Mike Dawes is hailed as one of the worldâ€™s finest and most creative modern fingerstyle guitar performers. His acclaimed solo music has gained over 50 million hits on popular video sharing sites and since the release of his debut album in 2013 he has toured almost every continent on the planet, with an average of 200 concerts per year. Mike needs to be seen live to be believed. His ability to create the most unusual tones and textures simultaneously from a single acoust... (more)
Mike currently offers 40 guitar lessons at JamPlay, with 40 lessons in our Artist Series.
Use the tabs below to learn more or subscribe for unlimited access to all artists and courses.
Start your fingerstyle foray under the tutelage of a world-class player. Mike Dawes teaches you to go from a fingerstyle newbie to playing some of his most advanced compositions. 40 lessons to both inspire and challenge any guitarist, exclusively from JamPlay.
Mike Dawes introduces you to his inspirational course. He talks about what you will learn, and what you need to know. Buckle up and get ready for the ride.
From fingernails to pickups, take a close look at the gear that helps Mike create his unique, beautiful sound.
Time for a technique overview! Mike walks through the basics of Travis picking to set a good foundation for what's to come.
Mike demonstrates travis picking over the 12-bar blues, a perfect context to get your fingers wrapped around this technique.
Learn a lead accompaniment inspired by the late Jerry Reed. This travis picked lick works great over the 12-bar blues.
Taking the parts learned in the last two lessons, Mike demonstrates them separately, then we overlay them to hear what they sound like together.
DADGAD offers a great stepping stone out of standard tuning. Mike introduces scales and warm-ups to familiarize yourself
Now that we are comfortable with scales in our left hand, Mike introduces right hand exercises that will increase strength and control.
When you changed into DADGAD, it probably felt like you lost your chord shapes. Mike eases you into the change by teaching shapes for this tuning.
Continuing with movable shapes, Mike introduces some of his favorite chord shapes that have proven useful in his own songwriting.
So far, we've taken a very technical and theoretical approach to DADGAD. Let's start making music. Mike teaches a beautiful, celtic composition.
Extracting a section from "Somewhere Home", Mike puts DADGAD tuning to good use. Beware: this song utilizes hammer-ons, trills, and modulates.
Mike starts into some more advanced techniques, starting with harmonics. These tools are sure to make your playing rise above the fray.
Learning to blend harmonics into chords and melodies is next level! Mike teaches an exercise that introduces harmonics into a chord environment.
Tapping is an useful technique to extend melodies beyond basic fingerpicking. Mike introduces the concept and introduces an exercise.
Find out how an accident led to Mike discovering a whole new approach to tapping. Lap tapping is an effective way to know your fretboard even better.
As Mike continues his exploration into horizontal tapping, he breaks down the first section of his song, Still, for a practical study of this technique.
Mike introduces a new, untitled lap tapping riff. We're still hanging out in E minor, but this riff will help increase speed and precision with your tapping.
Time to put your guitar back in the upright position. Mike starts to delve into some more advanced tapping techniques, including harmonization and percussion.
In this "ridiculously, hectic" exercise, Mike takes some familiar shapes and turns them into a beautiful, challenging workout for anyone brave enough to join him.
You would never hit your guitar? Well, Mike will convince you otherwise. He introduces his "grid" system which offers a foundation to add percussion.
As introduced in the previous lesson, Mike expands on the percussion grid and teaches how to create a snare like sound on your guitar.
If you've ever seen a drum kit, there's more than just a kick and snare. We are going to start recreating other sounds found in the world of percussion.
Now that we've got a handle on drums, it's time to add guitar! We introduce the fretting hand, both as a percussive element and for adding chords.
Mike takes a percussive groove from his song, Overload, and breaks it down. This riff takes the grid system and introduces a simple bass line.
Mike takes a riff from "Maybe Someday" a song from his first album, "What Just Happened" and breaks it down for us. This riff has a celtic waltz feel and involves subtle percussion.
World Premiere of this hauntingly beautiful song, "The Old Room". In this lesson, Mike does a complete playthrough, then breaks down the first verse.
The chorus of The Old Room opens up into a majestic section with lush, full chords, harmonics, and accented single note runs. Sounds difficult, but it's an achievable challenge!
Now Mike takes a look at some slight but cool variations in the second verse and second chorus of The Old Room.
Relying heavily on a mix of harmonics, fingerpicking, pull-off's, hammer-on's and percussion, this will be a technical challenge, but it is well worth the effort.
Interlude C of The Old Room features 3 sub-sections that build off of one another. Starting with a melodic phrase, Mike then adds a little percussion, then adds a lot of percussion. A nice build as we head towards the Outro of the song!
Mike closes out the song with this open, free-time outro with dark harmonic tones and heavy reverb. If you don't feel the emotion, check your pulse!
Building off of what we've learned, Mike is going to break down his song Boogie Shred, section by section, in unparalleled detail. In this first lesson, Mike does a complete playthrough, then shows us the chorus and the main riff.
The verse of Boogie Shred is built upon a bass pattern with some simple percussion. From there is escalates, but getting the foundation is key!
We'll take a look at the pre-chorus of Boogie Shred.
In this lesson, Mike teaches us some cool variations on the verse and chorus of Boogie Shred.
Now it's time to take a look at some variations in the pre-chorus the second time it comes around.
It sounds crazy, but Mike breaks down the hectic bridge of Boogie Shred and shows that it is actually possible to play!
For the final piece of Boogie Shred, we look at the outro, which is a variation of the chorus. Mike then congratulates us on a job well done as he wraps up the entire series.
Mike shares stories and advice from his own experience as a career musician.