Mark Lincoln teaches an original song entitled "Shine Like the Sun."
Taught by Mark Lincoln in Basic Guitar with Mark Lincoln seriesLength: 18:59Difficulty: 2.0 of 5
- Warm up the hands.Ready?
- Stretch the wrists.
- Play the major and minor open chords.
- Warm up your strumming muscles by relaxing the wrists and letting the pick flow over the strings.
- Play the E major chord in the "new" way and play the type 1 barre chords.
- Play the A major chord in the "new" way and play the type 2 barre chords.
- Practice the "slanting A" technique.
- Practice the type 1 minor barre chords.
- Practice the type 2 minor barre Chords.
- Play all of the type 1 mini-barre chords.
- Play all of the type 2 mini-barre chords.
- Review and practice quantitative and qualitative techniques.
- Review last week’s exercises.
- Practice "wrist warming"

Learning the basics of the guitar, the building blocks if you will, is an extremely important step in learning and mastering the guitar. This series is all about the basics.
Lesson 1
This lesson is all about the basics. Mark explains guitar parts, holding the guitar, and more.
Length: 13:12 Difficulty: 0.5 Members OnlyLesson 2
Mark begins by discussing equipment every guitarist should own. Then, he introduces chords and proper tuning methods.
Length: 17:28 Difficulty: 0.5 Members OnlyLesson 3
Mark finishes his discussion of the "open" chords. He applies these chords to basic rhythm and strumming concepts.
Length: 17:33 Difficulty: 1.0 Members OnlyLesson 4
Mark reviews the major chords and introduces the minor chords. He also covers strumming techniques in greater depth.
Length: 25:48 Difficulty: 1.0 Members OnlyLesson 5
Mark introduces a few more minor chords. He also provides a monster chord exercise.
Length: 16:36 Difficulty: 1.5 Members OnlyLesson 6
Mark Lincoln continues his discussion of chords and strumming. He introduces several new exercises in this lesson.
Length: 19:30 Difficulty: 1.5 Members OnlyLesson 7
Mark covers several topics in this lesson. He explains scales and barre chords. He also demonstrates how to find notes on the fretboard.
Length: 21:45 Difficulty: 1.5 Members OnlyLesson 8
Mark Lincoln covers E shaped barre chords in greater depth. Mark refers to these chords as "Type 1" barre chords.
Length: 15:12 Difficulty: 2.0 Members OnlyLesson 9
Mark covers the A Shape / Type 2 barre chords in greater depth.
Length: 17:12 Difficulty: 2.0 Members OnlyLesson 10
Mark introduces minor barre chords that utilize the shape of the "open" Em chord.
Length: 13:10 Difficulty: 2.0 Members OnlyLesson 11
Mark introduces minor barre chords based on the shape of the "open" Am chord. He refers to these chords as "Type 2 Minor" barre chords.
Length: 12:36 Difficulty: 2.0 Members OnlyLesson 12
Mark demonstrates abbreviated versions of the "Type 1" and "Type 2" barre chords. He calls these "mini barre" chords.
Length: 17:43 Difficulty: 2.0 Members OnlyLesson 13
Mark teaches the "mini barre" version of the A major shaped barre chord. He also explains dissonance.
Length: 20:29 Difficulty: 2.0 Members OnlyLesson 14
Mark Lincoln applies mini-barre chord concepts to minor chords.
Length: 12:28 Difficulty: 2.0 Members OnlyLesson 15
Mark Lincoln explains essential components of guitar technique.
Length: 15:59 Difficulty: 2.0 Members OnlyLesson 16
Mark Lincoln explains how dynamics can enhance your playing. He covers topics such as volume, tempo, rests, and more.
Length: 27:48 Difficulty: 0.5 Members OnlyLesson 17
Mark Lincoln explains more about guitar technique. This time around he introduces "transition strums" and continues his discussion of liquid chords.
Length: 26:12 Difficulty: 2.0 Members OnlyLesson 18
Mark Lincoln explains what harmonics are and how they are played.
Length: 15:31 Difficulty: 2.5 Members OnlyLesson 19
Mark Lincoln expands on the concept of liquid chords. He explains new chord variations and how they can be changed in mid-strum.
Length: 16:21 Difficulty: 2.0 Members OnlyLesson 20
Mark demonstrates how chord progressions can be spiced up by adding hammer-ons and pull-offs.
Length: 12:21 Difficulty: 2.5 Members OnlyLesson 21
Mark explains how chord fingerings must be altered when applying "liquid chord" concepts. He also provides a few new "liquid chord" exercises.
Length: 11:10 Difficulty: 2.0 Members OnlyLesson 22
Mark returns to the land of chords. This time around, he provides an exercise that contains four variations on the A chord.
Length: 14:28 Difficulty: 2.5 Members OnlyLesson 23
Mark provides a chord progression that shifts from one D chord to another in six steps.
Length: 15:20 Difficulty: 2.0 Members OnlyLesson 24
Mark delves deeper into chord construction and alternate chord voicings.
Length: 13:36 Difficulty: 2.0 Members OnlyLesson 25
Mark tests your guitar knowledge with a pop quiz. Then, he discusses quantitative and qualitative changes.
Length: 22:54 Difficulty: 2.5 Members OnlyLesson 26
In the 26th installment of his basic guitar series, Mark reviews the quantitative and qualitative changes he presented in lesson 25.
Length: 17:34 Difficulty: 2.5 Members OnlyLesson 27
Mark provides exercises designed to make you a better rhythm player.
Length: 0:00 Difficulty: 2.0 Members OnlyLesson 28
Mark Lincoln expands on the rhythm exercise from lesson 27. This time around he incorporates several C based chords.
Length: 14:31 Difficulty: 2.5 Members OnlyLesson 29
Mark discusses proper playing technique. He provides a few exercises that facilitate right hand mechanics.
Length: 17:02 Difficulty: 2.5 Members OnlyLesson 30
Mark provides an exercise that features two new chords - Cadd9 and Dsus2.
Length: 0:00 Difficulty: 2.0 Members OnlyLesson 31
In the 31st lesson, Mark discusses his "finger glue" technique. This technique improves speed and accuracy.
Length: 21:31 Difficulty: 2.0 Members OnlyLesson 32
Mark takes a step back in lesson 32 to explain how to make quick and accurate chord changes.
Length: 22:14 Difficulty: 1.5 Members OnlyLesson 33
Mark explains how to use the slide technique between chords.
Length: 19:24 Difficulty: 2.0 Members OnlyLesson 34
Mark reviews qualitative and quantitative changes. He explains how to keep time while performing these changes.
Length: 21:17 Difficulty: 2.0 Members OnlyLesson 35
Mark discusses qualitative and quantitative changes within an A minor progression.
Length: 19:56 Difficulty: 0.5 Members OnlyLesson 36
Mark Lincoln discusses several techniques that can be used when transitioning between chords.
Length: 21:43 Difficulty: 2.0 Members OnlyLesson 37
In this lesson, Mark once again covers the subject of chord transitions. This time around, he focuses on barre chords and includes several helpful exercises.
Length: 23:25 Difficulty: 2.5 Members OnlyLesson 38
In lesson 38, Mark discusses how playing single notes rather than chords can spice up your playing.
Length: 22:56 Difficulty: 2.0 Members OnlyLesson 39
Lesson 39 is all about rocking out. Mark discusses some tips to take your playing to the next level.
Length: 18:08 Difficulty: 2.0 Members OnlyLesson 40
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.
Length: 14:42 Difficulty: 2.0 Members OnlyLesson 41
In lesson 41, Mark reviews the warm-up section and provides new tips on playing adequately from the wrist.
Length: 22:09 Difficulty: 2.0 Members OnlyLesson 42
Mark builds further on barre chord techniques and liquid chords.
Length: 17:24 Difficulty: 2.5 Members OnlyLesson 43
In lesson 43, Mark discusses additional skills related to learning and playing chords, specifically "liquification" of chords.
Length: 20:42 Difficulty: 2.0 Members OnlyLesson 44
Lesson 44 is all about trying new things. Mark discusses experimenting with your playing in order to take it to the next level.
Length: 17:20 Difficulty: 2.0 Members OnlyLesson 45
In this lesson, Mark once again talks about changing up chord derivatives to create a more unique sound.
Length: 20:56 Difficulty: 1.5 Members OnlyLesson 46
In lesson 46, Mark explains how to maximize your options by maintaining chord shapes while playing.
Length: 21:44 Difficulty: 1.5 Members OnlyLesson 47
Today, Mark takes in depth look at strumming.
Length: 23:57 Difficulty: 1.0 Members OnlyLesson 48
Mark Lincoln teaches an original song entitled "Shine Like the Sun."
Length: 18:59 Difficulty: 2.0 Members OnlyLesson 49
Mark teaches some useful information on how to mix postures, "finger glue," and techniques to make your chord changes speedy and more effective.
Length: 30:56 Difficulty: 2.5 Members OnlyLesson 50
In this lesson, Mark guides you through the world of alternate chord voicings. He teaches several shapes and shows how they can be used to enhance your playing.
Length: 23:06 Difficulty: 2.0 Members OnlyLesson 51
Mark brings us a very appealing aspect to better understand the guitar. With his explanation of "liquified" chords, mark will explain how to move up and down the guitar to create different chord voicing.
Length: 25:32 Difficulty: 2.0 Members Only
About Mark Lincoln
View Full Biography
Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
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Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.mark i got a question, what is the advantage in playing the slanting A barre chord?
She broke ya heart ha? :( Dont worry bro, theres a lot of girls waitin for ya! :D
suggestion...maybe PLAY the whole song to give us an idea of what it sounds like first? Good song!
Great song Mark, any reason you didn't use all barre chords in the chorus? Seems to slide up the neck of the guitar real nice.
Hey Casa how are you? Sometimes I like to combine the fullness of a barre chord with the more open sounding open chords, simply for variation. You are more than welcome, of course, to play the song in any way you like though! I'm glad you're enjoying it, Mark
Great song Mark :)
Thanks Pencil, it will be on my upcoming CD as well with a more fuller and developed mix. Good to hear from you! Mark
I've Been hoping you'd someday share this song with jamplay! yay!!!
Thanx Jessy I really appreciate your support and interest in my music! Mark
Bravo, Mark. Very nice tune. Something i can play and sing for my wife and daughter. Just out of curiosity, what ever happened with the blonde girl that inspired you to write this song? Thanks again, Mark!
Hey Ed thanks bro! The girl who inspired this song: I lost track of her years ago after I stopped performing in Vail. She kept telling me that she was breaking up with her boyfriend to see me but it just wasn't happening and I knew that from the get go...ML
yes mark im jammin away to that, learned it in the Q@A a while back thanx, its good to do it in the lesson form as well
Hey Al great to hear from you my friend! Mark
mark, you're the cruise director, excellent!! And the cruise enjoys, la croisière s'amuse! I don-t care at this level about repeating exactly what strum you use, I feel correct for the moment with my strum. merci encore bel Adonais
Hey Pat merci beaucoup! I'm glad you're finding your own way with the strum patterns as I think that each of us needs to develop a "feel" for the strum n'est ce pas? Mark
Mark, Great song. I understood the verse strum pattern is D (Down, Down, Up, Down) to A (Up, Up, Down, Up, Down) to C (Down, Down, Down, Up) to G (Up, Up, Down, Up, Down) which brings up two questions: 1.) Since the second and fourth chord strum patterns are identical, why are the first and third chord strum patterns different? 2.) Isn't it awkward to transition from the C chord which ends on an up stroke to the G chord which begins on an up stroke? It does not feel natural to me to not alternate the direction of the strum when transitioning between chords. John
Hey John thanks for writing in! It really pleases me that you've put this much thought into this so I hope I can clairfy any issues on Shine Like the Sun. The strum pattern should be played as delineated in the supplemental content and I understand that you're not getting the feel of it, right? It's important that you realize John that I'm doing a downstroke right before the up on the 2nd and fourth chords, the A and G chords. So rather than doing back to back up strums which would be a little awkward, I'm slipping in a little transition strum. Does that make sense? Mark
Hello Mark,I am one of your fan here in Paris,France.Very nice song.You deserve to be sign .How about a lesson on your hit Jeni Lani.I will love to learn it.Bye.Yves
Bonjour Yves, comment ca va? Thank you so much for your awesome feedback and I will consider doing Jeni Lani in the future! Merci beaucoup mon ami! Mark
excellent job, well done explination, and the different strum pattern was fun and put a nice twist to it. And excellent lyrics by the way two thumbs up!
Hey Master thanks for the great feedback, it always pleases me when another musician appreciates my work! Much obliged my friend! Mark
You Sound Like James Taylor. I love this song, very good
Hey Rocker what's up? I've never heard that comparison before but it's flattering nevertheless! Thanks bro! Mark
hehe freeze it at 00:37 of scene 1 looks funny:p but nice job Mark;)
Thanks for sharing your song. It was also a lesson in playing, as well as a little songwriting and performing notes. I particularly liked the points about assigning a different strum pattern to different chords as well as deviating slightly along the way. Keeps it interesting and not so formulaic. Good one, Mark. You mention tabs in the supplemental. There were none, but I think it's not needed.
Hey GW what's up?!? Thanks, as usual, for your insightful and well-thought out feedback about the song and the lesson as well. I'm really glad that you are enjoying the lessons on so many levels! Talk soon, Mark
When Mark refers to tab he generally means the chord charts and such in his lesson writeup. though it should be noted Matt will be doing actual tab and notation for this lesson in the coming days for those of you who would like it.
Well done!! Once again I'm impressed with the quality of the content on Jamplay. Keep it coming.
Hey Jay grate to hear from you and thanks for the awesome feedback! Great having you aboard my friend! Mark