Dan Sugarman

Dan Sugarman

From As Blood Runs Black (former)

Dan Sugarman is a 26 year old guitarist, producer, teacher and songwriter hailing from the South Bay of Los Angeles, CA. His obsession with the guitar began early on, as one of his earliest musical memories is from when he was in 3rd grade, and was asked to draw a picture of what he wanted to be when he grew up. Without hesitation, Dan drew an ugly crayola version of himself; holding a single-stringed guitar-shaped thing, on a stage before a sea of poorly drawn stick figures.... (more)

Dan currently offers 31 guitar lessons at JamPlay, with 31 intermediate lessons.

Dan Sugarman's contribution to JamPlay

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Speed and Technique

Sugarman's Shredding Revolution

Sugarman's Shredding Revolution is all about discovering and creating ways to develop a new and unique level of understanding of two-hand synchronization, which is one of the core foundations of clean playing.

1

Series Introduction

Dan Sugarman gives us an introduction and preview to his series - Sugarman's Shredding Revolution.

5:13 Runtime

0.0 Difficulty

View this Lesson
2

The Speed of Light

Dan begins his series by revolutionizing the way we approach our instrument. In this lesson, Dan shares a concept he calls The Speed of "Light".

10:27 Runtime

1.5 Difficulty

3

The Pulse

Finding the "Goldilocks" zone is key to getting your hands in the best position possible to shred, by finding the right amount of pressure to apply to the strings. Dan helps us find the touch that's "just right"! Also, Dan will discuss the tuning his is using in this entire series.

12:21 Runtime

1.5 Difficulty

4

Speed of Light Application Exercise

In this lesson, we put into practice what we've talked about so far in this series. This exercise is designed to help you find your Goldilocks Zone, and practice it enough to put it on auto pilot!

7:49 Runtime

2.0 Difficulty

5

Perfect Practice Posture

Contrary to what some say, good posture feeds into good technique, which feeds into great guitar playing. In this lesson Dan gives us examples of good posture for two different ways of holding the guitar.

5:21 Runtime

1.0 Difficulty

6

50/50 Finger Frenzy

Distributing the right amount of pressure throughout your hand is a key foundation to achieving two hand sync. In this lesson, Dan analyzes this concept and helps to get us on the right track.

12:11 Runtime

1.5 Difficulty

7

Chromatic Finger Crawl

This lesson is designed to work on the hand to brain connection during the string change, and to help you "fall" into position as opposed to "flail" into position.

2:56 Runtime

1.5 Difficulty

8

Finger IQ: Hammer-Ons

Now it's time to sprinkle some legato playing into the proceedings. Starting with hammer ons, Dan shows us how to use "weight" not "strength" to achieve this technique.

6:56 Runtime

2.0 Difficulty

9

Finger IQ: Pull Offs

Now Dan shows us the next element of legato playing: Pull Offs.

3:30 Runtime

2.0 Difficulty

10

True Legato: Three Notes Per String

Using hammer-ons and pull-offs that we learned in the previous lessons, Dan now gives us an introduction to true legato - using three note per string patterns.

5:08 Runtime

2.0 Difficulty

11

Home Position

Now that we've spent a good deal of time on the fretting hand, it's time to turn our attention to the picking hand. Dan starts with examining how to get the best tone from our instrument, using what he calls the Home Position.

11:43 Runtime

2.0 Difficulty

12

Home Position Application

In this lesson, Dan helps us apply some exercises to the home application that will help it become second nature in no time!

8:59 Runtime

2.0 Difficulty

13

Rhythm and Konokol

A solid rhythmic foundation is a must when addressing the basics of good technique. In this lesson, Dan shows a very fresh and cool way to approach rhythm, with the ancient Indian method: Konokol.

7:47 Runtime

2.0 Difficulty

14

Time and Rhythm Table

Now, Dan moves the Konokol rhythm system that we looked at in the last lesson to the guitar, exploring different rhythm configurations along the way.

3:04 Runtime

2.0 Difficulty

15

Polymeter and Polyrhythm

When it comes to complex rhythm, understanding the difference between polyrhythm and polymeter are very important. In this lesson, Dan gives us a crash course on how to tell the difference.

3:08 Runtime

2.0 Difficulty

16

Sync or Swim Part 1

Now it's time to put our hands together (so to speak). We're bringing what we've worked on for the left hand, and what we've worked on for the right hand together to get a firm grasp of our two hand sync. Dan starts us out with a basic exercise to solidify this foundation.

8:40 Runtime

2.5 Difficulty

17

Sync or Swim Part 2

In this lesson, Dan continues to emphasize two hand sync, adding the new ideas of inside picking and outside picking.

10:08 Runtime

3.0 Difficulty

18

Sync or Swim Part 3

Now Dan introduces some 2 string patterns into our two hand sync exercises. In each lesson, he's ratcheting up the difficulty level!

3:08 Runtime

3.0 Difficulty

19

Sync or Swim Part 4

In this lesson, Dan explores more two string patterns, this time emphasizing odd two string patterns. Finger twisters and brain teasers for sure!

8:03 Runtime

3.0 Difficulty

20

Sync or Swim Part 5

Endurance is the name of the game in this lesson. Dan shows us one of his favorite techniques he calls "Phalange Laps".

4:04 Runtime

3.0 Difficulty

21

Rhythm vs. Lead Playing

Subtle hand positioning can go a long way in determining the proper position for lead playing or rhythm playing. Here, Dan analyzes this concept in great detail, getting you on the right path and putting you in the best position to play either!

4:30 Runtime

2.0 Difficulty

22

Picking Hand Muting Techniques

Now we get to muting techniques. Starting off, Dan gives us all the details on muting techniques for the picking hand. These are a must if you want to truly reign in that beast of an instrument!

12:49 Runtime

2.5 Difficulty

23

Fretting Hand Muting Techniques

Switching our muting attention to the fretting hand, Dan gives us the essential techniques we need to get the cleanest result.

14:52 Runtime

2.5 Difficulty

24

Learning to Fish for Ourselves

In this lesson, Dan teaches a great way to analyze our own playing, focusing in on our mistakes and how to correct them. It starts with quarantining our playing.

9:19 Runtime

2.5 Difficulty

25

Nuances

What gives you your unique voice on the guitar? Well, there are a number of things that go into that equation. In this lesson, Dan takes a look at some of the key techniques that will go a long way in helping you find your voice!

18:01 Runtime

3.0 Difficulty

26

Substrate 1 - Rhythm vs. Lead Playing

Now Dan will help us focus on growing our weaknesses. First up is Rhythm vs. Lead Playing.

5:28 Runtime

3.0 Difficulty

27

Substrate 2 - Legato

Up next in working on strengths and weaknesses? Legato.

3:49 Runtime

3.0 Difficulty

28

Substrate 3 - Alternate Picking

Up next in the world of substrates - Alternate Picking.

4:50 Runtime

3.0 Difficulty

29

Substrate 4 - Directional Picking

The last substrate Dan takes us through is Directional Picking.

7:06 Runtime

3.0 Difficulty

30

Creative Application of All Techniques

In the last lesson of the series, Dan gives us a musical, full band exercise that ties in all of the techniques that we've learned throughout the series.

6:25 Runtime

3.5 Difficulty

31

JamPlay Interview with Dan Sugarman

Who is Dan Sugarman? Get to know a little about Dan - his background, his music, and what drives him to excel at guitar in this JamPlay interview.

8:44 Runtime

0.0 Difficulty

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