the exception. It started very basic but knowing what a great player you are inspired me to start at #1 and I am glad I did. Looking forward to many more. Jerry
getting a lot better and quicker thanks to you Tyler
getting a lot better and quicker thanks to you Tyler
Doesn't look like anything I'm interested in is available in the free trial. Bye!
Thanks for this lesson Tyler! I've struggled for years to find the melody to songs I like. This method works although I'm so slow at it. Hopefully I'll get more proficient in time. Roy