Mark Lincoln guides you through stretches and vocal exercises to warm up the voice. These exercises are important to keeping your voice in good shape and avoiding injury.
Taught by Mark Lincoln in Guitar Performance seriesLength: 23:12Difficulty: 1.0 of 5
1. ShoutingChapter 2: (03:50) Things to Maximize Things to Maximize in order to get your maximum vocal potential.
3. Clearing the Throat
5. Cough Drops or other numbing agents
9. Milk products
10) Acidic stuff
1. Water (Hydrate)Chapter 3: (11:10) Warm Up the Body and Voice Warm-up the Body:
2. Stretching (Body)
3. Warming-up (voice)
4. Singing **
Touch the Sun- inhale through the nose, count 4 and raise the arms, touch the sun, relax the shoulders, exhale while lowering the arms. Increase the count and continue to relax neck, shoulders, back etc.Warm-up the Voice:
Rotate the Neck- slowly rotate the neck, first to the left and then to the right. Count four to left and then back to the right. Increase the count until the neck feels more relaxed. Then, stretch up and down in the same manner.
Rotate the Wrists- especially for guitar, but also for general body warm-up. Rotate the wrists around and back, also pull fingers toward you gently. Count four and then increase the count.
Stretch legs, hamstrings- pull legs up and back, count four and increase count. Then, stretch back (flat).
Stretch sides- to right and then the left counting four and increasing count as you go.
Bernoulli Principle- Vocal folds are brought into vibration; same concept that provides lift to a plane.
Hummmmmmm- begin the one note hum exercise. Once comfortable with the one note, test other notes in that same range. Take your time with this note and make sure the one note feels good before moving on. Next, change the note into three, making sure each note feels as good as the first. Relax!!!! This process should be slow and easy until the notes become slippery and relaxed. Then, raise the first pitch and sing three note melodies up the scale.
“ME”- the next step is to substitute the word “me” in a five note scale, on the first, third and fifth notes like this: Me ee Me ee Me…This should sound and feel smooth and unforced. Avoid “dumping” the air out on the last syllable. This exercise allows the vocal folds to hold a little more pressure or load while still maintaining the humming stance. Work awkward areas.
Performing live or in a studio situation is a goal of many aspiring guitarists. Vocal training and the ability to sing and play at the same time are skills that will help in this endeavor.
Mark introduces you to the wonderful world of singing.Length: 15:12 Difficulty: 0.5 Members Only
Mark Lincoln guides you through stretches and vocal exercises to warm up the voice.Length: 23:12 Difficulty: 1.0 Members Only
Mark continues to discuss vocal warm-ups and exercises. Then, he moves on to explain vibrato.Length: 23:42 Difficulty: 1.5 Members Only
Mark covers some singing terms and teaches an exercise that is used to "warm the breath."Length: 19:10 Difficulty: 1.5 Members Only
Mark Lincoln talks more about vocal exercise and warm-up. Then, he moves on to discuss singing and playing at the same time.Length: 26:12 Difficulty: 1.5 Members Only
Mark Lincoln provides more singing exercises to practice while playing your guitar.Length: 26:15 Difficulty: 2.0 Members Only
Mark returns to singing and playing. Mark teaches proper form while singing and playing, cognitive exercises, and chord progression basics.Length: 17:54 Difficulty: 2.0 Members Only
Mark Lincoln discusses song dynamics and the anatomy of songs. He also explains more about singing and playing.Length: 23:19 Difficulty: 2.0 Members Only
Mark Lincoln explains how rhythm is used in music.Length: 15:16 Difficulty: 2.0 Members Only
Mark Lincoln applies singing and playing techniques to the Doors song "Riders on the Storm."Length: 17:19 Difficulty: 2.0 Members Only
In lesson 11 of his performance series, Mark discusses the palm muting technique and how to separate your singing from your playing.Length: 23:30 Difficulty: 2.5 Members Only
Mark discusses how alternating between arpeggios and strummed chords can add contrast and flair to your music.Length: 15:02 Difficulty: 2.0 Members Only
Mark discusses silence in music and how it can transform a piece. Additionally, he explains how to use silence effectively in your playing.Length: 16:40 Difficulty: 1.5 Members Only
In this lesson, Mark Lincoln talks more about warming up your voice and walks you through a few exercises that will aid this process.Length: 16:14 Difficulty: 2.0 Members Only
Mark provides a lecture on items you should do and think about to become a proficient live player.Length: 20:57 Difficulty: 1.0 Members Only
In this lesson, Mark delves into the concept of combining both your voice and guitar into one neat little package you can deliver to your listener.Length: 21:47 Difficulty: 2.0 Members Only
Mark Brings us Lesson 17 today to explain the preparation that goes into a performance. Mark tracks back up to 36 hours in advance, and shows us some routines to prepare for a great show.Length: 19:09 Difficulty: 2.0 Members Only
In this lesson, Mark teaches all of the diverse parts to a song with regards to dynamics.Length: 20:17 Difficulty: 2.0 Members Only
In this episode, Mark talks about proper breathing techniques and routines. He gives us eight points to work off of when singing and playing together.Length: 23:34 Difficulty: 2.5 Members Only
Mark Lincoln brings us a great play along opportunity. Mark provides lyrics as well as the chord progression for this play along. He also breaks down key elements such as palm muting, hammer-ons, bending,...Length: 24:06 Difficulty: 3.0 Members Only
Lesson 21 is a repeat of lesson 20's content only with a whole new set of chords and techniques. The"chords de jour" will be a little simpler than lesson 20's and will also include a much more in depth...Length: 20:05 Difficulty: 2.0 Members Only
About Mark Lincoln
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Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
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