Sugarman's Shredding Revolution is all about discovering and creating ways to develop a new and unique level of understanding of two-hand synchronization, which is one of the core foundations of clean playing.
Complete course with step-by-step lessons and practice examples.
Course filmed with 6 cameras for the perfect angles.
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Download tabs, helpers, JamTracks and docs included with lessons.
If you’ve ever felt like one of your hands seems to fall behind the other, or you tend to get ahead of yourself in one way or another, you are well aware of how frustrating this problem can be. But don't worry, we can fix it. With a little bit of help, and your focused attention to detail, Dan can get you through this plateau that so many guitarists before you have given up at, or worse… they’ve been completely content with sloppy guitar playing!Begin the Course
Dan Sugarman gives us an introduction and preview to his series - Sugarman's Shredding Revolution.
Dan begins his series by revolutionizing the way we approach our instrument. In this lesson, Dan shares a concept he calls The Speed of "Light".
Finding the "Goldilocks" zone is key to getting your hands in the best position possible to shred, by finding the right amount of pressure to apply to the strings. Dan helps us find the touch that's "just right"! Also, Dan will discuss the tuning his is using in this entire series.
In this lesson, we put into practice what we've talked about so far in this series. This exercise is designed to help you find your Goldilocks Zone, and practice it enough to put it on auto pilot!
Contrary to what some say, good posture feeds into good technique, which feeds into great guitar playing. In this lesson Dan gives us examples of good posture for two different ways of holding the guitar.
Distributing the right amount of pressure throughout your hand is a key foundation to achieving two hand sync. In this lesson, Dan analyzes this concept and helps to get us on the right track.
This lesson is designed to work on the hand to brain connection during the string change, and to help you "fall" into position as opposed to "flail" into position.
Now it's time to sprinkle some legato playing into the proceedings. Starting with hammer ons, Dan shows us how to use "weight" not "strength" to achieve this technique.
Now Dan shows us the next element of legato playing: Pull Offs.
Using hammer-ons and pull-offs that we learned in the previous lessons, Dan now gives us an introduction to true legato - using three note per string patterns.
Now that we've spent a good deal of time on the fretting hand, it's time to turn our attention to the picking hand. Dan starts with examining how to get the best tone from our instrument, using what he calls the Home Position.
In this lesson, Dan helps us apply some exercises to the home application that will help it become second nature in no time!
A solid rhythmic foundation is a must when addressing the basics of good technique. In this lesson, Dan shows a very fresh and cool way to approach rhythm, with the ancient Indian method: Konokol.
Now, Dan moves the Konokol rhythm system that we looked at in the last lesson to the guitar, exploring different rhythm configurations along the way.
When it comes to complex rhythm, understanding the difference between polyrhythm and polymeter are very important. In this lesson, Dan gives us a crash course on how to tell the difference.
Now it's time to put our hands together (so to speak). We're bringing what we've worked on for the left hand, and what we've worked on for the right hand together to get a firm grasp of our two hand sync. Dan starts us out with a basic exercise to solidify this foundation.
In this lesson, Dan continues to emphasize two hand sync, adding the new ideas of inside picking and outside picking.
Now Dan introduces some 2 string patterns into our two hand sync exercises. In each lesson, he's ratcheting up the difficulty level!
In this lesson, Dan explores more two string patterns, this time emphasizing odd two string patterns. Finger twisters and brain teasers for sure!
Endurance is the name of the game in this lesson. Dan shows us one of his favorite techniques he calls "Phalange Laps".
Subtle hand positioning can go a long way in determining the proper position for lead playing or rhythm playing. Here, Dan analyzes this concept in great detail, getting you on the right path and putting you in the best position to play either!
Now we get to muting techniques. Starting off, Dan gives us all the details on muting techniques for the picking hand. These are a must if you want to truly reign in that beast of an instrument!
Switching our muting attention to the fretting hand, Dan gives us the essential techniques we need to get the cleanest result.
In this lesson, Dan teaches a great way to analyze our own playing, focusing in on our mistakes and how to correct them. It starts with quarantining our playing.
What gives you your unique voice on the guitar? Well, there are a number of things that go into that equation. In this lesson, Dan takes a look at some of the key techniques that will go a long way in helping you find your voice!
Now Dan will help us focus on growing our weaknesses. First up is Rhythm vs. Lead Playing.
Up next in working on strengths and weaknesses? Legato.
Up next in the world of substrates - Alternate Picking.
The last substrate Dan takes us through is Directional Picking.
In the last lesson of the series, Dan gives us a musical, full band exercise that ties in all of the techniques that we've learned throughout the series.
Who is Dan Sugarman? Get to know a little about Dan - his background, his music, and what drives him to excel at guitar in this JamPlay interview.
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All of this serious is great...from teacher to content to presentation
i feel this tutorial is what so what i was hoping to get from other instructor's. can't wait to start the jorney !!
I hope can follow and do the exercises right.
There are enough Paul Gilbert Lick - use a metronome - stay relaxed - and good luck - lesson out there. This lesson as well as the whole series seem to address some the real obstacles.