How to Play Message in a Bottle by Sting (Guitar Lesson)


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Brad Henecke

Message in a Bottle

Brad walks you through a step-by-step process as he teaches you how to play the classic song "Message in a Bottle."

Taught by Brad Henecke in Rock Guitar with Brad Henecke seriesLength: 10:22Difficulty: 3.0 of 5
Chapter 1: (1:19) Introduction Are you tired of practicing your scales yet? Take a break and learn this classic song by the Police. Brad opens the lesson by playing through the song’s key parts. Note: Open the “Supplemental Content” tab for chord changes and tablature to the intro section.
Chapter 2: (8:19) “Message in a Bottle” The Intro
A. Music Theory
The chord shapes used in the intro section are a Sting trademark. The same chord shapes can be found in the Police hit “Every Breath You Take.” These chords consist of a basic power chord shape. Then the note a minor 9th from the root is added. Take a look at the first chord shape in the song. This chord consists of the root, the fifth, and the ninth. The root note is C#. Count up five steps in the scale to the next note. The fifth is G#. Then, the ninth is added to the chord. A ninth interval is an octave plus a major second. A major second from C# is D#. Thus, the ninth is D#.

Note the sound of this chord. It has a very ambiguous sound due to the fact that it lacks the third scale degree. As a result, the chord shape is neither major nor minor. This gives the chord a “floaty” or ethereal quality.
B. Playing the Intro
These chord shapes require some large stretches with the left hand. Brad plays the middle note with the third finger. You may find it easier to play this note with the second finger instead.

Be careful when repetitiously practicing anything that involves large finger stretches. Overexertion of the finger muscles can lead to serious conditions like tendonitis. If you experience any pain or discomfort, take a break and rest your hands.

The intro progression consists of the following chord changes: C#, A, B, F#. The shapes for A and F# have their roots on the sixth string. Brad demonstrates two alternate methods of playing these two chords. Here is the appropriate fingering for the A chord:
6th string, 5th fret: Play with first finger
5th string, 7th fret: middle finger
4th string, 9th fret: pinky
3rd string, 9th fret: pinky
Notice how the pinky barres the D and G strings. This fingering doubles the fifth of the chord in order to create a fuller sound.

To play the F# shape, simply slide the A shape down three frets.
2nd Riff
The second part of the verse features a palm-muted pre-chorus riff. This basic I IV V chord progression is played entirely with power chords. This progression is in the key of A Major. Consequently, the I IV V chords are A, D, and E respectively. This chord progression can also be played using major barre chords. Open chord shapes are an interesting third option. Experiment with each option, and decide which one you prefer. Regardless of which option you choose, play the rhythm in eighth notes while palm-muting.

The latter portion of this riff features a progression consisting of F#m and D. F#m is played as a 6th string root barre chord. D is a 5th string root barre chord.

Note: Open the “Supplemental Content” tab for fretboard diagrams of the pre-chorus chords.
Chorus
The first half of the chorus consists of only two chords – C#m and A. Use the appropriate barre chord shapes for these chords. Each chord is strummed for a measure each. Watch Brad carefully for the exact strumming rhythm.

The chorus transitions back into the verse section with a strummed F#m7 barre chord. Hold this chord out for two measures before returning to the verse.

Note: Open the “Supplemental Content” tab for fretboard diagrams of the chorus chords.
Effects
Brad chooses to play “Message in a Bottle” with a heavy chorus sound. Police guitarist Andy Summers used this effect on the original recording as well.
Chapter 3: (0:57) Final Thoughts That's all folks!

Video Subtitles / Captions


Member Comments about this Lesson

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dbernettdbernett replied on January 16th, 2014

The way Andy Summers plays and teaches it. http://www.youtube.com/watch?v=iPzNV8wZZoM

outshinedoutshined replied on July 20th, 2013

I remember watching this lesson a year ago, now that I've come back to it, I think I can finally play this song. Are you palm muting the chorus?

roger stacyroger stacy replied on April 5th, 2012

I wasn't ready for this lesson...

roger stacyroger stacy replied on February 7th, 2012

Fun, but frustrating with the pinky stretch. Damn these hands! :)

sfletchersfletcher replied on November 26th, 2011

The opening riff should definitely be played first finger, then second then 4th. The physical ability to stretch between 1st and 2nd is greater compared to the max distance between 3rd and 4th therefore when played this way it makes the final stretch to 4th easier. This is correct technique it feels tough at first though. Playing 1st, 3rd, 4th is more cumbersome and is not the way to encourage better technique and greater speed ultimately.

nettlesomenettlesome replied on November 24th, 2011

I'm new here. How does this song relate to the pentatonic scales in the adjoining lessons?

brandonl15brandonl15 replied on September 16th, 2011

how do you get your guitar to sound like that?????

gibstratgibstrat replied on January 20th, 2010

dosent sound like it , but ok

blueguitar420blueguitar420 replied on June 10th, 2009

what is the strumming pattern? just down or are you palm muting

caseharr33caseharr33 replied on April 6th, 2009

I never really thought of learning this song until now, but I am really enjoying learning to play this. Keep up the great lessons.

sonicboi222sonicboi222 replied on January 13th, 2009

oy... i am 11 and my fingers are tiny

dash rendardash rendar replied on December 31st, 2008

I find this really tricky to play using my first, third and fourth fingers. It's that third/fourth finger stretch that's really tough for me! But if I play with first, second and fourth fingers, I find the stretch much easier. Is there any reason why I shouldn't be playing it this way? I'm worried I might be getting into bad habbits. Damn these small hands!!

lauracoonlauracoon replied on August 9th, 2008

How do you get that cool effect with your amp?

rblgeniusrblgenius replied on February 13th, 2008

This song is quite a stretch on the pinky. I can't seem to get the G string to ring when I use my pinky on it. Any hints to help me out?

mattbrownmattbrown replied on December 7th, 2007

Thanks Brad! I've been wanting to learn this song for oh, maybe ten years now. Never got around to it.

jboothjbooth replied on October 8th, 2007

Fixed, thank you for the heads up.

Brad.HeneckeBrad.Henecke replied on October 1st, 2007

Thanks for telling us about that mistake, you are right! Just testing you and you pasted. LOL. :) I'll let MR. Jeff know and im sure it will get fixed soon.

powerspowers replied on October 1st, 2007

I believe you have posted the wrong chord diagram in the Message in a Bottle lesson for C# Minor Barre Chord...It should be the Am shape Barre on 4th fret...which is what you actually played...The diagram shows the Em shape on 4th fret, which is actually G# Minor. Thank You.

mikekirk13mikekirk13 replied on September 27th, 2007

kk thx bro:rockout:

Brad.HeneckeBrad.Henecke replied on September 26th, 2007

yes, its in standard tuning

mikekirk13mikekirk13 replied on September 26th, 2007

I was just wondering what tuning that this song was in...is it in standard E or what?

Rock Guitar with Brad Henecke

Found in our Beginner Lesson Sets

In this Phase 2 series Brad Henecke will school you in the art of rock guitar. You will not only learn how to play some of your favorite songs in this series, but you will also learn how to create your own.



Lesson 1

Basic Rock Guitar

This lesson covers the absolute basics of rock guitar. Learn about the electric guitar, pickups, amplifiers, changing strings, and more.

Length: 52:09 Difficulty: 0.5 Members Only
Lesson 2

Learning Chords

The first step of your rock guitar experience is learning some of the more popular chords and that is what this lesson is all about.

Length: 42:30 Difficulty: 1.0 Members Only
Lesson 3

Barre Chords and More

Brad Henecke introduces common strumming patterns and barre chords.

Length: 42:23 Difficulty: 2.5 Members Only
Lesson 4

Your First Song

In this lesson Brad covers some of the more advanced barre chord shapes. He applies these shapes to the song "Hotel California."

Length: 41:31 Difficulty: 2.0 Members Only
Lesson 5

Blues and Scales

Rock has its roots in the blues. Brad helps you explore the wonderful world of blues in this lesson. He also covers some chord theory.

Length: 48:14 Difficulty: 2.0 Members Only
Lesson 6

Tricks and Lead

This lesson is all about specific techniques used by lead guitarists.

Length: 52:02 Difficulty: 2.5 Members Only
Lesson 7

Jammin' with Scales

This lesson details how to improvise with the blues scale.

Length: 27:27 Difficulty: 2.5 Members Only
Lesson 8

3 Songs

In this fun lesson, Brad Henecke teaches you riffs from 3 classic rock songs.

Length: 28:28 Difficulty: 2.5 Members Only
Lesson 9

Power Chords

Power chords help give rock music that "punch you in the face" feel. Learn basic power chords in this lesson.

Length: 13:22 Difficulty: 2.5 Members Only
Lesson 10

2 New Songs

Are you ready to learn "Ain't Talking About Love" by Van Halen and "You Shook Me All Night Long" by AC/DC? That's what this lesson is all about.

Length: 27:32 Difficulty: 2.5 Members Only
Lesson 11

Pentatonic Scale

Brad teaches the first pattern of the minor pentatonic scale and explains how it relates to the blues scale.

Length: 14:30 Difficulty: 2.5 Members Only
Lesson 12

Second Pattern

Brad covers the second pattern for both the minor blues and minor pentatonic scales.

Length: 9:07 Difficulty: 2.5 Members Only
Lesson 13

Message in a Bottle

Learn the classic rock song "Message in a Bottle."

Length: 10:22 Difficulty: 3.0 Members Only
Lesson 14

Third Pattern

This great lesson covers the 3rd fretboard pattern of the minor pentatonic and minor blues scales.

Length: 7:19 Difficulty: 2.5 Members Only
Lesson 15

Colorful Chord Tension

Brad demonstrates how open strings can be added to chord shapes you are already familiar with.

Length: 9:09 Difficulty: 2.5 Members Only
Lesson 16

The Fourth Pattern

Brad covers the fourth pattern of the minor pentatonic and minor blues scales.

Length: 8:28 Difficulty: 2.5 Members Only
Lesson 17

Daytripper

In this lesson Brad demonstrates how to play the Beatles song "Daytripper."

Length: 15:21 Difficulty: 3.0 Members Only
Lesson 18

The Fifth Pattern

Brad demonstrates the 5th pattern of the minor pentatonic and minor blues scales. He also discusses practicing and memorizing them.

Length: 13:05 Difficulty: 2.5 Members Only
Lesson 19

"Brown Eyed Girl"

Learn the classic rock song "Brown Eyed Girl" in this episode of Rock Guitar.

Length: 11:23 Difficulty: 3.0 Members Only
Lesson 20

Phrasing

Brad introduces you to the importance of phrasing. Quality phrasing is essential when performing any melodic line.

Length: 14:19 Difficulty: 3.0 Members Only
Lesson 21

Basics of Tapping

Tapping is an idiomatic guitar technique that offers a unique sound.

Length: 14:34 Difficulty: 3.0 Members Only
Lesson 22

Intro to Modes

Learning the modes is essential to the development of your scale vocabulary.

Length: 31:04 Difficulty: 3.0 Members Only
Lesson 23

Understanding Chord Shapes

Brad further explains what chord shapes are and how they relate to barre chords.

Length: 10:15 Difficulty: 2.0 Members Only
Lesson 24

Natural Harmonics

Learn the right and left hand mechanics involved in playing harmonics.

Length: 13:16 Difficulty: 3.0 Members Only
Lesson 25

Advanced Harmonics

Brad covers more advanced harmonic techniques such as harp harmonics, pinch harmonics and tap harmonics.

Length: 16:10 Difficulty: 3.0 Members Only
Lesson 26

The Dorian Mode

Brad moves on in his modal lesson series to explain the Dorian mode. This lesson includes 2 backing tracks.

Length: 22:00 Difficulty: 3.0 Members Only
Lesson 27

Phrygian Mode

Brad explains and demonstrates the Phrygian mode.

Length: 13:33 Difficulty: 3.0 Members Only
Lesson 28

The Lydian Mode

Brad continues his discussion of the modes. You will learn the Lydian mode in this lesson.

Length: 9:27 Difficulty: 3.0 Members Only
Lesson 29

Mixolydian Mode

Brad explains the Mixolydian mode and its practical applications.

Length: 10:00 Difficulty: 3.0 Members Only
Lesson 30

The Aeolian Mode

Continuing with his modal lessons, Brad Henecke teaches the Aeolian mode.

Length: 9:09 Difficulty: 3.0 Members Only
Lesson 31

The Locrian Mode

The final lesson in our modal series covers the Locrian mode.

Length: 9:00 Difficulty: 3.0 Members Only
Lesson 32

The Ace Zone

Brad teaches some licks inspired by Ace Frehley of KISS. Incorporate these licks into your own solos.

Length: 7:18 Difficulty: 3.0 Members Only
Lesson 33

Learn Licks

In this lesson Brad Henecke teaches you some fun licks that can be used in your own guitar solos.

Length: 10:00 Difficulty: 3.0 Members Only
Lesson 34

Blues Licks

Brad Henecke demonstrates some cool blues licks.

Length: 17:00 Difficulty: 3.0 Members Only
Lesson 35

Modes and Scales

Brad Henecke provides an alternate way of comparing modes and scales.

Length: 8:00 Difficulty: 3.0 Members Only
Lesson 36

A Different View

In the last lesson, Brad Henecke compared some scales that are major or dominant in quality. Now, he repeats this process with minor scales.

Length: 7:00 Difficulty: 3.0 Members Only
Lesson 37

One String Scales

This lesson is all about 1 string scales. Learning scales on 1 string is essential to your knowledge of the fretboard.

Length: 8:34 Difficulty: 3.0 Members Only
Lesson 38

One String Ionian Mode

Brad demonstrates a one string version of the Ionian mode. This lesson demonstrates the importance of horizontal scales.

Length: 7:27 Difficulty: 3.0 Members Only
Lesson 39

Aeolian Mode on One String

Brad continues his discussion of single string scales. He explains how to play the Aeolian mode across a single string.

Length: 4:11 Difficulty: 3.0 Members Only
Lesson 40

Octave Scales

Brad explains how to locate octaves within scale patterns. He demonstrates a cool lick that involves playing simultaneous octaves.

Length: 7:07 Difficulty: 3.0 Members Only
Lesson 41

Using Octaves

Brad explains how to use octaves in the context of an exercise. Octaves can also be used to build effective licks.

Length: 5:18 Difficulty: 3.0 Members Only
Lesson 42

Harmonic Minor Scale

Brad introduces the harmonic minor scale. He explains how it can be applied to the solo break in "Sweet Child O' Mine."

Length: 7:00 Difficulty: 3.0 Members Only
Lesson 43

Learning by Ear

Brad Henecke provides valuable tips regarding the process of learning songs by ear.

Length: 23:00 Difficulty: 3.5 Members Only
Lesson 44

Ear Training Game

Improve your ear training by playing "The Tone Is Right" with Brad Henecke.

Length: 29:00 Difficulty: 3.0 Members Only
Lesson 45

Diminished Arpeggio

Brad Henecke explains diminished chords and provides a fun diminished arpeggio exercise.

Length: 19:00 Difficulty: 3.0 Members Only
Lesson 46

Understanding Time Signatures

Brad Henecke addresses time signatures.

Length: 10:00 Difficulty: 2.5 Members Only
Lesson 47

Diminished Chords

Brad Henecke explains the construction of diminished seventh chords. He also provides a diminished chord exercise.

Length: 10:30 Difficulty: 2.5 Members Only
Lesson 48

Open G Tuning

Brad Henecke introduces open G tuning in this lesson.

Length: 23:50 Difficulty: 2.5 Members Only
Lesson 49

Drop D Tuning

Brad Henecke introduces drop D tuning in this lesson. He explains many advantages of this tuning.

Length: 12:57 Difficulty: 2.0 Members Only
Lesson 50

G Major Pentatonic

Brad Henecke teaches the G major pentatonic scale. He demonstrates all 5 patterns and explains how they can be transposed to any key.

Length: 22:50 Difficulty: 2.0 Members Only
Lesson 51

Changing Scales with Chords

In this lesson Brad Henecke talks about changing the pentatonic/blues scales with each chord in a chord progression.

Length: 11:08 Difficulty: 3.0 Members Only
Lesson 52

Mixolydian Scale and Chords

Brad will show how to use the Mixolydian scale with a blues chord progression.

Length: 6:56 Difficulty: 3.0 Members Only
Lesson 53

Gear and Effects

This lesson is all about gear and effects. Brad begins his discussion with power conditioning and removing hiss from your amplifier. He progresses to discuss a plethora of effects pedals. Brad explores...

Length: 52:48 Difficulty: 2.5 Members Only
Lesson 54

The Wah Pedal

In this lesson, Brad Henecke introduces the wah pedal and demonstrates its many applications.

Length: 15:53 Difficulty: 1.5 Members Only

About Brad Henecke View Full Biography Brad Henecke was born in Cedar Rapids, Iowa on May 5th of 1963. He has been a fan of music for as long as he & his family can remember. You could always find him running around the farm wailing on his cardboard guitar, pretending to be a member of the rock band KISS. Additional inspiration came during his first concert when he got the chance to see Boston & Sammy Hagar in the early 1970's.

This opened up a whole new world of rock and roll music for him; his parents noticed his growing interest in music and enrolled him into guitar lessons when he was 13.

From there he jumped into two years of lessons at a local music store in Cedar Rapids. After discovering Eddie Van Halen, Brad knew that the guitar would always be a part of his life. He took his love throughout the city as he played as a pit musician & jammed at parties for friends.

This made him thirsty for more. He enrolled classes at Kirkwood Community College & also took lessons from the one & only Craig-Erickson (www.craig-erickson.com).

His love for music landed him a gig opening for Molly Hatchet in Cedar Rapids with a band called "Slap & Tickle". He has also played in the Greeley Stampede show for quite a few years with "True North".

Brad is currently playing in Greeley, Colorado with a rock band titled "Ragged Doll". They play a wide variety of music with an emphasis on classic rock from the 60's to present, with Brad playing electric guitar in the five piece lineup.

He currently jams on his all-time favorite guitar: a Paul Reed Smith Custom 24. Beyond guitar, he plays also plays drums & bass guitar. He has also been known to thrash a banjo from time to time. He is still actively playing & passing his 31 years of playing experience on to others (you!).

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