Mark continues to discuss vocal warm-ups and exercises. Then, he moves on to explain vibrato.
Taught by Mark Lincoln in Guitar Performance seriesLength: 23:42Difficulty: 1.5 of 5
Mark Lincoln covers several other warm-up exercises in this segment. For the most part, you simply take the exercises you have learned in previous segments and change the syllable. For instance, say "Ma" instead of humming.
What is it? The mechanics of the production of vibrato are simple: The tension of the vocal folds is varied rhythmically creating movement in pitch. Producing vibrato naturally is not so simple. Here are some keys to acquiring vibrato without destroying your vocal chords.Chapter 3: (03:05) Back Technique Back Technique
1)Lay down flat on your back and put your hand on your belly button. Support your breathe with the diaphragm so that your hand rises and falls. Now, sing a comfortable and slippery note and listen for vibrato. Pay attention to what your abs are doing. Are they contracting to push the note through? Try different notes and check again. If you are pushing too much, the muscles surrounding the larynx will tighten and vibrato will either be lost, or you will have the tendency to force it to compensate for the lack thereof. Reduce the volume and try again. Goal: Reduce the air pressure until you find elasticity and the ultimate slipperiness!Chapter 4: (03:51) Head Rotation Technique Head Rotation Technique
1) Rotate your head in a circle while singing a note in your comfortable range. Does the rotation stop when you begin to sing? Is it stiffer on high notes? Reduce the volume until you find the correct level of air pressure. Also, refer to Lesson #2 for neck relaxation techniques.
Performing live or in a studio situation is a goal of many aspiring guitarists. Vocal training and the ability to sing and play at the same time are skills that will help in this endeavor.
Mark introduces you to the wonderful world of singing.Length: 15:12 Difficulty: 0.5 Members Only
Mark Lincoln guides you through stretches and vocal exercises to warm up the voice.Length: 23:12 Difficulty: 1.0 Members Only
Mark continues to discuss vocal warm-ups and exercises. Then, he moves on to explain vibrato.Length: 23:42 Difficulty: 1.5 Members Only
Mark covers some singing terms and teaches an exercise that is used to "warm the breath."Length: 19:10 Difficulty: 1.5 Members Only
Mark Lincoln talks more about vocal exercise and warm-up. Then, he moves on to discuss singing and playing at the same time.Length: 26:12 Difficulty: 1.5 Members Only
Mark Lincoln provides more singing exercises to practice while playing your guitar.Length: 26:15 Difficulty: 2.0 Members Only
Mark returns to singing and playing. Mark teaches proper form while singing and playing, cognitive exercises, and chord progression basics.Length: 17:54 Difficulty: 2.0 Members Only
Mark Lincoln discusses song dynamics and the anatomy of songs. He also explains more about singing and playing.Length: 23:19 Difficulty: 2.0 Members Only
Mark Lincoln explains how rhythm is used in music.Length: 15:16 Difficulty: 2.0 Members Only
Mark Lincoln applies singing and playing techniques to the Doors song "Riders on the Storm."Length: 17:19 Difficulty: 2.0 Members Only
In lesson 11 of his performance series, Mark discusses the palm muting technique and how to separate your singing from your playing.Length: 23:30 Difficulty: 2.5 Members Only
Mark discusses how alternating between arpeggios and strummed chords can add contrast and flair to your music.Length: 15:02 Difficulty: 2.0 Members Only
Mark discusses silence in music and how it can transform a piece. Additionally, he explains how to use silence effectively in your playing.Length: 16:40 Difficulty: 1.5 Members Only
In this lesson, Mark Lincoln talks more about warming up your voice and walks you through a few exercises that will aid this process.Length: 16:14 Difficulty: 2.0 Members Only
Mark provides a lecture on items you should do and think about to become a proficient live player.Length: 20:57 Difficulty: 1.0 Members Only
In this lesson, Mark delves into the concept of combining both your voice and guitar into one neat little package you can deliver to your listener.Length: 21:47 Difficulty: 2.0 Members Only
Mark Brings us Lesson 17 today to explain the preparation that goes into a performance. Mark tracks back up to 36 hours in advance, and shows us some routines to prepare for a great show.Length: 19:09 Difficulty: 2.0 Members Only
In this lesson, Mark teaches all of the diverse parts to a song with regards to dynamics.Length: 20:17 Difficulty: 2.0 Members Only
In this episode, Mark talks about proper breathing techniques and routines. He gives us eight points to work off of when singing and playing together.Length: 23:34 Difficulty: 2.5 Members Only
Mark Lincoln brings us a great play along opportunity. Mark provides lyrics as well as the chord progression for this play along. He also breaks down key elements such as palm muting, hammer-ons, bending,...Length: 24:06 Difficulty: 3.0 Members Only
Lesson 21 is a repeat of lesson 20's content only with a whole new set of chords and techniques. The"chords de jour" will be a little simpler than lesson 20's and will also include a much more in depth...Length: 20:05 Difficulty: 2.0 Members Only
About Mark Lincoln
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Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
In the classical guitar world, there seems to be a lot outdated instructional advice. And while this type of information...Free LessonSeries Details
Marcelo teaches the eight basic right hand moves for the Rumba Flamenca strum pattern. He then shows you how to apply it...Free LessonSeries Details
Hawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.Free LessonSeries Details
Miche introduces several new chord concepts that add color and excitement to any progression.Free LessonSeries Details
Alan shares his background in teaching and sets the direction for his beginning bass series with simple ideas and musical...Free LessonSeries Details
Mark Nelson introduces "'Ulupalakua," a song he will be using to teach different skills and techniques. In this lesson, he...Free LessonSeries Details
Greg kicks off his series telling a little about himself and introduces the C9 tuning.Free LessonSeries Details
Orville Johnson introduces turnarounds and provides great ideas and techniques.Free LessonSeries Details
JamPlay is proud to introduce jazz guitarist Peter Einhorn. In this lesson series, Peter will discuss and demonstrate a way...Free LessonSeries Details
Jessica kindly introduces herself, her background, and her approach to this series.Free LessonSeries Details
Our electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Vibrato is a technique that not only gives character to your guitar playing, it conveys your personality on the guitar, giving...Free LessonSeries Details
Allen shows you the 24 rudiments crucial to developing finger dexterity. This is a short lesson but the exercises here can...Free LessonSeries Details
Tom Appleman takes a look at a blues in E with a focus on the Chicago blues style. The bass line for Chicago blues is very...Free LessonSeries Details
Join Andy as he takes a look at the style of one of the most influential guitarists of all time: Eddie Van Halen. In the...Free LessonSeries Details
In lesson 14 Mark debuts a thumb and fingerstyle technique used to create some separation in the bass and chords or melody.Free LessonSeries Details
Just like with the plucking hand, Brent-Anthony shows us the basics of proper fretting hand technique. In addition, he shows...Free LessonSeries Details
David MacKenzie introduces the tapping technique and teaches a fun exercise. This lesson includes a backing track.Free LessonSeries Details
Dive into the playing of Rex Brown. As the bass player for Pantera, Down, and Kill Devil Hill, Brown's real world experience...Free LessonSeries Details
Billy starts his artist series off with a lesson on something he gets asked the most to explain: right hand 3 finger technique.Free LessonSeries Details
Take a minute to compare JamPlay to other traditional and new methods of learning guitar. Our estimates for "In-Person" lessons below are based on a weekly face-to-face lesson for $40 per hour.
|Price Per Lesson||< $0.01||$4 - $5||$30 - $50||Free|
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|Gasoline Needed||$0.00||$0.00||~$4 / gallon!||$0.00|
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