Erik demonstrates some more of his harmonic moves. He covers slapping, tapping, and popping harmonics. Each move produces a different sound with the harmonic.
Taught by Erik Mongrain in Erik Mongrain Artist Series seriesLength: 7:29Difficulty: 4.0 of 5

Self-taught acoustic guitarist Erik Mongrain shows off some of his innovations and moves in this Phase 2 Artist Series.
Lesson 1
Take 18 minutes to get to know Erik, and discover his unique path to becoming a composer and artist.
Length: 18:25 Difficulty: 0.5 Members OnlyLesson 2
Erik discusses his guitar in detail and how it is setup.
Length: 39:41 Difficulty: 0.5 Members OnlyLesson 3
In this lesson Erik explains the electronic components of his gear.
Length: 5:04 Difficulty: 0.5 Members OnlyLesson 4
Erik demonstrates how he gets warmed up. He also shows some exercises that build muscle and dexterity.
Length: 23:06 Difficulty: 1.5 Members OnlyLesson 5
Erik expounds on the many possibilities of open tunings and the new harmonics that you can use in them.
Length: 10:39 Difficulty: 2.0 FREELesson 6
Erik explains picked harmonics and something he calls the "Waterfall Technique".
Length: 7:05 Difficulty: 4.0 Members OnlyLesson 7
Erik shows you some more of his moves in this installment of the harmonics mini-series.
Length: 9:58 Difficulty: 4.0 Members OnlyLesson 8
Erik demonstrates some more of his harmonic moves. He covers slapping, tapping, and popping harmonics.
Length: 7:29 Difficulty: 4.0 Members OnlyLesson 9
This is the last lesson in the harmonics mini series by Erik. In this lesson he covers some of the harder to play harmonics.
Length: 10:06 Difficulty: 5.0 Members OnlyLesson 10
Erik Mongrain returns with more "Moves". In this lesson he shows you his right hand flick, strum, and thumb pop techniques.
Length: 17:09 Difficulty: 5.0 Members OnlyLesson 11
Erik shows how his guitar is set up and customized for his percussive moves.
Length: 9:24 Difficulty: 4.0 Members OnlyLesson 12
Erik teaches the basics of percussive techniques on acoustic guitar.
Length: 13:27 Difficulty: 2.5 Members OnlyLesson 13
In this lesson Erik explains what he calls "sweeping." This is not a neoclassical shred-fest.
Length: 12:11 Difficulty: 2.5 Members OnlyLesson 14
Erik covers the basics of lap tapping. This lesson will get you acquainted with the posture and setup for this style of playing.
Length: 4:22 Difficulty: 2.0 Members OnlyLesson 15
Erik explains the basics of the lap tapping style in this lesson.
Length: 12:17 Difficulty: 3.5 Members OnlyLesson 16
This is a three part lesson on music composition. In the first part, Erik talks about how he composes his music. In parts two and three, he answers questions posed to him about how he writes.
Length: 44:47 Difficulty: 0.5 Members OnlyLesson 17
Erik discusses the various aspects of performing live. He shares many tips and useful info for novices and veterans alike.
Length: 21:17 Difficulty: 0.5 Members Only
About Erik Mongrain
View Full Biography
Erik Mongrain was born in Montreal on April 12, 1980. When he was young, he was more into sports than music. Growing up to the sounds of Metallica, Jimi Hendrix and mostly Kurt Cobain from Nirvana, Erik discovered an interest in guitar. At 14, he received a classical guitar as a gift and learnt by ear his favorite songs. A year later, he bought his very first electric guitar which allowed him to learn and play Nirvana songs to his delight.
Over the following four years, he learned guitar on his own, composed his own music and discovered Jean-Sebastian Bach classical guitar melodies, which he learned by heart. Around the age of 18, he discovered a Canadian guitar giant who goes by the name of Don Ross.
It was during this period in his life that Erik chose acoustic guitar as his favorite musical instrument through which he wished to share his passion with others around him. He made another major discovery with the contemporary music of a Californian named Michael Hedges. "It was a true revelation tome, I had finally found my niche" stated Erik. He is still a great fan of Michael Hedges to this day.
During that time, he discovered and experimented a technique, which was unknown to him until then, "lap tapping" "I immediately adopted that technique." With the guitar on his lap, he tapped the chords as if it were a piano. The effect was spectacular! People passing by on the streets were his first "fans". Over those years, Erik played in streets and subway stations in Montreal, in the U.S. as well as in Europe.
In Granada, Spain, a journalist came across this young Montrealer, who was then 21, sitting on the sidewalk and playing his guitar. Impressed by his talent, he wrote an article in the "Granada" newspaper and made the following prediction:
"As another great guitar tapping player, Stanley Jordan, Mongrain started out in the streets of Granada, he will continue on in the Barcelona subway and will probably end up recording on world class major labels"
- Jesus Arias, Granada
Erik is a musician who is constantly researching and exploring the world of music. For almost two years now, Erik has resumed standard guitar posture and has been writing at tremendous speed songs in which the harmonies and melodies are profoundly inspired.
It is often said that one cannot fight fate. From streets to T.V. sets, this young self-taught guitar player has not betrayed the old saying. 2007, Erik Mongrain launches his first CD entitled "Fates" and now "Equilibrium" to the delight of music lovers.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
Eve talks about the boom-chuck strum pattern. This strum pattern will completely change the sound of your playing.
Free LessonSeries DetailsErik expounds on the many possibilities of open tunings and the new harmonics that you can use in them. He explains what...
Free LessonSeries DetailsPamela brings a cap to her first 13 JamPlay lessons with another original etude inspired by the great Leo Brouwer. This is...
Free LessonSeries DetailsOrville Johnson introduces turnarounds and provides great ideas and techniques.
Free LessonSeries DetailsHawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.
Free LessonSeries DetailsIn lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...
Free LessonSeries DetailsIn this lesson Randall introduces the partial capo (using a short-cut capo by Kyser) and talks about how it can make the...
Free LessonSeries DetailsNick explains how to play some of the most commonly used chords in the bluegrass genre.
Free LessonSeries DetailsSteve Eulberg does a quick review of this lesson series and talks about moving on.
Free LessonSeries DetailsOur electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
Kris analyzes different pick sizes and their effect on his playing. Using a slow motion camera, he is able to point out the...
Free LessonSeries DetailsAlbert Collins brought a lot of style to the blues scene. In this lesson, Kenny breaks down Albert's style for you to learn.
Free LessonSeries DetailsMichael "Nomad" Ripoll dives deep into the rhythm & blues, funk, and soul genres that were made popular by artists like Earth...
Free LessonSeries DetailsBrendan demonstrates the tiny triad shapes derived from the form 1 barre chord.
Free LessonSeries DetailsJames explains how to tap arpeggios for extended musical reach.
Free LessonSeries DetailsKnown around the world for his inspirational approach to guitar instruction, Musician's Institute veteran Daniel Gilbert...
Free LessonSeries DetailsLearn a handful of new blues techniques while learning to play Stevie Ray Vaughn's "The House Is Rockin'".
Free LessonSeries DetailsLauren Passarelli offers up her wisdom on purchasing a guitar. She also includes information regarding proper setup and care....
Free LessonSeries DetailsJane Miller talks about chord solos in part one of this fascinating mini-series.
Free LessonSeries DetailsLisa breaks into the very basics of the electric guitar. She starts by explaining the parts of the guitar. Then, she dives...
Free LessonSeries DetailsWhile we have attempted to provide you with an accurate rendition of our video lesson experience, there are some features which
require a membership with us!
At JamPlay, we give you the ability to monitor your own progress for any lesson! If you watch one of our lessons and feel as though you understand around half of it, mark your progress at 50%. This adds the lesson to your customized Progress Report, and gives you an incredible ability to document what you need to work on, and where you left off.
With thousands of lessons at your fingertips, JamPlay can be a touch intimidating to a first-time user. With Progressive Bookmarking, we give you the ability to systematically bookmark sections of any lessons you are working on to quickly access later. After all, what is the point of all this content if it isn't easy to use?
JamPlay also gives you the ability to leave notes for yourself on any lesson. Just like in any educational system, taking your own notes while learning gives you the ability to highlight the instruction that is important to you. Leave your notes, and we store them in our database for you to reference each and everytime you come back to the lesson.
Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.
Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Erik says he doesn't see people slap with their middle fingers. I most commonly use the index like him, but I find I can get slightly different tones with the middle and even ring fingers. The index is most accurate because it's your "smartest" finger, but the middle finger can give you enough swing, heft and leverage in your slap to produce a nice, stark PING, especially on 1st, 2nd, and/or 3rd strings. Conversely, the ring finger gives you a more subtle BING that can be nice to contrast with other, more prominent notes. I've also been known to slap harmonics with my thumb on the low strings to produce a solid, dull PONG. Experiment!