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Blues Licks (Guitar Lesson)


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Brad Henecke

Blues Licks

Brad Henecke demonstrates some cool blues licks. Use these licks to spice up your solos or as a part of your daily technical practice.

Taught by Brad Henecke in Rock Guitar with Brad Henecke seriesLength: 17:00Difficulty: 3.0 of 5
Chapter 1: (00:33) Intro Music Brad lays down some blues riffs and licks in the key of E.
Chapter 2: (04:47) Learn Blues Licks In this lesson, you will learn some blues licks that work over a 12 bar blues progression in the key of E. All of the licks that Brad teaches are derived from the E minor pentatonic scale. This illustrates a very important blues concept. The 12 bar blues progression is typically played in a major key. All musical examples in this lesson apply to the key of E Major. Although the minor pentatonic scale is a distinctly minor scale, it sounds great when used over a major blues progression. The b3 note in the minor pentatonic scale creates a distinct blues flavor when applied to a major blues.

First Box of E Minor Pentatonic

Note: A fretboard pattern of this scale can be found in the Supplemental Content tab.

Brad demonstrates how to play the first box of the E minor pentatonic scale. You have already learned this pattern in the key of A. The first E minor box can either be played in open position or 12th position. All the licks Brad demonstrates in this lesson are played in open position. However, you should learn how to play this pattern in both available positions.

Fingering of the First Box

Since the first box of the E minor pentatonic scale contains open strings, some adjustments need to be made to the fingering of this pattern. When you learned this pattern in the key of A minor, you used either the first, third, or fourth finger to fret each note. When playing in open position however, you will only use the second and third fingers. Fret all notes played at the 2nd fret with the second finger. 3rd fret notes should be played with the third finger. Watch closely as Brad plays through this pattern.

Rhythm of the Licks

All of the licks Brad teaches in this lesson are played in 12/8. This means that there are 12 beats in each measure. The eighth note is the primary metronomic unit. Time signatures such as 12/8 and 6/8 usually group eighth notes into sets of 3. This gives these time signatures a distinct triplet feel. For example, in a measure of 12/8, you will see 4 groups of three eighth notes. The first eighth note in each group is slightly stressed. 4/4 and 12/8 are the two most common time signatures used in a 12 bar blues progression.

Lick #1

Note: Tablature to all of the licks discussed in this lesson can be found under the Supplemental Content tab.

The first lick requires that you slide briefly out of open position. The lick begins with a fretted E note on the B string played in combination with the open E string. This is a very common blues guitar technique. The fretted E and open E combine to form a very thick, almost chorused sound. Steve Ray Vaughn and Buddy guy have exploited this technique to great effect. Brad chooses to play this double stop using his second finger.

Then, the lick slides back into open position. The second finger frets the note D. This note is played in combination with the open E string. When played together, these notes imply an E7 sound.

Brad demonstrates how a trill can be added to the end of this lick. A trill is essentially a rapid series of hammer-ons and pull-offs. Rapidly hammer and pull-off between the tonic note E and the open D string.
Chapter 3: (11:31) More Blues Licks Lick #2

This lick begins with a double stop that implies an E7 sound. The third finger frets the note on the G string. The second finger frets the note D on the 3rd fret of the B string. Once again, this lick is played in 12/8. A trill can be added to the end of this lick. Instead of holding out the tonic note, trill between E and the open D string.

Lick #3

This lick is fairly similar to the previous lick. However, it is played in the lower octave of the E minor pentatonic pattern. Notice the movement from the low open E string to the fretted E note one octave higher. Ending a lick with this octave leap is a very common blues trick.

Lick #4

This lick begins in the second box of the E minor pentatonic scale. It begins with some whole step bends played at the 5th fret of the high E string. Make sure that your bends are perfectly in tune. It may be helpful to pluck the 7th fret of the high E string. This note is B. This pitch will give you a clear idea of how far you need to bend the note at the 5th fret. There is nothing more painful to listen to than an out of tune bend. Listen to Brad's bends as a good reference.

This lick also features a slide that adds some chromaticism. The chromatic notes, A# and C#, are played as grace notes. This means that they are played so rapidly that they are not counted as part of the beat. A miniature note head indicates a grace note in standard notation.

Lick #5

This type of lick is frequently used as a turnaround to end a blues tune. This lick begins with a double stop. The two notes in this double stop, B and D, imply an E7 chord within the context of the lick. Turnarounds are very important to the blues and jazz genres. For this reason, it is very important that you learn and memorize several turnaround licks. This lick features a very common chord substitution technique. This concept is referred to as the "tritone substitution." The chord a tritone away is substituted for the secondary dominant chord, F#7. F#7 is dominant to B7. Instead of playing F#7 however, the chord a tritone away is substituted to give the turnaround a bluesier feel. C7 is the chord that is a tritone interval above F#7.

Note: The tritone substitution involves some complicated music theory. It will be discussed in future lessons of Matt Brown's Phase 2 jazz series.

Video Subtitles / Captions





Supplemental Learning Material

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Member Comments about this Lesson

Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.


tongtong replied on January 13th, 2013

Thank youBrad You not only teaches me lick but also showed how to build my owe licks. Also like your teach of modes. It was a mistry now you make sense of it.

adjohns3adjohns3 replied on November 20th, 2010

Good stuff...if you would always PLAY the licks first...then talk about them...gives us a better idea of what we are trying to learn. Thanks,

ieleftheriouieleftheriou replied on August 29th, 2010

The best guitar teacher i ever had!

dlc53dlc53 replied on September 8th, 2009

I agree with previous comment. tab in site of the video would help

Brad.HeneckeBrad.Henecke replied on January 21st, 2008

Yes ,you are right the reletive minor scale is always built from the 6th note of the Major scale. It is helpfull to know what the reletive minor is . In the key of C Major the reletive minor is (A Minor) In the key of (G) the reletive minor is (E Minor ) ..you can see a short clip of my Band (Ragged Doll ) On our Myspace page www.myspace.com/Raggeddoll07

cplatzcplatz replied on January 16th, 2008

I really enjoy working on these blues licks. It would be easier to follow if I can better view the supplemental content at the same time as watching the video. This really applies to supplemental content further down the page, since I can only scroll so far before the video moves up out of view. I believe this could be resolved if additional page, or white space was placed at the bottom of the supplemental content page to allow further scrolling up without effecting the placement of the video content above... Thanks

Rock Guitar with Brad Henecke

Found in our Beginner Lesson Sets

In this Phase 2 series Brad Henecke will school you in the art of rock guitar. You will not only learn how to play some of your favorite songs in this series, but you will also learn how to create your own.



Lesson 1

Basic Rock Guitar

This lesson covers the absolute basics of rock guitar. Learn about the electric guitar, pickups, amplifiers, changing strings, and more.

Length: 52:09 Difficulty: 0.5 Members Only
Lesson 2

Learning Chords

The first step of your rock guitar experience is learning some of the more popular chords and that is what this lesson is all about.

Length: 42:30 Difficulty: 1.0 Members Only
Lesson 3

Barre Chords and More

Brad Henecke introduces common strumming patterns and barre chords.

Length: 42:23 Difficulty: 2.5 Members Only
Lesson 4

Your First Song

In this lesson Brad covers some of the more advanced barre chord shapes. He applies these shapes to the song "Hotel California."

Length: 41:31 Difficulty: 2.0 Members Only
Lesson 5

Blues and Scales

Rock has its roots in the blues. Brad helps you explore the wonderful world of blues in this lesson. He also covers some chord theory.

Length: 48:14 Difficulty: 2.0 Members Only
Lesson 6

Tricks and Lead

This lesson is all about specific techniques used by lead guitarists.

Length: 52:02 Difficulty: 2.5 Members Only
Lesson 7

Jammin' with Scales

This lesson details how to improvise with the blues scale.

Length: 27:27 Difficulty: 2.5 Members Only
Lesson 8

3 Songs

In this fun lesson, Brad Henecke teaches you riffs from 3 classic rock songs.

Length: 28:28 Difficulty: 2.5 Members Only
Lesson 9

Power Chords

Power chords help give rock music that "punch you in the face" feel. Learn basic power chords in this lesson.

Length: 13:22 Difficulty: 2.5 Members Only
Lesson 10

2 New Songs

Are you ready to learn "Ain't Talking About Love" by Van Halen and "You Shook Me All Night Long" by AC/DC? That's what this lesson is all about.

Length: 27:32 Difficulty: 2.5 Members Only
Lesson 11

Pentatonic Scale

Brad teaches the first pattern of the minor pentatonic scale and explains how it relates to the blues scale.

Length: 14:30 Difficulty: 2.5 Members Only
Lesson 12

Second Pattern

Brad covers the second pattern for both the minor blues and minor pentatonic scales.

Length: 9:07 Difficulty: 2.5 Members Only
Lesson 13

Message in a Bottle

Learn the classic rock song "Message in a Bottle."

Length: 10:22 Difficulty: 3.0 Members Only
Lesson 14

Third Pattern

This great lesson covers the 3rd fretboard pattern of the minor pentatonic and minor blues scales.

Length: 7:19 Difficulty: 2.5 Members Only
Lesson 15

Colorful Chord Tension

Brad demonstrates how open strings can be added to chord shapes you are already familiar with.

Length: 9:09 Difficulty: 2.5 Members Only
Lesson 16

The Fourth Pattern

Brad covers the fourth pattern of the minor pentatonic and minor blues scales.

Length: 8:28 Difficulty: 2.5 Members Only
Lesson 17

Daytripper

In this lesson Brad demonstrates how to play the Beatles song "Daytripper."

Length: 15:21 Difficulty: 3.0 Members Only
Lesson 18

The Fifth Pattern

Brad demonstrates the 5th pattern of the minor pentatonic and minor blues scales. He also discusses practicing and memorizing them.

Length: 13:05 Difficulty: 2.5 Members Only
Lesson 19

"Brown Eyed Girl"

Learn the classic rock song "Brown Eyed Girl" in this episode of Rock Guitar.

Length: 11:23 Difficulty: 3.0 Members Only
Lesson 20

Phrasing

Brad introduces you to the importance of phrasing. Quality phrasing is essential when performing any melodic line.

Length: 14:19 Difficulty: 3.0 Members Only
Lesson 21

Basics of Tapping

Tapping is an idiomatic guitar technique that offers a unique sound.

Length: 14:34 Difficulty: 3.0 Members Only
Lesson 22

Intro to Modes

Learning the modes is essential to the development of your scale vocabulary.

Length: 31:04 Difficulty: 3.0 Members Only
Lesson 23

Understanding Chord Shapes

Brad further explains what chord shapes are and how they relate to barre chords.

Length: 10:15 Difficulty: 2.0 Members Only
Lesson 24

Natural Harmonics

Learn the right and left hand mechanics involved in playing harmonics.

Length: 13:16 Difficulty: 3.0 Members Only
Lesson 25

Advanced Harmonics

Brad covers more advanced harmonic techniques such as harp harmonics, pinch harmonics and tap harmonics.

Length: 16:10 Difficulty: 3.0 Members Only
Lesson 26

The Dorian Mode

Brad moves on in his modal lesson series to explain the Dorian mode. This lesson includes 2 backing tracks.

Length: 22:00 Difficulty: 3.0 Members Only
Lesson 27

Phrygian Mode

Brad explains and demonstrates the Phrygian mode.

Length: 13:33 Difficulty: 3.0 Members Only
Lesson 28

The Lydian Mode

Brad continues his discussion of the modes. You will learn the Lydian mode in this lesson.

Length: 9:27 Difficulty: 3.0 Members Only
Lesson 29

Mixolydian Mode

Brad explains the Mixolydian mode and its practical applications.

Length: 10:00 Difficulty: 3.0 Members Only
Lesson 30

The Aeolian Mode

Continuing with his modal lessons, Brad Henecke teaches the Aeolian mode.

Length: 9:09 Difficulty: 3.0 Members Only
Lesson 31

The Locrian Mode

The final lesson in our modal series covers the Locrian mode.

Length: 9:00 Difficulty: 3.0 Members Only
Lesson 32

The Ace Zone

Brad teaches some licks inspired by Ace Frehley of KISS. Incorporate these licks into your own solos.

Length: 7:18 Difficulty: 3.0 Members Only
Lesson 33

Learn Licks

In this lesson Brad Henecke teaches you some fun licks that can be used in your own guitar solos.

Length: 10:00 Difficulty: 3.0 Members Only
Lesson 34

Blues Licks

Brad Henecke demonstrates some cool blues licks.

Length: 17:00 Difficulty: 3.0 Members Only
Lesson 35

Modes and Scales

Brad Henecke provides an alternate way of comparing modes and scales.

Length: 8:00 Difficulty: 3.0 Members Only
Lesson 36

A Different View

In the last lesson, Brad Henecke compared some scales that are major or dominant in quality. Now, he repeats this process with minor scales.

Length: 7:00 Difficulty: 3.0 Members Only
Lesson 37

One String Scales

This lesson is all about 1 string scales. Learning scales on 1 string is essential to your knowledge of the fretboard.

Length: 8:34 Difficulty: 3.0 Members Only
Lesson 38

One String Ionian Mode

Brad demonstrates a one string version of the Ionian mode. This lesson demonstrates the importance of horizontal scales.

Length: 7:27 Difficulty: 3.0 Members Only
Lesson 39

Aeolian Mode on One String

Brad continues his discussion of single string scales. He explains how to play the Aeolian mode across a single string.

Length: 4:11 Difficulty: 3.0 Members Only
Lesson 40

Octave Scales

Brad explains how to locate octaves within scale patterns. He demonstrates a cool lick that involves playing simultaneous octaves.

Length: 7:07 Difficulty: 3.0 Members Only
Lesson 41

Using Octaves

Brad explains how to use octaves in the context of an exercise. Octaves can also be used to build effective licks.

Length: 5:18 Difficulty: 3.0 Members Only
Lesson 42

Harmonic Minor Scale

Brad introduces the harmonic minor scale. He explains how it can be applied to the solo break in "Sweet Child O' Mine."

Length: 7:00 Difficulty: 3.0 Members Only
Lesson 43

Learning by Ear

Brad Henecke provides valuable tips regarding the process of learning songs by ear.

Length: 23:00 Difficulty: 3.5 Members Only
Lesson 44

Ear Training Game

Improve your ear training by playing "The Tone Is Right" with Brad Henecke.

Length: 29:00 Difficulty: 3.0 Members Only
Lesson 45

Diminished Arpeggio

Brad Henecke explains diminished chords and provides a fun diminished arpeggio exercise.

Length: 19:00 Difficulty: 3.0 Members Only
Lesson 46

Understanding Time Signatures

Brad Henecke addresses time signatures.

Length: 10:00 Difficulty: 2.5 Members Only
Lesson 47

Diminished Chords

Brad Henecke explains the construction of diminished seventh chords. He also provides a diminished chord exercise.

Length: 10:30 Difficulty: 2.5 Members Only
Lesson 48

Open G Tuning

Brad Henecke introduces open G tuning in this lesson.

Length: 23:50 Difficulty: 2.5 Members Only
Lesson 49

Drop D Tuning

Brad Henecke introduces drop D tuning in this lesson. He explains many advantages of this tuning.

Length: 12:57 Difficulty: 2.0 Members Only
Lesson 50

G Major Pentatonic

Brad Henecke teaches the G major pentatonic scale. He demonstrates all 5 patterns and explains how they can be transposed to any key.

Length: 22:50 Difficulty: 2.0 Members Only
Lesson 51

Changing Scales with Chords

In this lesson Brad Henecke talks about changing the pentatonic/blues scales with each chord in a chord progression.

Length: 11:08 Difficulty: 3.0 Members Only
Lesson 52

Mixolydian Scale and Chords

Brad will show how to use the Mixolydian scale with a blues chord progression.

Length: 6:56 Difficulty: 3.0 Members Only
Lesson 53

Gear and Effects

This lesson is all about gear and effects. Brad begins his discussion with power conditioning and removing hiss from your amplifier. He progresses to discuss a plethora of effects pedals. Brad explores...

Length: 52:48 Difficulty: 2.5 Members Only
Lesson 54

The Wah Pedal

In this lesson, Brad Henecke introduces the wah pedal and demonstrates its many applications.

Length: 15:53 Difficulty: 1.5 Members Only

About Brad Henecke View Full Biography Brad Henecke was born in Cedar Rapids, Iowa on May 5th of 1963. He has been a fan of music for as long as he & his family can remember. You could always find him running around the farm wailing on his cardboard guitar, pretending to be a member of the rock band KISS. Additional inspiration came during his first concert when he got the chance to see Boston & Sammy Hagar in the early 1970's.

This opened up a whole new world of rock and roll music for him; his parents noticed his growing interest in music and enrolled him into guitar lessons when he was 13.

From there he jumped into two years of lessons at a local music store in Cedar Rapids. After discovering Eddie Van Halen, Brad knew that the guitar would always be a part of his life. He took his love throughout the city as he played as a pit musician & jammed at parties for friends.

This made him thirsty for more. He enrolled classes at Kirkwood Community College & also took lessons from the one & only Craig-Erickson (www.craig-erickson.com).

His love for music landed him a gig opening for Molly Hatchet in Cedar Rapids with a band called "Slap & Tickle". He has also played in the Greeley Stampede show for quite a few years with "True North".

Brad is currently playing in Greeley, Colorado with a rock band titled "Ragged Doll". They play a wide variety of music with an emphasis on classic rock from the 60's to present, with Brad playing electric guitar in the five piece lineup.

He currently jams on his all-time favorite guitar: a Paul Reed Smith Custom 24. Beyond guitar, he plays also plays drums & bass guitar. He has also been known to thrash a banjo from time to time. He is still actively playing & passing his 31 years of playing experience on to others (you!).

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