David returns to the world of harp harmonics. Once again, this lesson uses an alternate tuning.
Taught by David Anthony in Tips and Tricks seriesLength: 14:30Difficulty: 3.0 of 5
Every guitarist gets to a point where he/she wishes to add his/her own touch to songs. Basic techniques such as hammer-ons, pull-offs, rakes, and harmonics are a great way to put an original spin on the music you play.
David Anthony introduces the Tips and Tricks lesson series.Length: 4:12 Difficulty: 0.5 Members Only
David explains the basics of natural harmonics.Length: 25:00 Difficulty: 2.5 Members Only
David Anthony teaches a basic harmonic exercise. The exercise is modeled after "Nothing Else Matters" by Metallica.Length: 10:48 Difficulty: 2.5 Members Only
David Anthony explains a technique known as string rakes. He explains how rakes may be used with harmonics.Length: 15:30 Difficulty: 3.0 Members Only
David Anthony teaches a beautiful harmonic exercise. This exercise is a short piece that is great for building harmonic skills.Length: 15:00 Difficulty: 3.0 Members Only
David Anthony covers the basics of tap harmonics. He demonstrates an exercise that will help you with this technique.Length: 24:00 Difficulty: 3.0 Members Only
In this action packed lesson, David Anthony teaches slap harmonics and CGDGAD tuning.Length: 15:00 Difficulty: 3.0 Members Only
David demonstrates a new exercise involving slap harmonics.Length: 9:00 Difficulty: 3.0 Members Only
David introduces harp harmonics.Length: 16:00 Difficulty: 3.0 Members Only
David Anthony brings harp and slap harmonics together in a practical, musical exercise.Length: 10:03 Difficulty: 3.0 Members Only
David returns to the world of harp harmonics. Once again, this lesson uses an alternate tuning.Length: 14:30 Difficulty: 3.0 Members Only
About David Anthony
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David Anthony was born on November 9th, 1982, in the small town of Mount Hope, NY. As a child he absorbed the church flavored musical environment that his parents provided. With this influence he realized at a young age that music would not simply be a passive experience for him. It was not until the age of 15 that he decided to string up his first guitar. Relying solely on his father for his foundational chord knowledge, he quickly became enamored with the possibility of endless melodic structures, and the goal of becoming a fantastic player himself.
His early shredder influences came from Kirk Hammet of Metallica. During his first few years of guitar playing, he developed a very workable knowledge of pentatonic, major and minor scales. Over the years his musical interests swayed from rock to standards, from jazz to classical, and a strong love of the art of flamenco guitar; Spanish finger style. It was not until the age of 18 that he decided to surround himself entirely with the music of Steve Vai and Joe Satriani. This influential exclusivity enabled him to learn more about thinking outside of the musical box. In one year he had learned than in the prior 3 years. Picking up multiple ways to structure melodies, create chords and use different modes, his writing and improvisational abilities grew exponentially. In his senior year of high school, he was responsible for the development of the first Musical Appreciation class in the schools history, and had aided the instructor in the teaching of those classes.
After high school, his focus started to rest mainly in writing. With this he realized that he would need additional, abstract influences to develop a unique style of writing. After a couple more years of playing in a small band, and writing some decent material, he greeted 2004 with a move to Nashville, TN. There he found the exact influence that would change his opinion of the guitar forever. Attempting to weed out a strong foundation in shredding and solo techniques, he began learning finger style guitar, and quickly realized the options that his door would open for him.
As he picked up more complex chord structures and jazz scales, his style became a passion for him that continues to drive him and push him to learn more. He feels strongly about the connection between musical input and the music you write. He notes that his subconscious pool of influence, developed from the music he listens to, is almost directly responsible for the type of music that he writes. He adamantly believes that in order to create a unique, soulful style, the pool must remain unpolluted by substandard music. What's that mean? As David puts it, "If you don't want to play crap, don't listen to crap."
David currently teaches Jazz guitar in Fort Collins, Colorado, with plans to move back to Nashville in the spring to pursue a career in writing.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Mitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...Free LessonSeries Details
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.Free LessonSeries Details
In this lesson Justin introduces his series on playing with a capo and dishes out some basic tips, including how to properly...Free LessonSeries Details
In this lesson, Freebo covers the basics of right hand technique. This lesson is essential for all up and coming bassists.Free LessonSeries Details
Nick explains how to play some of the most commonly used chords in the bluegrass genre.Free LessonSeries Details
JamPlay is proud to introduce jazz guitarist Peter Einhorn. In this lesson series, Peter will discuss and demonstrate a way...Free LessonSeries Details
In this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...Free LessonSeries Details
Mark Nelson introduces "'Ulupalakua," a song he will be using to teach different skills and techniques. In this lesson, he...Free LessonSeries Details
Alan shares his background in teaching and sets the direction for his beginning bass series with simple ideas and musical...Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
In this lesson, Braun teaches the chord types that are commonly used in jazz harmony. Learn how to build the chords and their...Free LessonSeries Details
JamPlay is proud to welcome senior professor and Coordinator of Guitar Studies at the University of Colorado at Denver,...Free LessonSeries Details
Just like with the plucking hand, Brent-Anthony shows us the basics of proper fretting hand technique. In addition, he shows...Free LessonSeries Details
Nick explains how to use scales and modes effectively when soloing over a chord progression.Free LessonSeries Details
Jane Miller talks about chord solos in part one of this fascinating mini-series.Free LessonSeries Details
Lauren Passarelli offers up her wisdom on purchasing a guitar. She also includes information regarding proper setup and care....Free LessonSeries Details
Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...Free LessonSeries Details
Tom Appleman takes a look at a blues in E with a focus on the Chicago blues style. The bass line for Chicago blues is very...Free LessonSeries Details
Mark Brennan teaches this classic rock song by Jethro Tull. Released on the album of the same name in 1971, this song features...Free LessonSeries Details
Emil takes you through some techniques that he uses frequently in his style of playing. Topics include neck bending, percussive...Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
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|Learn in Sweatpants||Socially Unacceptable|
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