Substrate 1 - Rhythm vs. Lead Playing (Guitar Lesson)

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Dan Sugarman

Substrate 1 - Rhythm vs. Lead Playing

Now Dan will help us focus on growing our weaknesses. First up is Rhythm vs. Lead Playing.

Taught by Dan Sugarman in Sugarman's Shredding Revolution seriesLength: 5:28Difficulty: 3.0 of 5

Substrate: Part I (Rhythm vs Lead Playing)

Being synced up on the guitar is all about covering our foundations and repairing any weaknesses that we found structurally… Now that we’ve done that, it’s time to build something incredible on that foundation by using our creativity as the driving force to once again to build upwards and onwards.

Remember how we started this Creative Independence section by honing in on our weaknesses with our pinpoint focus, and then used creativity at the end to help us turn our weaknesses into our strengths? Let’s take that idea a step further so that we can take our 2 hand sync and guitar playing to the next level even quicker, and make make the connections with our instrument completely symbiotic.

Everything that we’ve done up until this point has been about the way we interface with our instrument… developing the connection. Now, in this last lesson module, I want to focus on making that relationship symbiotic by developing a relationship with your instrument that benefits you and your instrument (finding your voice and enjoyment in your playing/writing/recording/jamming/practicing, and your guitar gets love and attention.)

A substrate is: "The material that which an organism grows from, evolves from, or gets its nourishment from"

Your influences are the substrate of you. The guitar is the substrate for the noise in your head. *** YOUR STRENGTHS AS A GUITARIST ARE THE SUBSTRATE TO GROW YOUR WEAKNESSES IN***

Rhythm vs. Lead Playing

We will use your Rhythm vs. Lead Playing as your "nutrient soil" to grow the rest of these "seeds" in… 2 hand sync is included in everything we do from here on out, but for right now the difference between rhythm and lead playing will be our substrate to throw new ideas into.

  • Alternate picking (regular, and using double own strokes to maintain outside picking for our riff accents)
  • Legato
  • Slide
  • Slips
  • Directional Picking
  • Muting Techniques: Left Hand: Finger Fat // Sloppy Joe. Right Hand: Thumb Butt Muting // Lead Playing vs. Rhythm Playing (use lead playing!)
  • Odd Groupings
  • Inside & Outside Picking

We’ll go through each measure slowly and talk about it before we piece it all together and talk about the components that it’s made of before playing it up to speed, and connecting them. Be sure to use the quarantine concept to fine tune any problems you’re having by taking it SUPER slow discovering your weakness, like... Are the notes you mean to play not articulate and coming through so well? Then the problem is in your approach of the note and interfacing with the left and right hand, so review those lessons from earlier and massage it out, adding the fragments to the back and front as you get more comfortable with it. Practice this idea on a clean channel on your guitar to get the most out of this practice. Are there notes going on that you don’t mean to play? That means that there is a problem in the way you are leaving the notes played as you transition - Review your muting techniques and fine tune this with that in mind at a super slow speed before adding the fragments after and before it to smooth it out and blend it in. Practice this with distortion so that you can REALLY expose the any flaws in your muting techniques.

The notion of using all of what we’ve done together to make musical lines that are both fun and challenging is the most rewarding part of music. If anything seems to be missing, please review these lessons. I want you to begin to feel like you can use the two hands to work together in these muting techniques to create an arsenal of tools and techniques to cover your tracks as you continue building upwards and onwards.



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Sugarman's Shredding Revolution

Found in our Beginner Lesson Sets

Sugarman's Shredding Revolution is all about discovering and creating ways to develop a new and unique level of understanding of two-hand synchronization, which is one of the core foundations of clean playing.



Series IntroductionLesson 1

Series Introduction

Dan Sugarman gives us an introduction and preview to his series - Sugarman's Shredding Revolution.

Length: 5:13 Difficulty: 0.0 FREE
The Speed of LightLesson 2

The Speed of Light

Dan begins his series by revolutionizing the way we approach our instrument. In this lesson, Dan shares a concept he calls The Speed of "Light".

Length: 10:27 Difficulty: 1.5 Members Only
The PulseLesson 3

The Pulse

Finding the "Goldilocks" zone is key to getting your hands in the best position possible to shred, by finding the right amount of pressure to apply to the strings. Dan helps us find the touch that's "just...

Length: 12:21 Difficulty: 1.5 Members Only
Speed of Light Application ExerciseLesson 4

Speed of Light Application Exercise

In this lesson, we put into practice what we've talked about so far in this series. This exercise is designed to help you find your Goldilocks Zone, and practice it enough to put it on auto pilot!

Length: 7:49 Difficulty: 2.0 Members Only
Perfect Practice PostureLesson 5

Perfect Practice Posture

Contrary to what some say, good posture feeds into good technique, which feeds into great guitar playing. In this lesson Dan gives us examples of good posture for two different ways of holding the guitar.

Length: 5:21 Difficulty: 1.0 Members Only
50/50 Finger FrenzyLesson 6

50/50 Finger Frenzy

Distributing the right amount of pressure throughout your hand is a key foundation to achieving two hand sync. In this lesson, Dan analyzes this concept and helps to get us on the right track.

Length: 12:11 Difficulty: 1.5 Members Only
Chromatic Finger CrawlLesson 7

Chromatic Finger Crawl

This lesson is designed to work on the hand to brain connection during the string change, and to help you "fall" into position as opposed to "flail" into position.

Length: 2:56 Difficulty: 1.5 Members Only
Finger IQ: Hammer-OnsLesson 8

Finger IQ: Hammer-Ons

Now it's time to sprinkle some legato playing into the proceedings. Starting with hammer ons, Dan shows us how to use "weight" not "strength" to achieve this technique.

Length: 6:56 Difficulty: 2.0 Members Only
Finger IQ: Pull OffsLesson 9

Finger IQ: Pull Offs

Now Dan shows us the next element of legato playing: Pull Offs.

Length: 3:30 Difficulty: 2.0 Members Only
True Legato: Three Notes Per StringLesson 10

True Legato: Three Notes Per String

Using hammer-ons and pull-offs that we learned in the previous lessons, Dan now gives us an introduction to true legato - using three note per string patterns.

Length: 5:08 Difficulty: 2.0 Members Only
Home PositionLesson 11

Home Position

Now that we've spent a good deal of time on the fretting hand, it's time to turn our attention to the picking hand. Dan starts with examining how to get the best tone from our instrument, using what he...

Length: 11:43 Difficulty: 2.0 Members Only
Home Position ApplicationLesson 12

Home Position Application

In this lesson, Dan helps us apply some exercises to the home application that will help it become second nature in no time!

Length: 8:59 Difficulty: 2.0 Members Only
Rhythm and KonokolLesson 13

Rhythm and Konokol

A solid rhythmic foundation is a must when addressing the basics of good technique. In this lesson, Dan shows a very fresh and cool way to approach rhythm, with the ancient Indian method: Konokol.

Length: 7:47 Difficulty: 2.0 Members Only
Time and Rhythm TableLesson 14

Time and Rhythm Table

Now, Dan moves the Konokol rhythm system that we looked at in the last lesson to the guitar, exploring different rhythm configurations along the way.

Length: 3:04 Difficulty: 2.0 Members Only
Polymeter and PolyrhythmLesson 15

Polymeter and Polyrhythm

When it comes to complex rhythm, understanding the difference between polyrhythm and polymeter are very important. In this lesson, Dan gives us a crash course on how to tell the difference.

Length: 3:08 Difficulty: 2.0 Members Only
Sync or Swim Part 1Lesson 16

Sync or Swim Part 1

Now it's time to put our hands together (so to speak). We're bringing what we've worked on for the left hand, and what we've worked on for the right hand together to get a firm grasp of our two hand sync....

Length: 8:40 Difficulty: 2.5 Members Only
Sync or Swim Part 2Lesson 17

Sync or Swim Part 2

In this lesson, Dan continues to emphasize two hand sync, adding the new ideas of inside picking and outside picking.

Length: 10:08 Difficulty: 3.0 Members Only
Sync or Swim Part 3Lesson 18

Sync or Swim Part 3

Now Dan introduces some 2 string patterns into our two hand sync exercises. In each lesson, he's ratcheting up the difficulty level!

Length: 3:08 Difficulty: 3.0 Members Only
Sync or Swim Part 4Lesson 19

Sync or Swim Part 4

In this lesson, Dan explores more two string patterns, this time emphasizing odd two string patterns. Finger twisters and brain teasers for sure!

Length: 8:03 Difficulty: 3.0 Members Only
Sync or Swim Part 5Lesson 20

Sync or Swim Part 5

Endurance is the name of the game in this lesson. Dan shows us one of his favorite techniques he calls "Phalange Laps".

Length: 4:04 Difficulty: 3.0 Members Only
Rhythm vs. Lead PlayingLesson 21

Rhythm vs. Lead Playing

Subtle hand positioning can go a long way in determining the proper position for lead playing or rhythm playing. Here, Dan analyzes this concept in great detail, getting you on the right path and putting...

Length: 4:30 Difficulty: 2.0 Members Only
Picking Hand Muting TechniquesLesson 22

Picking Hand Muting Techniques

Now we get to muting techniques. Starting off, Dan gives us all the details on muting techniques for the picking hand. These are a must if you want to truly reign in that beast of an instrument!

Length: 12:49 Difficulty: 2.5 Members Only
Fretting Hand Muting TechniquesLesson 23

Fretting Hand Muting Techniques

Switching our muting attention to the fretting hand, Dan gives us the essential techniques we need to get the cleanest result.

Length: 14:52 Difficulty: 2.5 Members Only
Learning to Fish for OurselvesLesson 24

Learning to Fish for Ourselves

In this lesson, Dan teaches a great way to analyze our own playing, focusing in on our mistakes and how to correct them. It starts with quarantining our playing.

Length: 9:19 Difficulty: 2.5 Members Only
NuancesLesson 25

Nuances

What gives you your unique voice on the guitar? Well, there are a number of things that go into that equation. In this lesson, Dan takes a look at some of the key techniques that will go a long way in...

Length: 18:01 Difficulty: 3.0 Members Only
Substrate 1 - Rhythm vs. Lead PlayingLesson 26

Substrate 1 - Rhythm vs. Lead Playing

Now Dan will help us focus on growing our weaknesses. First up is Rhythm vs. Lead Playing.

Length: 5:28 Difficulty: 3.0 Members Only
Substrate 2 - LegatoLesson 27

Substrate 2 - Legato

Up next in working on strengths and weaknesses? Legato.

Length: 3:49 Difficulty: 3.0 Members Only
Substrate 3 - Alternate PickingLesson 28

Substrate 3 - Alternate Picking

Up next in the world of substrates - Alternate Picking.

Length: 4:50 Difficulty: 3.0 Members Only
Substrate 4 - Directional PickingLesson 29

Substrate 4 - Directional Picking

The last substrate Dan takes us through is Directional Picking.

Length: 7:06 Difficulty: 3.0 Members Only
Creative Application of All TechniquesLesson 30

Creative Application of All Techniques

In the last lesson of the series, Dan gives us a musical, full band exercise that ties in all of the techniques that we've learned throughout the series.

Length: 6:25 Difficulty: 3.5 Members Only
JamPlay Interview with Dan SugarmanLesson 31

JamPlay Interview with Dan Sugarman

Who is Dan Sugarman? Get to know a little about Dan - his background, his music, and what drives him to excel at guitar in this JamPlay interview.

Length: 8:44 Difficulty: 0.0 Members Only
Dan Sugarman

About Dan Sugarman View Full Biography

Dan Sugarman is a 26 year old guitarist, producer, teacher and songwriter hailing from the South Bay of Los Angeles, CA. His tenacity and dedication to the art of music and guitar led him to the lead guitar position in the internationally touring band, As Blood Runs Black. Now as a solo artist, Dan continues to work on his original music being released through Patreon, and is currently producing and engineering other bands & artists at Sugartone Studios, and composing for film & television. He also maintains an ever-growing student body as a private guitar teacher, mentor, and educator in the crafts of songwriting, creativity, and modern day recording techniques.



Dan is currently working on his "living album", Inside Out - Part I, available on patreon.com and completing an album for his new group A Mind Made Me, featuring singer//actor Sarah J Bartholomew.

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