Mark Lincoln explains essential components of guitar technique.
Taught by Mark Lincoln in Basic Guitar with Mark Lincoln seriesLength: 15:59Difficulty: 2.0 of 5
- Warm-up the hands.Okay, so we've been spending an awful lot of time with barre chords and mini-barre chords and you might be saying at this point "so how do we use all of these chords to make a song and finally have some fun?" We're going to start talking about the art of strumming chords and how to actually make music. Don't forget to warm up properly and continue to practice all of the material that we have been working on up to this point. Everything that we've covered thus far will come into play and contribute to the overall beauty of your playing.
- Stretch the wrists.
- Play the major and minor open chords.
- Warm up your strumming muscles by relaxing the wrists and letting the pick flow over the strings.
- Play the E major chord in the "new" way and play the type 1 barre chords.
- Play the A major chord in the "new" way and play the type 2 barre chords.
- Practice the "slanting A" technique.
- Practice the type 1 minor barre chords.
- Practice the type 2 minor barre chords.
- Play all of the type 1 mini-barre chords.
Play all of the type 2 mini-barre chords.
or "down-up down-up down-up" (aka as the snap strum if you recall) and in this order:
or "down down-up down" strum (everybody’s favorite) play the G chord, then the D/F#, then the Em chord "walking" down from the G to the Em. Notice how the D/F# is not just an arbitrarily chosen chord but rather an interim chord that sounds correct in between the G and the Em. Watch me in the video for insight on how I do this. You can also walk back up from the Em to the G in the same fashion.
Alternate Chords
or "down down-up strum," walk down from C to Am using the B note as a transition. Strike the B note as you would a chord and walk from C to Am and then back up. Again, watch me in the video for insight on how I do this.
Learning the basics of the guitar, the building blocks if you will, is an extremely important step in learning and mastering the guitar. This series is all about the basics.
Lesson 1
This lesson is all about the basics. Mark explains guitar parts, holding the guitar, and more.
Length: 13:12 Difficulty: 0.5 Members OnlyLesson 2
Mark begins by discussing equipment every guitarist should own. Then, he introduces chords and proper tuning methods.
Length: 17:28 Difficulty: 0.5 Members OnlyLesson 3
Mark finishes his discussion of the "open" chords. He applies these chords to basic rhythm and strumming concepts.
Length: 17:33 Difficulty: 1.0 Members OnlyLesson 4
Mark reviews the major chords and introduces the minor chords. He also covers strumming techniques in greater depth.
Length: 25:48 Difficulty: 1.0 Members OnlyLesson 5
Mark introduces a few more minor chords. He also provides a monster chord exercise.
Length: 16:36 Difficulty: 1.5 Members OnlyLesson 6
Mark Lincoln continues his discussion of chords and strumming. He introduces several new exercises in this lesson.
Length: 19:30 Difficulty: 1.5 Members OnlyLesson 7
Mark covers several topics in this lesson. He explains scales and barre chords. He also demonstrates how to find notes on the fretboard.
Length: 21:45 Difficulty: 1.5 Members OnlyLesson 8
Mark Lincoln covers E shaped barre chords in greater depth. Mark refers to these chords as "Type 1" barre chords.
Length: 15:12 Difficulty: 2.0 Members OnlyLesson 9
Mark covers the A Shape / Type 2 barre chords in greater depth.
Length: 17:12 Difficulty: 2.0 Members OnlyLesson 10
Mark introduces minor barre chords that utilize the shape of the "open" Em chord.
Length: 13:10 Difficulty: 2.0 Members OnlyLesson 11
Mark introduces minor barre chords based on the shape of the "open" Am chord. He refers to these chords as "Type 2 Minor" barre chords.
Length: 12:36 Difficulty: 2.0 Members OnlyLesson 12
Mark demonstrates abbreviated versions of the "Type 1" and "Type 2" barre chords. He calls these "mini barre" chords.
Length: 17:43 Difficulty: 2.0 Members OnlyLesson 13
Mark teaches the "mini barre" version of the A major shaped barre chord. He also explains dissonance.
Length: 20:29 Difficulty: 2.0 Members OnlyLesson 14
Mark Lincoln applies mini-barre chord concepts to minor chords.
Length: 12:28 Difficulty: 2.0 Members OnlyLesson 15
Mark Lincoln explains essential components of guitar technique.
Length: 15:59 Difficulty: 2.0 Members OnlyLesson 16
Mark Lincoln explains how dynamics can enhance your playing. He covers topics such as volume, tempo, rests, and more.
Length: 27:48 Difficulty: 0.5 Members OnlyLesson 17
Mark Lincoln explains more about guitar technique. This time around he introduces "transition strums" and continues his discussion of liquid chords.
Length: 26:12 Difficulty: 2.0 Members OnlyLesson 18
Mark Lincoln explains what harmonics are and how they are played.
Length: 15:31 Difficulty: 2.5 Members OnlyLesson 19
Mark Lincoln expands on the concept of liquid chords. He explains new chord variations and how they can be changed in mid-strum.
Length: 16:21 Difficulty: 2.0 Members OnlyLesson 20
Mark demonstrates how chord progressions can be spiced up by adding hammer-ons and pull-offs.
Length: 12:21 Difficulty: 2.5 Members OnlyLesson 21
Mark explains how chord fingerings must be altered when applying "liquid chord" concepts. He also provides a few new "liquid chord" exercises.
Length: 11:10 Difficulty: 2.0 Members OnlyLesson 22
Mark returns to the land of chords. This time around, he provides an exercise that contains four variations on the A chord.
Length: 14:28 Difficulty: 2.5 Members OnlyLesson 23
Mark provides a chord progression that shifts from one D chord to another in six steps.
Length: 15:20 Difficulty: 2.0 Members OnlyLesson 24
Mark delves deeper into chord construction and alternate chord voicings.
Length: 13:36 Difficulty: 2.0 Members OnlyLesson 25
Mark tests your guitar knowledge with a pop quiz. Then, he discusses quantitative and qualitative changes.
Length: 22:54 Difficulty: 2.5 Members OnlyLesson 26
In the 26th installment of his basic guitar series, Mark reviews the quantitative and qualitative changes he presented in lesson 25.
Length: 17:34 Difficulty: 2.5 Members OnlyLesson 27
Mark provides exercises designed to make you a better rhythm player.
Length: 0:00 Difficulty: 2.0 Members OnlyLesson 28
Mark Lincoln expands on the rhythm exercise from lesson 27. This time around he incorporates several C based chords.
Length: 14:31 Difficulty: 2.5 Members OnlyLesson 29
Mark discusses proper playing technique. He provides a few exercises that facilitate right hand mechanics.
Length: 17:02 Difficulty: 2.5 Members OnlyLesson 30
Mark provides an exercise that features two new chords - Cadd9 and Dsus2.
Length: 0:00 Difficulty: 2.0 Members OnlyLesson 31
In the 31st lesson, Mark discusses his "finger glue" technique. This technique improves speed and accuracy.
Length: 21:31 Difficulty: 2.0 Members OnlyLesson 32
Mark takes a step back in lesson 32 to explain how to make quick and accurate chord changes.
Length: 22:14 Difficulty: 1.5 Members OnlyLesson 33
Mark explains how to use the slide technique between chords.
Length: 19:24 Difficulty: 2.0 Members OnlyLesson 34
Mark reviews qualitative and quantitative changes. He explains how to keep time while performing these changes.
Length: 21:17 Difficulty: 2.0 Members OnlyLesson 35
Mark discusses qualitative and quantitative changes within an A minor progression.
Length: 19:56 Difficulty: 0.5 Members OnlyLesson 36
Mark Lincoln discusses several techniques that can be used when transitioning between chords.
Length: 21:43 Difficulty: 2.0 Members OnlyLesson 37
In this lesson, Mark once again covers the subject of chord transitions. This time around, he focuses on barre chords and includes several helpful exercises.
Length: 23:25 Difficulty: 2.5 Members OnlyLesson 38
In lesson 38, Mark discusses how playing single notes rather than chords can spice up your playing.
Length: 22:56 Difficulty: 2.0 Members OnlyLesson 39
Lesson 39 is all about rocking out. Mark discusses some tips to take your playing to the next level.
Length: 18:08 Difficulty: 2.0 Members OnlyLesson 40
Lesson 40 takes a deeper look at slash chords. Mark discusses why they're called slash chords, and how they are formed.
Length: 14:42 Difficulty: 2.0 Members OnlyLesson 41
In lesson 41, Mark reviews the warm-up section and provides new tips on playing adequately from the wrist.
Length: 22:09 Difficulty: 2.0 Members OnlyLesson 42
Mark builds further on barre chord techniques and liquid chords.
Length: 17:24 Difficulty: 2.5 Members OnlyLesson 43
In lesson 43, Mark discusses additional skills related to learning and playing chords, specifically "liquification" of chords.
Length: 20:42 Difficulty: 2.0 Members OnlyLesson 44
Lesson 44 is all about trying new things. Mark discusses experimenting with your playing in order to take it to the next level.
Length: 17:20 Difficulty: 2.0 Members OnlyLesson 45
In this lesson, Mark once again talks about changing up chord derivatives to create a more unique sound.
Length: 20:56 Difficulty: 1.5 Members OnlyLesson 46
In lesson 46, Mark explains how to maximize your options by maintaining chord shapes while playing.
Length: 21:44 Difficulty: 1.5 Members OnlyLesson 47
Today, Mark takes in depth look at strumming.
Length: 23:57 Difficulty: 1.0 Members OnlyLesson 48
Mark Lincoln teaches an original song entitled "Shine Like the Sun."
Length: 18:59 Difficulty: 2.0 Members OnlyLesson 49
Mark teaches some useful information on how to mix postures, "finger glue," and techniques to make your chord changes speedy and more effective.
Length: 30:56 Difficulty: 2.5 Members OnlyLesson 50
In this lesson, Mark guides you through the world of alternate chord voicings. He teaches several shapes and shows how they can be used to enhance your playing.
Length: 23:06 Difficulty: 2.0 Members OnlyLesson 51
Mark brings us a very appealing aspect to better understand the guitar. With his explanation of "liquified" chords, mark will explain how to move up and down the guitar to create different chord voicing.
Length: 25:32 Difficulty: 2.0 Members Only
About Mark Lincoln
View Full Biography
Mark Lincoln was born in S. California but was raised near Portland Oregon in a town called Beaverton. When he was twelve years old, he began his journey into the realm of the creative by composing poetry and was later published in a journal called "In Dappled Sunlight." He wrote for four years until his older sister blessed him with his first guitar, an old beat-up nylon stringed classical guitar. Mark played that guitar for five years, continuing to compose his own lyrics and starting the process of matching his own words with chords that he was learning on the guitar. He learned to play chords from his friends and from music books that he both bought and borrowed. Mark cited his four biggest influences, at that point at least, as The Who, Led Zeppelin, Jethro Tull, The Rolling Stones.
Mark cites his most current influences as Radiohead, U2, older music by REM, and Peter Gabriel amongst others. He performs with two acoustic guitars, one being a six-string M-36 Martin with a three-pieced back for increased bass response, and a Guild Twelve-string which is his most recent acquisition. Mark is fond of saying that the twelve-string guitar is better because you get two guitars for the price of one, but he still plays his Martin equally as much and with the same passion.
Mark ended up in Fort Collins Colorado where he currently lives, works as a Marriage and Family Therapist, and continues to write, teach and perform music. He currently performs with a group called "Black Nelson" as well as with a number of other seasoned professional musicians including his cousin David, a virtuoso lead-guitar player. Mark has performed in many of the smaller venues in Denver and Boulder, as well as some of the larger ones including the Fox Theatre, The Boulder Theatre, Herman's Hideaway, and also at The Soiled Dove where he opened for Jefferson Starship as a soloist. Some of Mark's originals are also available for your listening pleasure on MySpace.
Our acoustic guitar lessons are taught by qualified instructors with various backgrounds with the instrument.
In lesson 6, Kaki discusses how the left and right hands can work together or independently of each other to create different...
Free LessonSeries DetailsIn this lesson, Peter discusses the two bar clave that is common to the Brazilian style. You'll put together several patterns...
Free LessonSeries DetailsTrace Bundy talks about the different ways you can use multiple capos to enhance your playing.
Free LessonSeries DetailsJim Deeming discusses how to use a metronome for practice, skill building, and speed building.
Free LessonSeries DetailsHawkeye teaches several Robert Johnson licks in this lesson. These licks are played with a slide in open G tuning.
Free LessonSeries DetailsJessica kindly introduces herself, her background, and her approach to this series.
Free LessonSeries DetailsMitch teaches his interpretation of the classic "Cannonball Rag." This song provides beginning and intermediate guitarists...
Free LessonSeries DetailsMark Nelson introduces "'Ulupalakua," a song he will be using to teach different skills and techniques. In this lesson, he...
Free LessonSeries DetailsSteve Eulberg does a quick review of this lesson series and talks about moving on.
Free LessonSeries DetailsOur electric guitar lessons are taught by instructors with an incredible amount of teaching experience.
In this lesson Eric talks about playing basic lead in the Memphis Blues style.
Free LessonSeries DetailsNick starts his series with Alternate Picking part 1. Improve your timing, speed, and execution with this important lesson.
Free LessonSeries DetailsBryan Beller of the Aristocrats, Dethklok, and Steve Vai takes you inside his six step method to learning any song by ear....
Free LessonSeries DetailsChris brings his ingenuity to this lesson on the American folk song called "Where Did You Sleep Last Night?" Also known as...
Free LessonSeries DetailsJane Miller talks about chord solos in part one of this fascinating mini-series.
Free LessonSeries DetailsLearn a handful of new blues techniques while learning to play Stevie Ray Vaughn's "The House Is Rockin'".
Free LessonSeries DetailsAllen shows you the 24 rudiments crucial to developing finger dexterity. This is a short lesson but the exercises here can...
Free LessonSeries DetailsLisa breaks into the very basics of the electric guitar. She starts by explaining the parts of the guitar. Then, she dives...
Free LessonSeries DetailsNick explains how to use scales and modes effectively when soloing over a chord progression.
Free LessonSeries DetailsWhile we have attempted to provide you with an accurate rendition of our video lesson experience, there are some features which
require a membership with us!
At JamPlay, we give you the ability to monitor your own progress for any lesson! If you watch one of our lessons and feel as though you understand around half of it, mark your progress at 50%. This adds the lesson to your customized Progress Report, and gives you an incredible ability to document what you need to work on, and where you left off.
With thousands of lessons at your fingertips, JamPlay can be a touch intimidating to a first-time user. With Progressive Bookmarking, we give you the ability to systematically bookmark sections of any lessons you are working on to quickly access later. After all, what is the point of all this content if it isn't easy to use?
JamPlay also gives you the ability to leave notes for yourself on any lesson. Just like in any educational system, taking your own notes while learning gives you the ability to highlight the instruction that is important to you. Leave your notes, and we store them in our database for you to reference each and everytime you come back to the lesson.
Signup today to enjoy access to our entire database of video lessons, along with our exclusive set of learning tools and features.
Member Comments about this Lesson
Discussions with our instructors are just one of the many benefits of becoming a member of JamPlay.Thanks for the lessons. You make things easy to understand which is a gift. I've learned more in 2 weeks than in years of books and a few lessons. Thanks a lot.
Mark - "A chord" exercise is the best yet! Only been palying with it this morning and I've already done it with a couple different strumming patterns to mix it up. Once I have all of these solid I'm already thinking of throwing in other chord changes. -Erik
I had gone through this lesson, and moved on, but came back to check a few things. I must have gone through it with a brain freeze, because I got so much out of it the 2nd time around. Thanks so much, Mark! You're a great teacher.
Hi Mark, is it crucial that I learn the Dadd9/F# with that specific fingering? I have a torn ligament in my wrist and it's very difficult to use that fingering. I have found it much easier and a little less painful to use my thumb to fret the F# instead of my first finger. Is this acceptable?
Hi Mark, I like the lessons for beginners. I may be a little more advanced than what was in the first few in this series but they remind you if the strong foundation needed to play well. After playing for years with no lessons I thought it would be best to do something other than play by ear and feel. Steve
Hey Steve thanks a lot! And I couldn't agree more that sometimes we all need to take a step back and review stuff we might need to brush up on. Thanks for the feedback and we'll see you on-line! Mark
Great classes man, but learning guitar is hard enough, and you throw a 12 string in there to just to keep us on our toes! I would like to hear the sound of a 6 string so that I can match tone.
Hey JR what's up? Yes occasionally I'll be playing the twelve but 'fret' not my friend, tunings, chords and all are all the same. Yes, the tone is a little different but that shouldn't deter you from learning. Thanks for the feedback! Mark
What I like about this and other of Mark's lessons is that his choice of chords forces me to pay close attention to my hand and finger positions - something I have returned to. Was getting a little lazy, or just working on something else, and need to get my wrist pushed forward, watch where that back thumb really is and work on using the tips of my fingers in evermore awkward positions, such as this d/chord. This lesson provides the right kind of push to keep me focussed on such minutia. Thanks Mark. Sometimes I am annoyed but working into it for 15-30 minutes is very rewarding.
Hi Megan! I'm glad to hear that you're "annoyed" but in a good way! It's great to hear from you and I'm really happy to hear that your playing is coming to a new level. Keep it up! Thanx, Mark
I don't understand how to choose the proper chord in between chords when walking up or down. Do you just choose it by sound (trial and error) or is there a formula to find it quickly. I don't see how B stands between C major and Am (exercise 2).
Hey Philman, thanks for writing! Yes, you can use those lettered notes that naturally go between two chords (like B between C and A or you can go off and find your own way. Listen to what you're playing and decide for yourself if something works...experimentation is a great way to go. Good luck! Mark
Mark Have question about the DADD9 F# The A string is X ed so dosent that mean not to hit that string? Maybe I missed something but you never said anything about that, It shows on the supplemental content HELP
Hey Lenj thanks for writing in. Yes the x does indicate that the string should be dubbed but like the illustrious Jeff B. has indicated, try it with and without to see what you like. But.....if a string need be muted, then likely it will sound better without that note. Try it and see what you think! M
With this chord you really can play the open A, or not. The open A is part of the chord technically. With regular D major chords, people generally don't hit the A string because it sounds better if the root is the lowest note, but this chord is already using another note for the bass so that isn't as important. Try playing it with the A string muted and without and decide which version you prefer.
Wow! Mark without a stocking cap! Color me impressed. (looks good)
I know! He has a new hat every time now!
The rest of your homework assignments from Mark will be posted tomorrow afternoon (Sat. Oct. 25). Thanks for your patience!