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The traditional "A Major" chord. This one is a bit tough since your fingers are crammed into su...
This two string voicing for A#5 is played in sixth position.
This A# minor chord utilizes a movable voicing.
This A#o7 chord utilizes a common diminished voicing.
Below is an example of the A augmented chord.
The root note is omitted from this voicing. This chord is featured in the outro section of "Un...
This voicing for A/D combines high fretted notes with open strings. It is played in DADGAD tun...
This voicing for A/E is played in drop D tuning.
Learn how to play the A13 Chord by using this chart.
The A5 power chord is one of the most popular. You'll hear it in a lot of today's punk & rock s...
This two string version of A5 is played in Drop D tuning.
This one is a piece of cake to play. Simply take your Em chord & slide it up from the 2nd fret ...
Another variation of the A6 Chord.
This voicing for A6/9 is used to conclude Jimmy Bryant's song "Joy Ride."
This A6/9 chord is played in second inversion.
This voicing for A6sus4 is played in open D tuning.
Here's the traditional A7 chord (no barre or anything). This is one of the easier chords to pla...
This voicing for A7 is played in C Wahine tuning (C, G, D, G, B, D).
This voicing for A7(#11) is commonly used in the jazz genre.
This voicing for A7(#5) is commonly used in the jazz genre.
Notice how the third (C#) is omitted from this A7 chord.
This A7 chord is played in first inversion. The root note is omitted from the voicing.
This A7 chord is played with a D bass note.
This fingering for A7/E is played in drop D tuning.
This is the A7 sus4 chord. As you can see, it is played similar to an A7 but you move to the 3...
This voicing for A9 is commonly used in the jazz genre.
This voicing of A9 omits the third of the chord.
This is a rootless of voicing of A9/C#.
Get your thumb ready for this voicing of A9/E!
This A9add11 chord is played in drop D tuning. This chord can also be labeled G6/9/A.
This voicing for Aadd11 is used in the intro section of "The World I Know" by Collective Soul.
Start this fingering of the Aadd9 chord on the 6th fret.
This Aadd9,11 chord is played in drop D tuning.
This Aadd9 chord is played in second inversion.
This version of the Ab chord is played using the E shape barre chord on the 4th fret.
This is the Ab5 power chord in Drop D tuning.
This Ab5 power chord features the fifth (Eb) as the low bass note.
This is a rootless voicing of an Ab7 chord.
This Abm chord utilizes the visual shape of the "open" Em chord.
This is the Abm7 chord. This four string voicing is played at the 4th fret. This chord can al...
This Abmaj7 chord combines a common movable shape with an open G drone note.
Here's the Am barre chord using the Em shape.
The fifth is omitted from this voicing of Am.
This is a fifth position barre chord voicing for Am/maj7.
This voicing for Am11 is commonly used in the jazz genre.
This voicing for Am6 utilizes a common, movable chord shape.
The "A Minor 7" chord is fairly easy to play. Simply place your 1st finger on the "B" string, 1...
Learn to play the Am9 chord using this chart.
The third is omitted from this Am9 chord.
This Am9 chord is played with a G# bass note.
This Am9maj7 chord is used in the intro to "Stairway to Heaven."
Amaj7 is a bit easier than A major, because you have some more room to work with.
A variation of the Amaj9 Chord.
This voicing is based on the "open" Amaj7 chord. However, the C# note is omitted to form Amaj9...
This voicing for Amin7 is played in C Wahine tuning (C, G, D, G, B, D).
This chord shape implies an A diminished triad.
Play the A fully diminished seventh chord using this chart.
This is the Asus2 chord in "open" position.
This voicing of Asus2 features the #11 scale degree (D#).
Give this Asus4 chord a try!
Here is the B major barre chord held in the "A" shape.
This B+ chord combines a common movable shape with an open G drone note.
This voicing for B/D# omits the fifth of the chord. Also, notice how the major third is played...
The B major chord is tough for beginners since it requires using all four fingers. This chord ...
This is a movable voicing for B13.
Just like the rest of the "5" series power chords, this is popular amongst rock & punk songs. I...
This B5 power chord includes the open B string.
This one is often a bit tricky since you are holding every other string on the 2nd fret. It's o...
This B7(#9) chord is used in the song "Scuttle Buttin'" by Stevie Ray Vaughn.
This B7 voicing is played with an A bass note.
This B7 chord is played in second inversion.
This B7add11 chord combines a movable chord shape with open strings.
This B7sus4 chord is played in second inversion.
The root note is omitted from this voicing of B9.
This voicing for B9 omits the third of the chord.
This voicing for B9 is played with an A bass note.
This chord combines a common movable barre chord shape with open strings.
The ninth and eleventh are added to this B major chord.
This voicing of Bb major requires a barre performed by the first finger. The shape of this cho...
The #11, E, is added to this Bb major chord. This chord is played in first inversion.
This Bb chord is played in first inversion.
This Bb chord is played in second inversion.
This is a dominant thirteenth voicing featuring a sixth string root note.
This is a set 3 voicing for Bb13(b9).
This is the Bb5 chord. This power chord features a root note on the 1st fret of the A string.
This Bb5 power chord is played in open G tuning.
This two string Bb5/F chord is played on the A and D strings.
This Bb6 chord combines a common movable shape with an open G drone note.
This is the Bb7 (B Flat 7) chord played using the E7 shape barre chord on the 6th fret.
This barre chord voicing for Bb7 is played in open G tuning.
This is a set 3 voicing for Bb7(#5).
This Bb9 uses a common, movable voicing.
This is a set 3 voicing for Bb9(#5).
This is a rootless of voicing of Bb9/D.
This Bbadd9 chord is played in open C tuning.
This is a B flat minor chord, which is based on the full Bbm barre chord.
This "power chord" voicing for Bbm is commonly used in metal.
This voicing for Bbm7 utilizes a common, movable chord shape. The root note is located on the ...
This voicing for Bbmaj7 is commonly used in the jazz and western swing genres.
This Bbsus2 chord utilizes a common, movable chord shape.
This Bbsus4 chord utilizes a common, movable chord shape.
This Bm chord is played with an A note in the bass.
This Bm chord shape eliminates the low root note from the common barre chord shape.
Please study the attached Bm7 chord chart and tablature to master this chord.
This voicing for Bm7 is played in open D tuning. The fifth (F#) is omitted from the chord.
This chord chart and tablature shows you how to play the B major seventh chord. Bmaj7 has a ve...
This chord chart, tablature, and picture demonstrate how to play the B Major 9th chord. It's a...
This Bo7 chord utilizes a common, movable voicing.
This Bsus4 chord utilizes a common, movable chord shape.
The C major chord is absolutely essential for every guitarist to learn, so check out the C majo...
This C# major chord features a barre played by the third finger.
This voicing for C# major is played in open G tuning.
This a C# half diminished seventh chord.
This is the C#5 power chord. This chord is played with the root not on the A string, 4th fret.
This C#7 voicing is played in first inversion.
This C#7 chord is played in second inversion.
This is the C# minor chord.
This "power chord" voicing for C#m is commonly used in metal. The root note is located on the f...
This abbreviated form of a C#m barre chord is played in second inversion.
This voicing for C#o is used in the song "Blackbird" by the Beatles.
This C#o chord is played with a D bass note.
Notice how this voicing for C major omits the fifth of the chord.
This is one possible fingering of the C augmented chord.
This C chord is played with a D bass note.
This voicing for C/E is played in drop D tuning. Notice how the thumb frets the low bass note.
This is the C/G. This means it is a regular C open chord played with a G bass note.
This is the C13 chord with its root note on the 6th string, 8th fret.
This is the C13sus chord with its root note on the 6th string.
This is a 2 string version of the C5 power chord. The root note for this chord is on the A str...
This C5 power chord is played in open G tuning.
This is a C5 chord with the fifth in the bass.
C 6 played with the root note on the 6th string, 8th fret.
This voicing for C6 is played in C Wahine tuning (C, G, D, G, B, D).
C 6/9 chord with a 5th string root note.
This voicing for C6/9 is played in C Wahine tuning (C, G, D, G, B, D).
Learn the C7 chord today by using this graphic. It provides tablature, chord charts, and pictur...
This voicing for C7 is played in C Wahine tuning (C, G, D, G, B, D).
This is the C7(#11) chord.
This is C7(#5).
C7(#9) with its root note on the fifth string.
Here's the C7(b9) chord played with a 5th string root note.
C7 suspended chord with a 6th string root note.
This is a C9 chord.
Get your thumb ready for this voicing of C9/G!
C9 suspended chord with a 5th string root note.
This is the Cadd11 chord. The eleventh scale degree is added to the voicing for C major.
This chord uses a similar shape to G major. The first and second fingers are moved to the A an...
This voicing for Cadd9 is played in C Wahine tuning (C, G, D, G, B, D). This chord can also be...
This "open" voicing for Cadd9 is played in open G tuning.
The #11, F#, is added to this Cadd9 chord.
This Cadd9 chord has B as its low root note.
Here you can see a chord chart, tablature, and a picture of the C minor chord in action. Be su...
C minor major 7 with a 6th string root note on the 8th fret.
Cm11 with a 6th string root note; commonly used in jazz.
Cm13 chord with a 6th string root note on the 8th fret.
C minor 6th chord with a 6th string root note.
This is the Cm7 chord. We have a Cm7 chord chart, tablature, and picture for you to use as a t...
C minor 9 chord with its root note on the 5th string.
This voicing for Cmadd9 is played in C Wahine tuning (C, G, D, G, B, D).
C major 13 chord with a 6th string root note.
C major 6 sharp 11 with its root note on the 6th string.
This is the Cmaj7 chord.
This voicing for Cmaj7 is played in C Wahine tuning (C, G, D, G, B, D).
C major 7 sharp 11 with a 6th string root.
The third is omitted from this Cmaj7 chord.
This Cmaj7/E chord is played in open C tuning.
This is the C major seventh chord played with a G bass note. This is also known as a "slash" c...
This is an interesting way to fret a Cmaj9 chord.
This Cmaj9 chord is played in third inversion.
Co7 with its root on the 5th string, 3rd fret.
This voicing for Csus2 utilizes a common, movable chord shape.
This is a Csus2 chord with a #11 (F#) added.
Replacing the third (E) of the basic C major chord with the fourth (F) creates this Csus4 voici...
The "open" D major chord is one of the most commonly used chords in guitar music.
This voicing for D major is played in open D tuning.
This is a three string version of D#5 played at the 6th fret.
This voicing for D#o is used in the song "Blackbird" by the Beatles.
This D#o7 chord utilizes a commonly used diminished voicing.
This D major chord is played in open D tuning. The #11 (G#) is added to the chord.
This D major chord is used in the interlude section to "One" by Metallica.
This D+ chord utilizes a common augmented chord voicing.
A variation of the D major chord.
This voicing for D major is played in open G tuning. The fifth of the chord, A, is played as t...
This D major chord is played with the note C in the bass.
This D major chord is played with a C# bass note.
An inversion of the D major chord. The thumb frets the low bass note.
This voicing for D/F# is played in open D tuning.
This voicing for D13 is commonly used in the jazz genre.
Get your thumb ready for this voicing of D13/A!
This is the 2 string version of the D5 power chord.
This diagram shows you how to finger an "open" D5 power chord.
This fingering for D5/A is used in the interlude to "One" by Metallica.
This D5 power chord is played with a C# bass note.
This page contains a D6 chord chart, D6 tablature, and an image of the D6 chord being played.
This D6 chord is played in open D tuning.
This voicing features a common movable shape combined with open strings.
The third is omitted from this D6/9 chord.
This D6/9 chord is played with an A bass note.
This voicing for D6sus4 is played in open D tuning.
So you want to learn the D7 chord huh? Let this D7 chord chart, tablature of the D7 chord and ...
This "open" voicing for D7 is played in open G tuning.
This is a set 3 voicing for D7(#5).
This is the D7 #9 chord. It can be very difficult to finger for beginners, so do not give up.
This chord can be somewhat difficult to finger because of the mini-bar. Remember not to play e...
This voicing for D7 is played in open D tuning. The third, F#, is omitted from the chord.
This interesting D7/A voicing is played in seventh position.
This is the basic open D chord with C played in the bass.
This is the D7 chord played with a F# bass note.
This is the "open" D7 voicing with G played in the bass. This chord is used in Matteo Carcassi...
The eleventh is added to this first inversion D7 chord.
This voicing for D7sus4 is used in the song "Blackbird" by the Beatles.
A wonderful way to play the D9 chord on the 4th and 5th frets.
This second position barre chord voicing for D9 is played in C Wahine tuning (C, G, D, G, B, D)...
Get your thumb ready for this voicing of D9/A!
This D9 chord features the third in the bass.
This voicing for Dadd11 is used in the song "Blackbird" by the Beatles.
The fifth of this Dadd11 chord, A, is played in the bass.
Notice how the ninth is added on the high E string of this voicing for D major.
This chord utilizes the basic shape of the "open" C major chord in conjunction with open string...
This is an inverted voicing of Dadd9,11.
This voicing for D major adds the ninth. Also, notice how the third is in the bass.
This is the "D" flat barre chord held in the "A" shape.
This is a three string version of a Db5 chord played at the fourth fret.
This is a four string voicing for Db7 with the root note on the sixth string. The fifth is omi...
This Dbm barre chord utilizes the visual shape of the "open" Am chord.
This Dbm7 chord utilizes a common, movable barre chord shape.
This Dbsus2 chord is played in C Wahine tuning. The fifth of the chord is played in the bass.
The D minor chord is often used in music of all styles, so you best memorize this D minor chord...
The D minor major seventh chord sure is a mouthful to say, but it sounds beautiful on the guita...
This "open" Dm chord is played with an A bass note.
This Dm chord is played in first inversion.
This voicing for Dm11 is commonly used in the jazz genre.
Ah the simplicity of a nice "D" minor 6th chord. Piece of cake, eh?
Learn the D minor chord today with this hot and heavy D minor chord chart, D minor tablature an...
Learning the D minor 9th (Dm9) chord is easy so long as you use this D minor 9th chord chart, t...
This voicing for Dmadd11 is used in the song "Blackbird" by the Beatles.
This Dmadd9 chord is played in first inversion.
The D major 7th chord sounds wonderful. Learn the D major seventh using this graphic, which fe...
This Dmaj7 chord is played in open D tuning.
The D major ninth is a wonderful chord to learn because of its beautiful, mellow sound. Use th...
This voicing for Dmin7 is played in C Wahine tuning (C, G, D, G, B, D).
This is an inverted Do triad.
Relative to the "D" chord, the Dsus2 is very easy to play. Simply remove your finger from the "...
This Dsus2 chord is played in open D tuning.
This is a Dsus2 chord played in open position. The fifth of the chord is played in the bass.
This Dsus2 chord is played with a B bass note.
This Dsus2 chord is played with a Bb bass note.
This Dsus2 chord is played with a C bass note.
This Dsus2 chord is played with a G bass note.
Learning chords has never been easier! Jamplay.com is the best source for learning guitar on t...
This Dsus4add9 chord is used in the interlude to "Stairway to Heaven."
This image contains an E major chord chart, the E major chord in tablature form, as well as an ...
This chord combines an E note and the Bb note located a tritone above it.
Notice how this voicing for E major omits the fifth of the chord.
The sixth string is omitted from this voicing of E major.
This is an E major barre chord played with the C shape at the 4th fret. Use this E barre chord...
This voicing for E13 is played in "open" position.
Join the ranks of the other "5" power chords with this "E" chord variation.
This two string version of E5 is played in Drop D tuning.
The fifth of this E5 power chord is played in the bass.
This E6 power chord is frequently used in blues shuffle riffs.
This voicing of E6 omits the third of the chord.
A simple variation of the "E" chord brings you to the this "E" 7th chord - yet another easy one...
This voicing of E7(#9) is used very commonly in the blues, jazz, and rock genres.
This voicing for E7(b9) is commonly used in the jazz genre.
This E7(b9)sus4 chord is used in the Emerson, Lake, and Palmer song "From the Beginning."
This voicing of E7 features the fifth scale degree in the bass.
This voicing for E9 is commonly used in the jazz genre.
This voicing for E9(no 3rd) is found in the introduction to the song "Black" by Pearl Jam.
This Eadd9 chord is played in "open" position.
The E flat barre chord played using the C shape at the 3rd fret.
This Eb major barre chord is played in open G tuning.
This voicing for Eb major is played in C Wahine tuning. The fifth of the chord is in the bass.
This Eb chord is played in first inversion.
Get your thumb ready for this voicing of Eb13/Bb!
This two string version of Eb5 is played in Drop D tuning.
This is a four string version of Eb5.
This voicing for Eb6 omits the fifth of the chord.
This is a rootless voicing of Eb7.
This is an E flat dominant ninth voicing with a fifth string root.
This Eb9 chord is played in second inversion.
This voicing for Ebm is based on the visual shape of the "open" Am chord.
This voicing for Ebm7 is commonly used in the jazz, blues, and western swing genres.
This Ebmaj7 chord is played in first inversion.
This is an inverted Ebo triad.
This voicing for Ebsus2 utilizes a common, movable chord shape.
The E minor chord can be played by flattening the third scale degree of E major. Instead of pla...
E minor add 9 chord
This Em chord is used in the interlude section of "One" by Metallica.
This voicing for Em is played with the fifth of the chord, B, in the bass.
This Em chord is played with a D bass note.
This voicing for Em11 is commonly used in the jazz genre.
This voicing for Em6 adds a C# note to the basic "open" Em grip.
If you are looking to play the E minor seventh chord, this chord chart, tablature, and image of...
This voicing for Em7 is played in open G tuning.
Looking for a unique sounding E chord for your next song? The E minor 9th might just fit the b...
The E major seventh chord has a very interesting sound. Use the following E major 7 chord char...
This is E major seventh with the third scale degree omitted.
Many guitarists don't use or appreciate the major 9th chords nearly enough. Take for instance ...
This is an inverted Eo triad.
This Eo7 chord utilizes a common, movable chord shape.
This Esus2 chord is played in second position.
This voicing for Esus4 utilizes a very common movable chord shape.
This page contains an F major chord chart, tablature of the F chord, as well as an image of the...
The F# barre chord can also be played using the E shaped barre chord. When using the E barre c...
This voicing for F# major is played in open G tuning.
The fifth (C#) is omitted from this F# major chord.
This is an F# augmented triad.
This is the F#5 chord played in drop D tuning.
This voicing for F#6 is commonly used in the jazz and western swing genres.
This is the F sharp dominant seventh barre chord. The barre is across all six strings.
This voicing for F#7(#9) utilizes a common movable chord shape.
This F#7/G chord is a staple of Robert Johnson's style. This voicing is played in open G tunin...
This chord voicing combines a common movable shape with the open B and E strings.
This voicing of F#7sus4 is used in the intro to "Dogs" by Pink Floyd.
This five string voicing for F#9 utilizes a movable chord shape.
This is a rootless voicing of F#9/A#.
This is the F# minor barre chord. This chord can be quite difficult to finger. Hang in there! ...
This is an F#m11 chord.
The name sounds confusing but playing it is a piece of cake. The "F" sharp minor 7th barre chor...
This is an inverted F#o triad.
This is an F# fully diminished seventh chord.
This is a very common voicing for F#sus4.
This chord is comprised of an F root note and the B note located a tritone above it.
This F major chord is played in first inversion.
This is the F/C chord. This means it is the F chord played with a C bass note.
This F13 voicing utilizes a movable chord shape. The root note is located on the fifth string.
This voicing for F13(#11) is played in C Wahine tuning (C, G, D, G, B, D).
Get your thumb ready for this voicing of F13/C!
This is the F5 chord played in Drop D Tuning.
This is a three string voicing of F5 played at the 8th fret.
The fifth of this F5 chord is played in the bass.
This voicing of F6 can be moved anywhere on the fretboard to form a new major sixth chord.
This voicing for F6/9 is commonly used in the jazz genre.
This is a common voicing for F dominant seventh.
This voicing for F7(#9) utilizes a common, movable chord shape.
This voicing for F7(b9) utilizes a common, movable chord shape.
This is an F dominant ninth chord with a 5th string root note (8th fret).
This is a set 3 voicing for F9(#5).
Get your thumb ready for this voicing of F9/C!
This voicing for Fadd9 is used in the song "Blackbird" by the Beatles.
This Fadd9 chord is played in second inversion.
This image shows how to play the F minor chord. As you can see, there is an F minor chord char...
This voicing for Fm11 is commonly used in the jazz genre.
This voicing for Fm7 is commonly used in the jazz genre.
Use the following F minor ninth chord chart, tablature, and the picture of the chord being play...
This voicing for Fmaj13 is commonly used in the jazz genre.
Learning the major seventh chords is an easy way to add flexibility to your song writing and pl...
This chord voicing combines a common movable shape with the open B and E strings.
This Fmaj7 chord omits the third.
This popular jazz voicing of Fmaj7 is played in second inversion.
This four string voicing for Fmaj7add9 features two open string notes.
This voicing of Fmaj7sus4 is used in the intro to "Dogs" by Pink Floyd.
This chord utilizes the basic shape of the "open" C major chord in conjunction with open string...
This voicing of Fmaj9(no 3) is used in the intro to "Dogs" by Pink Floyd.
This is an inverted Fo triad.
This voicing for Fsus2 utilizes a common, movable chord shape.
This is the G major chord. The G major chord is one of the most common guitar chords. Learning...
The G sharp barre chord utilizes a barre across all six strings. Since it involves all four fre...
This barre chord voicing for G# major is played in open D tuning.
This is the G#5 (G Sharp 5) power chord in Drop D tuning.
This G#7 chord features a "grand" barre across all six strings.
This is a rootless voicing of G#9/B#.
Get your thumb ready for this voicing of G#9/D#!
This is the barre chord version of the G# minor chord.
This is a G#m barre chord played in second inversion.
This is an inverted G#o triad.
This voicing for G(no5) is used in the interlude to "One" by Metallica.
This chord is a G/A slash chord. That means it is a G Major chord with an A bass note.
This voicing of G major features the third, B, in the bass.
This G/B voicing is played in open G tuning.
This G chord is played in second inversion.
This is the open G chord with F# in the bass.
This voicing for G13 is commonly used in the jazz genre.
This is a rather unusual voicing for G13(#11). Both the third and fifth of the chord are omitt...
Get your thumb ready for this voicing of G13/D!
This is a 2 string version of the G5 power chord. The root of the chord is on the 6th or low E...
This is a G5 power chord.
This chord is used in the song "Patience" by Guns n' Roses.
This G5 power chord features the fifth (D) as the low bass note.
This voicing for G5/F is used in the introduction/verse to the song "December" by Collective So...
This G5 power chord is played with F# in the bass.
This is a rootless voicing of a G6 chord.
This is a G6 chord with no 3rd.
This G6 chord is played with a D bass note.
This voicing for G6sus4 is played in open D tuning.
This helpful chord chart, tablature, and image will help you master the G7 chord in no time. T...
This third position voicing for G7 is played in open G tuning.
This voicing for G7(#11) is commonly used in the jazz genre.
This voicing for G7+ is played in C Wahine tuning (C, G, D, G, B, D).
This G7(#5) chord is played in open G tuning.
This fifth position voicing for G7 is played in open G tuning.
This is an "open" chord voicing of G7 with B, the third of the chord, in the bass.
This second inversion voicing for G7 is played in drop D tuning.
This is the G dominant ninth chord with its root note on the fifth string, 10th fret.
This voicing for G9 is played in C Wahine tuning (C, G, D, G, B, D).
This is a rootless voicing of G9/B.
Get your thumb ready for this voicing of G9/D!
This Gadd11 chord is played in open C tuning.
Notice how the ninth is added on the high E string of this voicing for G major.
This voicing for Gadd9/D major combines high fretted notes with open strings. It is played in ...
This Gb5 chord utilizes the low three strings.
This is a rootless voicing of a Gb7 chord.
This is the G minor chord played in barre form. It uses the E minor shape barre chord on the 3...
This is a G minor chord played in second inversion.
The fifth string is omitted from this voicing of Gm6.
Use this image to help you master the G minor seventh chord. As you can see, Gm7 is a fairly e...
Use the following documentation to learn and master the G minor ninth chord.
Learn to play the G major seventh chord. Study and memorize the attached images.
This is an open Gmaj7/B chord.
This is an inverted Go triad.
This is a Gsus2 chord played in tenth position.